All Genres

Notes: Great all-rounders from AKG, designed primarily for studio use but serving double duty as everyday headphones thanks to built-in Bluetooth streaming. Great sound and clean, stylish design.

Supplier's notes:
Whether you're an artist, engineer, podcaster, video editor or content producer, you're always in creative mode. AKG K371-BT Professional Studio Headphones strike the perfect balance between studio-quality sound, Bluetooth functionality, plush comfort and a sleek, sturdy design that stands up to your mobile lifestyle.

K371-BTs are precision-engineered to match AKG's Reference Response acoustic target to reproduce natural, balanced audio in extraordinary detail, so you can make more confident decisions when you're mixing and editing. They deliver deeper bass and higher highs than any other model in their class, with a stunning frequency response of 5 Hz to 40 kHz. K371-BTs offer the convenience of switchable Bluetooth wireless and wired connectivity; a built-in microphone allows two-way Bluetooth communications. Plush, ergonomic earcups cradle your ears in supreme comfortibecause once you hear how amazing your K371-BTs sound, you won't ever want to take them off.

Notes: Brilliant new complete system based around ALM classics like Pamela's New Workout, Squid Salmple and Quaid Megaslope. Brilliantly creative setup. Full review coming soon.

Supplier's notes:
The system coupe is a modern modular groove box combing both digital and analog technologies. It features various sound sources, innovative pattern creation and sequencing, modulation, sampling, processing and integration with external equipment.

Use the Coupe as a creative tool to sketch new original musical ideas and phrases, an enjoyable persuit to take on travels, a flexible instrument for live sets or imaginative first, or ongoing steps into modern modular synthesis. The System Coupe works great on its own or in partnership with your existing set up.

The Coupe consists of a powered case populated with a curated set of ALM modules - some new, some staples, some proven classics - all very functional and fun. All the modules are special editions, with grey panels, white screens, magenta and blue knobs and a custom powered compact aluminium 84hp case.

At the core of the system is the Squid Salmple, a powerful sampler capable of the recording and playback of up to 8 channels of both audio and CV. It can be used simply as a percussive voice but is extremely flexible as a sampler. Take advantage of its flexibitliy to create polyphonic voices, a super controlled delay or even a CV sequencer.

The Squid Salmple comes with an extensive royalty free sound library of over 700 carefully curated samples created specifically for the module.

The system's VCO is the small but mighty MCO, a morphing wavetable oscillator with 3 simultaneous outputs. It features a normal wave output, octave down sub oscillator output and a special pulse width modultion wavetable output. There are 4 PWM types which can be applied to all 10 wave shapes.

The four transparent & clean summed VCAs of the Tangle Quartet allow you to mix, shape and route audio from these sources. The MCF multi mode filter allows for further sculpting with 3 simultaneous outputs under full voltage control.

The Coupe features 3 new modules available for the first time as part of the system; the Milton, the MCF, and a basic mult, all designed primarily with the Coupe in mind.

The Milton is a utility module that provides amplication for external line level sources, a 1 in 3 out buffered mult, an attenuator and 4 input fixed gain mixer. It was designed specifically for the Coupe system - providing some very useful functionality on a small space.

The MCF is a classic analog multimode filter with resonance featuring hi, band and low pass outputs wth voltage control of both frequency and resonance. It can be used as a sine wave oscillator at higher resonance settings with v/oct tracking over pitch.

The basic mult allows signals to be duplicated to multiple destinations.

The classic Pamelas NEW Workout & Quaid Megaslope provide numerous sequencing and endless modulation oppertunities.

Pam is a staple in the Eurorack world. Use for synced triggers, gates, envelopes and quantised CV sequences all rythimcally synced to a core BPM. Patterns can be based on euclidean rules, then looped on beats for a repeating structure or not, if preferred.

The Megaslope can be used as an advanced multi stage envelope, an LFO and step sequencer with programmable slides. The sequencer is limited to 5 stages but when combined with Pam's flexible CV and gate outputs it is capable of great variation. Unlike many sequencers, the level of each step and slide times may be voltage controlled.

The mmMidi and expander provide the means for more convenetial Midi sequencing and can fully drive the system with multiple CV, gate and trigger outputs.

The adventurous types may even want to sample CV patterns into the Squid Salmple for playback and saving to the USB memory.

Included modules:

ALM023 / mmMidi & mmT expander
ALM017 / Pamela's NEW Workout
ALM020 / QUAID MEGASLOPE
ALM027 / MULT NEW!
ALM022 / SQUID SALMPLE
ALM024 / Milton NEW!
ALM021 / MCO
ALM025 / MCF NEW!
ALM009 / Tangle Quartet
ALM019 / HPO

Notes: IK Multimedia has added a white colour option for its iLoudr MTM, a compact reference monitor designed to deliver pristine sound and unprecedented accuracy for the modern professional and home studio. It provides innovative features not found elsewhere, and sound quality that rivals monitors several times the price.

iLoud MTM delivers unsurpassed accuracy, power and bass, 100W RMS power, and a class-defying 40 Hz to 24 kHz frequency response for a "firm", balanced and defined low end, to surpass the sound of speakers twice its size.

IK's advanced DSP expertise was leveraged to offer an ultra-flat frequency response, but more importantly, a truly linear phase response - a premiere feature in this price segment available only on a handful of products costing considerably more. This provides a natural, true-to-life sound made possible by IK's advanced DSP expertise.

The symmetrical MTM (midrange-tweeter-midrange) design provides point-source performance for superior imaging, even at close distances, so users can create mixes that will translate across multiple playback systems, with no ear fatigue. The design's exceptional, controlled sound dispersion enhances the transparency and neutrality by minimizing the impact of room acoustics, for truer monitoring.

iLoud MTM also offers one-touch, acoustic self-calibration derived from IK's award-winning ARC System, with an included reference microphone to easily adjust to any room's acoustics.

Additional features include: 103dB SPL maximum sound pressure; Audiophile-grade, high resolution algorithms and top-of-the line A/D converters; Off-axis response management to minimize the effects of room reverberation; and IK's patent-pending Physical Response Linearization (PRL™) system that corrects the system's performance in real time.

iLoud MTM also comes with a tilting isolation mount that adjusts from 0- to 20- for a wide range of setups, a rubber base for horizontal shelf-placement, and a bottom thread for mic stand mounting.

Incredible accuracy and transparency, deep and defined bass, precise stereo imaging at any distance, and automatic room calibration - all in a monitor that's small enough to fit on any desktop - make iLoud MTM deal for nearfield work or as a workhorse monitor in a home or project studio.

Notes: The bundle PODCASTER-1 is the perfect entry-level set for your first very own home recording studio. With the USB recording interface MX-1IO, the high-quality large diaphragm condenser microphone ECMS-70 as well as the matching microphone pop filter KM-23956 from Konig & Meyer, the PODCASTER-1 stands for real plug and play: setting up, connecting and getting started straightaway.

Components: 1 x ECMS-70, 1 x KM-23956, 1 x MS-12, 1 x MECN-200/SW, 1 x MX-1IO

Recording bundle for podcasters, consisting of:
1 x large diaphragm condenser microphone ECMS-70
1 x microphone pop filter KM-23956
1 x microphone floor stand MS-12
1 x XLR cable MECN-200/SW, 2 m, NEUTRIK connectors
1 x 1-channel USB recording interface MX-1IO

Notes: Rock and Roll Over is the fifth studio album by American rock band Kiss, released in 1976. It was recorded at the Star Theatre, and in order to get the proper drum sound, Peter Criss recorded the drum tracks in a bathroom, communicating via video-link with the rest of the band. The cover artwork was created by artist Michael Doret, who worked with Kiss again on their 2009 album Sonic Boom. This is the first Kiss album to not feature a writing credit from Ace Frehley. This iconic artwork is now available as a 500 piece jigsaw puzzle printed on high quality board.

Notes: Beginner-friendly multimedia monitors offering punchy, clear sound at an affordable price. Good entry-level option for anyone starting out working with audio.

Supplier's notes:
The perfect upgrade for your desktop speakers, CR Series monitors deliver the performance you expect from a Mackie studio monitor. Ideal for home studios, multimedia content creation, AV post-production, gaming, broadcast and more, CR Series monitors offer studio-quality sound in a compact, well-designed package that's equally at home in a high-end project room or your bookshelf.

Designed for premium sound that won't break the bank, CR Multimedia Monitors deliver the performance you expect from a Mackie studio monitor in designs ideal for home studios, multimedia creation, AV post-production and broadcast. Plus, with user-friendly front panel features and two models featuring Bluetoothr for music streaming, they are great for any desktop in any situation.

CR monitors deliver a combination of high-quality components and professional build quality typically only found on more expensive studio monitors. But, they are affordable and ultra-compact. Switch from video editing to music listening in no time flat. Edit a video, then watch a video. You are a multi-tasker who appreciates great sound. Whether you are looking for great studio speakers or want to upgrade your gaming audio, CR helps you in all aspects of your multimedia creation and enjoyment.

Notes: Mackie MP BTA is a Bluetooth Adapter - Replace the cable on your MP Series IEMs for untethered listening freedom.

Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-120 houses a single large dynamic driver. This is a high-quality component chosen for its ability to supply plenty of bass without sacrificing high-frequency articulation and vocal detail. This model offers a balanced sound that performs great across the entire spectrum.

Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-220 steps up the count with two dynamic drivers in each monitor. In addition to offering cleaner performance at higher levels, it allows the monitor to achieve higher efficiency evenly across the entire frequency range. Because you have twice the drivers taking care of the same job, they can resolve details and nuance in the sound much better, this also means increased bass which dynamic drivers are particularly good at.

Notes: When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

We've been helping artists perform their best for decades with our renowned loudspeaker designs, and now we are bringing that signature sound straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

The MP-240 keeps the same driver count but reaches the next level of detail and clarity thanks to its hybrid configuration. Instead of two dynamic drivers like the MP-220, this monitor swaps one out for a balanced armature driver and a custom crossover that splits the frequencies between the two drivers.

Hold on just a second, what does balanced armature mean?

This is a unique type of driver that is ultra-compact and offers incredible efficiency especially with mid to high frequencies. To keep the ample bass response while enhancing the clarity, we went with the hybrid design for the MP-240. This is the perfect combination. Punchy, accurate bass and beautiful mids and highs.

Notes: The Mackie Performer Bundle is a great choice for vocalists, karaoke, solo artists, and others who need straightforward mixing and reliable, great-sounding mics. The Performer Bundle is centered around Mackie's popular ProFX6v3 6-channel analog mixer, which features 2 ultra-low-noise Onyx mic preamps, 24 built-in effects, and 2-in, 4-out, 24-bit/192 kHz USB recording and playback. The Performer Bundle also provides two EM-89D dynamic vocal microphones, Mackie's MC-100 professional headphones, and the same powerful software suite as the Producer Bundle and Studio Bundle. From stage to home studio, the Mackie Performer Bundle gives you the tools to always sound your best.

Notes: All you need to get started recording instruments and vocals: two mics, an interface, headphones, software and all necessary cables. Just add a computer and start making music. Also great for recording podcasts or voiceovers.

Supplier's notes:
The Mackie Producer Bundle provides everything you need to get your home studio up and running with professional-quality sound. The Producer Bundle includes Mackie EleMent Series condenser and dynamic microphones; Mackie MC-100 Professional Headphones; and Mackie's popular Onyx Producer 2o2 USB interface, including a full software suite.

With two different types of cardioid microphones in the Producer Bundle, you're ready to record virtually anything. Mackie's EM-91C large-diaphragm condenser microphone is great when you want warmth and brilliance for vocals, to capture the nuances of stringed instruments, and much more. It's also an excellent choice for live streaming, voiceovers, and many other types of content creation. Mackie's EM-89D dynamic vocal microphone is extremely versatile. Primarily designed for stage use, it also makes a fine addition to a studio microphone collection. It's an excellent handheld vocal microphone and also excels as an instrument and amplifier microphone, thanks to its ability to capture loud sources.

The hub of your Producer Bundle setup is the Onyx Producer 2o2, a 2-in, 2-out, bus-powered USB interface that records up to 24-bit/192 kHz audio. The Onyx Producer 2o2 furnishes two XLR/TRS combo mic/line/instrument inputs with Mackie's renowned Onyx preamps for class-leading fidelity and dynamic range. Compatible with all major DAWs for macOSr and Windowsr, the interface comes with AVID Pro Toolsr | First and Waveform OEM recording and production software. You also get the Musician Collection for Pro Tools | First, with 23 plug-ins, including BBD Delay, Eleven Lite, 304E EQ, and 304C Compressor; and The DAW Essentials Bundle for Waveform OEM, which provides 16 powerful plug-ins, including Equaliser, Compressor, Reverber8, and Limiter. With Onyx Producer 2o2 and this powerful software suite, you'll be ready to produce a wide variety of music and other audio projects.

To monitor everything, the Mackie Producer Bundle provides Mackie's MC-100 Professional Headphones, which deliver clear rich lows and highs and very good noise isolation. They're excellent for tracking and referencing your mix.

Notes: MasterSounds turntable weights are carefully designed to reduce a turntable's noise floor and thus improve the musical soundstage. Users enjoy improved bass response, tighter mids and controlled highs as the turntable weight reduces unwanted resonance when placed via the spindle on top of a record. These weights are just over 400 grams (+ / - 14oz), light enough to not cause damage to a turntable's bearing system, but heavy enough to give sonic improvement.

The weights have been tested on a large variety of non-suspended belt drive and direct drive turntables with great success. Pressing plants try to achieve quality control on every record made, however there are intrinsic issues such as dished and warped records. MasterSounds turntable weights help to combat this too. DJ's love this, as it aids cueing a problematic a record prior to mixing and eliminates needle skip.

The weights have an anti-slip base, and thus each turntable weight has been designed to grip the record, which is fantastic for DJ'ing as it really stabilises records in the mix. Try using MasterSounds turntable weights for a couple of weeks, then remove to realise what a difference they make!

Notes: Desktop module version of one of our favourite new synths of 2020. Beautifully rich wavetable synth engine that somehow sounds good whatever you do with it.

Supplier's notes:
The Argon8M features an identical sound engine and feature set, but rather than a 37-note keybed, it has brackets for mounting to a 19" 3U rack, as well as end-cheeks for simple desktop use. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.

Notes: Mukatsuku branded high-quality stainless steel 45 adapter to improve the stability/durability of dinked vinyl 7'' records.

This version features the Mukatsuku brand as a straight logo on top of the adapter

Weight: 160g
Hight: 25mm
Diameter: 38mm
Material: Stainless steel

Notes: This 45 rpm adapter is made of high-quality stainless steel precision milled on a CNC machine and features a rubber O-ring around the spindle.
This rubber O-ring provide additional stability during the DJ set and is perfect for scratching/beat juggling aswell as standard dj play for dinked 7 inch records

This 45 centre is much heavier than the standard aluminium or plastic equivalent.

Specifications:

Weight: 110g
Hight: 19,4mm
Diameter: 38mm with O-ring: 43mm
Material: Stainless steel

Notes: The popular MXL 770 is a high quality multipurpose condenser mic that vocalists gravitate to for its solid low frequency response and clear high end. To achieve this MXL uses a high-quality FET pre-amp and transformerless balanced output for wide dynamic range and low noise. Features include a low frequency roll-off to reduce unwanted rumbling and a 10db pad to facilitate a wide variety of sound sources. The 770 comes with a shockmount to reduce mechanical vibrations and a rugged carrying case. The MXL 770 is a perfect combination of quality, flexibility, and value for both professional and home recording studios.

Notes: The MXL 990 remains one of the industry's most ground-breaking microphones. The first high quality condenser microphone to come into reach of working musicians, the MXL 990 has a FET preamp and a large diaphragm for truly professional sound quality in both digital and analog recordings. This revolutionary condenser microphone continues to astound artists with its silky, high end and tight, solid low and midrange reproduction.

Notes: A professional alkaline battery from Philips Industrial, long lasting, reliable power and superb performance.

High quality performance for a range of applications
Long lasting reliable power

Notes: A professional alkaline battery from Philips Industrial, long lasting, reliable power and superb performance.

High quality performance for a range of applications
Long lasting reliable power

Notes: Nicely priced bundle of Toraiz Squid sampler and AS-1 analogue synth, designed to hook up neatly with Pioneer CDJs and controllers.

Supplier's notes:
This package includes:
1x Pioneer TORAIZ AS-1 Synthesiser
1x Pioneer TORAIZ SQUID Sequencer

Pioneer TORAIZ AS-1 Analog Synthesiser:
The second musical instrument in the TORAIZ range, the AS-1 is a monophonic analog synthesizer that brings new creative possibilities to the studio and the stage. Its intuitive controls include parameter knobs that let you make both subtle and dramatic changes to the tone of your music to create your own personalised sound. Plus you can use the touchpad-style keyboard and slider to manipulate sounds during performances.

The TORAIZ AS-1 is driven by a fully programmable, true analogue synthesis engine based on the discrete analogue circuitry in Dave Smith Instruments' Prophet-6 synthesizer. It also inherits 7 on-board effects from the Prophet-6 synth as well as a brand new digital distortion. Working closely with Dave Smith himself, the results are a synth that produces powerful analogue sound. The TORAIZ AS-1 is an ideal addition to the setups of professional and aspiring producers.

The AS-1 is based on the same analogue filters as Dave Smith's renowned Prophet-6 synthesiser. It has 2 voltage-controlled oscillators (VCO) with continuously-variable triangle, sawtooth, and pulse wave shapes. Sculpt your sound using the 2 voltage-controlled filters (VCF), a 4-pole, resonant low-pass filter that can self-oscillate, and a 2-pole, resonant high-pass filter.

Use the TORAIZ AS-1 to create one-of-a-kind sounds using 2 VCOs, 2 VCFs, and VCA, 2 EGs and 1 LFO, then save each sound and its parameter settings as a program so you can instantly access it later.

The inspiring 495 preset programmes each have a different sound and 64-step sequence that can be edited separately. You can also save up to 495 of your own programmes in the 5 user banks.

Be creative with the Prophet-6-derived dual FX engine and use a single effect or pair 2 together to add extra texture to your sounds. FX includes Bucket Brigade Delay, Distortion, Ring Modulation, Chorus and Maestro Phaser.

The TORAIZ AS-1 will make sure your performance is in perfect harmony as you perform the sounds you create with the touchpad keyboard or change the notes assigned to the keys with Scale Mode.

Add dynamic changes to your performance by using the slider to manipulate.

Pioneer TORAIZ SQUID Sequencer:
Unlock limitless creativity with the SQUID multitrack sequencer. Part of the TORAIZ series of musical instruments and production equipment, this inspiration tool will be the heartbeat of your studio and live setups. The SQUID will control your workflow and give you the chance to develop new styles of music as you create unique sequence patterns and phrases at the touch of a button. Connect, sync and simultaneously control up to 16 instruments via its multiple input/outputs. The terminals are compatible with various equipment, from your DAW and hardware instruments to modular synths, vintage synthesizers and drum machines.

Perfect for on-the-fly music production, the layout and controls are effortless to navigate so your ideas will come to life the moment inspiration strikes. This production tool enables you to randomize sounds, sequences, and drums - all in key. Access endless polyrhythmic-looping options and instantly change the playback direction and speeds. With the world-first Groove Bend feature, you'll really feel the groove as you generate original rhythms in real time. And by controlling everything in one place, you can focus on developing phrases.

Have fun creating phrases by tapping the 16 multicolored LED rubber pads in the Step Edit section. Set step parameters and play live as if the pads were keys on a keyboard. Combine various sequence functions such as Interpolation and Harmonizer to help build your sounds.

Rearrange phrases you've created in the Step Edit section to craft your ideas the instant they spring to mind. Enhance your sounds with performance features, such as Running Direction, Speed Modulation, and Groove Bend.

The SQUID records performance information in the background so you'll never lose phrases you create accidentally. When you're experimenting and hear something you love, use the Time Warp feature to recall and save it as a sequence pattern for your next track.

The SQUID has a USB B terminal, MIDI terminals, 2 sets of CV/Gate outputs, and Clock and DIN Sync input/output terminals. This means you can combine the power of your DAW with modern, modular and vintage synths, as well as drum machines. Signals are converted automatically.

Quickly transfer sequence patterns, projects and Midi clips between the SQUID and your PC or Mac with the SQUID Manager function. Easily import a sequence pattern created on your DAW to the SQUID, instinctively arrange it using the sequencer's features, and return it to your DAW.

Notes: Limited edition version of the excellent Medusa, combining the best of Polyend's digital sequencer knowledge with a Dreadbox hybrid synth engine.

Supplier's notes:
The whole is greater than the sum of its parts.
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality. The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

64 fully responsive and customizable, three-dimension expressive pads with assignable musical scales and different layouts.
The Grid is storing 128 presets of voices, chords memory, sequences and more than one hundred modulators per step.
Choose any modulation parameter per preset for X, Y and Z pressure axis.
Three sequencing modes: step, live and incremental.
Unique musical controller, sequencer and powerful modulation source fixed in one powerful Grid.
Sequence notes, modulation parameter locks or even entire synth voice presets per step.
Separate voice, notes sequence and modulation randomizer onboard.
All the necessary Grid information is given on a crispy OLED display.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.
Seems like a simple addition, but this fusion brings something that has never been available before.

You like it digital
or prefer analog?
Medusa has it all.
medusa
Three synchronizable analog oscillators with the choice of four classic wave types for each of them.
One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP).
Frequency modulation separately for analog oscillators and filter.
Analog noise generator with colour shaping.
Three digital wavetable oscillators with a choice of 64 morphable wavetables.
Three different play modes: monophonic, semi polyphonic x3, semi polyphonic x6.
Audio input lets you use the power of Medusa sound engine with external audio sources.
Second OLED screen to display all necessary synthesis data.
Independence. Times ten.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control.
Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign.
Mixer for all seven paths of independent analog, digital and noise voices.
Separate volume control for headphones and master audio outputs.
Implemented MIDI protocol with bi-directional USB and DIN input, output and through. MPE compatible controller.
Sustain notes using the Drone mode. Transpose the running sequences.

The build.
All that analog and digital functionality merged in a one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.

Once you start, you can't stop.
It's all about innovation, revealing new quality and ideas in music. Medusa Hybrid Synthesizer materialized from the genuine passion and a firm relationship between Dreadbox and Polyend synthesized in the proper way. At first, there was a desire to add a simple sequencer and preset functionality to the famous Dreadbox analog synthesizer. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time. Careful, Medusa might be dangerously absorbing and can drag you in for a long time.

Medusa Black Limited Edition
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams an unusual approach to integrating analogue and digital domains into a new quality.

Colourful knobs included in every purchase.

Notes: The spoken word has moved to the web. With the Reloop s-Podcaster it is possible to produce audio files and offer them to the podcast community. Whether broadcasting one''s oown radio show via the internet, promoting one''s own music or publishing audio newsletters - with the sPodcaster condenser microphone one is equipped and ready for the future. Thanks to the high-speed USB 2.0 technology, all connections are as easy as they have never been - plug-n-play for PC and Mac. The latency-free transmission, 16 bit resolution and the 48 kHz A/D converter promise brilliant sound quality and playback that can be presented to the public.

Features
Professional USB microphone for podcasting
Condenser microphone with one-sided directional characteristics
USB 2.0 technology
Latency-free transmission
16 bit resolution
48 kHz A/D converter

Technical Data
Voltage: USB feed, 5.0 V
Sensibility: -65 i5 dB @ 1 kHz
S/N ratio: -59 dB
Frequency range: 50 Hz - 18 kHz
Plug&Play compatible with Windows Vista, XP, 8 and Mac OS X
Connection: USB
Dimensions: 148 x 65 x 56 mm
Weight: 350 g
Incl. USB cord, table stand and software

Notes: Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables

Notes: ***B-STOCK: Box opened, product in perfect working order***


Tiny but hugely powerful MIDI interface packing huge functionality. Ten separate outputs with flexible MIDI, gate and sync settings, plus convenient options like MIDI merge and thru. Versatile.

Supplier's notes:
What do you call a super portable MIDI interface which also is a standalone USB host, can drive gate signals, has per-port MIDI Filtering/Clock Processing and is about the size of an Altoids tin? We don't know- we call it the RK-006!

The RK-006 is about 7x5x1cm in size (3x2x0.4?) and packs 10 MIDI outputs plus 2 MIDI Inputs.

Every output port on the RK-006 can be individually set to send out full MIDI or Gate pulses, making a lovely hybrid use of it's 3.5mm TRS connectors: You can connect DIN5 MIDI Gear via the included TRS-A to DIN5 cables or just plug in a plain 'stereo minijack audio cable' (preferably shielded) to sync up modular gear or even 'minijack-MIDI' devices like the Korg Electribe or NTS-1 and such.

In MIDI mode you can apply MIDI Channel/Clock filtering and even clock modifiers ('Multiclock', allowing creative use of an abundance of sequencer gear which are available nowadays. These ports can also power the RK-002 Smart MIDI processing cable as well.

When you set a port to Gate mode the MIDI-Tempo-to-Gate multiclock is still available. This together with an assignable Run/Stop signal allows synchronisation of devices like older Sync24/DINSync units as the TR-808, TR-303 and TR-606 (just to name a few) but also newer ones like the Moog DFAM and Teenage Pocket Operators and anything inbetween; Directly from your MIDI device.

The gate signals can be triggered via a MIDI clock signal but also via MIDI Notes, adding the ability to bridge MIDI controller pads and modular gear.

The one-button on the RK-006 can be used to tap in a master clock or change presets on the RK-006 routing. You can also use it to switch from seemingly a MIDI merger/thru box to e.g. an independent dual-brain setup or one-big-master-gate-clocks-generator.

By using a simple (and included) OTG Adapter cable you can even connect plain 5V power and a USB hub to the RK-006 and host multiple USB-MIDI devices. The RK-006 will interconnect them and merge them together with the existing hardware ports. And because one USB-cable can route a whole lot more than just a MIDI-In or MIDI-Out we added extra filtering to specifically target these USB devices as well.

And while in the USB area: You can even plug in a USB Memory Stick with prepared MIDI files (also called 'SMF'). You can export these files on a DAW like Bitwig, Fruityloops, Ableton or Reason and playback these prepared tracks on your DAWless system, ready to play or clock-slave on your standalone sequencer of choice and play along live with it.

All the above can take place in the DAWless area BUT...You can also connect the RK-006 to e.g. a Desktop computer or iPad (note that iOS do need Apple's USB2Lightning cable) and enjoy all the RK-006 ports independently addressable on your DAW! This means:

10 separate MIDI outputs, every one of them can accommodate 16 MIDI devices
2 separate MIDI Inputs

Also, for usability's sake we added:
Aggregate merged MIDI Out port to ALL 10 ports
Aggregate auto MIDI Merged Input

The RK-006 is our most complete product yet and with this, we have also taken the extra effort to design and produce an Injection moulded enclosure. Final enclosure will be of dark, semi transparent material and is expected to be ready end of january. Should you be in a hurry using the RK-006 we can ship out a limited set with a white SLS-Printed 3D enclosure. Pre-ordered RK-006 will include the following accessories:

1x 10cm USB Cable (for use as USB MIDI Interface)
1x USB OTG/Power Cable (for use as USB Standalone host)
1x TRS-A to Female DIN5 Dongle
1x 1m TRS-A to TRS-B cable
4x 1.5m Shielded TRS-A to male DIN5 cables

Notes: For the latest Serato Vinyl release we have teamed up with Trap innovator and turntablist UZ to release his seminal Real Trap Shit Vol 1-5 on vinyl for the first time.

French-born producer UZ is a leading light of trap/electronic music alongside Baauer & Flosstradamus. An influential tastemaker with nearly 200 releases to his name, UZ first exploded onto SoundCloud in 2012 via his 'Trap Shit' series, 25 genre-defining trap classics, and subsequently released other heavyweight releases such as 'BallTrap Muzic Vol. 1' compilation (commissioned by Redbull) , and billboard charting debut album "Layers". UZ remains an active voice in trap via his speaker-rattling live sets and his label, Quality Goods Records. His discography also features many singles and collaborations with major pop and electronic artists, including T-Pain, Ice Cube, Elliphant, OG Maco, Flosstradamus, Zeds Dead, DJ Shadow among others.

After years behind the mask, in 2017 UZ unmasked himself as producer and DJ Troubl, famous as two time DMC France champion, and for his belatedly Stones Throw-approved Quasimoto/Madlib mixtape 'A Journey Into Fresh Diggin: Quasimoto Meets Himself'.

Notes: Quo is the seventh studio album by the English rock band Status Quo. Issued in May 1974, it features Francis Rossi, Rick Parfitt, Alan Lancaster and John Coghlan, and reached #2 in the UK. The album is regarded as one of their heaviest, possibly due to the influence of bassist Alan Lancaster, who cowrote six of the eight tracks. The sleeve-art was by British artist Dave Field. This iconic artwork is now available as a 500 piece jigsaw puzzle printed on high quality board.

Notes: Building on the success of previous versions, Cubase Artist 10.5 includes a redesigned channel strip, designed to optimise your workflow. Also included is Groove Agent SE 5,the latest edition of the highly versatile virtual drum emulator and soundbank. It also provides exceptional audio fidelity thanks to the improved resampling quality.

Cubase Artist 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.

Notes: Cubase is one of the most powerful music creation software packages in the world. With it's unrivalled range of flexible tools, you can create any kind of music quickly and intuitively. It comes packed with a wide range of virtual instruments, effects and thousands of sounds.Whether you're a professional composer or a music production beginner, Cubase provides you with everything you need for turning your ideas into music.

Notes: The award-winning music production software just got better. Steinberg Cubase Pro 10.5 is the most comprehensive version of Cubase 10.5, providing a wide range of exclusive audio tools, effects and virtual instruments.

Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.

Notes: Cubase has long been one of the most popular DAWs on the market, thanks to its intuitive digital interface and its innovative audio editing. Cubase 10.5 builds on previous version with a range of new features including a redesigned Channel Strip, MixConsole Snapshots, Latency Monitor and support for 32-bit/64-bit float audio formats.

Cubase Pro 10.5 also comes complete with 5GB of premium-grade loops and sounds from some of the most revered music producers in the world. With a range of new features, instruments and enhancements, Cubase 10.5 is ideal for musicians and audio professionals alike.

Notes: Clever interface from Steinberg, designed to work equally as well for DAW use and DJing. Two inputs, four outputs, clear sound quality and a decent bundle of software included for good measure.

Supplier's notes:
Thanks to its 4 outputs, the new unique feature about the UR24C is its switchable monitor modes: DAW and DJ.

In DAW mode - used for producing music with a DAW, such as Cubase - you can adjust the balance of the signals coming from the DAW and from the UR24C's input.

In DJ mode - optimized for performances with DJ software or backing tracks - you can choose to either output the mono master sound to the right side of your headphones, with the mono cue sound to the left, or have both in stereo and mix the two. The monitor mode is switched in the setup window of the dspMixFxUR-C application.

The 2 operations are clearly visible on the interface: In DAW mode the power indicator LED ring is lit white, in DJ mode it is lit red.

The DJ feature is equally useful if you are recording somebody else and need to set-up a separate headphone cue mix, that in addition to the build in DSP effects is a very unique feature at this price point.

Notes: Teenage Engineering go DIY with this kit-build CV/MIDI keyboard, designed to play nicely with Eurorack gear, Pocket Operators and the brand's own modular range.

Supplier's notes:
The POM-16 is a home-build stand-alone keyboard with individual tuneable keys and a programmable step sequencer.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: The unit is designed to send CV, Gate, MIDI, and PO Sync to control the POM-400 or other synthesizers. These signals do not make sounds.

FEATURES
Powder-coated Aluminium Chassis
Keyboard and Sequencer
Stores up to 64 patterns
Battery power option
Power supply sold separately
Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm
Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-16 chassis
1 x Keyboard
16 x Trim Knob
1 x Value Knob
4 x Rubber Foot
4 x Chassis Screw
1 x Screwdriver
1 x User's Manual

Notes: This vinyl case can hold up to 40 12 inch LP's with a sturdy handle and reinforced steel corners for durability, your vinyl's will be completely safe in this case constructed from aluminium, steel and wood with a fully lined interior.

Stylish black finish with a strong latch keep your vinyl collection in pristine condition and transport them in style.

Review: Seminal business from 1994, Kemet dust off the original "Borderline" EP which comprised the names Brain Killers and Family Of Intelligence but was all the engineering work of DJ Lewi. The man behind so many sounds on Kemet during their most pioneering years, his touch is on all of these cuts... The still-pristine and quintessential rave anthem "Screwface", the raw drum funk and breakcraft of "Jungle Love", the big raw ragga chat of "Champion Of Champions" and the chaos of "Bonus Beat #1". Lewi we salute you.

Review: Brit-funk combo 52nd Street are undeniably best-known for their 1983 single on Factory Records, "Look Into My Eyes", which came accompanied by some killer remixes from John "Jellybean" Benitez and sailed closed to the NYC electro sound. The Manchester outfit's roots were in jazz-funk though, as this essential reissue of their 1982 debut single proves. "Look Into My Eyes" is simply superb: a warm, woozy and gently groovy affair full of attractive lead vocals, elastic slap bass, colourful synthesizer lines and dreamy chords. If you're after some more up-tempo dancefloor pressure, check out flipside "Express" - a riotous affair rich in hammered-out Clavinet lines, jaunty lead lines and energetic percussion.

Review: Evan Majumdar-Swift may well barely be in his twenties, but he's already built up a catalogue that any experienced producer would be proud. The Sheffield-born, Manchester-based boy wonder has previously plied his trade almost exclusively on Central Processing Unit but here makes a surprise appearance on Hypercolour. The South Yorkshireman hits the ground running with hot-stepping, bass-heavy club thumber "Party Animal", all angular low-end transmissions, hypnotic stabs and glistening IDM melodies - before pitching things down impressively on the drowsy and bittersweet "Cosied By". Elsewhere, "TBQFH" somehow is both funky and foreboding, while "Fe Symbolic" doffs a cap to Aphex Twin by wrapping blissful electronic melodies around a skittish, all-action rhythm track.

Review: Teased with a few cheeky copies at Clashmouth last year, these two unreleased puppies from Adam F's kennel finally get fully let off the leash. "Apocalypse" has a Twin Peaks / "Go" flavour to its chords and eerie feel while "Eastern Spirit" has more of a hardcore feel to it thanks to its stripped back breakbeat nature and iconic psychedelic vocal sample that peppered raves throughout the early 90s. Delivered on J Majik's Infrared, it's another precision excavation from the very source.

Review: Crucial power jams from longstanding Finnish duo on thriving Finnish jungle imprint, Aeon Four are a perfect fit on Straight Up Breakbeat. Four cuts in total, each one explores a different side of the spectrum. Opener "Silence" praises the rave and the hardcore elements, "Essence" smacks of that authentic Goodlooking feel with its pads while "Lion Awakes" takes a well known vocal for a classic jungle feel. Last but not least "Babylon" closes with the ruffest card of the hand as happy slapping breaks keep us running to the very edge.