Stereo breakout cable: 3.5mm male stereo TRS to two 3.5mm female mono TS, 15cm.
Notes: The 1010music line of stereo breakout cables are designed to connect 2 mono audio signals to a single stereo TRS 3.5 mm minijack plug. The slim plug caps fit side by side with other cables in compactly spaced input jacks, like those on the 1010music bluebox. These cables may have been designed for the bluebox, but they have a wide variety of uses with other gear as well.
Each of these cables has a male TRS stereo 3.5mm minijack plug on one end and two female TS mono 3.5 mm minijack plugs on the other end. They are 15 cm/6 in long with the 1010music logo printed on the plug caps.
This stereo breakout cable connects two 3.5mm female mono TS minijack plugs to the left and right channels of one 3.5 mm stereo TRS minijack plug. Red and black end caps on the female end differentiate the left and right channels. Each cable is 15 cm/6 in long and has slim metal caps with the 1010music logo.
Specifications:
15 cm / 6 in long
one 3.5 mm male stereo TRS to two 3.5 mm female mono TS
Nickel / 24K Gold plated connector
Highly flexible PVC / TPE Jacket Materials
Rohs, UL, CE, and FCC approved
A single black TRS cable with male 3.5mm minijacks on either end of a 30cm/11.75 cable with 1010music printed on the jacks.
Notes: Use these black cables with the 1010music logo on either end of the jack to connect your 1010music eurorack modules to other modules that also use stereo minijack connections. This is a TRS cable with male 3.5mm minijacks on either end. It is available in two lengths: 30cm/11.75" and 60cm/23.5". These cables can be used for connections between any two 1010music modules, and to any other modules that use a compatible mapping of MIDI signals to stereo minijack connectors.
Weight: 0.04 lbs
Dimensions: 4 × 3.5 × 0.25 in
Length: 30 cm / 11.75"
Pack size: single
Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Pack of 4 knobs used on 1010 Music Blackbox, Bluebox, Nanoboxes, Bitbox MK1, Bitbox MK2, Bitbox Micro, Bluebox Eurorack & Waverazor
Notes: These knobs fit all 1010music products. Replace your damaged knobs or just swap them for a different colour. These knobs will fit blackbox, bluebox, the nanoboxes, bitbox mk1, bitbox mk2, bitbox micro, bluebox Eurorack edition, and Waverazor Dual Oscillator. They are sold in single colour packs of 4.
These are the official knobs used on 1010music products since the release of the bluebox. They fit the stems of the potentiometers on all current and past 1010music products. They come in packs of 4, all one colour.
Each knob is 0.65" / 18 mm high with a base diameter of 0.65" / 18 mm.
Review: This vibrant 1969 release captures the raw energy of Latin soul and funk, a perfect snapshot of Spanish Harlem's musical melting pot. With tight grooves and infectious percussion, the ensemble delivers tracks that feel alive with cultural and rhythmic vitality. Each arrangement draws from the boogaloo era's creativity, blending soulful melodies with sharp, danceable rhythms. This reissue offers a chance to experience a key moment in New York's Latin music history with its unmistakable blend of genres.
Review: When this landmark debut dropped in 1989, it showcased the sharp skills of MC Serch, Pete Nice and DJ Richie Rich, blending humour, wit and pointed cultural critiques. Anchored by Sam Sever's layered production and a standout contribution from De La Soul's Prince Paul, the album delivered a unique mix of underground aesthetics and lyrical dexterity. The infectious 'The Gas Face' featured Zev Love X, years before his transformation into MF DOOM, and packed sharp humor and socio-political commentary. Singles like the hilarious yet hard-hitting 'Brooklyn-Queens' and the dancefloor-ready 'Steppin' to the A.M', demonstrated their ability to balance sharp lyricism with widespread appeal. Deep cuts like 'Wordz of Wizdom' and 'Soul in the Hole' showcased their lyrical prowess, while interludes and skits added humor and personality. The group's willingness to take bold stancesicalling out pop rap and addressing racial and cultural topicsiset them apart, even sparking controversy with lines aimed at peers. With a blend of clever wordplay, boundary-pushing beats and a distinctly New York energy, this album remains a cornerstone of golden-age hip-hop, now reissued on vibrant green vinyl for a new generation to rediscover its brilliance.
Review: Japanese ambient dub maestro 7FO creates his very own niche brand of ambient, dub, and experimental music, his mastery of which has thoroughly justified in this latest 7" vinyl release. Just two new tracks adorn its twin sides, 'Healing Sword' and 'Snake (Live)'. The former track sounds like a malleted plod through a surreal Christmas market, backed up by electro-reggae instrumentation at a dancehall tempo, plus haunting vocal fly-bys. The B is equally weird, like a wintry paean for a swords-and-sorcery fantasies and the healing power of escaping into them.
Review: A Place to Bury Strangers' seventh album, Synthesizer, is a celebration of spontaneous and natural sounds and features a new lineup with John and Sandra Fedowitz. Frontman Oliver Ackermann describes the album as chaotic yet human, pushing the limits of gear to create an "epic sound journey." Tracks like 'Fear of Transformation' deliver a snarling gothic techno-punk experience, while 'Have You Ever Been in Love' offers hypnotic, tribal rhythms. Recorded in their Queens studio, Synthesizer is one of the band's most live-sounding records, capturing the raw energy of their performances. The lead single, 'Disgust,' epitomises this with its open strings and high-pitched guitar cry. Ackermann's playful approach and dedication to the DIY ethos shine throughout, echoing the collaborative spirit of his Death By Audio venue. In Synthesizer, A Place to Bury Strangers melds extreme noise with catchy hooks, creating a record that is both wild and beautiful inside the experimental rock genre.
Review: Deep house originator Abacus is back in the game having revived his Re:Think label "with a new vision & energy." The first EP, Analogue Stories Vol 1, is a bold one that opens with a monologue from a classic New York movie about street gang warriors. It sets a moody tone which then leads into warm deep house grooves. 'Spaceflight' rides on loose, jumbled drums, toms and basslines that are topped with sustained cosmic chords and 'In4mation' then brings heady and wispy melodies that encourage you to dream as the soul-drenched grooves roll on. 'Blaktronics' shuts down with a more prickly percussive edge. It's a welcome return for this master of the form.
Sun Is Away (feat Knoel Scott & Cecil Brooks) (8:52)
Shango (Chant To The God Of Thunder) (4:55)
Greeting Mother Sea (outro) (1:06)
Review: Hungarian producer and keyboardist Szabolcs Bognar, known as Abase, explores cosmic unity through his music, now based in Berlin at the forefront of the city's burgeoning jazz scene. His latest album, Awakening, released by Analogue Foundation and Oshu Records, reflects a period of personal milestones and introspection. Recorded swiftly at Berlin's Brewery Studios, it blends influences from Afrobeat, Hungarian folk, Yoruba rhythms, and more, infused with Coltrane-esque improvisation. Tracks like 'Destruction Everywhere' and 'Menidaso' merge spiritual jazz with Afrobeat, featuring vocalist Eric Owusu. 'Awakening' marks a profound musical journey, emphasising unity, dialogue, and self-reflection in a transcendent listening experience.
Review: Abdul Raeva's 'No Risk No Reward' EP captures the spirit of minimal and tech house with four dynamic, dance-ready tracks. Side-1 kicks off with 'Spazza', a lively, upbeat tech house track primed for the dancefloor with an infectious groove. It's followed by 'Eurotech', which brings in a high-tech, acid-tinged vibe, nodding to the ravey energy of the 90s with an irresistible, driving beat. Side-2 transitions to a more introspective energy with 'Phaselock', a melodic and flighty piece that leans into late-night techno territory, with a hypnotic, trance-adjacent sound perfect for deeper, immersive moments. Closing the EP, 'Crystal Palace' dives into heavy acid rhythms, blending elements of acid trance to create a powerful, pulsing finish.
Discourse On The Samadhi Of The Jewel Emperor (3:32)
K Heart Sutra (3:44)
Thousand Hands Sutra (17:46)
Review: Ahn Chi-haeng, a towering figure in Korea's gayo scene, made his mark in the 1960s through the 8th US Army entertainment circuit, later leading the popular 1970s soft rock band Young Sound. By the early 90s, he was a powerhouse in the music industry, known for his Midas touch as a producer. At the age of 60, Ahn shifted gears, embracing his Buddhist faith through a series of experimental sutra recordings. Unlike traditional sutra renditions, Ahn infused these spiritual texts with hip-hop beats and guitar riffs, making them both spiritually resonant and musically engaging. The 2004 release of these recordings, originally meant for a small Buddhist audience, found a second life a decade later when younger listeners discovered them online. This reissue, part of Beatball's effort to spotlight Ahn's extensive catalog, selects six standout sutras from the 2004 double CD. The tracks, including 'Hip Heart Sutra' and 'Mantra of Avalokiteshvara', are meticulously remastered by Dave Cooley, bringing new energy to the beats and ensuring these unique pieces resonate with both Ahn's original intent and today's listeners. This vinyl release offers a rare opportunity to experience Ahn's innovative fusion of spirituality and modern music.
Review: For their latest trick, the Rawax crew has taken a deep dive into the back catalogue of Roman Flugel and Jorn Elling Wuttke's work as Acid Jesus - the project with which they made their name before morphing into Alter Ego. Lead cut 'Radium' dates from 1995 and wraps alien electro sonics, proto-minimal techno motifs and pots and pans percussion around a deep bassline and hypnotic machine drums. The pair's passion for heads-down hypnotism and metallic noises is further explored on the superb 'Uranium Smuggle' (which originally appeared on the flip-side of 'Radium'), while 'Hibernation Drive' is a punchy and evocative electro number first released in 1997.
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***
Maestro is a 6 channel clocked modulation controller inspired by the automation lanes found in digital audio workstation software, brought into eurorack and made playable and performable. Maestro will push and pull the parameters of your other modules with rapid or slowly evolving voltages, always in perfect sync with eachother and the rest of your system.
Review: Planet 303 is a distant astral body where acid rules supreme but you are invited. And it's an offer we never like to refuse because the soundtracks that play out there are always unreal, just like this latest one from Acid Synthesis. 'Actu Ikulurit' blends 90s breakbeats and dreamy techno synth work with an undulating acid lien that anchors you to the floor. 'Semplicita Aciduza' is a little more serene but comes with some lovely melodic rain that falls down the face of the 303 and 'Hafna 303s' brings a psychedelic and colourful edge. 'Actu Malti' closes with plenty of journeying cosmic charm and celestial energy.
Review: Despite the dystopian and post-apocalyptic aesthetics, some electro music stuanchly refuses to let up on the fun. Acidulant, Dima Gastroler, Pozek and Johnfaustus' new collab V/A for Zodiak Kommune is one such firelighter: 'The Electro Guilde III' seems to say, "you'll have fun on the floor, or else us mecha-cops will come for you!" Acidulant's 'Collateral Funk' leads the charge with a persistent drive to "identify" some lost subject of misdemeanour and/or truancy, as rapidfire snare snaps and licking bass stabs scour the lower terrain for a heat-sought outline of the perp. Dima Gastroler's 'We Will Survive' depicts an unstoppable robotic invincibility, the track's searing robo-voices seeming to portray the last stragglers of a cyborg race battling their way through fire thanks to a bioengineered, adaptively fireproof armour. B-siders 'Ept' and 'Oberon' from producers Pozek and Johnfaustus let up on the voicework for two melodic, yet corruptingly authoritarian air-raiders.
Review: Acopia's second album is a captivating journey through diverse electronic landscapes, blending Balearic and downtempo styles with atmospheric depth. Opening track 'We Evolve' sets a haunting tone with its echoey soundscapes and ethereal vocals, creating a serene yet mysterious atmosphere. 'Be Enough' follows, adding a slight techno edge, blending smooth electronica with subtle rhythmic pulses. The vibrant 'Holding On' channels synth-pop and synthwave influences, offering a nostalgic 80s vibe, while 'What I've Been Looking For' builds on dynamic electronica with a stronger retro energy. 'Take You For Granted' slows things down, leaning into a chill-out mood with a mellow, reflective sound, while 'This Conversation Is Getting Boring' introduces a melancholic drum & bass rhythm that reflects a deeper emotional undertone. Acopia successfully crafts a rich downtempo album. The Australian act continues to evolve, offering a record filled with thoughtful nuances and sound textures.
Review: That the word 'funk' should take on an almost entirely new meaning under the aegis of drum & bass is telling, but that shouldn't deter us from interrogating the ideaistic chain connecting the funk of the 1960s and 70s to today's modern, 170BPM+ *neuro*-funk, *drum*-funk etc.. Take, for example, Adam F. His classic track 'Brand New Funk' came about after he bought a second hand Fender Rhodes Electric Piano, Vocoder and Clavinet D6 Honer. All staples of the funk era, the ensuing track paid solid homage to that era, combining compelling collieries with dastard drums and, in so doing, effortlessly fusing the spirit of the former funk with the synaptic sonic overloads of the latter. Now rebooted and revitalised, 'Brand New Funk' bespeaks a timeless retelling of one of Adam F's most ingenious eureka moments.
Review: As well as this one coming on pink wax, Adam F is also dropping it on nice classic black vinyl. It features his classic track 'Brand New Funk,' which emerged after he acquired a second-hand Fender Rhodes Electric Piano, Vocoder, and Clavinet D6 Honerikey instruments of the funk era. This track pays tribute to its predecessors by blending classic funk elements with intense drum patterns, merging the vintage funk spirit with modern sonic complexity. Revived and refreshed, 'Brand New Funk' represents one of Adam F's most innovative and enduring sounds.
Review: Made and released way back in 1958, Somethin' Else is a classic jazz album by the American alto saxophonist Cannonball Adderley, notably his only ever album for the esteemed Blue Note label. It famously hears Adderley enlist the help of trumpeter Miles Davis as one of its sidemen, and this was an ongoing relationship that later paved the way for popular jazz as a whole; without Somethin' Else, we wouldn't have Kind Of Blue, for which Adderley would contribute his sax playing just a year later. Though it is a testament to the unity of two great core musicians, we also hear the piano stylings of Hank Jones, bassist Sam Jones and drummer Art Blakey.
B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition
Notes: ***B-STOCK: Product has light surface marks/scratches, but otherwise in perfect working condition***
Alan (micro Turing Machine) Shift Register Based Sequencer
The randomness of the Music Thing Modular Turing Machine, shrunk down to 6HP. Alan retains all of the same functionality as the original including the connectors for the expanders.
While this module has little to do with the original Turing Machine (by Alan Turing), it is a shift register based sequencer. You cannot program this sequencer, instead it builds random sequences that can be locked in.
Alan comes tested, calibrated and ready to bring random voltages.
The After Later Audio panel is black and gold and made from FR4. The package will include a power/ribbon cable and a one year warranty.
8-channels audio or modulation over ethernet modules
Notes: 8 channels of audio or modulation over ethernet. There are two modules and a 3' CAT7e cable to connect them together. There are 8 total channels that are unbuffered and bi-directional. The primary usage is to connect two cases or just send a bundle of signals from one part of your larger case to another. You also get the option of buffering up to four channels on each side. This gives you a local copy of the signal and sends buffered copy to the other module, saving you from having to use a MULT to keep a local copy.
Some notes:
When one side of the Light Rail is in buffered mode, you cannot send signals from the opposite side on those 4 buffered channels (the other 4 channels can still be used in bi-directional mode)
If you are after a different longer/shorter cable, you will get the best performance with CAT7e as it offers the shielding, which is used for the ground.
While the cross channel bleed is minimal, you will notice some very minor cross talk between the channels.
Review: AgainstMe makes a powerful debut on Renegade Methodz with 'Diagonal Prism', a four-track EP that offers up his refined minimalist approach to techno. Known for meticulous sound design, AgainstMe brings a fresh yet distinctive style to this Greek label and is sure to pick up plenty of new fans as a result. The EP opener 'Drama' introduces dense grooves and subtle yet impactful drum patterns that build tension, while a throbbing synth weaves in and out. The title track relies on hypnotic repetition and driving rhythms, while '4PM' brings peak-time energy with crisp, dynamic beats. Closing with 'Spasmoi' AgainstMe delivers a compelling club groove that masterfully balances intensity and rhythm.
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