All genres charts

Notes: 1U version of Happy Nerding's effects module, offering a total of 32 effects, with user-storable presets and CV control. Great value in a convenient package.

Supplier's Notes:
32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analogue Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other effects in any order.

Reflashing procedure is quite easy: playing 40 sec long .wav file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 2000 Hz or brought up to 48 kHz.

Dimensions

24 HP
40 mm deep
Module is a 1U tile in Intellijel format

Current Draw

80 mA +12V
30 mA -12V

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod60 is 60HP with 1.34" (34mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick. If you already have a powered Pod and power brick (or a Row Power module) you can use a barrel cable to daisy-chain powered Pods.

The Pod60 includes twenty (20) M3x8mm stainless steel screws and is compatible with M3 Knurlies.

Notes: Four-input version of Audient's next-generation EVO interface range. Stereo speaker outputs and a pair of headphone outs. Clean sound, clean design: intuitive controls for ease of use.

Supplier's Notes:
Capture your microphones and instruments and start recording audio directly to your computer with EVO 8's intuitive feature set. EVO 8 has all of the innovative new features found on EVO 4 but provides additional inputs and outputs alongside unrivalled performance and functionality - all off bus power.

Made for the smart creative, EVO 8 will deliver a powerful recording solution no matter your artform.

Whether recording your latest track, producing a beat, or creating a podcast EVO 8's advanced and versatile feature set lets you take control of any recording session.

Building on Audient's 20+ years of audio design experience, EVO 8 gives you unrivalled audio quality on your desktop.

Get the most from your microphones with the warm and accurate EVO preamps - offering 58dB of gain range.

Hear your recordings more accurately than ever and make better mix decisions with 113dB of dynamic range.

Plug your guitar or bass straight in through the JFET instrument input and start recording instantly.

Make sure you capture everything perfectly with Smartgain mode. Start playing or singing and Smartgain mode will automatically set the level of your microphones. You can even perfectly match and adjust gain to all channels simultaneously.

Channels 1-4 and both volume buttons can quickly be muted by simply holding them down until they begin to flash.

Individually switch phantom power on/off for each channel and give your microphones the power they need.

*Four channels simultaneously requires a USB-C to C connection. USB-A to C will provide up to two channels.

Set the gain of your mic pres using your DAW, your settings will also be stored in your session.

Control your speakers, headphones and channels all using the volume encoder.

Connecting a set of headphones to either of the headphone ports will automatically mute the corresponding speaker outputs, making switching between loudspeaker monitoring and headphone monitoring quick and seamless.

All of EVO 8's advanced features are powered directly from your computer via USB, letting you start recording on the go, whenever inspiration strikes.

Compatible with all major audio software and plugins, EVO 8 comes bundled with a collection of professional software, giving you everything you need to start recording.

Audio Loop-back
Audio Loop-back enables you to record your computer audio at the same time as your microphones. Ideal for podcasters and streamers.
Record your computers audio
Record guest Skype/video calls
Record gaming audio

Designed to simplify and adapt to your workflow, the EVO Mixer enables you to effortlessly set up and route your inputs + outputs, provide ultra-low latency monitoring, balance and set your levels, activate phantom power, set up dedicated artist headphone mixes and more.

Minimalist layout. Innovative Engineering. Modern aesthetics. EVO 8 has been designed to last and look at home on your desktop.

Notes: When you add drive, dirt or other sound manipulation devices to your signal, the trade-off is always noise. So, many players turn to noise gates to help tame these unwanted nasties. Unlike many noise gates on the market, the PYLON ATB Noise Gate seeks to not only drive back the hordes of fizz and hum, but also arms and reinforces your tonal attack, shutting down the noise and yet helping you enjoy your rig's true potential.

This advanced, multi-functional and super-versatile pedal not only features an ultra-fast Gate with a smooth trigger, an integrated Boost section, an External Trigger Input for external bypass switching or Gate-triggering, a relay-based Channel Switcher for your amp but also sports a built-in Audio Transformer to help enhance and balance your rig. Hear and feel the quiet in the eye of the storm!

"Deep within the solitude of the temple, the Sau's of the Per-Ankh assembled in silence. Their conclusion was self-evident. Only those pure of tone could be received in the temple and find sonic peace. From the centre of their silent circle, the Orb swelled and raised above the Pylons. Erupting in a rain of light and spewing forth daggers of lightning, their new God subdued and separated the chaotic ocean of noise from the perfect breeze of stillness. Peace reigned once more, the hordes of cacophony overcome."

When talking about signal gain, we all know drive circuits at full tilt can be noisy malice monsters. To help get a grip on your noise floor, PYLON's NOISE GATE is based on a high-performance Blackmerr VCA and provides lightning-fast and precise performance. To find the right spot, simply choose between one of the two detection-range settings and dial in the THRESHOLD to taste. With either softly decaying notes using HIGH mode or a fast-closing response in LOW mode, you're sure to be able to dial in super tight tones when you need it, but without interfering with your sonic signature. Fast palm-mutes? No problem. Decaying notes? Dead simple to accomplish and just so you know when it is operating, the white status LED will also turn blue as soon as the gate starts to act.

Providing up to 30 dB of gain, the integrated BOOST circuit can really help to fine tune your tone, but it can also serve as an attenuator too. Its CUT control will tighten up your low end and is selectable between 65-730 Hz to ensure a mid-focussed and cutting lead sound when pushing your amp's preamp into saturation. Choosing between three different modes for the boost's on/off state, gives you plenty of options on how you want to use it. Either leave it ON to always help shape your tone, OFF if you don't need it, or use SYNC mode so it is activated with the GATE. Both CUT & BOOST knobs are backlit, in order to show you the on/off status of the BOOST section at a glance.

Using transformers in pro-audio gear is nothing new, but while they help to easily match the impedance of low-level and unbalanced signals such as from guitar or bass instruments, PYLON's audio-grade-transformer also gives additional warmth with associated nice low-frequency harmonics. Your guitars, synths or in fact anything you put through the pedal will never have sounded so solid. The pedal gives more 'heft' and enhances the core tone, in a much finer way and without any of the phase issues that can happen when using EQ alone!

However, when the output transformer is boosted even further in level, it can overload many amplifier or pre-amp inputs and make things appear muddy, especially with high levels of additional gain. So, to help tame superfluous low end (especially for rhythm chugging and soloing), KMA Machines added a fixed built-in roll off that affects everything below 65 Hz when the internal BOOST section is activated.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, >160mA current draw)

Notes: 32 unique audio effects arranged in 4 banks of 8 effects. Three effect controls plus analog Dry/Wet control with dedicated CV input. High quality stereo signal pass. Assignable CV input to effect controls or to Sample Rate reducer (changes internal clock). Four user storable presets - stores selected program and all three controls. Spin FV-1 based.

The last used effect, assigns and presets are always remembered.

32 effects are simultaneously available, but FX AID can be reflashed with other user selected Happy Nerding effects in any order. Also the possibility to run freely available third party effects will be added too.

Reflashing procedure is quite easy: playing 40 sec long "wav" file of line level amplitude to CV input.

Reflashing mode: hold both buttons for 10 sec.

Please note the reverse CV operation of the Dry/Wet control: positive CV crossfades from Wet to Dry, and negative CV crossfades from Dry to Wet.

By default it runs on 32.77 kHz and, if sample rate reduction assign is used, this sample rate can be decreased down to 150 Hz or brought up to 48 kHz.

80 mA +12V
30 mA -12V
45 mm deep

Notes: A warm and deep sound source you can rely on

A flexible and warm Analog Multifunction Oscillator, rich in harmonics. Excellent for performance use!

ONA can work as an Audio Oscillator or as a Low Frequency Modulator and it provides control over all its parameters, making it a versatile, deep and easy-to-use oscillator.

Thanks to its triangle-core oscillator and wave-shapers you can choose between a big palette of output waveforms to give shape to your ideas.

Classic Waveforms. Sine, Triangle, Saw and Square.

2 Complex Waveforms with Pulse Width Modulation.

2 Sub-Waveforms to add some bass sounds easily.

Blend them to give unlimited depth to your sound!

Notes: Nagaoka JNP-200 Replacement Stylus is the original replacement stylus for the MP-200 MM cartridge featuring an elliptical block diamond tip and boron cantilever.

Replace a worn out or defective stylus to prevent damage to your records, and enjoy the best from your records again with more musical information being extracted from the vinyl grooves, allowing you to enjoy the best sound quality.

Tech Specs

Cantilever: Boron

Stylus: 0.4 x 0.7 Mil naked elliptical block diamond stylus tip

Notes: ADDAC710 is a dual channel Isolated DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 710 circuit is designed around a unity 1:1 type Low-cost Audio Transformer operating in the 20 Hz to 20 KHz range, this impedance matching transformer provides two fully balanced outputs (via XLR connectors). ADDAC710 is a low-cost alternative to the ADDAC800X High-End Outputs module, we redesigned the original circuit using a smaller low-cost transformer that also reduced its depth allowing it to fit shallow Eurorack cases.

There are two independent channels on the module with:

Audio Input

LIFT/FLOAT/GND toggle switch
Signal overload warning led
XLR Output

The LIFT/FLOAT/GND 3-way switch lets you choose between lift, ground or floating ground.
In the LIFT position (left) the module circuit will be "lifted" to ground through a 100R resistor and a 10nF capacitor.
In the FLOAT position (middle) Ground will not be shared leaving ins and outs grounds completely apart from each other fully isolating both signals. in the GND position (right) Ground will be shared between inputs and outputs, here no isolation is used.
Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of these options will work best in any given situation.

Tech Specs:

6HP
4 cm deep
40mA +12V
40mA -12V

The importance of using Audio Transformers
Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, this module presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate ADDAC710 from any other device, preventing hum problems coming from an outsider ground. Being a low-cost transformer the frequency response curve is not as linear as our 800X, still the -0.2dB attenuation at 50Hz feels negligible.

Phantom Power

+48V Phantom Power is NOT needed for the module to operate.
In any case having Phantom Power ON won't influence the module operation.

Notes: Arturia's new KeyLab Essential 3 offers a new level of accessible, enjoyable, and creative music making, redefining the essence of a modern universal keyboard controller.

From its refreshing new design, to its vastly upgraded creative workflow, to an expanded software package, it promises to shake up the affordable controller market by empowering modern musicians and sound explorers looking to expand their setup without breaking the bank.

Main selling points

Fit for any style and any setup

For DAW producers, musicians with hybrid setups, or performers using hardware; enhance any creative setup or musical style with MIDI out & USB power, deep DAW compatibility, and premium software.

The new standard for affordable keyboard controllers

A keyboard controller that doesn't need tons of controls, menu diving, or complex configuration to operate. KeyLab Essential 3 looks modern, feels great, and removes creative barriers for next-level music making.

Directly-linked with Arturia's industry-leading software ranges

Many musicians and producers will be familiar with Arturia's award-winning software; KeyLab Essential 3 is part of the same range, seamlessly integrating with Analog Lab V, Pigments, and V Collection.

Features

Premium Keybed quality
49 note velocity-sensitive keyboard with hybrid synth-piano feel

Pads & controls
1 clickable encoder
9 rotary encoders
9 x 30mm faders
8 transport switches
4 command switches
1 modulation wheel & bend wheel
8 touch & pressure-sensitive pads

Display control
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls
Smart features

Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration
Seamless integration with Analog Lab V: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services
Analog Lab V software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration
Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Apple
Mac OS 10.13+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU
Work with ASC
An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

What's in the box

Box content:
KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions for 49 keys
Size : 31.1 x 9.45 x 2.76 inches (790 x 240 x 70mm)
Weight : 6.1 lbs. (2.76 Kg)

Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.

Notes: Limited-edition reissue of EarthQuaker's excellent Disaster Transport, lightly updated for 2023. Modulated delay now with reduced noise floor, analogue-style filtering and switchable modulation modes.

Supplier's Notes:
Disaster Transport

Legacy Reissue

The Original Delay Modulation Machine

Limited to 3,500 units worldwide. Behold! The newest incarnation of one of Earthquaker Devices' most beloved pedals ever, the Disaster Transport. For those of you well versed in the pedal's celebrated history, you might notice some differences on this beautifully sparkly box. A new Mod Mode switch allows you to bend or stretch the modulation wave. The new Mod Speed switch offers three rates of modulation, from bizarrely animated gradual climbs and steep drop offs to rapid chorus and intense vibrato.

The delay line has been redesigned to reduce the noise floor and improve the quality of the delay. Plus, it's now filtered to sound more like an analogue delay than any of the previous versions. With knobs to control the Speed, Intensity, Mix, Repeats, and Time; this analogue-voiced digital delay sits perfectly in the background with an evolved ambiance, but can also be dialled in for the dramatic effect of your choosing.

EQD initially set out to recreate the original Disaster Transport pedal in its earliest form, but the OG of EQD, Jamie Stillman, couldn't resist tinkering and improving the whole thing, so you just got upgraded, my friend. In doing so, EQD redesigned the delay line to reduce the noise floor and improve the quality of the delay. The output was boosted with a cleaner mixing section; it's now filtered to sound more like an analogue delay than any of the previous versions.

EQD added a Mod Mode switch that allows you to choose between bending and stretching the modulation wave. The Bend setting offers a subtler vibe closer to a traditional chorus sound, while the new Stretch option gives you loads of pitch-stretching modulation to run wild with.

The other difference you probably spotted with your eagle eye is the Mod Speed three-position toggle switch. The Slow setting is excruciatingly slow and can produce bizarrely animated gradual climbs and steep drop offs. The Fast setting can go from a rapid chorus to an intense vibrato, while the Medium setting is the most traditional rate similar to the classic Memory Man circuit with a nice range to it.

The newly designed enclosure features knobs to control the Speed, Intensity, Mix, Repeats, and Time, with Modulate and Activate switches, making this a highly customizable pedal to get the delay sound of your dreams. Thanks to the ramp modulation circuitry, you can turn the delay time down and start to use feedback and modulation at a higher setting to harness a bizarre modulator and achieve subtle to wild chorus-type effects. Or set your delay time how you want to set it and use your modulation rates to set your tempo, so you can strum or pluck to the climbs and drop offs to match your riffs. The possibilities are endless.

Controls

1. Speed: Controls the speed of the modulation. The Speed operates in three ranges (Slow/Fast/Medium) selected by the Mod Speed toggle switch. The Disaster Transport uses a Ramp wave for the modulation. You'll find this to be much more intense than most modulated delays. Think of it as a traditional Triangle wave that falls off a cliff in mid-cycle, creating a drastic pitch bend in its wake. Or don't and just think about whatever you want.

2. Intensity: Controls how much the LFO modulates the delay time. More subtle chorus type effects are achieved with less intensity and more intensity will yield wild pitch stretching and bending. The overall modulation style can be made more or less subtle by using the Mod Mode toggle switch to select Bend or Stretch.

3. Mix: Sets the volume level for the delay signal. Hear more of what you just played 30-600ms ago by turning this up.

4. Repeats: Controls the intensity of delay feedback from no repeats at zero to self-oscillation at max. Let the past pile up on you until it implodes.

5. Time: Sets the delay time from around 30ms at zero to 600ms at max. Everyone needs more time; you are offered about 600ms worth.

6. Mod Speed: Three position toggle switch that sets the range in which the Speed operates.

7. Mod Mode: Two position toggle switch to choose the modulation style. Bend is more of a traditional chorus type modulation and Stretch is a wilder pitch stretching modulation.

8. Modulate: This foot-operated switch features Flexi-Switchr Technology and turns the modulation on and off.

9. Activate: This foot-operated switch features Flexi-Switchr Technology and turns the effect on and off.

Tech Specs

Dimensions: 3.65 x 4.65 x 2.25 in. (93 x 118 x 57 mm) with knobs
Current Draw: 35 mA
Input Impedance: 1 MO
Output Impedance: 1 kO

Flexi-Switch Technology

This device features Flexi-Switchr Technology! This relay-based, true bypass switching style allows you to simultaneously use momentary and latching style switching.

For standard latching operation, tap the footswitch once to activate the effect and then tap again to bypass.

For momentary operation, hold the footswitch down for as long as you'd like to use the effect. Once you release the switch the effect will be bypassed.

Since the switching is relay based, it requires power to pass signal.

Power

This device takes a standard 9 volt DC power supply with a 2.1mm negative centre barrel. Pedal-specific, transformer-isolated wall-wart power supplies, or multiple isolated-output supplies, are always recommended. Pedals will make extra noise if there is ripple or unclean power. Switching-type power supplies, daisy chains and non-pedal specific power supplies do not filter dirty power as well and let through unwanted noise.

*** Do not run at higher voltages! ***

Notes: Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.

Uncompressed and robust 16ms latency connection for high quality wireless audio designed for enhanced freedom and creativity.

Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.

Critically acclaimed sound stage specifically designed for music creation with a clear and highly detailed sound representation.

Enhanced comfort with Alcantarar over-ear memory foam cushions.

Soft over-ear memory foam cushions covered with resilient, CO2 neutral, and highly comfortable Alcantarar, ideal for longer sessions.

Modular product design.

This TMA-2 modular headphone system offers a customizable solution that adapts to your creative process. With interchangeable components such as earpads, cables, and drivers, you can upgrade or change parts of your headphones to improve sound quality, comfort, or style.

Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Seamlessly switch to Bluetooth 5.0 with +80h playback for everyday listening and inspiration, and a coiled hi-fi cable included for a traditional connection.

Headphones for life.

AIAIAI offer lifetime trade-in for your headphones or modular parts. With this program, users can leverage the modular product design to get maximum value from their purchase by swapping out used or non-functional headphones or parts for future credit. This means only investing in one pair of headphones, for life.

Wireless music creation with ultra-low latency and uncompressed audio with W+ Link technology.
Signature AIAIAI bio-diaphragm speaker tuned for clarity and detail.
Enhanced comfort with Alcantarar over-ear memory foam cushions.
Modular product design - Headphones for life.
Extended versatility with added Bluetooth for +80h playback and hi-fi coiled cable.

Technical specifications

W+ Link Headband

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 16 hrs
Bluetooth version: 5.0
Bluetooth range: 10 m
Charging time: 2 hrs
Battery: 970 mAh
Omnidirectional mic: 100 Hz - 10 kHz
Bluetooth codecs: AAC, SBC

W+ Link Transmitter

Audio quality: Lossless
Latency: 16 ms
Operating range: 12 m
Playback time: 30 hrs
Charging time: 3 hrs
Battery 2700 mAh

Notes: The new RIOT LP-TROLLEY 50 is dedicated to the passionate vinyl pros who want to conveniently travel with their records from gig to gig. Crafted from high-grade material components such as the extra-rugged Tarpaulin fabric, PVC-coated zippers and smooth rolling precision inline wheels, it can accommodate up to 50 pieces of 12-inch records and also meets the permitted carry-on luggage size of almost every airline.

Notes: ZED-6FX delivers Allen & Heath's renowned build and audio excellence in a compact, portable format, making it the ideal choice for quality conscious musicians, singer / songwriters and venues. Whether it's bouncing ideas around at home, performing live or recording tracks to share on YouTube and Soundcloud, ZED-6FX is a versatile companion for every step of the creative journey. Featuring the new GSPre boutique preamp design, developed from the revered GS-R24 studio recording console, the ZED boasts exceptionally low noise and massive headroom, with a signature analog warmth and depth. ZED-6FX is the first mixer to include a specially created suite of studio quality reverbs, delays and special multi-model FX, crafted by Allen & Heath's acclaimed in-house effects aficionados. Guitarists will be pleased to know that ZED-6FX comes with a pair of Guitar DI high impedance inputs, allowing guitars to be plugged straight into the mixer without the hassle and expense of carrying separate DI boxes.

ZED-6FX features an exceptional new preamp design, created by analog guru, Mike Griffin and developed from his highly acclaimed GS-R24 studio recording console. Known as GSPre, the preamps deliver exceptionally low noise and massive headroom, and the warmth and depth that Allen & Heath's analog range is famous for. For tonal shaping, the precise MusiQ EQ controls have been carefully calibrated for responsiveness and precision, making it easy to shape and enhance each musical source.

ZED-6FX boasts a brand new suite of studio quality reverbs and delays, painstakingly crafted to enhance your recordings and performances. Special multi-model effects provide uniquely dynamic combinations of reverbs and delays.

All ZED mixers are designed and built to Allen & Heath's legendary touring grade standards to ensure a long life in the toughest environments. All channels are on individual, vertical circuit boards and all rotary controls are secured to the front panel with a steel nut to guard against impact damage.

ZED-6FX comes with two Guitar DI high impedance jack inputs, allowing guitars to be plugged straight into the mixer without the need for DI boxes. That's one less piece of gear to buy, carry and set up.

Allen & Heath has been a trusted name in professional audio since 1969. The ZED technology advances, but the commitment to audio excellence and build quality endures.

Notes: Modulated digital reverb with an analogue dry signal path, the clock control lets you adjust the core frequency of the DSP, creating a smooth pitch shift in time, allowing you to create from a sharp traditional plate-like reverb to an underworld cavernous ambience.

Dedicated sustain footswitch to create an infinite modulated ambience, trails option to combine momentary activation and be able to add lush movement at any time.

Soft footswitch bypass latch & momentary
2 Modulation depths (off @ center position) MOD toggle
DSP clock control for deep cavernous textures
Trails toggle
2nd delay line with analog feedback
Pre-delay
Damp control
Infinite sustain footswitch
Top mounted jacks

Notes: Full featured stereo digital delay with an analogue dry signal path, carefully designed algorithms to cover all the delay needs in any genre, from pristine clear echoes and warm repetitions to trembling modulation.

The secondary footswitch options will let you manipulate the most important features while allowing you to play your instrument. Infinite repeats or insta-wobbles are at the tip of your toes.

6 complex delay algorithms: Digital, Analog, Tremelo Delay, Chorus Delay, Chorus +Tremelo, and Filtered Delay
Stereo TRS output (Tip mono)
Soft footswitch bypass latch & momentary.
Tap tempo/RAMP for infinite sustain or modulation via S R M toggle
True Bypass, Buffered or Trails via TB B TR toggle
Tempo divisions
Damp control
Modulation
EXT jack (Tap Tempo & RAMP)
Top mounted jacks

Notes: UDG have further fine-tuned what was already a great design concept of a flight case into one specially for the most discerning DJ/producer. Constructed from solid 9mm thick plywood, the outside is laminated in a black finished honeycomb/hexagonal "Stage Grip" pattern. The inner sides are protected with high density diamond embossed EVA foam protective padding. This extremely robust padding protects the equipment against scratches, dust or other damages, creating a unique stylish & practical finish.

Extra wide black finished aluminium profile & massive UDG logo embossed ball corners are incorporated to ensures longevity & maintaining a permanently attractive, professional design. The UDG Ultimate Flight Case Pioneer DJM-V10 Black also features heavy duty spring loaded handles for a secured lift & load.

UDG Ultimate Flight Case Pioneer DJM-V10 Black not only transport your complete set up easily & securely, but also facilitates devices to be setup within minutes. With these premium features incorporated, the UDG Ultimate Flight cases provide premium professional quality in a very stylish modern black coloured combination.

Specifications

Colour: Black
Weight: 7,90 kg / 17.38 lbs
Outer Dimensions (W x H x D): 57.1 x 49.0 x 22.0 cm | 22.5 x 19.3 x 8.6 inch
Inner Dimensions (W x H x D): 53.3 x 44.0 x 14.0 cm | 20.9 x 17.3 x 5.5 inch
Material: Heavy duty construction of 9 mm thick plywood
Protection: Improved powder coated and anodized hardware
High density diamond embossed EVA foam & carpeted protective padding
Dual anchor rivets with included washer
Extra-wide silver solid aluminium profiles
Secure stacking due to stackable ball corner

Extras

Convenient 80 mm space at rear for connections & PSU storage
Cable access hole with removable UDG emblem cover

Fits: 1 x Pioneer Controller DJM-V10

Notes: Incorporating a new hidden trolley system, smooth rolling in-line wheels, electroplated zippers and integrated combination lock, the world's best selling 12" trolley bag has been reinforced and strengthened to provide you with even greater protection and durability. The Slingbag will hold approximately 65 records.

Notes: An analogue oscillator with through-zero phase modulation. The core of the T-ZED is the SSI2130 integrated circuit. Voltage controlled wave shape and phase modulation index allow for automated sonic versatility, and 2 separate frequency ranges mean the T-ZED can be used as an audio or CV source.

Features

Simultaneous SINE, TRIANGLE, SAW, SQUARE, and variable SHAPE outputs
Phase MOD input with bipolar INDEX circuit
V/OCT input tracks 10 octaves
FREQ spans 10 octaves, TUNE spans 1 octave
Hard SYNC input
SHAPE output (Sine to Triangle to Saw) with CV input and attenuator
Frequency range HI: 10hz-25khz
Frequency range LO: 0,1hz-200hz


Dimensions
12 HP
25 mm deep

Current Draw
55 mA +12V
45 mA -12V

Notes: Low-cost, portable, compact enclosure that turns Eurorack modules into table-top instruments.

The Pod64X is 64HP with 2.16" (55mm) of available module depth. The built-in power supply has four power connectors and can be daisy-chained to other Pods. More power connectors can be added with the Multi Power Cable accessory.

Pods require a power brick, or a barrel cable to daisy-chain to a Pod or Row Power that's already powered.

Pods are a perfect way to get started in Eurorack, or add a couple more modules to your monster system!

Made from 100% anodized aluminum, Pods are light, tough and perfect for on-the-go set ups. The power supply can handle up to 1.4A of +12V, which is plenty of juice for even the most modern digital modules. (Or if you prefer to DIY your power supply, Pods are also available unpowered)

Each Pod64X typically will house up to six modules, but more can be accommodated using a multi-power cable accessory.

Mix and match your Pods with desktop synths, effect pedals, drum machines or any musical gear for a flexible modular system. Pods can even daisy- chain with the 4ms Row Power system making them a convenient outboard mini-skiff. Need to add another module? Just add a Pod! Need to pack light for a live set? Just grab the Pods you need and go!

Basic Features:

64 HP of Eurorack modular space
Extra room for deep modules
Standard M3 threaded holes
100% lightweight anodized aluminum
Built-in Power supply
Red, White, and Blue LED power indicators

Includes:

64HP Pod, black anodized aluminum
Built-in power supply with six Eurorack power headers
Extra deep (2.16"/55mm) fits virtually every Eurorack module
M3 x 8mm pan-head screws, stainless steel (20)
Adhesive rubber feet (4)
Does not include barrel cable or power brick
Power Supply:

Four 16-pin Eurorack power shrouded headers
+12V max 1.4A
-12V max 0.67A
+5V max 1.0A
Power input: Two barrel jacks for daisy-chaining
15V-20VDC, 2.1mm positive tip
Exterior dimensions:
Width: 329.7mm (12.98")
Height: 159.5mm (6.28")
Depth: 57mm (2.24")
Interior dimensions:
Max module depth: 55mm (2.16")
Module width: 64HP
Weight:
0.5 kg = 17 oz

Notes: Easy self-assembly for Korg's intuitive oscilloscope, part of the Nu:Tekt range. Surprisingly useful as a tool for visualising sounds, dialling in synth patches and understanding how sound works.

Supplier's Notes:
The ultimate toolkit for the modern musician

The Nu:Tekt NTS-2 oscilloscope kit is a DIY multifunctional tool for musicians. Building on a 4-channel oscilloscope - monitoring control voltage (CV) and audio signals alike - NTS-2 also packs a flexible waveform generator, a spectrum analyser, and tuner functionality into a
build-it-yourself device which fits in the palm of your hand!

The NTS-2 kit is compact and easy to assemble with no soldering required, but don't let its size fool you - it packs a real punch!

It's an oscilloscope, tuner, FFT, and spectrum analyser that is accurate, intuitive, and incredibly useful. But that's not all - using its dual stereo IN, dual stereo THRU/OUT, and two separate OUTPUTs, you can wire it into your synth rig and use its dual waveform generators to give yourself an extra pair of oscillators or LFOs!

4 channel oscilloscope
FFT/Spectrum Analyser
Duel Waveform Generator
Tuner
Powerful connectivity

4 channel oscilloscope

With dual stereo inputs, you can visualise up to four signals at once, comparing and overlapping them with ease. A variety of display modes let you choose how you see your data, while the user interface is clear and quick, thanks to its dedicated menu buttons and clickable encoder knob, and 240 x 320 pixel 2.8" colour LCD screen. NTS-2 even has a powerful "Lissajous" mode - opening the door to creativity and making it possible to visualise widely available oscilloscope art, for extra fun with your device.

Dual Waveform Generator

A flexible Wave Generator mode provides 2 oscillators with dedicated outputs. Each oscillator can create a variety of waveforms - sine, square, triangle, sawtooth, pulse, and noise - whose shape and phase can be adjusted to suit many applications. These sounds can be used in the audio range or as control voltage sources, and they can be set to cycle continuously or act as one-shot impulses; that means you can turn them into LFOs, envelopes, triggers, and control voltage generators, as well as sound sources. Attaching the NTS-2 to any patchable synthesizer instantly expands its power.

FFT/Spectrum Analyser

NTS-2 also comes with a dedicated FFT (Fast Fourier Transform) mode with a real-time spectrum analyser.

Tuner

This multi-functional utility kit wouldn't be complete without a precise and easy-to-use tuner with multiple display modes.

Powerful connectivity

The NTS-2 offers many ways to connect to your rig. Alongside its 4-channel input and dual waveform output features, its dual stereo THRU/OUT ports enable you to keep it wired into your system, rather than constantly plugging and unplugging cables. NTS-2 lets you maintain your signal flow at all times - even when powered off. NTS-2 maximizes portability and flexibility by using either batteries or a USB-C power supply.

Specifications

Dimensions: 12.9 x 7.8x 3.9 cm
Weight: 130g (not including batteries)
Power: USB type-C (2.0, 500mA max) or 2x AAA batteries (approx 2 hours running time)
Inputs: 2 x 3.5mm Stereo, +/-10V max
Outputs: 2 x Through Output: 3.5mm Stereo, 2 x Output: 3.5mm Mono, +/-5V max

Oscilloscope

Display modes: Single, Stereo (Input1L-INPUT1R, Input1L - Input2L, Input2L - Input2R), 4ch XY(Lissajous, 2ch)
Vertical: 10mV~5V/div, AC/DC MODE switchable
Horizontal: 50us~1s/div
Trigger: Auto, Rise, Fall, Single(rise), Single(fall)

FFT (Spectrum Analyser)
Input: mono (1L, 1R, 2L, 2R)
Frequency: 20Hz~20kHz

Waveform Generator
Wave type: sine, square, triangle, saw, noise, pulse, envelope
Frequency: 1Hz~10kHz, Hz/NOTE mode switchable, [1ms~10s,sec/BPM switchable(pulse, envelope mode)]
Output level: 10Vpp max, V/dB mode switchable

Tuner
Display mode: Needle, Meter
Input: Mono, Stereo (Input1L-Input1R, Input1L-Input2L)
Calibration: 410-480Hz

Notes: The UDG Slingbag trolley deluxe specially designed to protect your LP's during travelling. With a capacity up to 60 records, this bag is perfect for mobile DJ's use or as an optimal complement to the UDG sling bag. Constructed from high-quality fabrics, foam padded walls, electroplated zipper, comfort top-carry handle, detachable shoulder strap, and in-line wheels will provide secure and dynamic travel experience.

Notes: Exciting entry-level interface from legendary studio brand SSL, best known for their high-end mixing consoles and outboard gear. 2-in, 2-out design with 'Legacy 4K' feature to add classic analogue sound.

*** New Loopback feature - May 2023 ***

Loopback allows you to take the output audio stream from your SSL 2 or SSL 2+ and record it back into the DAW (or another application). This can be really useful for music makers, podcasters and streamers.

To take advantage of the new loopback feature of the SSL 2/2+ you will need to update your SSL2/2+ using the SSL USB Audio Firmware updater.

Supplier's notes:
Solid State Logic studio tools have been at the heart of music production for over 40 years, helping world famous artists, producers and studios to create so many of the records you've come to know and love. Now, with SSL 2, you get all that hit-making know-how in your own personal studio.

With beautifully SSL-designed analogue microphone preamps and immaculate 24/192kHz conversion for studio-quality recording, pristine monitoring path and high-performance headphone amp for crystal-clear playback and an intuitive front-panel low-latency monitor mix control, you're always ready to capture the next great performance.

The 'Legacy 4K' mode - inspired by classic SSL consoles, gives you the ability to add extra analogue character and sparkle to your sources when needed.

To top it all off, the included 'SSL Production Pack' software bundle, which includes some of SSL's own studio-grade Native plug-ins and a carefully selected range of DAWs, samples, loops and virtual instruments from industry leaders, gives you an incredible arsenal of tools for creating your next hit.

Notes: The Quad VCA is a compact and feature packed module that is sure to find its way it almost all of your patches. In addition to being used for standard VCA duties it can also be used as a mixer and signal booster.

Features:

- Manual LEVEL control per VCA which is convenient when using the module as a mixer or for biasing when CV modulating the VCA with a bipolar LFO.
- Dedicated CV attenuators with dual colour LEDs for monitoring bipolar CV signals.
- Continuously adjustable response from linear to exponential per VCA.
- Each CV input is normalled to the adjacent one for cascaded control.
- Each output is normalled to the mix input of the adjacent one which allows you to use adjacent sets as submixes or the fourth output can be used as a master mix output when none of the other outputs are patched.
- Each VCA has a boost switch that increases the output level by approximately +6dB (double).

Notes: The ADDAC302 Nchunk Control module allows you to connect a Nintendo Nunchuck controller to your modular synth, featuring a two-axis thumb joystick, a three-axis accelerometer and two trigger buttons.

The module provides CV outputs for all of the Nunchuck's parameters and special functions to remap the CV outputs. The remapping can be both continuous or step-by-step and can be accessed through either the dedicated CV inputs or the manual controls.

A specially dedicated Mix output averages between the first two CV outputs, a very useful feature for continuous control parameters.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 4 cm

Control Voltage I/O:
- CV inputs: 0 - 10v
- CV outputs: 0 - 5v
- Gate in threshold: 2.5v

Electrical:
- Compatible with +-12v and +-15v power supplies
. Max current: 100mA?
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector

Notes: Excellent value upgrade to standard hi-fi turntable styluses. Designed for smooth sound with a balanced tonal presentation. Hand built in Brooklyn by experienced audiophile specialists.

Supplier notes:
The Silver3 uses a four piece OTL cantilever with a Grado specific elliptical diamond stylus mounted on a brass bushing. A machined turned generator is used to achieve a lower distortion and greater transparency.

What's the difference between Gold3 and Silver3?
Approximately 5% of the Silver2 production runs meet higher test specifications. The cartridges that exhibit these specs are hand-selected to become a Gold2.
Grado's OTL, or optimized transmission line, technology provides an ideal transfer of signal from the surface of the LP to the generator of the system.

This technology rejects unwanted resonances and lowers distortion preserving the fundamental and harmonic frequencies of the music. This also helps keep noise generated by the motor system in the cartridge to a minimum.

Grado's OTL stylus/cantilever design makes records sound quieter, improves the height, width, and depth of the soundstage, and present more detail than previously obtainable.

The Silver3 are all hand assembled by our team in Brooklyn, with some builders having over 25 years of experience. With the recent development of the highly received Lineage Series of cartridges, we were able to have a trickle down of technology and bring some new techniques to the Silver3.

This updated series of cartridges offers excellent tonal balance, dynamics, and realism, for a most rewarding reproduction of vocals and instruments. Our coil winding techniques, using ultra high purity copper wire which were honed during the development of the Lineage Series, have let the electrical circuits achieve unison between the four coils in each phono cartridge. This allows for a precise balance between channels and accurate stereo imaging.

As in all Grado phono cartridges the Silver2 is powered by a twin magnet system that optimizes the balance between stereo channels. All internal magnetic circuit parts are held to extremely high tolerances creating the desired stereo imaging. Grado's patented Flux-Bridger design allows the Silver2 to have one of the lowest effective moving mass generating systems while creating an excellent balance throughout the full frequency range.

The development of the Epoch in the Lineage Series gave us an in-depth experience with using an outer housing as a damping device. This led to the creation of a process which de-stresses the chassis and dissipates unwanted energy & resonant frequencies, allowing the desired signal to travel freely.

Notes: The Moby Dick V2 brings up to date one of the first pedals that put Hungry Robot on the map. The original Moby Dick is well known for its chimey, tape-emulating delay line with slight lo-fi imperfections and subtle modulation; a "back-to-basics" delay in the world of multi-mode DSP delays.

The V2 has an obviously smaller footprint, but the most exciting changes lie in the circuit updates. When working on the V2, Hunry Robots wanted to further explore the sonic capabilities of the Moby Dick tape-emulation, rather than a miniature version of the pedal- specifically in a lo-fi, wrecked-tape context.

One of the magical qualities of recording to tape is the lovely saturation. The original Moby Dick had a gritty, saturated quality, but in the V2, this quality was pushed to its limit. A "Lo-Fi" knob which allows you to dial in additional tape saturation to the delay line. This is done by applying pre-gain amplification to the front end of the delay chip, resulting in a wonderfully organic character when gain is applied.

The capabilities of the modulation were also expanded. The original Moby Dick had a very subtle chorusing effect. Though it sounded great, it was admittedly subtle. The V2 increases the modulation depth dramatically, allowing it to travel beyond subtle chorusing into more extreme pitch bending territory. The "Mod" in conjunction with a cranked "Lo-Fi" knob creates the most amazing broken tape-deck quality, but when these knobs are dialed back it retains the overall character of the original.

Current Draw: 30 mA

Switching: True-Bypass

Dimensions: 4.7" x 2.6" x 1.5"

Delay Time: Approximately 1000ms

Powering: 9V DC - Negative Center - 2.1mm Barrel

Notes: The Looping ADSR is an extremely versatile envelope generator. It can act as a traditional ADSR envelope requiring a gate signal to activate or as a looping ADSR. Envelopes can be output with both linear and exponential curves. In Loop Mode it repeats the cycle of Attack, Decay, & Release. Once the Release phase is complete, it loops back to the Attack and begins the cycle again. The Looped envelope can be further manipulated with the Loop Scale knob. Loop Scale shrinks the overall size of the envelope while keeping the ratio of A:D:R identical. All knobs on the Looping ADSR have CV input. As with all Hungry Robot "Modular Boxes" the Looping ADSR can be powered with a simple 9V DC, Negative Center power supply.

KNOBS
-ATTACK: Sets the attack length (1st stage of ADSR cycle). Determines how long it takes to come to full voltage after gate is applied (up to 10 sec.)
-DECAY: Sets the decay length (2nd stage of ADSR cycle). Determines how long it takes to go from full voltage to sustain voltage (up to 10 sec.)
-SUSTAIN: Sets the sustain level. Determines what voltage the envelope returns to after decay stage
-RELEASE: Sets the release length (Final stage of ADSR cycle). Determine how long it takes to return to 0V after gate is released (up to 10 sec.)
-LOOP SCALE: When in loop mode, this knob scales down the length of the envelope while keeping the ratios identical

SWITCHES
-LIN/EXP: Selects the envelope type: linear vs. exponential curve
-LOOP/ADSR: Switches between Loop and ADSR mode. LOOP turns the loop on. ADSR is a traditional ADSR requiring a gate signal
-RPT./GATE: Works only in LOOP mode. RPT. automatically repeats the loop without a gate. GATE mode requires a gate to begin looping.

PATCH POINTS
-LS.CV: CV input for Loop Scale. Allows for CV control of this parameter.
-A.CV: CV input for Attack. Allows for CV control of this parameter.
-D.CV: CV input for Decay. Allows for CV control of this parameter.
-S.CV: CV input for Sustain. Allows for CV control of this parameter.
-R.CV: CV input for Release. Allows for CV control of this parameter.
-GATE: Gate input for ADSR mode as well as Gate/Loop mode
-OUT: Output of final envelope for all modes.

Dimensions: 4.7" x 3.7" x 1.96"
Power: 9V DC - Negative Center - 2.1mm Barrel

Notes: Floating above your head, delicate and elusive yet dreamy and sweeping. Always in motion until it dissolves and merges with the all immersive atmosphere around it. Just close your eyes and let the KMA Audio Machines' Cirrus Delay and Reverb carry you across the open sky, onto its sonic cloudscapes.

Cirrus is KMA Audio Machines' first step into the fully digital realm. But KMA have come up with a special and versatile, dynamically modulated combined Delay and Reverb pedal that will forever change your perception of time and space.

Made up of a Delay side and a Reverb side, both sides of Cirrus sport the most important basic controls such as Time (up to 1.5 sec). Repeats for the Delay and Decay and Damp for the Reverb. Plus, each side has its own mix control as well. So far so good, but now it's time to jump down the sonic wormhole!

This little Spatial-Temporal Modifier gives you three different Delay AND Reverb modes, which all sport a special dynamic feature that is controlled by your picking attack. This enables you to create sounds that are certifiably out of this world! To set the sensitivity of how the sound reacts, every section has its own sensitivity control.

The different Delay and Reverb modes cover vastly different modulated areas.

Modulated Delay Mode (MOD) fluctuates the Delay signal for a dynamic dancing tape echo-inspired modulation that'll deliver everything from subtle sways, to crazy pitch-bends. The Sample & Hold Mode (S/H) adds a sequencer-like filter in front of the Delay line, perfect for synthy textures. Play softly for subtle filter action or hit it hard for more pronounced electro-vibes. The third Delay Mode (OCT) blends in a high octave as your notes decay for unique shimmery dimensions, shining through like tiny stars in the cloudy night sky.

Over to the Reverb section, Modulated Reverb Mode (MOD) will decorate your trails with silky smooth movement, whereas the two other Modes deliver either an opening Low-pass Filter (LP) or a closing High-pass Filter (HP). The harder you pick the more the Low-pass will open up and bring in those shimmering highs, as if you're opening and closing portals to far away galaxies simply through your playing. Contrary to that, the closing High-pass will cut your lower frequencies when picking harder which will create cool lo-f textures. However, the ambient party doesn't stop here!

A big part of creating a signature sound comes from your pedal order and we know that a lot of you like to get creative there. Well, the Cirrus obliges! Set the Order Toggle to "Reverb" to run the Delay into the Reverb or flip it to "Delay" to switch it the other way - either direction will give you worlds of inspired soundscapes. You even get another Toggle Switch to set the Delay Tap subdivision, so you can get the right rhythms rolling fast. Toggles are awesome!

Now, on to the footswitches - Tap-Tempo on the left (neat!) and the much-needed Bypass Switch on the right (classic!). But wait, we actually made these stompers cool - the humble Bypass and Tap-Tempo Switches are suddenly full of additional creative secrets!

Besides the standard latching mode, the Bypass Switch offers some cool, yet creative and simple to use options. When the pedal is off, you can engage the pedal momentarily by holding the Switch down for sudden bursts of ambience. When the pedal is on though, holding down the Switch maxes out the Decay, jumping you straight into infinite reverb wonderland. You can also hold down the Tap-Tempo Switch to max out the repeats for infinite echoes. Plus, you can even hold down BOTH at the same time to enter an endless cascading dream state!

The Cirrus has been equipped with an Expression Pedal input (standard TRS connection) and a Selector Switch, giving you complete hands-free control over whatever key parameter of Cirrus you want. In addition, an internal switch can turn the Reverb and Delay trails on or off to taste, plus the individual Reverb and Delay mix controls help to tailor your sound exactly as you see ft.

As the final piece of the tonal puzzle, a Serial FX-Loop was added, letting you put any pedal in front of the Delay/Reverb line, to further flavour your own signature sound.

Powered by an optional standard 9V DC (max.) PSU (negative center, 2.1mm, approx. 220mA current draw)

Every pedal is designed, assembled, silkscreened, tested and numbered by hand in our small workshop. We use external manufactured PCBs to guarantee our high quality standard and keep the price of our pedals reasonable. The use of an indestructible powdercoated die-cast enclosure ensures a maximum durability.

Notes: All the reverb and analogue-style delay you could wish for in a single pedal thanks to this killer all-rounder. Separate foot switches for reverb and delay on/off, with optional true bypass or 'trails' setting.

Supplier notes:
The Caverns Delay Reverb V2 dual-effect pedal combines delay and reverb for the perfect end to any pedal board. It features Keeley's analog-style tape delay with modulation options. The 650ms of warm delay combine with Spring, Shimmer or Modulated Reverb. Caverns now comes with a True-Bypass or Trails option. Because of its small and compact design, the New Caverns is a perfect fit for any fly-rig or small board where you have tight space requirements. The New V2 features Keeley's most popular time-based effects, blended perfectly via a design fine-tuned for over 2 years. Simply put, it will be an amazing addition to any board.

The Reverb side of the pedal features 3 cavernous sounds:

Spring Mode - Blackface Amp style spring reverb with F Style Tremolo
Modulation Mode - Choral modulation to the reverb for a huge, cavernous space
Shimmer Mode - Reverb with emphasis on octave-up voices in the reverb trails

The Delay side of the pedal incorporates Keeley's popular Magnetic Echo circuit, which is designed to emulate analog tape delay lines. Three way switchable modulation gives you options for adding Wow and Flutter to the repeats. Perfectly voiced echoes sit well in the mix, either clean or with distortion.

The New Caverns Delay Reverb V2 builds on the old Caverns pedal by giving players a more open and logical control layout with more space between the foot switches.

Top-Mounted Jacks allow for a compact pedalboard layout.

True-Bypass or Trails option gives you the freedom to create huge caverns of sounds and lets them ring out even after you turn the pedal off. Our buffers are engineered to retain your tone and to feed your amplifier a full-strength signal.

The New Caverns Delay Reverb V2 is entirely built in the US. Keeley's veteran crew builds the most reliable and road-worthy gear.

Use 2 TRS Breakout cables for effects patching or to use the Caverns with a pro switching system.

Notes: The CVx 1U expander module has eight user-configurable outputs and connects to the MIDI 1U module. Using the Intellijel Config app, you can assign each of the eight jacks to generate just about any type of voltage that can be derived from a MIDI signal; pitch, gates, triggers, clocks, velocity ... you name it! You can chain up to four CVx modules to a single MIDI 1U to add a whopping 32 additional channels of midi control to your modular.

Each CVx module can also allow you to generate 2 or 4 voice polyphonic controls with selectable voice allocation modes. The connectivity, feature set, expandability, and compact size make the MIDI 1U + CVx system ideal for integrating your modular gear with the rest of your rig.

Intellijel's MIDI 1U system comprises several elements, which work together to provide flexible, programmable MIDI-to-CV conversion to your Eurorack modules: The system comprises two mandatory components, and one optional component:

MIDI 1U module - This 14HP 1U module receives MIDI from an attached, external MIDI input connector (7U case, Palette case, or MIDI IN Jacks 1U module), and extracts (by default) Pitch, Velocity, Mod, CC, Gate, Trig, Clock and Reset messages - sending the proportional voltages to individual 3.5mm jacks for patching.If desired, the CC and MOD jacks may be configured to respond to either Channel Aftertouch or High Resolution CC, and the Reset jacks can be configured as a Run jack, instead. Additionally, MIDI 1U features an alternate Dual Mode, which maintains the Clock & Reset functionality, but uses the other six jacks to transmit Pitch, Velocity and Gate messages derived from two separate MIDI channels.

MIDI input connector - the MIDI 1U module does not have its own MIDI input jack. This enables you to use the MIDI/USB inputs built-in to your Intellijel 7U Performance Case or Palette Case. If you don't own one of these cases, you can purchase the MIDI IN Jacks 1U module to connect an external MIDI device.

CVx 1U module - This optional 14HP 1U module connects to the MIDI 1U module and adds an additional eight 3.5mm CV outputs. These outputs are fully programmable using the Intellijel Config app, and greatly expand MIDI 1U's ability to control your entire Eurorack system.

Width: 14HP
Depth: 32mm
Power: 55mA @ +12V
6mA @ -12V

Notes: Beautiful closed-back headphones from Sennheiser, ideal for critical listening and mix applications. Not the cheapest, but sound on par with much more expensive options.

Supplier's notes:
The newly developed HD 300 PRO delivers a neutral, high-resolution working sound. Its huge depth of detail passes through even in the loudest of environments. Irrespective of whether you are editing, playing or composing music, and regardless of whether you're behind a drum kit, at the mixing desk, in a live setting or in the studio, the HD 300 PRO provides the details that you need for making good decisions.

The HD 300 PRO works at the same level of precision that you apply to your production. To make this possible, we have pushed its acoustic properties to the boundaries of physics and recalculated them. Firstly, it's linear frequency response. It doesn't interpret, but rather ensures neutral transparency - the basis for good decisions. Its sound pattern remains delicate and precise in every application - across the entire spectrum.

Secondly, we have reduced distortion, wobbling motions and partial vibrations of the diaphragm to a minimum. Together with highly sensitive transducers, this construction guarantees powerful and distortion-free reproduction even at high sound pressure levels. Not to mention the recalculated air volumes in front of the ear. The HD 300 PRO gives the sound a remarkably natural, three-dimensional quality.

The design of the HD 300 PRO represents a smart combination of wearing comfort and ambient noise attenuation. Its circumaural, viscoelastic earpads can barely be felt even after several hours. And they provide reliable protection even against very loud ambient noise. To achieve this, we have designed the acoustic unit to be more isolated than a monitoring set has ever been. Even after sessions lasting several hours, you will detect only its sound - not its weight.

What's in the box?

1 x HD 300 PRO headphones
1 x Cable (1.5m with 3.5mm jack)
1 x 1/4" Adapter jack
1 x Quick start guide

Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative

Notes: Small desktop enclosure for Eurorack modules with 42 HP space and a maximum depth of 32mm. A relatively strong power solution with an external power supply and an on/off switch located at the case is included.

The power supply provides:

- 850 mA at +12V
- 850mA at -12V
- 500mA at +5V

The power distribution has 14 connectors and the case can house exactly fourteen modules from Erica's Pico Series.

Notes: Erica Synths Drum Mixer Lite is compact version of Drum Mixer. It features extended headroom and a dedicated drum compressor of unique design keeps each drum sound clearly distinguishable and add power to the final mix. Bonus feature - effects send output allows to apply external effects to the signals on the first three inputs. LEDs next to each input give visual feedback on the signal level.

Features:
6 inputs
Built in vactrol based drum compressor with Amount and Decay control
Three inputs assignable to main or aux send outputs
Main and Aux Send outputs
Signal level indicator LEDs

Mixer gain: -+6dB
Power consumption: 59mA@+12V, 36mA@-12V
Module width: 10HP
Module depth: 35 mm

Notes: Module A-112 is the combination of a voltage controlled 8 Bit Sampler and a wavetable oscillator. On top of it the module is able to generate some special effects. A-112 was designed as an additional sound source with the typical sounds of the early 8 bit samplers and is not comparable with the modern polyphonic MIDI samplers available on the market.

Sampling mode: 8 bit audio resolution, 128kB memory in 2 banks 64kB each (equivalent to 2 seconds of sampling time for each bank with 32 kHz sampling rate), audio input with attenuator, overload display in record mode (gate LED), possibility of MIDI Dump to store sounds in a computer via MIDI, non-volatile memory for the 2 samples in the module, manual tune control for adjustment of sampling rate for record and play, CV input (~ 1V/Oct), both manual tune and CV determine the sampling rate respectively the pitch (pitch range is 5 octaves), gate input (not a trigger: the sample starts at the positive edge of the gate signal and is played as long as gate is high or until the end of the sample is reached), manual Gate button, non-filtered audio output (thus quantizing noise can be used as an element of the sound intentionally).

Wavetable mode: special appearance of the sampling mode when playing a sample, the audio input is now used as a second control voltage input for moving through the sample in 256 byte wide loops (wavetables). The control voltage required to move through all wavetables applied to the input "Wave CV In" is in the range -2.5V (wavetable 1) ... 0V (wavetable 127) ... +2.5V (wavetable 256) when control "Atten." is set fully clockwise. To achieve the typical wavetable oscillator sounds the sampling memory must contain corresponding wavetable data (e.g. loaded via MIDI dump). These data contain a set of wavetables with different harmonic content (e.g. a filter sweep) to get the typical wavetable sound while moving through the tables via CV. But you may also use a "normal" sample and go through the sample with CV to obtain partially amazing sounds never heard before. You may use for example sampled speech and go with CV through the syllables or speech shreds to get really very extreme sounds. An ideal addition for this feature is the Offset/Attenuator module A-183-2 which can be used to adjust the position of the wavetable (Offset) and the modulation depth (Att.). The corresponding jumper of the A-183-2 has to be set to bipolar offset (as the A-112 requires -2.5V...+2.5V to pass through all 256 wavetables). As modulation source an LFO (A-145, A-146, A-147, A-143-3), ADSR (A-140, A-141, A-142, A-143-1/2) or a random voltage (A-118, A-149-1) may be used. Even a ribbon controller (A-198 or R2M), the Theremin module A-178, the Joystick A-174 or the Wheels module A-174-2 are useful to drive through the wavetables.

Effects: Additionally, the module offers - in a way free of charge - some effects like delay, reverse delay, pitch shifting or freeze. But it has to be pointed out that due to the 8 bit audio resolution these effects are not comparable to high quality effect units and should be understand as an extra for nothing. The A-112 is not an effects unit!

The sampling time of the A-112 is about 1...30 seconds corresponding to a sampling frequency range of about 60kHz...2kHz (64kB@60kHz ~ 1 s, 64kB@2kHz ~ 30 s).

Technical note: the module uses a battery for the non-volatile storage of the sampling data. Batteries have a limited lifespan and have to be inspected at least every two years. For details please refer to the FAQ page of our website: Lifespan of rechargeable batteries (used for memory backup).

Notes: Clep Diaz is a handy and small step CV and LFO generator. In step and random modes, use the encoder to control the number of steps in the sequence; in LFO mode, the encoder controls the amplitude of the wave. Toggle the directionality of the sequence: up, down, or up/down to customize the CVs further. CD also gives CV control over the number of steps in the sequence and an end-of-cycle trigger output. Unipolar and bipolar outputs allow maximal control.

Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).

Notes: Listen Professional circum-aural closed back headphones are the essential work tool for music production. Their tonal balance and precision in terms of audio spectrum make them perfect to evaluate the sound work quality. In addition, their comfort and accessories will make them very attractive for people travelling on business trips. The sound quality and the dynamics of these headphones are very surprising considering that this quality is usually found on more expensive items. The attention to detail of these headphones can be also shown thanks to the various patents and technologies which belong to Focal. Hence, a brand-new driver membrane was developed. The main goal was to propose a solution which would keep all the dynamics from the original track while reproducing accurately every single detail on the whole audio spectrum. Even if Listen Professional headphones are closed, they produce a very lively sound, giving the feeling of semi-open headphones while still providing the isolation of closed headphones.

Focal's core expertise:

The speaker driver has been given a 100% Mylar suspension, whereas the central dome is composed of a Mylar-titanium alloy to provide more rigidity and extended frequency response in the upper end of the spectrum. Thus, the moving part is extremely light, enabling the transducer to exceed 40kHz on a flat baffle. The reproduction of the bass and sub-bass registers also received a great deal of attention. The team of engineers managed to combine two factors which are hardly compatible: a tuning frequency which is as low as possible and extremely low distortion (0.3% at 1kHz - 100dB).

Ear cushions - the ideal acoustics:

The size of the ear cushions (height, width and depth) gives them a volume which makes it possible to achieve a great tonal balance. Microfiber provides a more linear bass response providing a better acoustic output, whereas the acoustic tissue, which is closer to the speaker driver, offers great absorption and linearity in the 3-9kHz register. The bass and lower mid-range sections benefit from remarkable tonal balance and excellent articulation: where compression and frequency response generally suffer on closed-back headphones.

For a frequent and intensive use:

Listen Professional is also equipped with a headband boasting a unique design to ensure comfort and durability. Its curve remains consistent, regardless of the shape or size of the user's head. Combined with the layer of silicone underneath the headband, this ensures that the weight is spread out evenly over the head, preventing the user from feeling any pressure in certain areas, which can be very uncomfortable during long working sessions. The horizontal and vertical rotation of the ear cups operate thanks to one single part: a joint integrated into each one. The ear cups also feature a black structured covering, making them resistant to impacts and scratching.

Provided Accessories:

Rigid carrying case. Thermoformed shell in the shape of the headphones. Can store one cable and an iLok key (not provided), all within its compact dimensions. Two OFC copper 24AWG cables with a very low resistance.

- 5m spiral for domestic use
- 1.2m cable fitted with a 3.5mm stereo jack connector
- 3.5mm and 6.35mm jack adapter

Notes: Really great value monitors from PreSonus, packing a punch from 4.5-inch woofers despite their compact overall dimensions. Bluetooth connectivity for added versatility.

This monitor comes with free Studio One Prime and Studio Magic plug-ins.

Supplier's notes:
PreSonus Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Ideal for gaming and home video production, the Eris E4.5 BT employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. Yet they're compact enough to fit almost anywhere.

Clean overall sound, smooth high end, and a wide sweet spot:

Every Eris-series studio monitor utilizes a woven composite low-frequency driver. The weave and nature of the Eris E4.5 BT's 4.5-inch woofer result in tight bass that you can feel, as well as cleaner overall sound. The one-inch silk-dome tweeter produces a smooth and refined sound, accurately reproducing transients and high frequencies. The tweeter is designed to radiate sound with a fairly wide pattern, creating a large optimal listening area or "sweet spot" so you can move around and still hear an accurate stereo image. With 25 watts per side of onboard power, the Eris BT-series monitor speakers pack a serious punch, while still delivering clear, accurate audio.

Easy-to-use controls:

A speaker's response is affected by where you place it and the acoustics of your space. That's why Eris E4.5 BT active media reference monitors offer controls to adjust the high- and low-frequency content, so your Bluetooth speakers always sound their best. A convenient front-panel volume knob sets both the speaker level and the integrated headphone amplifier's level.

Convenient wireless Bluetooth connectivity:

With four different types of audio inputs, it's easy to feed audio to your Eris E4.5 BT monitors from almost any source. Fast, reliable, stereo Bluetooth 5.0 connectivity lets you go wireless, streaming sound from a smartphone, tablet, laptop, or other Bluetooth source. Play games, listen to music, and even create content wirelessly. When you want a wired connection - say, from a computer, turntable, TV, or other line-level source - the Eris E4.5 BT has you covered with rear-panel, left and right 1/4-inch TRS and RCA inputs and front-panel 1/8" stereo inputs. A loud, clear, front-panel headphone amplifier lets you work and play in stealth mode, without disturbing your housemates.

Accuracy defined:

Like all PreSonus speakers, the Eris E4.5 BT offers consistent, accurate listening, with the smooth and even frequency response that has made Eris studio and media reference monitors popular around the world. Their compact and powerful design makes them an ideal solution for any small space. Want extra-deep low end? Pair compact Eris E4.5 BTs with PreSonus' powerful Temblor T8 active subwoofer for a truly full-range sound system that fits almost anywhere.

Notes: Compact audio and MIDI interface from one of the longest-running and most trustworthy brands in the business. Simple 2x2 setup with clear sound. A great entry-level option for getting sounds in and out of your computer.

Supplier notes:
Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M2 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M2 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M2 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M2 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M2 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: The window comparator is a very useful circuit building block that is common in general electronics, but rarely found in modular synths. While a regular comparator activates when the input signal voltage is higher than a threshold level, a window comparator checks if the voltage is between two levels (these form the 'window').

Compare 2 combines two such comparators and a logic section in 8 HP. The result is an advanced tool for extracting gates and pulses from analogue signals in Eurorack synths.

The detection windows are defined by the shift and size parameters, which can be varied using the knobs and CV inputs. Complementary gate outputs are available, with big three-colour LEDs showing each comparator's status.

All inputs are normalised from the left section to the right, but the two comparators can also be used completely independently. On the bottom, the outputs from both comparators are combined in various ways by the logic section, which also features LEDs.

You'll find a use for this truly multi-functional module in practically any patch, processing either CV or audio: complex rhythm generator, dual pulse width modulator, frequency multiplier/divider with PWM, digital ‘ring modulator’ with PWM, dynamic depth VCO synchronizer, voltage controlled swing, logic function array with adjustable thresholds... and many more applications waiting to be discovered!

Notes: While modular synthesisers are most often used as stand-alone instruments, they also present exciting opportunities for processing external signals. Anything from an electric guitar to an effects send on a studio mixing desk can benefit from the unique sonic capabilities of even a modest Eurorack system.

However, patching in an external source usually requires an adapter cable and plenty of clean gain to bring the signal to Eurorack level. If the signal source is balanced, a balanced input is required as well to provide the best possible interference rejection.

Receive 2 (or RX2 for short) provides a convenient all-in-one solution. It offers two universal external inputs, which accept both balanced or single-ended signals via XLR or 6.35 mm jack connectors.

The circuit incorporates low-impedance design practices, radio-frequency (RF) filtering and premium balanced receivers to provide transformer-like interconnect performance in a compact and affordable module. And thanks to the electrostatic discharge (ESD) protection, it’s rugged enough to survive the rigours of performing on the road.

The very clean integrated pre-amps feature variable gain, ranging from unity to +40 dB on each channel. As a result, Receive 2 can handle just about any signal source you may encounter, including electric instruments, piezoelectric pickups and many dynamic microphones.

Adjusting the gains is a breeze thanks to the dual peak-responding LED meters. A mix output is included as well, so external signals can be easily mixed directly in the module.

Notes: For decades, the voltage controlled slew limiter has been a staple of modular synthesisers. With its extreme versatility, it can be used to slew control voltages (CVs), create envelopes, as a low-frequency or audio oscillator and much more.

Today, Contour 1 brings a fresh approach to this classic circuit. It delivers much improved performance and control by incorporating modern design techniques.

At its most basic, a slew limiter slows down the rate of voltage change in a signal. On Contour 1, the rising and falling rates can be individually set using sliders and CV modulation.

The gate and trigger inputs allow the module to be used as a function generator: create snappy attack-release (AR) and attack-decay (AD) envelopes, with slope times ranging from 500 us to 30 seconds. The dedicated gate input makes it easy to generate +10 V envelopes from any signal source. Using the large tactile push button, AD envelopes can be manually triggered. A trigger will also reset the output voltage.

When set to loop mode, Contour 1 will continually re-trigger itself. In this mode, it fulfils the role of a variable-shape low-frequency oscillator (LFO) or temperature-stable voltage controlled oscillator (VCO) in the audio range.

Both the rising and falling slopes can be individually bent, from concave through linear to convex. While doing so, the deviation in slope time, and thus oscillation frequency, is kept to a minimum. Since the bend parameters are separately voltage controllable, boundless modulation possibilities present themselves.

Explore anything from shape-shifting envelopes to rich VCO timbres: Contour 1 will make you re-think what a slew limiter can do.

Dimensions
8 HP
30 mm deep

Current Draw
90 mA +12V
85 mA -12V

Notes: The "uMCLK Divider" module can either work as a MIDI clock divider or as an analog clock divider. The divider outputs are assigned differently in both operating modes.

After receiving a MIDI start command, the module works as a MIDI clock divider. There are fixed dividers on 11 outputs. Via the divider output KEYS, triggers can be triggered and mixed via MIDI notes. The keyboard zone extends over three octaves. With the help of the LEARN key, the receive MIDI channel and the lowest note of this 3-octave range can be defined.

When stopped (i.e. after receiving a MIDI stop command or after switching on), the module works as an analog clock divider and divides the analog clock present at the CLOCK input. The 12 analog divider outputs can be reprogrammed via SYSEX. Ready-made SYSEX files are already available (e.g. for even / odd dividers, Fibonacci series, offbeats, etc.). The RESET input resets the analog counters or serves to deactivate the analog divider.

Connections:
- Ribbon cable adapter for Doepfer bus +/-12Volt
- Inputs: 2x Clock/Gate,Reset (0/+5..10V), 1/8th inch mono jacks
- 1x MIDI (TRS-B standard) 1/8th inch stereo jack Outputs: 1x MIDI (TRS-B standard) 1/8th inch stereo jack
- 14x Clock/Gate Divider, 1/8th inch mono jacks

Control elements:
- 1 push button with LED (LEARN key) 16 LED's
- Current consumption: max. +70..80mA / - 0 mA
- Size: Euro rack format 3U / 6HP 30x128,5x40 mm

Dimensions
5 HP
40 mm deep

Current Draw
80 mA +12V

Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.

Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).

Notes: Ultra-simple 16-step Eurorack CV sequencer with randomisation option and storage for up to 16 patterns. Straight to the point business, all in just 4HP of rack space.

Supplier notes:
Small, easy-to-program sequencers are a bit of a rarity. Vox Digitalis is our answer to this issue. With intuitive displays and simple controls, VD is perfect for all your pitch CV needs. Set your sequence length, dial in each note, randomize, save and load 16 sequences -- VD does all the stuff the big sequencers do, just in 4HP.

Notes: CR8S-XBT

8" powered studio subwoofer

The CR8S-XBT subwoofer brings a tight, clean bass to your studio monitoring or home listening setup. This subwoofer is designed to meet the demands of modern musicians and content creators while offering Bluetooth connectivity for easy streaming

Feel the bass

Ready to upgrade your listening experience? With the Mackie CR8S-XBT subwoofer, you won't just hear the bass-you'll feel it too. The CR8S-XBT houses an 8" polypropylene-coated woofer within an all-wood sealed enclosure. The result? You get powerful bass reinforcement that delivers the bottom end you've been dreaming of.

Product features
Premium 8" Woofer and Wood Cabinet
Sleek, Brushed Metal Grille with Outlined Design Flexible I/O-1/4" TRS, RCA and Bluetooth
Included CRDV Desktop Volume Remote

Studio-quality sound

How else are you going to hear those deep 808s when you're mixing or listening to music? Adding the CX8S-XBT to your setup brings powerful low-end to your studio or home audio system. You'll know it when you feel it.

Sleek cosmetics

Sounding great is only half the battle-your multimedia monitors should reflect your style too. The sharp aesthetic of CR8S-XBT monitors looks great in the studio, the bedroom or any home listening setup. Be bold and make it loud without sacrificing style.

Bluetooth streaming

Effortlessly pair any Bluetooth-enabled device for easy streaming. We'll let you in on a secret. Paired with the CR8S-XBT, you can transform a set of regular CR-X monitors into Bluetooth monitors that you can pair with any compatible device. Has your dream come true yet?

Control it

All the control you need is always within reach. We include a CRDV desktop remote to give you control over the input and output levels of your subwoofer and stereo speakers. You'll never have to get up from your chair to adjust volume ever again.

Flexible inputs and outputs

In addition to Bluetooth connectivity, you can connect your subwoofer using TRS or RCA cables. This makes it easy to use your subwoofer in a studio or a home listening setup-the choice is all yours.

Wattage: 200W
Driver Size: 8"
Bluetooth: Yes

Notes: The PRO-SOLO Mk3 converts MIDI data into CV- gate and clock signals. The operation is easy and clear, settings can be saved in non-volatile memory. High-resolution 16-Bit converters provide accurate tracking and fast response. 1V/oct and Hz/V characteristics are possible as well as normal gate and Switched Trigger (S-Trig).

The unit features two CV- and one gate output, additionally there's an analogue clock output. MIDI thru socket can also be used as DIN-Sync output or it can output two additional voltages with a special cable. MIDI synched LFO.