All Genres

Notes: Standard USB 2.0 type A plug to type A plug lead, suitable for connection of printer, hub, audio devices etc, to PC.

Notes: Is your pedalboard brain-dead? The Patchulator 8000 pedalboard patchbay provides a tangle-free way to change the order of your effects to create new tones using little to no brainpower! With the provided mini cables, just patch signal from your guitar or bass into (and out of) each effect, then back out to your amp or mixer. Invent new and interesting sounds while your synapses are firing, simply by rearranging the sequence of effects! All your gear and cabling stays put. Oh, and any effect not patched is "truly" bypassed... Genius!

In the world of electronic music, the Patchulator 8000 desktop patchbay becomes a powerful nerve centre for your instruments, allowing you to share and swap effects all around your setup, without needing to solve a brainteaser. Just connect your keyboards, synthesizers, samplers, drum machines (or any sound source) to a few channels, then fill the other channels with your effects' ins and outs. Using the mini patch cables, you can then route any of the effects into and out of the signal path of any instrument, just like a real patch bay! Hmmm... what will you mastermind?

In the world of modular synthesizers, the Patchulator 8000 is the brainstem between your modules and outboard gear, since it uses both standard and mini phono plugs. So if your brain tissue needs some electro-stimulation, simply inject control voltages and audio signals directly from your modular into effects units and chains. Better yet, use two Patchulator 8000s and seriously expand your cranial capacity! Whatever it is that you can brainstorm - guitar pedals and studio effects, synths and samplers, grooveboxes and drum machines, modulars and modulation signals, mixers and recording interfaces - the Patchulator 8000 allows it all to interconnect.

Package contents:

- Patchulator 8000 unit
- Set of 8 mini patch cables
- Set of 4 rubber stick-on feet
- User guide

Notes: Juicy tone from vintage 1960's style batteries! (DC supplies and alkaline batteries eat your tone)

Danelectro's vintage batteries offer superior tone to most pedals. 4 x 9 volt outputs. Quick battery change with easy open lid. "Kill switch" cuts power to all 4 DC outputs (no need to unplug input cables from pedals). Includes 4 DC cable, 4 Danelectro 9 volt vintage batteries. Small footprint.

Feed your pedals something they like!

Includes:

- 9 Volt Supply
- 4 x Vintage Batteries
- 4 x DC Cables

Notes: New and improved MK2 version of DJ-Tech REC, the portable DJ recording solution with real-time audio to MP3 direct encoder and decoder.

The DJ-Tech REC MK2 includes adjustable recording level control and MP3 playback control, with an LED track number display and signal indicator.

On the front of the unit is a Stereo RCA input for your input audio source and a Stereo RCA output for speaker connectivity.

The DJ-Tech REC MK2 is the perfect solution for anyone needing a device that records high-quality mixes and will integrate perfectly with any DJ setup.

Notes: With these power split cables, it is easy to distribute the power from an AD-9 to more than one pedal.

The new design introduces flat contacts (similar to the popular EBS flat patch cables) to further reduce space on your pedalboard.

Notes: This standard bearer of the Shape series features two passive radiators, woofers equipped with a new Flax cone, and the latest "M"-shaped Aluminium/Magnesium inverted dome tweeter. Perfect weapon of mass production for professionals.

Shape Twin is made in France, just like Shape 40, 50 and 65. Designed to meet the needs of nearfield monitoring, these monitors combine an ingenuous design and numerous settings optimised for the acoustics of small listening rooms. Shape Twin stands out through its excellent rendering over the whole audio spectrum, its broad frequency response in the low end, and its high SPL considering its size. The compact design makes it easy to integrate even into the most cramped of rooms. Finally, its 2.5-way design gives it a real advantage when it comes to controlling the bass and lower mid-range registers which are the hardest to control in small rooms.

Shape Twin's five innovations present a remarkable tonal balance, with very wide and precise stereo imaging. The low frequencies are well defined as well as controlled. The low-mid and mid ranges provide a true neutral sound.

Notes: Linear frequency response. Zero coloration. Transparency. Headroom. To hear the truth, you need reference speakers that offer up. Your studio monitors deliver, but what about when you're on the go? What if there was a reference monitor that could free you from the confines of the studio walls and provide you the truth in your music no matter where you are - mixing in a small makeshift recording space, mastering in a hotel room, working in your own studio, or composing on the go? Wouldn't that be sweet?

Now, with iLoud Micro Monitor, you can hear the truth in your music anytime and everywhere. The smallest active studio reference monitoring system in the world, iLoud Micro Monitor provides you with ultra-accurate true linear frequency response with no coloration of sound, and can do so in every listening environment. Sound too good to be true? Read on...

iLoud Micro Monitors are two extremely portable, high-performance bi-amped speakers that deliver a combined 50W RMS of power for superior bass, plenty of headroom and an expansive stereo image. Whether you're recording, editing, mixing, or mastering audio, iLoud Micro Monitor ensures your mix will translate well to the huge variety of consumer devices - headphones, home stereo systems, gaming consoles, car audio systems, TVs, and other listening systems.

With iLoud Micro Monitor, you will hear the truth in your music no matter whether you're mixing, mastering or just listening to your favourite tunes at home. And best of all, it offers its portability, power and flexibility at a price that's affordable for everyone.

A legacy of power:
When the original iLoud Bluetooth speaker was released, it set a new standard for portable power and sonic accuracy. iLoud Micro Monitor is a natural evolution of that design, and just like its highly popular predecessor, it offers a completely new and unmatched portable sonic experience.

Its two speakers are powered by ultra-efficient class D power amplifiers that push a combined 50 W RMS of power. Each speaker sports a 3/4" silk dome tweeter, a 3" paper-cone performance woofer and a large-flaring front-firing bass reflex port. Thanks to these features, it's able to deliver pleasing high frequencies, an exceptionally "open" midrange and a solid and controlled low end. Simply put, iLoud Micro Monitor's sound is so good that it's nearly inconceivable for a speaker system of this size and at this price point.

Sonically Transparent Monitoring System:
iLoud Micro Monitor sounds amazing and real. But why? Well, a part of that is due to its internal 56-bit digital signal processor (DSP). This DSP is responsible for things like taking care of the frequency and phase response of the monitor as well as also controlling the dynamic range so that the drivers are always controlled. It also acts as a digital crossover that allows for invisibly smooth transitions between the drivers themselves.

Adjustable audio:
You're bound to come across all sorts of listening environments when you're on the go. Most speakers can't handle this kind of variety, but iLoud Micro Monitor can. Its internal DSP is controllable thanks to three dedicated EQ switches. You get switches for bass and treble as well as a "DESKTOP" compensation switch - this lets you switch between a "free field" and "desktop" setup effortlessly.

You can also position iLoud Micro Monitor at two angles of inclination, so you can optimize your listening experience to suit the characteristics of the room you're working in.

Get connected:
You can easily use iLoud Micro Monitor with all your favourite gear. Sending an audio signal to it couldn't be easier. It has inputs for both RCA and 1/8" connectors, and it can also be paired via Bluetooth to any Bluetooth-enabled device. With all of its inputs, you'll always be able to use its ultra-linear sound to monitor your music no matter where you are or what device you're using.

The perfect laptop monitoring companion:
Reference monitor sound anytime and everywhere - iLoud Micro Monitor makes it possible. Its two speakers make for one incredibly small and portable system that delivers exceptional sound in any environment. Their compact size make for the perfect monitoring system to use while traveling with your laptop. They easily pack up into a gig bag or backpack so you can use their phenomenal sound anywhere.

***From 1st June until 30th June 2018, all customers who purchase an iLoud Micro Monitor or iLoud Micro Monitor White Special Edition and register it online at http://ikregister.com will be entitled to request and receive a dedicated Travel Bag for iLoud Micro Monitor worth L42.99.

IK Multimedia will ship out the travel bags (at no charge and with free shipping) to customers who register their iLoud Micro Monitors between the 1st-30th June and complete the online request form. The free Travel Bags will be shipped out to registered users in July***

Notes: The ultimate drum sound, anytime and anywhere! Numerous rhythm patterns built into a practical interface! The new KR-55 Pro is a multi-function rhythm machine that's also equipped with mixer/recorder functionality.

Experience the same musical support as if a pro drummer were sitting in on your session. The KR-55 Pro gives you an easy way to enjoy jam sessions with the backing of real drum/percussion sounds. It provides a rich variety of input jacks, mixer functionality, effects, and equalizer, as well as a versatile recorder that can record to an SD card. The intuitive interface means that there's no need for complex programming. Battery-powered operation allows complete mobility from desktop to street performances, or use in a variety of situations including live events in small spaces.

Drum/percussion sound that overturns your concept of a rhythm machine:

The KR-55 Pro features "Real Groove Technology" which uses data recorded from actual professional musicians performing at various tempi, and is a completely different technology than conventional rhythm machines. There is a total of 24 high-quality rhythm styles, each fine-tuned to provide the best possible feel, to accurately reproduce the experience of playing with a percussionist. The sounds, grooves, and phrases will play back at pristine quality even if you change the tempo, so you can enjoy playing serious jam sessions at your own pace.

Use the chain function to easily create sophisticated rhythm tracks:

Each rhythm style includes a wide variety of patterns: two variations in addition to basic, fill-in 1, and fill-in 2. This means that the KR-55 Pro can provide the accompaniment for an entire song. By using the chain function, which lets you put together and memorize a different rhythm style for each measure, you can freely create even complex rhythm tracks. Up to 30 banks of chains can be stored, and each chain can be up to 999 measures long.

A rich array of input jacks and full-fledged mixer functionality:

The KR-55 Pro provides a rich array of input jacks that accommodate a variety of instruments: a guitar or bass can be connected to INPUT 1/2, and the XLR jack accepts a mic input. You can let the KR-55 Pro take care of the rhythm, and enjoy a full-band performance with guitar, bass, and vocals. A reverb effect can be applied to each input source, and TREBLE and BASS equalizer are also provided so that you can shape your sound in detail. The AUX INPUT supports stereo, and can be connected to a digital audio player, a keyboard, or an effect unit that's equipped with stereo output. Together, they allow you to use up to four channels.

Versatile recording functionality that supports multi-track recording:

In addition to built-in rhythm styles, the KR-55 Pro is equipped with a versatile recorder function that can record a variety of input sources. You can record your own performances along with the built-in rhythm styles, a favourite song, or karaoke tracks that you created on your DAW. The recorded data can be exported as a WAV file to an SD card, so the KR-55 Pro is all you need to create widely-usable tracks. You can also multitrack-record your guitar and bass to produce more complex tracks. Also provided are editing functions such as undo/redo and punch-in, and you can also place markers at the desired location of the recorded data, and overdub while looping the playback.

Player function can play back audio files from an SD card:

The KR-55 Pro is equipped with an audio player function that can play back audio files (wav) from an SD card. You can take advantage of Acoustage and use this unit as a high-quality listening system, or prepare backing tracks for you to play along with. There's also a playlist function (10 banks) that lets you manage the file playback order of up to 24 songs, so you can play back songs in a desired order for your live performance. In addition, the playback speed can be adjusted in the range of -25% to +25%, and you can also make files play repeatedly or automatically in succession. Whether you're practicing at home or performing in front of an audience, the KR-55 Pro is packed with functions that will be useful in various situations.

Tuner and metronome functions with a large and easily readable meter:

A tuner with the high precision that you expect from KORG is built in. When you turn this function on, the rhythm style buttons become a tuning meter, allowing you to tune with a large and easily visible meter. You can also tune while listening to a guitar, bass, or piano guide tone, or sound a metronome for convenient practicing.

Notes: Prologue is a fully-programmable, full-featured, professional synthesizer. Preceded by the four-voice polyphonic Minilogue and the monophonic Monologue, it's the long awaited debut of the flagship: the Prologue.

Prologue is a polyphonic analog synthesizer equipped with a full-sized keyboard. With powerful analog circuits that are descended directly from the earlier models of the series, together with a newly developed digital multi engine and gorgeous DSP-based effects, Prologue expands the variety of sounds and the possibilities for user customization.

The line-up is comprised of two models that cover musicians' needs for not only stage use, but also studio, home, or touring use: 16-voice 61-key Prologue-16, and the eight-voice 49-key Prologue-8. These instruments are capable of sounds that go beyond existing analog synthesizers.

16/8-voice analog sound:
The Prologue is a polyphonic analog synthesizer with 8 or 16 multitimbral voices. KORG's analog synthesizer development in recent years has culminated in the Prologue, which was designed using 11,000 discrete electronic components. Although the Prologue is a flagship instrument, it still retains the inviting feel and accessibility of its predecessors. It features a pure analog path, impeccable sound quality, stunning presence unlike any other poly synth, and the same intuitive interface as the Minilogue and Monologue, granting you intuitive access to a vast world of analog synthesis.

The Prologue uses a structure of 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator's overtones and a sync/ring switch, prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from Minilogue and Monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer.

Newly developed multi-engine:
The ingenuity of Prologue goes beyond its analog design. The newly developed multi engine is provided as VCO3, adding digital waveforms and FM. This multi engine, which is equipped with three different sound engines, can be combined with the analog VCOs to expand prologue's sonic potential far beyond that of a traditional analog synthesizer.

Noise generator:
There are four types of noise generator, indispensable for percussive sounds or sound effects. Experience how digital filtering can produce direct changes in the colour of the noise.

VPM oscillator:
The VPM (Variable Phase Modulation) / FM oscillator was newly developed for Prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by analog means. With 16 types of oscillator and the SHAPE knob, you'll be intuitively guided through complex sound design. Combine these wave shapes with Prologue's gorgeous analog filters, and prepare for sounds you never thought possible.

User oscillator:
The user oscillator section lets you load oscillator programs of your own creation. Sixteen slots are provided, and one type of morphing wavetable oscillator is built-in as a preset.

Digital effects:
The high-quality digital effects feature pristine 32-bit floating-point processing, and add a further polish to the sound of the Prologue. With two effect units provided (a modulation effect and delay/reverb), you can choose from a wide variety such as chorus or ensemble, warm tape delay, or diverse reverbs. The user effect slots let you load effect programs of your own creation.

User-customization:
The Prologue offers an SDK (Software Development Kit) that allows developers to program, customize and extend the capabilities of the multi-engine and digital effects and is expected to be available for download in the spring of 2018. The Prologue provides 16 user oscillator slots and 16 user effect slots, and users can use the Prologue Librarian software (also expected to be available for download in the spring of 2018) to load into their Prologue new oscillators and effect programs created by developers with the Prologue SDK (Software Development Kit).

Analog comp/booster:
The exclusive VU meter is available only on the Prologue-16, and indicates the newly developed master effect L.F. COMP. It's a low end booster/compressor using an analog circuit, delivering a solid sense of presence that cannot be obtained from a simple EQ. You'll particularly notice the difference in high-volume stage performances where maximum dynamics can be utilized.

Notes: Prologue is a fully-programmable, full-featured, professional synthesizer. Preceded by the four-voice polyphonic Minilogue and the monophonic Monologue, it's the long awaited debut of the flagship: the Prologue.

Prologue is a polyphonic analog synthesizer equipped with a full-sized keyboard. With powerful analog circuits that are descended directly from the earlier models of the series, together with a newly developed digital multi engine and gorgeous DSP-based effects, Prologue expands the variety of sounds and the possibilities for user customization.

The line-up is comprised of two models that cover musicians' needs for not only stage use, but also studio, home, or touring use: 16-voice 61-key Prologue-16, and the eight-voice 49-key Prologue-8. These instruments are capable of sounds that go beyond existing analog synthesizers.

16/8-voice analog sound:
The Prologue is a polyphonic analog synthesizer with 8 or 16 multitimbral voices. KORG's analog synthesizer development in recent years has culminated in the Prologue, which was designed using 11,000 discrete electronic components. Although the Prologue is a flagship instrument, it still retains the inviting feel and accessibility of its predecessors. It features a pure analog path, impeccable sound quality, stunning presence unlike any other poly synth, and the same intuitive interface as the Minilogue and Monologue, granting you intuitive access to a vast world of analog synthesis.

The Prologue uses a structure of 2VCO + MULTI ENGINE, 1VCF, 2EG, 1VCA, and 1LFO. In addition to distinctive, original circuitry, such as wave shaping to shape the oscillator's overtones and a sync/ring switch, prologue also features a two-pole low pass filter with enhanced sharpness, drive that adds powerful distortion, and a low cut (high pass) switch. Every detail has been improved on from Minilogue and Monologue. Its sound covers every sonic possibility: fat basses, powerful leads, and the beautiful pads that you expect from a polyphonic synthesizer.

Newly developed multi-engine:
The ingenuity of Prologue goes beyond its analog design. The newly developed multi engine is provided as VCO3, adding digital waveforms and FM. This multi engine, which is equipped with three different sound engines, can be combined with the analog VCOs to expand prologue's sonic potential far beyond that of a traditional analog synthesizer.

Noise generator:
There are four types of noise generator, indispensable for percussive sounds or sound effects. Experience how digital filtering can produce direct changes in the colour of the noise.

VPM oscillator:
The VPM (Variable Phase Modulation) / FM oscillator was newly developed for Prologue. Its metallic and sharp sounds with their complex overtones could never be obtained by analog means. With 16 types of oscillator and the SHAPE knob, you'll be intuitively guided through complex sound design. Combine these wave shapes with Prologue's gorgeous analog filters, and prepare for sounds you never thought possible.

User oscillator:
The user oscillator section lets you load oscillator programs of your own creation. Sixteen slots are provided, and one type of morphing wavetable oscillator is built-in as a preset.

Digital effects:
The high-quality digital effects feature pristine 32-bit floating-point processing, and add a further polish to the sound of the Prologue. With two effect units provided (a modulation effect and delay/reverb), you can choose from a wide variety such as chorus or ensemble, warm tape delay, or diverse reverbs. The user effect slots let you load effect programs of your own creation.

User-customization:
The Prologue offers an SDK (Software Development Kit) that allows developers to program, customize and extend the capabilities of the multi-engine and digital effects and is expected to be available for download in the spring of 2018. The Prologue provides 16 user oscillator slots and 16 user effect slots, and users can use the Prologue Librarian software (also expected to be available for download in the spring of 2018) to load into their Prologue new oscillators and effect programs created by developers with the Prologue SDK (Software Development Kit).

Analog comp/booster:
The exclusive VU meter is available only on the Prologue-16, and indicates the newly developed master effect L.F. COMP. It's a low end booster/compressor using an analog circuit, delivering a solid sense of presence that cannot be obtained from a simple EQ. You'll particularly notice the difference in high-volume stage performances where maximum dynamics can be utilized.

Notes: Bespoke carbon steel patterned turntable 45 rpm adapter for spinning dinked 7 inch records - fits all standard 7mm diameter turntable spindles. As used by Jeremy My Love Is Underground & Nicola Conte amongst others...

Notes: PACER boosts your creativity by providing hands-free control of your DAW, MIDI guitar soft- or hardware as well as channel and FX switching on your trusted analog amp. All integrated into one rugged and stage-ready foot pedal with 10 programmable LED foot switches, 4 switching relays and connections for up to 4 external foot switches and 2 expression pedals. That's a lot of switching power right at your feet: With just one press of a button, you can send up to 16 MIDI and relay messages to reconfigure a setup instantly. Step up your pace with this powerful MIDI DAW Footswitch Controller!

THE POWER OF SWITCHES:

Pacer's programming options are extensive. In the most basic state, a switch can send a MIDI message or change a relay state. But being able to send MIDI messages in a sequence of steps, takes the usefulness of a preset to another level. Use one switch to step through program change messages during your song and the other switches are free for FX on/off control. Or switch your amp channel, start playback in your DAW and change program on your effects rack, all by just pressing ONE button within the same preset. Another 16 MIDI messages/relay settings can be programmed for triggering when each of the 24 presets are selected.

Whether you are looking for a simple pre-configured solution to control products such as Line 6, Kemper Profiler, AxeFX and Avid Eleven, want to control your DAW without letting go of your instrument or plan to create your own advanced setups for controlling a live show, PACER does it all.

DAW CONTROL OPTIONS:

Don't stop the music: PACER is the only true hands-free solution for controlling a DAW and features a complete set of dedicated track and transport controls. For MCU (Mackie Control Universal) compatible DAWs, a Transport preset provides control over Cycle/Loop, Rewind, Forward, Stop, Play and Record. Each switch has its own large icon illuminated by an RGB LED to show the current status. The Track preset controls Solo, Mute, Record Arm and Click. Almost every DAW is compatible with MCU including Ableton Live, FL Studio or Sonar.

Nektar DAW integration provides the highest level of integration with additional options for track and patch selection, customized RGB LED colour feedback and in some cases additional functionality. Nektar DAW integration supports Bitwig, Cubase, GarageBand, Logic, Nuendo, Reason, Reaper and Studio One.

CONTROL CENTER:

PACER has 10 programmable foot switch controls, each equipped with an RGB LED. Add to that a crisp and large two row LED display, a dedicated switch for Preset recall and an encoder with push switch for programming, navigation and control. So, PACER definitely won't leave you in the dark, figuratively speaking: Depending on the active mode, the top or middle row icons are illuminated. The RGB LEDs in the bottom row display switch status.

DISPLAY AND LEDs:

A red LED display with two rows shows the active preset name/number, mode and selected parameter and value. The data encoder with push switching right next to it makes parameter selection and programming swift and easy. Each foot switch has its own RGB activity LED and function LEDs, which are also part of a preset. So, if you'd like a switch to use a different colour or LED, you can easily customize that!

SWITCHES A-D:

These switches are fully programmable, but factory assigned with these presets:

A: Track preset (for DAW control)
B: Transport preset (for DAW control)
C: Load previous preset
D: Load next preset

You can reconfigure the switches to send any other function or MIDI message.

SWITCHES 1-6:

You can program the switches to send MIDI messages, control one of PACER's 4 relays or to load presets. When DAW Transport or Track functions are assigned, the top and middle row icons are illuminated by default. Worth mentioning is, that each switch can change up to 6 actions simultaneously or in a sequence of presses. That's a lot of switching power right there!

PRESET SWITCH:

PACER has 24 presets. Any switch can be programmed to select a preset, but pressing and holding "Preset" and then selecting a bank & number is available at any time.

As mentioned above, each control within a preset is programmable with up to 6 steps or actions. What's more, these steps can be sent simultaneously or in a sequence of presses. When you load a preset, up to 16 MIDI-messages or switch states can be sent at the same time: Just one stomp can have a dramatic effect!

Notes: Boost your creativity with the DDJ-SX3 4-channel DJ controller for Serato DJ Pro. Expanding on the features of our popular DDJ-SX2 controller, the DDJ-SX3 is strong yet portable with a familiar layout and lower latency jog wheels. Loaded with advanced features, this controller is ideal for professional mobile DJs performing at club nights, parties, weddings and corporate events.

Collaborate with MCs, rappers or singers by plugging in 3 different microphones at once via the 3 Mic inputs, then control EQs and apply FX to each. Connect 2 computers at the same time for easy DJ changeovers via the dual USB ports. Coming with free Pitch 'n Time DJ and Serato Flip Expansion Packs, you can stretch, mix and cut with precision.

Enhanced vocals:
Whether you're performing with MCs, singers or guest speakers, 3 people can entertain the crowd at the same time via the 3 Mic inputs. Ensure crystal-clear speech with 3-band EQ, low-cut filter, compressor and reverb control on each. Enhance vocals with Sound Colour FX and Serato DJ Pro FX.

Dual USB ports:
Connect 2 computers at the same time for seamless DJ transitions, back-to-back performances or as a backup computer in case your laptop crashes.

Professional interface:
With a layout inherited from our flagship Serato controllers, the DDJ-SX3 feels familiar to use. Featuring 4 inputs, connect to CDJs, analogue turntables and use as a stand-alone DJ mixer. Plug in various speakers via the XLR and RCA Master Out and TRS jack Booth Out terminal.

Performance Pads:
Use the large multicoloured Performance Pads to instantly trigger 11 Serato DJ Pro features. Watch their colours and illumination change to show the selected pad mode and playing status.

Low-Latency Jog Wheels:
We've reduced the latency of the jog wheels for even smoother scratching than its predecessor. Optimised for a perfect scratch response, the illuminated cue point markers with cue countdown give you effortless control without needing to look at your laptop.

Expansion Packs enabled:
Pitch 'n Time DJ and Serato Flip Expansion Packs are included. Use advanced features like Key Shift, Key Sync, Flip, Pitch Play and more to mix tracks smoothly.

Notes: Created for demanding producers:
Working professionals in search of a feature-rich USB recording solution with a wealth of connections need look no further than the Studio 1824 audio/MIDI interface. Loaded with analog and digital I/O and an 18x8 DSP monitor mixer, the Studio 1824 records up to 24-bit, 192 kHz audio. Flexible routing, near-zero-latency monitor mixing, and control-room integration are available from within included Studio One Artist for Mac and Windows and UC Surface for Mac, Windows, iPad, and Android tablet. Equipped with our famous XMAX Class A preamps and high-end converters, it delivers superior audio and the features you need to create your next hit and keep clients coming back for more.

Superior sound:
High-grade digital converters, ultra-low-jitter clocking, and our famous XMAX preamps add up to a superior recording and listening experience. The Studio 1824 operates at up to 192 kHz for ultra-high-definition mixing and recording. High-quality converters on every input and output provide 115 dB of dynamic range to capture complex musical harmonics smoothly and naturally with no audible distortion. XMAX Class A microphone preamps deliver incredibly high headroom, deep lows, smooth highs, and a rich overall sound so you'll hear every breath, transient, and detail in your recordings. Your music never sounded better!

The central hub of your studio:
The Studio 1824 features two front-panel combo mic and switchable line/instrument inputs and six rear-panel mic/line inputs, all with +48V phantom power for condenser mics. Its eight channels of ADAT Optical I/O (four channels at 96 kHz) enable you to expand the unit with a multichannel preamp/ADC, such as our premium-quality DigiMax DP88. In addition to L/R main outputs with front-panel Mute, Mono, and level controls, you get eight balanced line outputs for monitor mixing plus stereo S/PDIF digital I/O and two stereo headphone outputs. All line-level outputs are DC coupled, enabling them to send control voltages. The onboard DSP lets you create four stereo near-zero latency monitor mixes. A BNC word clock output enables synchronization with other digital devices. Studio 1824's MIDI I/O enables connection to a keyboard, sound module, or control surface, as well, making it a true central hub for your studio.

World-class recording software included:
The Studio 1824 interface works with virtually all Mac and Windows audio-recording software but it really shines when used with the included PreSonus Studio One Artist DAW. Built by creative people for creative music production, Studio One is easy to learn and enables you to compose, record, and produce your masterpiece without getting distracted by the tools. The mix controls for the Studio 1824's onboard monitor mixer are seamlessly integrated into Studio One so you can easily create near-zero-latency monitor mixes from within your recording environment. You also can remote-control monitor mixes using free PreSonus UC Surface touch-control software for Mac, Windows, iPad, and Android tablet.

Designed for producers who need more:
With ample connectivity, onboard monitor mixing, sweet-sounding preamps, and up to 192 kHz sample rate, the Studio 1824 will give you the ultra-high-definition sound and versatile connectivity you need to make state-of-the-art recordings. The perfect companion for any recording software, the Studio 1824's integration with Studio One Artist and remote control with UC Surface provide a complete and thoroughly professional recording solution. Check out the Studio 1824 at your favourite PreSonus dealer.

Now includes Studio Magic Plug-in Suite:
This suite of plug-ins adds a wealth of fresh sounds and effects to Studio One. Cherry-picked from the first names in virtual instruments and effects, each plug-in brings a different flavour of practical magic to your songs. These plug-ins aren't gimmicky one-trick ponies - these are real-deal workhorses that you'll rely on for countless mixes.

Notes: The Reloop Controller Station MK2 can hold a controller as well as a laptop - all on one device. Due to the new variable depth adjustment the stand is compatible with a wide range of controllers and flexibility is guaranteed. The Controller Station is a flexible and universal stand for all purposes.

Notes: One Mic... From Start To Finish:
Professional sounding recordings shouldn't require an advanced degree in engineering. In your home studio or recording on the road, G-Track Pro allows you to focus on your recording and less on the process. G-Track Pro is a USB microphone with an instrument input and mixer for recording two independent audio channels at one time. With the ability to capture your audio at 24-bit/96kHz, your recordings will deliver extremely detailed, high-resolution results. With plug-and-play connectivity and a straightforward design, G-Track Pro is the right choice for musicians, podcasters or streamers.

It's A Mic:
Dual 1" (25mm) large-diaphragm condenser capsules captures the detail and nuance of your voice or instrument. Offering three selectable pickup patterns (cardioid, omnidirectional and bidirectional), G-Track Pro provides the flexibility for any project. The front panel Mic gain control, so you always get the best signal level no matter where the mic is placed.

It's An Audio Interface:
G-Track Pro includes a standard 1/4" instrument input for recording bass, guitar, keyboard and other line level devices. Singer/songwriters can quickly capture vocal and instrument performances simultaneously or podcasters can add a sub-mixer to record additional hosts and guests. A Mono / 2-Track switch allows you to record the mic and instrument on the same tracks for streaming content or on separate tracks for post-production editing.

And It's A Mixer:
G-Track pro includes a full-featured mixer with independent controls for the Mic and Instrument volume controls to optimize your mix. The 1/8" stereo output and high-quality headphone amplifier provides zero-latency playback complete with direct monitoring mix controls. It also features a Mute button that silences the input signals when needed, which is ideal for podcasters and gamers.

Out-standing:
G-Track Pro's heavy-duty, die-cast desktop base features permanent-grip hinges that hold the mic securely in place once you've selected an optimal recording position.

Notes: Sismo Qadrox is a square wave generator with three analogue oscillators, built in eight step sequencer, manual reset, CV in-out and Sync in-out. Create powerful ambient noises, rhythms, richness, textures and sound effects.

Polyphony: Monophonic
Oscillators: 3 x Square wave
Control: CV in-out, Sync in-out
Power source: 12 Volts DC (centre positive, not included)

Notes: Sismo Qadrox is a square wave generator with three analogue oscillators, built in eight step sequencer, manual reset, CV in-out and Sync in-out. Create powerful ambient noises, rhythms, richness, textures and sound effects.

Polyphony: Monophonic
Oscillators: 3 x Square wave
Control: CV in-out, Sync in-out
Power source: 12 Volts DC (centre positive, not included)

Notes: Zero A combines an LFO pass through a simple attack-release envelope generator, controlled by a square-wave oscillator. Zero A has two external inputs, one to control oscillator pitch and the other to run the envelope generator, and three outputs: LFO rate, eg out and audio output.

Notes: This record holder is based on Standing Wave Woodwork's original sapele hardwood record holder design, featuring 18mm birch ply and highest quality Fiddes Hard Wax Oil.

- Smooth and minimalistic
- Dimensions 390 x 200 x 265mm
- Materials: 18mm birch ply, highest quality Fiddes Hard Wax Oil
- Holds up to 40 records comfortably
- Dry fit construction simply slots together
- Crafted in West Yorkshire

Notes: This stylish record storage/flight/carry case can accommodate up to 100 albums, has a removable lid, and carry handles on the sides. Manufactured by Steepletone - who have been making record players and accessories for over 30 years.

Notes: This stylish record storage/flight/carry case can accommodate up to 100 albums, has a removable lid, and carry handles on the sides. Manufactured by Steepletone - who have been making record players and accessories for over 30 years.

Notes: The UR-RT2 is a premium four input, two output USB 2.0 audio and MIDI interface with switchable Rupert Neve Designs transformers on the front inputs. Combined with the onboard, high-quality D-PRE preamps, the Rupert Neve Designs transformers deliver a musical, more expressive sound with rich harmonics, which is especially beneficial for vocals, acoustic guitar and other instruments with a versatile dynamic range.

Offering a studio-quality, mobile production platform with a range of input/output options for laptop and iPad, the onboard SSP2 DSP chip also delivers zero-latency FX for monitoring. The robust UR-RT2 is engineered to offer outstanding quality for its price class, making it the ideal portable production interface for PC, Mac or iOS.

The Rupert Neve Designs transformer:

Mr. Rupert Neve is undoubtedly a legend in the professional audio field. The transformer circuitry is one of the key factors in his numerous vintage designs and also in the latest devices from Rupert Neve Designs, which gives a very appealing touch of natural compression and saturation to the sound.

Input channels 1-2 on the Steinberg UR-RT2 each feature a transformer that Rupert Neve Designs has specifically developed for audio interfaces. With this transformer, a natural distortion can be added to the signal to realize a sound with more depth and perspective, while maintaining the natural sound of the D-PRE itself when the transformer is disabled.

The D-PRE: Beyond precision:

The virtues of the Yamaha-designed D-PRE have been sung by industry veterans and trade press alike since the introduction of this class-leading preamp. A sumptuously detailed high-end, immaculate dynamic response and a rich, rounded low-end sound are the hallmarks of this very special preamp. The UR-RT2 and UR-RT4 feature two D-PRE preamps, each offering stellar recording quality unmatched in this price class. And to faithfully capture and replay the warm, transparent sound of the D-PRE, the UR-RTs feature AD and DA conversion stages with up to 24-bit, 192 kHz resolution.

Notes: The TASCAM MZ-223 offers versatile multi-zone audio routing, mixing, and segregation of several audio sources simultaneously. Source content can include music, spoken word (microphone), phonograph, and more and are easily controlled via familiar sliders and assignment controls on the front panel. Designed for easy integration in virtually any system, the TASCAM MZ-223 is ideal for small format install applications such as moderate sized hotels, restaurants, meeting rooms, schools, or any situation that demands independently routed audio.

Flexible I/O:

The MZ-223 allows multiple audio sources to be mixed, segregated, and routed to three (3) independent zones or destinations using familiar volume sliders and assignment buttons. Input signals can be inserted via five (5) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs. A total of ten (10) sets of RCA-type inputs are provided. Channels one and two can be set to accommodate phono-level signals for use with a turntable. In addition, located conveniently on the front panel, two mic-compatible XLR inputs are available.

Multiple Zone Outputs:

The independent three-zone outputs each have a combination of balanced professional XLR or RCA unbalanced configurations for long runs or connection to common residential power amplifiers or speakers. This flexibility, for example, allows music to be routed to zone one, ambient noise or natural sounds to zone two, a separate music track or a voice announcement can be routed to zone three, while the convenient "talkover" function will automatically lower any mixed channel source so the microphone can be heard while speaking.

Easy, Immediate Control:

Familiar volume sliders, routing switches/buttons, EQ knobs, and mute buttons for the microphones make the MZ-223 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event capturing easy. The TASCAM MZ-223 delivers simple operation and maximum audio routing flexibility, all in a compact, affordable package.

Notes: Designed for permanent installation, the TASCAM MZ-372 offers versatile routing, mixing, and control of multiple audio sources in an attractive easy-to-operate 3U package. For maximum flexibility, source content can include music, spoken word (microphone), turntable, and more - all easily controlled via familiar sliders and assignment controls.

Flexible I/O:

The MZ-372 allows multiple audio sources (19 total) to be mixed, muted, and routed to two (2) redundant outputs, controlled by familiar volume sliders and assignment buttons. Input signals can be inserted via six (6) audio channels, each consisting of two (2) sets of unbalanced RCA-type stereo pairs, and six (6) XLR inputs for a total of twelve (12) sets of RCA-type inputs and six (6) XLR inputs. In addition, channels 2/3/4 can be set to accommodate phono-level signals for use with a turntable. Lastly, and located conveniently on the front panel, one additional XLR input is available driving a studio quality mic preamp and ducking circuit for easy voiceover and announcement work.

Multiple Zone Outputs:

Twin outputs each feature a combination of balanced XLR or RCA unbalanced connectors for easy integration into virtually any audio system. This flexibility allows combinations of microphones, CD/DVD/Blu-ray players, instruments - or any other audio source - to be selected or muted, and sent simultaneously to the dual outputs, each with its own volume control. Finally, the convenient "talkover" function will automatically lower any mixed channel source, so the microphone connected to the front panel can easily be can be heard in whichever zones you choose.

Easy, Immediate Control:

Familiar volume sliders, switches/buttons, EQ knobs, and mute buttons make the MZ-372 simple and fast to operate and set up. There is even a master recording stereo output, which can send audio to an external recorder which makes event or music performance capturing easy. The Booth outputs provide another stereo feed with independent control for additional monitoring.

Notes: Tonar Misty Record-Clamp - 'foggy' transparent. The Tonar Misty plate clamp is the perfect alternative if a "plate puck" is too heavy for your turntable.

Notes: For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in their products, from an unrivalled catalogue of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive line-up of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Included in the box:

1 x Yamaha MG10XUF Analogue Mixer
1 x AC Adapter
1 x Cubase AI Download Information
1 x Owner's Manual
1 x Technical Specifications Sheet

Notes: For more than a century, Yamaha has been building a legacy of superior craftsmanship and innovation exemplified in their products, from an unrivalled catalogue of world-class musical instruments to touring-grade professional audio. Now in its third incarnation, the MG Series embodies this pursuit of design excellence, and incorporates some of the same technologies developed for use in high-end professional consoles, including studio-quality preamps, powerful digital processing, and a rugged, reliable construction.

With an intuitive, easy-to-use interface, the MG Series boasts an extensive line-up of compact mixing consoles with models ranging from six to twenty channels, suitable for a diverse range of users and applications. For installed, recording, or live music settings, the solid construction and flexible design of these consoles lets you shape your sound with confidence, continually delivering peak performance and a level of sound quality and reliability unrivalled in its class.

Included in the box:

1 x Yamaha MG12XUK Analogue Mixer
1 x AC Adapter
1 x Cubase AI Download Information
1 x Owner's Manual
1 x Technical Specifications Sheet

Review: More wicked grooves from the vaults of UK legends 100 Hz. Comprised of Lee Renacre, James Chapman and Doran Walker, the team behind the seminal Format imprint have had retrospective works reissued on the likes of Bosconi, Slow Life and Howl in recent times - so indeed you can recognise the trio's influence on a new generation of underground house producers. Here they inaugurate Doozy Cult from Lisbon, with some timeless snapshots of bleep techno as heard on the cyclical hypnotism of "Tomfoolery", the tunnelling minimal techno of "Lapiz Boof" and the ethereal shuffle of "Neptune" on the flip - that is just as suited to present day afterhours parties as it was way back when.

Review: Domenico Rosa and Riccardo's Imprints label has regularly delivered the goods since making its debut back in 2013. Predictably, this multi-artist affair is also rather impressive. French twosome Charonne is arguably the star of the show, delivering two tidy tracks: the bouncy and far-sighted "Vice City", where '80s synth-funk style motifs and acid-funk electronics ride a bustling groove, and the similarly-inclined, elastic tech-house-funk of "Formule Stardust". Elsewhere, turn-of-the-90s survivor 100Hz delivers a fine chunk of woozy deep house/funky techno fusion and Cobert delivers some spacey and chunky, mid-set tech-house. In other words, all four tracks are playable and worthy of your attention.

Review: Chris Romans has been rolling out crucial electro jams for a number of highly regarded labels since the early 00s. Amongst them are Touchin' Bass, Shipwrec, Frustrated Funk and Central Processing Unit, so that tells you everything you need to know about the level he's operating at as 214. Now he comes to 20/20 Vision with some body-poppin' jams of the highest order, broadening the tech house label's remit to embrace the thriving electro scene with one of its most vital practitioners. "Potential Events" is a brooding, atmospheric affair while "Windeye" draws on a more playful, Detroit indebted palette of sounds. Radioactive Man remixes "Windeye" with a steady, finely detailed approach, and then "Back To Sine" finishes the record off with another snappy salvo of funky drums and bubbling synths.

Review: Back to 1994: Kemet off-shoot 3rd Party dropped this raw jungle four-tracker. Apache & Unknown's Brain Killers take the A with two chest-pressing rave bombs. "Screwface" lives up to its name with surging euphoric chords, slamming amens and melodic percussive riffs while "Jungle Love" takes us back to the roots of the genre with minimal breaks and guttural toasting. Flip for a seminal jungle soul cut from 3rd Party bossman Family Of Intelligence as "Champion Of Champions" really captured and drove that more restrained sound of the dominant ragga stand at the time. "Bonus Beat #1" closes the 12 the same way it did 24 years ago; rattling percussion, a classic vocal sample and a scat breakdown that was tailored for the bravest of DJs. 3rd Party on dudes.

Review: Since founding UVB-76, Ruffhouse, Gremlinz and close allies such as Overlook, Pessimist and Clarity have taken us to some unfathomably deep and extraordinary places, rising the label's reputation as one of the most explorative and experimental imprints in the 170 game with every release. Now they hit new heights as an unnamed collective. Any or all of the label artists could be behind any given 4625 production. A multi-tendrilled hive mind that has potential to take us even deeper into the unknown, they make their statement clear across this four track debut; the live drum rawness of "Non-Citizen", the submarine electroid jolts and spasms of "Proles", Loxy-level 3am stepper business "The Barrens" and the ambient / textural homage to the MC on "Cassette A". 4625 thumbs up.

Review: Surface Records has never pulled any punches as one of the UK's toughest, strangest techno labels, and The 65D Mavericks have embodied the same spirit with their charged, lyrically provocative approach. After a lengthy hiatus label and artist are back in action, and sounding as fierce as ever. "False Prophets" is not for the faint hearted - an avalanche of thunderous drums and expletive-laden diatribes. "Cosmic Drift" is marginally more meditative, but still positively unhinged in its execution. "You Lost Your Mind" flails around a muddy, punky swamp of deviant sonic behaviour, and "Immovable (dub)" throws one last curveball into the long grass, stripping out the bark without losing the bite of this proudly individual group of techno marauders.

Review: ** FIT REPRESS ** Naturally for a producer who prefers to remain anonymous and call themselves A Drummer From Detroit and name their debut EP Drums, both tracks here veer into dextrously percussive house territory. Amidst the dizzying, jazz influenced rattle of Shake Shakir style rhythms that characterise the A Side workout our erstwhile protagonist weaves in desperate vocal strains and overtly dramatic piano and horn stabs which only serve to increase the panic inducing pace. The flipside treatment is slightly slower in its execution, yet increases the jazz funk melodic elements which make it the less a hectic and more involving production.

Review: Six years ago, Humberto "Andres" Hernandez donned the A Drummer From Detroit alias for an EP of heavily percussive workouts on Fit Sound. Here he finally offers up a follow-up, once again combining his own recorded drums and hand percussion with carefully selected samples. First up is "Part 3", a jazzy and groovy affair where undulating organ riffs and subtle samples buzz around a layered drum groove. "Part 4" is deeper, slightly looser and arguably more musically layered, with Hernandez's live drums once again to the fore, while "Part 5"- arguably the most percussively intense of the three tracks - sees the producer make great use of jazzy synths, carnival style whistles and eyes-closed vocal samples.