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Silence Is No Reaction: Forty Years Of Subhumans by Ian Glasper
Cat: 941089 Rel: 18 May 23
 
For the first time ever, the whole story of the Subhumans straight from the recollections of every single band member, past and present, and a dizzying array of their closest friends and peers, with not a single stone left unturned.
Notes: Formed in Wiltshire, England, in 1980, the Subhumans are rightly held in high regard as one of the best punk rock bands to ever hail from the UK.

Over the course of five timeless studio albums and just as many classic EPs, not to mention well over 1,000 gigs around the world, they have blended serious anarcho punk with a demented sense of humour and genuinely memorable tunes to create something quite unique and utterly compelling. For the first time ever, their whole story is told, straight from the recollections of every band member past and present, as well as a dizzying array of their closest friends and peers, with not a single stone left unturned. Bolstered with hundreds of flyers and exclusive photos, it's the definitive account of the much-loved band.

Praise

"It's all here: the genesis of the band, the practising, the song-writing, the recordings, the gigs, the original split and the reformation ... in fact everything you could possibly want to know about this very special band."
Tony Whatley of Suspect Device

"Ian Glasper captures the emotion and excitement surrounding one of the most enduring punk bands on the planet. With an extensiveisome might say forensicinarrative, this book really gets under the skin of a perennial favourite who have rarely put a foot wrong."
Nathan Haywire, Louder Than War

"Subhumans have integrity in spades, and you can't buy that. They were important then and are important now."
Sean Forbes of Wat Tyler and Hard Skin

"Subhumans are special both on and off stage. It's the passion that's evident onstage, with those beautifully constructed lyrics spat out with every breathiand that charged energy they generate, that sweeps through the crowd and leaves us feeling changed."
Ruth Elias of Hagar The Womb

"They're one of my favourite bands in the world, but a band is only as good as the people in it ... and the Subhumans are the real deal."
Stu Pid of Police Bastard

"Their songs seem to exist out of time, somehow always relevant. And they've stuck to their gunsithere's this stubborn defiance in the face of fashion, and a glorious, unaffected honesty."
iWinston Smith

"They are the ultimate punk band, with the most genuine, inclusive, informative, approachable attitude, and such amazing music ... tight and edgy as fuck, and so professionalia joy to watch."
Peter Jones of Paranoid Visions

About the Author

Ian Glasper has been writing about punk since 1986, when he first started his own fanzine, Little Things Please Little Minds. Then in the early Nineties he started writing reviews for Record Collector, and a hardcore punk column for Terrorizer, the extreme music magazine that he contributed to for the next twenty years. He is the author of six other books including Burning Britain and The Day the Country Died. A father of two, and a lifelong vegetarian/vegan, he writes for Down for Life and Fistful of Metal, as well as regularly penning liner notes for retrospective punk and metal releases. He is tentatively working on the next book in his ongoing overview of the UK punk scene.
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 2 in stock $28.13
FORTHCOMING
Studio Ghibli: 77 Selections by Yamaha/Various Artists
Cat: 994517
 
From 20 of Studio Ghibli's most beloved films, including "My Neighbor Totoro," "Princess Mononoke," "Spirited Away," and more, comes a piano solo sheet music collection featuring 77 iconic songs
Notes: Here comes the ultimate Studio Ghibli piano solo collection featuring 77 essential musical masterpieces! From 20 of Studio Ghibli's most beloved films, including "My Neighbor Totoro," "Princess Mononoke," "Spirited Away," and more, comes a piano solo sheet music collection featuring 77 iconic songs. In addition to timeless favorites, songs from popular soundtracks such as "Kiki's Delivery Service" and "Porco Rosso" are included. Featuring Studio Ghibli musical masterpieces in solo piano arrangements, this collection features the movie theme songs as well as fan-favorite instrumental music. The difficulty levels range from easy to intermediate, making them accessible to a wide range of players, and the simpler arrangements can be fully enjoyed by players who can feel the essence and atmosphere. The book cover features official Studio Ghibli artwork. The book is supported in Japanese, English, and Chinese. This one volume offers a comprehensive, special collector's edition for enjoying Studio Ghibli's music. "Studio Ghibli 77 Selections" will surely take you on a musical journey through 20 Studio Ghibli films!
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Subcontinental Synthesis: Electronic Music At The National Institute Of Design India 1969-1972 by Paul Purgas
Cat: 988143 Rel: 21 Dec 23
 
The history of India’s first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor.
Notes: The history of India's first electronic music studio founded in 1969 at the National Institute of Design in Ahmedabad by David Tudor.

A book companion to the compilation album The NID Tapes: Electronic Music in India 1969-1972 released by State51.

Subcontinental Synthesis explores the history of India's first electronic music studio, founded in 1969 at the National Institute of Design in Ahmedabad with the support of the composer David Tudor. The essays and writings unravel the narrative and context surrounding the studio as well as the work of the Indian composers who created groundbreaking recordings during its four years of activity.

The texts reflect on the role of electronic music within a post-independence India, considering its interconnections with experimental design, radical pedagogies, and the international avant-garde, as well as the encircling conditions of Western ideological soft power within the global expansion of Modernism.

Contributors:

Geeta Dayal, Alannah Chance, Matt Williams, Shilpa Das, Jinraj Joshipura, You Nakai, Rahila Haque, and Paul Purgas. Foreword by Budhaditya Chattopadhyay
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 1 in stock $20.69
Sun Ra: Art On Saturn: The Album Cover Art Of Sun Ra's Saturn Label by Irwin Chusid & Chris Reiman
Notes: Drawn from private collections around the world, this is the first comprehensive collection of the Saturn label's printed record covers, along with hundreds of the best hand-designed, one-of-a-kind sleeves and disc labels decorated by Sun Ra and members of his Arkestra.

Considered the foremost exponent of Afrofuturism, Sun Ra mastered a wide array of styles that spanned jazz, R&B, exotica, Afro-hybrids, electronic, big band, solo piano, orchestral, experimental, and chamber works. In his 45-year recording career, he issued an epic number of albums and he was one of the first Black musicians to own an independent label, which he named Saturn, after the planet on which he claimed to have been born. The covers of Saturn LPs, issued from 1957 to 1988, are iconic- some rolled off commercial printing presses but many were hand-crafted. These records were sold at concerts, club dates, and by mail order. As collectibles, original handmade Saturn covers sell for hundreds, sometimes thousands, of dollars. More than just packaging for a slab of vinyl, they are works of art in their own right.

Sun Ra: Art on Saturn is the first comprehensive collection of all Saturn printed covers, along with hundreds of the best hand-designed, one-of-a-kind sleeves and disc labels, decorated by Ra himself and members of his Arkestra. Essays by Sun Ra catalog preservationist Irwin Chusid, noted Ra scholar John Corbett, and Glenn Jones, who in the 1970s signed Ra to a distribution deal that put countless homemade covers into circulation, add unique insights into the interplanetary life and work of Sun Ra and his Saturn partner Alton Abraham.

Historians have written extensively about Sun Ra and his music. This book is a tribute to the covers and to the uncredited visual artists and their rich imaginations. From the simple to the baroque to the absurd, the covers that sheathed Ra's discs reflect the tenaciousness of a genius who refused to compromise or relinquish control of his destiny.

Pages: 240
Format: Hardback
Colour: Full-colour.
Dimensions: 11.75" × 11.75"
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 4 in stock $63.10
Tape Leaders: A Compendium Of Early British Electronic Music Composers: by Ian Helliwell
 1 in stock $25.23
The Art Of Darkness: The History Of Goth by John Robb
Cat: 916175 Rel: 23 Mar 23
 
The first ever complete overview of Goth culture
Notes: Finally, after a decade of work, countless interviews and immersing himself into the culture, John Robb's definitive book is a journey far into The Art Of Darkness. The first in-depth book on Goth is a deep dive into the enduring culture and the social, historical and political backdrop that created the space for The Art Of Darkness to thrive.

680 pages with interviews with the likes of Andrew Eldritch, Killing Joke, Bauhaus, The Cult, The Banshees, The Damned, Einsturzende Neubauten, Danielle Dax, Johnny Marr, Trent Reznor, Adam Ant, Laibach, The Cure, Nick Cave and many others, this is a deepdive and walk on the dark side and into the very heartland of Goth.

Every generation has got to deal with the blues - embrace the melancholy. Find a beauty in the darkness, a poetry in sex and death...Whether it's the Roman love of ghost stories, European macabre folk tales of the Middle Ages, Romantic poets, or the original Gothic tribes sacking the Eternal City, a walk on the dark side has always had its attractions. In the post-punk period, Generation Xerox saw music, clothes and culture come together to create one of the most enduring pop cultures of them all that still resonates to this day... Goth.

It may have been a retrospective term for a scene that was already thriving, but its back story goes back millennia. The book starts with the fall of Rome and ends with Instagram and Tik Tok influencers, taking diversions through Lord Byron, European folk tales, Indian sadhus, Gothic architecture, Romantic poets, philosophers and idealists before coalescing through the dark end of the Sixties' youthquake, and then blooming like Baudelaire's Les Fleurs Du Mal in the post-punk period.

Defying the broken heartland of the post-industrial cities, the semi-forgotten satellite towns and the grim real politic of the Thatcher years, this was a post-punk culture full of dark dance and a death disco. The music soundtracked the style and a Stygian obsidian soundtrack fused the many fragments of culture that had been flirted with in the post-war pop narrative; a darker culture that began to coalesce around the holy trinity of the Doors, the Velvets and the Stooges in the late Sixties before flirting with glam rock, being amplified by punk, exploding as Goth, and then splintering into electronic dance music, industrial, psychobilly and new Goth, before finally filtering through dystopian Hollywood blockbusters, modern literature and throughout the modern world.

In the late Seventies, Goth culture emerged around a clutch of bands who found a new form of beauty in the apocalyptic foreboding, as a new youth tribe took glam rock from the catwalk to the cobbles and onto their own dance floors, creating their own art of darkness.
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 5 in stock $20.78
The Book Of Drexciya Vol 1
Cat: 772332 Rel: 21 May 20
 
78 page graphic novel- hardback book
Notes: Tresor is pleased to announce the Drexciyan journey's continuation with the release of The Book Of Drexciya, Vol. 1, a graphic novel which covers the first 5 vivid chapters of this powerful mythology, a crucial Afrofuturist work.

African pregnant women thrown o the slave ships gave birth underwater to amphibious creatures. They could breathe as they did in their mothers' wombs, they had webbed hands and feet and became the Drexciyan wave jumpers: great warriors of the abyss. Revealed in the inner sleeve notes of The Quest (1997), through a map of the diasporic black culture, Drexciya illustrated four phases: The Slave Trade, Migration Route of Rural Blacks to Northern Cities, Techno Leaves Detroit, Spreads Worldwide, and The Journey Home (Future). It introduces the very creatures and warriors found in these pages, such as Wavejumpers and Deep Sea Dwellers. The return home is of destination future, where lays the population of their abyss.

Follow the story of the first Drexciyan, his subaquatic birth, growing up in the caves of Ociya Syndor, later to become Drexaha, the empire's first king. Get introduced to Dr. Blowfin, Master of Alchemy and Quantum Genetics, who masterminded Drexciyan computer systems and network, based on Genetic Intelligence and DNA matrix systems. Hear the story of the birth of the wavejumpers, the mightest warriors of Drexciya. Enter Bubble Metropolis, thriving with its central command, aquabahns and aqua wormhole gateways to the cephalopod-like oceanic Cruisers.

Authored by Abdul Qadim Haqq and Dai Sato, it features the art of Haqq, Leo Rodrigues, Alan Oldham, Hector Rubilar, Leonardo Gondim, Daniel Oliviera and Milton Estevam. Haqq's legendary concept imagery associated with the Detroit techno community and beyond for almost 30 years and his contributions to the mythology at the time of conception makes him uniquely positioned to lead this endeavour. Dai Sato is most known for his screenwriting for animes Cowboy Bebop and Ghost in the Shell.

This project comes with the full support of living Drexciya member Gerald Donald and Helen Stinson, the surviving mother of James Stinson.
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 4 in stock $54.69
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The Book Of Drexciya Vol 2
Cat: 839230 Rel: 23 Aug 21
 
Hardback book
Notes: We continue to learn about the Drexciyans and their first leader, Drexaha. 5 stories just like the Book of Drexciya, Volume One.
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 1 in stock $48.38
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The Icon Catalogue: Drum & Bass Vol 1 by Southside Circulars
Cat: 969627 Rel: 29 Sep 23
 
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep.
Notes: The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Drum & Bass, Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.

Pages: 44
Size: A6 (10.5cm x 14.8cm)
Binding: Staple bound
Print: Black & white
Authors: Chris Dexta & Alex Immerse
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 1 in stock $7.36
The Icon Catalogue: Jungle Vol 1 by Southside Circulars
Cat: 944894 Rel: 26 May 23
 
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep.
Notes: The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep. From the most important labels responsible for the scene's foundations to rare, hard-to-find imprints now defunct, plus a few heavy-hitting newcomers.
Jungle Volume 1 features the likes of Dread, Legend, Moving Shadow, Rugged Vinyl, White House and many more.


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 2 in stock $7.36
The Icon Catalogue: UK Garage Vol 1 by Southside Circulars
Cat: 944895 Rel: 26 May 23
 
The Icon Catalogue is a series of small A6 zines profiling 40 record labels in various dance music genres such as Jungle, UK Garage and Dubstep.
Notes: UK Garage Volume 1 features the likes of Casa Trax, Groove Yard, Locked On, Social Circles, Swing City and many more.
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 2 in stock $7.36
FORTHCOMING
The Icon Catalogue: UK Hardcore Vol 1 by Southside Circulars
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coming soon $8.94
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The Knot: Complete Words For Music Collected Stories & Journals by Michael Gira (hardback edition)
Cat: 986320 Rel: 01 Mar 24
 
Journals, stories, and songs span the years 1981 to present; includes visual archives and artwork dating back to 1974
Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Hardcover 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

Hardcover Collector's edition of 3000 numbered copies, signed by M. Gira

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira
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 1 in stock $78.10
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The Knot: Complete Words For Music Collected Stories & Journals by Michael Gira (paperback edition)
Cat: 1005690 Rel: 01 Mar 24
 
Journals, stories, and songs span the years 1981 to present; includes visual archives and artwork dating back to 1974.
Notes: Michael Gira - The Knot: Complete Words for Music, Collected Stories and Journals

Paperback; 7 1/4 x 10 1/4 inches, 408 pages, includes 101 colour images printed on high quality photographic paper.

Paperback has bookplate signed by M Gira.

Journals, stories, and songs span the years 1981 to present. Includes visual archives and artwork dating back to 1974.

"From the Preface to The Knot: This book contains the words to every song I've written worth collecting to date from all my musical projects throughout the years. I've left out various imbecilities and feckless half-starts. Also included in this book are several previously published short stories. They're taken from the collections The Consumer and The Egg, as well as a few other hand- made limited editions of stories. In a few cases I've included excerpts rather than the entire story. This was done for aesthetic purposes, with the overall feel of this current volume in mind. There are a great many journal entries in this book. For the most part they are also, emphatically fiction. They're from an ongoing journal, not a diary. My journals are where I often allow a disembodied, fictional 1st person narrator to take over and unspool imagined events, diatribes, impossible scenarios, psychic auto-cannibalisms, and corrosive or ecstatic dreams etc. Again, these are fiction. Certain things I've written about (in fiction and in song form) seem to exist beneath the surface (in myself and others) and I find them compelling to look at and to describe. I view this as a positive act. In acknowledgment of the constricting and microscopically judgmental and censorious times we live in, the usual authorial caveats apply here. Certainly there are many purely anecdotal journal entries included in this book as well, and my presumption is that an intelligent reader would be able to differentiate one from the other. Personally, I'm very suspicious of memory (especially my own), so I can't definitively vouch for the veracity of the recounting of the literal events herein either. I have also excised material that I felt too personal to include, out of respect for the people involved as well as for myself. There are several large gaps in the journal entries over the years. This is due to lost journals of the time, and in one case a lost laptop (which, painfully, contained a great deal of writing). There are also periods where I didn't keep a journal and didn't write fiction. In any event, I've tried to include fiction and journal entries that correspond roughly to the period before and after a musical album's release and the words that were written for that music. The end section of this book consists of recently unearthed visual documents and imagery and functions here as an incidental archive. The images span the years from 1974 to the present."

Michael Gira
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 4 in stock $35.24
The New York Hardcore Chronicles Vol 2 (1990-1999) by Drew Stone
Cat: 980434 Rel: 08 Dec 23
 
The uncensored oral history of the "Silver age" of the NYHC scene as told thru the flyers of the era, with over 200 exclusive interviews, never-before-seen photos, and ephemera.
Notes: The uncensored oral history of the "Silver age" of the NYHC scene as told thru the flyers of the era, with over 200 exclusive interviews, never-before-seen photos, and ephemera. Told by the bands, fans, 'zinesters, promoters, photographers, graffiti artists, thugs, slugs, and troublemakers that made it happen.

Includes interviews with Evan Seinfeld (Biohazard), Roger Miret (Agnostic Front), Lou Koller (Sick Of It All), J.J. Janick (Discharge), Joey Z (Life Of Agony), and many, many more.

Hand-numbered out of 1,000 copies and signed by the author.
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 1 in stock $33.13
FORTHCOMING
The Resurrection Of The Crazed by Paul Wainwright
Cat: 993869
 
A collection of articles and interviews from The Crazed magazine
Notes: Join the author as he journeys back to those mutant rockin', venue wreckin', snakebite sodden days of the Psychobilly/neo-Rockabilly scene of the 80's. His fanzine 'The Crazed' was right there, reporting on the scene as it grew and writing about bands such as The Meteors, GuanaBatz, Demented Are Go, King Kurt, Long Tall Texans and Restless.

Travel back through those articles and interviews and revisit the experience. Enjoy noisy nights at The Klub Foot, mecca of all things Psychobilly, where many of these interviews were conducted after sweaty gigs. Read the bands own words, full of enthusiasm, excitement and optimism about what the future might hold, and discover what it was like to produce and edit a fanzine back then.

The scene meant so much to so many and 'The Crazed' was there to document it.

This book recaptures how it felt at the time.

After lying dormant for over 30 years 'The Crazed' has now been resurrected.

Foreword by Craig 'Bracko' Brackenridge of Vintage Rock magazine.

Klub Foot cover art by Paskal Millet.

The Crazed book was officially published on 7th December 2023 and is available now, shipping immediately.

About the author:

In Paul's teenage years during the 1980's he was totally captured by the Psychobilly, Garage and Rockabilly scene. He couldn't play an instrument and really didn't have the patience to learn but really wanted to get recognised within the scene. He had an inquisitive mind and decided to attempt to produce a fanzine which would give him the opportunity to meet and question many of the bands whose records he was so religiously buying.

The first interview he conducted was with arguably the biggest Psychobilly band in England - The Meteors. This set-in motion a series of interviews with other bands and musicians within the scene, many of whom had not been given any exposure from the English music press.

Many a Saturday afternoon saw him spending his hard-earned cash to jump on the train and travel up to the legendary Psychobilly venue in Hammersmith, The Klub Foot, a few interviews were actually conducted there.

His fanzine was called 'The Crazed' and lasted for just four issues, but featured interviews with quite a few of the leading 80's Psychobilly/Rockabilly bands, such as The Meteors, GuanaBatz, Demented Are Go, Restless and more.

For a while within the 1980's the scene shone, but like most things, eventually faded along with his enthusiasm for producing the fanzine.

'The Crazed' became a yellowing photocopied memory put away in a drawer and forgotten about for years.

It wasn't until many years later that 'The Crazed' emerged again in Craig Brackenridge's book about Psychobilly, 'Hell Bent on Rockin'. Parts of Paul's interview with the GuanaBatz was also featured within the CD booklet for Cherry Red Records re-release of their second album, 'Loan Sharks'. Paul was then interviewed about 'The Crazed' by the 'Ole School Psychobilly' website and this led to the genesis of the idea for the book.

The creation of 'The Crazed' book has been quite a journey, with new friendships made, and a few lost.

Old friendships were resurrected, with an understanding of why some of those were never maintained.

Paul travelled back to those heady times in the 80's where music and fashion ruled his life and re-captured his enthusiasm for the Psychobilly / Rockabilly scene.
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The Story Of Crass by George Berger
Cat: 944965 Rel: 19 May 23
 
The whole Crass story, giving access to many never-before seen photos and interviews.
Notes: Crass was the anarcho-punk face of a revolutionary movement founded by radical thinkers and artists Penny Rimbaud, Gee Vaucher, and Steve Ignorant. When punk ruled the waves, Crass waived the rules and took it further, putting out their own records, films, and magazines and setting up a series of situationist pranks that were dutifully covered by the world's press. Not just another iconoclastic band, Crass was a musical, social, and political phenomenon.

Commune dwellers who were rarely photographed and remained contemptuous of conventional pop stardom; their members explored and finally exhausted the possibilities of punk-led anarchy. They have at last collaborated on telling the whole Crass story, giving access to many never-before-seen photos and interviews.

Praise:

"Lucid in recounting their dealings with freaks, coppers, and punks the band's voices predominate, and that's for the best."
The Guardian UK

"Thoroughly researched...chockful of fascinating revelations...it is, surprisingly, the first real history of the pioneers of anarcho-punk."
Classic Rock

"They (Crass) sowed the ground for the return of serious anarchism in the early eighties."
Jon Savage, England's Dreaming

About the Author:

George Berger has written for Sounds, Melody Maker and Amnesty International amongst others. His previous book was a biography of the Levellers: State Education/No University.

Author: George Berger
Publisher: PM Press
Published: 9/2009
Format: Paperback
Page count: 304
Size: 6 x 9
Subjects: Punk Rock, Anarchism
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 1 in stock $16.91
FORTHCOMING
This Is My Everything by Christian Spath
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coming soon $25.51
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FORTHCOMING
Vintage Jazz Poster Scrap by Yasushi Ide
Cat: 1002604
 
Following "Vintage Music T-shirt Scrap", The long-awaited third instalment of the scrap series is Jazz.
Notes: Following "Vintage Music T-shirt Scrap", The long-awaited third instalment of the scrap series is Jazz!

Focusing on jazz, focusing on original vintage posters, From flyers to booklets, calendars, and magazines of performances at the time!

There are many jazz record jacket books in the world, but this is the first poster book in the world.

Ide started by searching for materials for his autobiographical book "Rolling On The Road". Ninety percent of the items in the collection were collected intensively by Ide over a period of about a year and a half. "

Binding: 376 pages / A5 format
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Write Lines: Adventures In Rap Journalism by Andrew Emery
Cat: 1006258
 
Write Lines: Adventures in Rap Journalism tells the tale of hip-hop writing from the inside
Notes: Having failed at rapping, what's next for an endlessly passionate rap nerd? In this sequel to the acclaimed memoir Wiggaz With Attitude, it turns out what's next is a sometimes controversial career in rap journalism.

Write Lines: Adventures in Rap Journalism tells the tale of hip-hop writing from the inside. From death threats to interviewing Lauryn Hill while she's in the shower. From calling Jay-Z a c*** to his face, to letting a notorious rapper sleep in his bath, it's a hilarious, anecdote-studded tale that takes in hip-hop's first-ever magazine and lifts the lid on rivalries, squabbles and how music journalism really works.

Brutally honest, and endlessly opinionated, this story is also a love letter to hip-hop as it changed seismically through the decades. Write Lines charts those changes from the front line through encounters with many of the greats of rap: Chuck D, Missy Elliott, RZA, Eminem, Jazzy Jeff and Gang Starr among them. This is an unfiltered tale of hip-hop that is both heartfelt and scabrously funny.

""With its relatable take on growing up in the 80s, Andrew Emery's Wiggaz With Attitude marked his card as a vivid memoirist. He might have failed as a wannabe rapper, but the music he loved gained multitudes from his work for Hip-Hop Connection. A pivotal force in the magazine's 90s/00s heyday, never short of a telling opinion or four, Andrew set a high bar for its other writers to reach. Write Lines is a transportive account of his many travails in that murky world. Packed with eye-watering encounters and witty asides, his compulsive, self-deprecating and brutally honest reflections will resonate widely and change perspectives on rap journalism forever." - Andy Cowan, HHC Editor & Publisher, author of B-Side: A Flipsided History of Pop.
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