New releases last four weeks: All genres

Review: Talented LA producer 1morning makes his debut on the well regarded Character label here and brings plenty of the know how he has picked dup while laying down his superb vinyl DJ sets around the world. He fuses new school funky and tribal techno with subtle hints that suggest he has a love of 90s originators like Ben Sims and Dave Angel. 'Samba De Verao' is a dense, high intensity sound with skewed synths and dusty hi hats while 'Flux' is more deep and has throbbing drums and smeared pads fleshing out the groove. On the flip are two more emotionally intense and fantastically engaging techno cuts.

Review: West Coast Classics US has taken the hip-hop community by storm with their ability to license such seminal west coast tracks. With an extra focus on gangster rap, the label offers a classic on each side of a 7". Their sixth release has a couple of killers on it! 2pac and Dr.Dre's 'California Love' really needs no introduction. A legendary track that ate up the airwaves around the world and on MTV when it was released in 1996. Not to be outdone, Ice Cube covers the B-side with one of his most important solo tracks that established him after leaving NWA., 'Jackin For Beats'. Getting original copies of these on wax would cost a day's wage for most people. Like the label suggests, these are West Coast Classics and are blueprints for gangster rap.

Review: Hailing from London's East End, there's few Oi-punk outfits who were as quintessential or authentic as The 4-Skins. While only releasing a small handful of albums with their definitive 80s line up, this live/demo/unreleased cuts compilation offers an aural fly-on-the-wall experience of being confronted with their signature brand of seething anti-authoritarian, anti-police brutality, anti-fascist, football loving, skinhead sporting, Doc Marten stomping punk in real time. Packed with cuts pulled from radio sessions, Bumper sessions, demos and even two tracks from a previously unreleased 7" 45, including the ska-punk-inflected 'Seems To Me'; offering a more subdued side to the OG Skins than most long-time fans would be accustomed to.

Review: The latest reissued compilation of 4 Skins' greatest works contains the hits and misses of the band at the height of the oi! era, which evolved in tandem with their breakout success and helped them along more than a fair little. From the opening jump of 'One Law For Them' and 'Evil', twin charges of unrelenting chant-punk and brawly sonic brashness, to the latter-siders 'A.C.A.B.' and 'I Don't Wanna Die', as well as a second Bumper Session of 'Evil', this retrospective harks back to a distinct early 80s subculture - as well as a band who, in their concern for police brutality and social injustice, defy common misconceptions of skinheads as all bad.

Review: The Veiltail EP by 747 features two heavyweight songs: 'Veiltail', which is a driving, heavy cascading melodic track with bubbling acid flourishes and a touch of soaring trance influence, and 'Stairway', which is a more electro-slanted track that's nevertheless just as pulsating and dramatic as its predecessor, perhaps a touch of Rephlex-style aural radioactivity. The Canadian label Aquaregia continues to be a trendsetter in the very competitive genre.

Review: It All Comes Down to This is the album latest release from Manchester icons A Certain Ratio, and it's a record that is helmed by producer Dan Carey from Speedy Wunderground. Somewhat returning to their origins, the record presents ten concise tracks with a hint of the group's signature electronic flair. Notably, it's the first recording featuring the core trio of Jez Kerr, Martin Moscrop, and Donald Johnson, without any additional collaborators. From their celebrated 1982 album and right up to their dynamic last EP in 2023, this album shows the band's still evolving and still committed to new musical advancements. A testament to their enduring legacy, It All Comes Down to This solidifies A Certain Ratio's place among Manchester's finest.

Review: Manchester mavericks A Certain Ratio have been on a rare run of form of late, with 2023's 1982 counting as one of their most vibrant and endlessly entertaining albums for decades. Of course, all their albums are of a consistent quality, but It All Comes Down To This genuinely crackles with energy. From the word go, the veteran band's inherent funkiness is present, but this time it comes cloaked in fuzzy funk-rock guitar riffs, acid-fried effects, and vocals that are amongst the most forthright they've committed to wax (or, in this case, CD). In many ways, it is - as the band and producer/Sopeedy Wunderground boss Dan Carey intended - a 'back to basics' sound that focuses on the key aspects of ACR's sound. When those 'basics' are so strong, it's no surprise that the results are this impressive.

Review: A Certain Ratio, Manchester icons, are back and in fine style with the new album It All Comes Down to This, which arrives here on eco vinyl. This record, while nodding to their roots, delivers 10 succinct tracks infused with the group's distinctive electronic touch and marks the first recording featuring the core trio of Jez Kerr, Martin Moscrop, and Donald Johnson without additional collaborators. The album exemplifies the band's ongoing evolution with short and sweet cuts like 'All Comes Down To This' next to the compelling likes of 'Bitten By A Lizard' and plenty in between.

Review: 'The Sevens' by A Place To Bury Strangers unveils previously unreleased tracks from the band's acclaimed album See Through You. Renowned for their visceral post-punk and shoegaze sounds, the group delivers a sonic revelation across this white 7", which is one of a series of four. Each one invites you to delve into their universe and explore raw and personal tracks that capture life's most emotive essence. 'Chasing Colors/I Can Never Be As Great As You Are' is the second release that A Place To Bury Strangers founder Oliver Ackermann has said reflects on returning to their roots and embracing the unique format of standalone tracks, thereby offering a glimpse into a unique moment in time.

Review: ABBA's Honey Honey is a delightful pop gem that unfortunately didn't receive the recognition it deserved due to label decisions. With its catchy melody and infectious energy, ABBA's trademark harmonies and playful lyrics are displayed in full. While it may not have been a chart-topping hit like 'Waterloo,' 'Honey Honey' still charms listeners with its upbeat rhythm and memorable hooks. Paired with the B-side 'King Kong Song,' this 7" release offers a glimpse into ABBA's early catalogue and timeless sound.

Review: ABBA's 'Waterloo' single - now an incredible half a century old - presents a dynamic blend of pop brilliance, a Eurovision-winning anthem characterised by its catchy hooks and uplifting melodies. On the B-side, 'Honey, Honey' exudes a playful and romantic vibe, with its irresistible blend of harmonious vocals and upbeat instrumentation. The song captures the excitement and anticipation of new love, resonating with listeners through its relatable lyrics and infectious charm. Together, these tracks exemplify ABBA's unparalleled talent for creating timeless masterpieces.

Review: Waterloo, by ABBA, is an iconic song that catapulted the Swedish pop group to international fame after winning the Eurovision Song Contest in 1974. With its catchy melody, energetic rhythms, and infectious hooks, Waterloo became an instant classic and remains one of ABBA's most recognizable hits. Musically, Waterloo is a masterclass in pop craftsmanship. From its memorable guitar riff to its soaring vocal harmonies, every element of the song is meticulously crafted to create a euphoric listening experience. The driving beat and jubilant chorus make it impossible not to dance along, while the lush production adds a touch of glamour and sophistication. Overall, Waterloo is a timeless pop gem that encapsulates everything that made ABBA one of the greatest pop groups of all time. With its irresistible hooks and infectious energy, it's no wonder that Waterloo remains a beloved classic decades after its release. This tribute on picture disk, makes it extra special.

Review: Dave Lee's "AC Soul Symphony" alias has been releasing delectable and sultry disco since 2005 but reached his magnus opus in 2023 with the release of the "Metamorphosis" LP. Here we find two tracks handpicked from the album and delivered, for the first time, in a 7" format. The single starts much as the album does with the track "Windy City Theme", beautifully scored, recorded, and produced legato strings envelope the track, punctuated with horns and vocals reminiscent of a Love Unlimited Orchestra production. This version of the track has been rearranged, speeding up the pacing of the track and reaching the juicy parts in a really satisfying way. On the flip side we have the title track from the album "Metamorphosis", which is the first time the vocal version has been made available on Vinyl. A bass laden intro gives ways to glistening pianos and those signature strings (have we mentioned how good the strings are?). A more laid back and seductive track than the A side, but no less appealing. Again, due to the limitations of the 7" format, "Metamorphosis" has been expertly rearranged with loving care and attention.

Review: In the realm of electronic music, 'In Your Face' EP by Acerbic emerges as a sonic assault that shatters boundaries and plunges listeners into an abyss of acid-tinged techno. An adrenaline-fueled shot, this four-track E.P. pulsates with raw energy and uncompromising intensity. 'In Your Face' sets the tone with its relentless 90s acid techno grooves, transporting listeners to the heart of the rave scene. Its abrasive and confrontational energy creates an atmosphere both exhilarating and intimidating. 'Assimilate' takes on a darker and more menacing persona, as the stomping beats and menacing synths evoke images of underground warehouse parties. 'I'm Fvxked' cranks up the intensity ever higher, pushing the boundaries of acid techno with its relentless pace and distorted soundscapes. The E.P. concludes with 'Never Changes', a testament to the enduring power of hardcore techno. Acerbic's In Your Face E.P. is a sonic tour de force that pushes the limits of techno music. Its aggressive and confrontational approach leaves an indelible mark on the listener. Hardcore, you know the score!

Review: Measured Mile records puts two classy soul tracks onto the same 7". Originally released in 1974, Act 1 - 'It's The Same Old Story' is often looked over classic of the era. Act 1 hailed from Detroit and featured Raeford Gerald, Roger Terry, Reggie Ross and George Barker. The band had two minor hits but often people recall 'It's The Same Old Story' as their favorite of their only full album. Ivano Fossati's 'Night Of The Wolf' is found on the B-side. A jam song that verges slightly into Latin music, asks for quite a sum of money for its original copy. Both tracks add up to a real gem of a 7".

Review: Adlas has a compelling signature sound - its quick and punchy but also seductive and funk. The opener on this new EP for Answer Code Request certainly fits that bill - Headland' has nice analogue drums and elastic bass down low with rich, smeared synths up top. 'Oscillation' gets deeper and rides on a rolling beat that rocks back and forth with ambient synths up top and a sense of mysticism in the air. 'Bluff' gets back to bumpy beats and dubbed low ends with some static-charged pads and 'Static' is the deepest of the lot - a subaquatic deep techno trip for the heads.

Review: Like many ambient and drone artists, New Zealander Rudy Adrian specialises in ringing maximum emotion from abstract electronics, experimental tones and immersive, widescreen soundscapes. As the title suggests, Reflections on a Moonlit Lake is another emotive exploration designed, in his words, for "rest, reading, meditation and sleep". For proof, check the slow-burn swell of opener 'Mirror Island', where echoing wood block hits and lapping waves rise above immersive chords and yearning melodies, the Pete Namlook-goes-to-the-South-Island flex of 'Lunar Shadow', and the faintly foreboding half asleep/half-awake haziness of 'Within The Darkness'. Impeccable ambience.

Review: Aesop Rock were a fixture of the New York underground hip-hop scene throughout the early 90s and began writing and honing his rapping delivery, culminating in his first album in 1997. Daylight came out just a few years later in 2001 to critical acclaim, including later being ranked at number 68 on Fact's "100 Best Indie Hip-Hop Records of All Time" list. The title track showcases the talents of the producer, largely recognized as one of the last links of the 90s New York style of the genre. Being respectful of his roots, Aesop Rock samples in some classic parts of other 80s tracks onto his sublime downtempo jazz foundation for a perfect example of the style known as Conscious. Not to be outdone, 'Nickel Plated Pockets' is the perfect B-side to this EP, bringing a harder sound to balance out things. Included are the instrumentals for each of the three tracks to make this DJ friendly.

Notes: Expand the lid from your case to be another powered rack. This set includes:

Rails
Handle and handle supports
Powered bus board
Case wiring
AC/DC power adapter
All hardware and thermal tape to complete the conversion

Notes: 104hp wide with two 3U rows and a 1U row.
Powder coated aluminum construction
VESA mount compatible (100mm x 100mm)
Plastic handle for easy mobility
Metal feet can be installed to support multiple angles of jamming.
Secure latching lid with enough depth to keep your patches patched

Expandable

Lid - when you're ready to add more space, the lid can be expanded to be another 104hp x 7U. You can add another set of rails, power supply and power jack and double your available space. (Kit available)
Metal feet - The metal feet can have a pair of rails and rack mounted power added to support another 3U row of 104hp. (Kit available in future)

Connectivity

Audio jacks - set of four jacks for stereo in and stereo out.
MIDI jacks - DIN jacks to support IN, OUT, and THRU MIDI.
USB power - can be used for a lamp to light your case or to charge your phone while recording your set.

Dimensions
557mm x 334mm x 169mm
74mm depth for 1U and bottom 3U row
52mm depth for middle 3U row

Power
+12V - 3A (with plenty of allowance for in-rush current)
-12V - 3A
+5V - 3A (shared with USB power)
36 shrouded power headers

In The Box
Main case
Lid
Metal feet
Power adapter 20V at 6A

Review: RFXN kicks off life with a new single from David Agrella which has seen early support from Ricardo Villalobos. First off he offers up his own Acid Mix of 'Perro Balearico' and it's a supple, deep and dubby track with liquid synths and prog chords that sound both retro and future all at once. The original is a more dreamy and spaced-out sound for 5 am sessions. On the flip is a more punch but still silky and warmly melodic remix from Mario Liberti before last of all, Gabriel Rai gets darker. His drums hit harder and the synths are moodier as he takes dancers down a late-night path of mystery and intrigue.

Review: Air Formation are Brighton-based shoegazers who are back now with their sixth album, a self-titled record on Club AC30, that is inspired by their love of pioneering bands like Flying Saucer Attack, Spiritualized and The Jesus & Mary Chain. It is a collection of tracks drenched in droning keys, heavy feedback, delayed guitar loops and heavenly vocals that float up top above the noise. It takes in the likes of the blissful opener 'Pressure Drop', the sweeping crescendos of 'Only So Much Light', shimmering and swirling melodies on 'I Don't Want To Talk' and 'Crashing Out' and plenty more.

Review: Contemporary jazz talent Melissa Aldana is back on the legendary BlueNote label with her second album here. Echoes Of The Inner Prophet is, says the great label, "a musical voyage to explore the depth of the spiritual journey" and has been co-produced by Aldana and Lage Lund. The tenor saxophonist is joined three by the talented Lund on guitar, as well as piano from Fabian Almazan, Kush Abadey on drums and Pablo Menares on bass. The eight-track work is a mix of some all-new original compositions that "seek profound truths through introspection, intuition, and self-reflection" and chief amongst them is an opening track dedicated to the great Wayne Shorter.

Review: Alkemy's Come On EP, released on Mondo Groove from Italy, delivers a captivating blend of deep house with influences of Balearic and Italo house. Side-1 features the original version boasting a mid-tempo groove with a nostalgic 90s vibe and rich melodies. In contrast, the DJ Ralf remix injects a more upbeat and techno-infused energy, offering a futuristic twist to the original track. On Side-2, 'Cloud' presents a melodic and deeper journey into the realms of deep house, maintaining a danceable rhythm while delving into more introspective sonic territories. Meanwhile the GNMR Reworked version takes a leap into the future with its proto-techno sound and deep synth vibes, offering a refreshing and unique perspective .Alkemy's Come On EP demonstrates the artist's versatility and innovation within the deep house genre, providing listeners with four examples of quality dance music.

Notes: Euphoric sound with digital clarity and analogue richness from Rupert Neve Designs transformer

The euphonia produces a euphoric sound with the clarity of digital and the richness of analogue that's never been heard from a DJ mixer before.

To deliver a clearer sound quality that accurately reproduces the expression of the music, the euphonia uses high-quality 32-bit A/D and D/A converters as well as 96kHz/64bit floating point mixing processing operations in the DSP, utilizing the digital signal processing technology AlphaTheta has developed over many years.

All sound coming out of the euphonia passes through a transformer circuit co-designed by AlphaTheta and Rupert Neve Designs, the legendary makers of outstanding analogue audio circuitry and mixing desks revered by artists and sound engineers around the world. This transformer circuit, tuned specifically for the euphonia, adds harmonics to the music and creates a glossy and energetic sound that's smoother for mixing. Low frequencies such as kicks and bass are more stable and punchy, mid frequencies like vocals and instruments have more presence and gloss, and high frequencies such as hi-hats sound silky and natural. The transformer breaks down the barrier between vintage live and modern electric sounds, making mixing easier and surprisingly natural, as if recordings in different styles were originally one piece of music.

Specially developed rotary fader makes you feel one with the music

When you touch the faders on the euphonia, you won't want to let go. To enhance its intuitive mixing experience, the unit is loaded with rotary faders that feature a brand-new carefully developed design to give you the feeling that you and the mixer are one. After extensive testing, the perfect knob sizes were chosen, with an elastomer applied to the outer circumference of each to ensure a comfortable and reliable grip as well as a high level of vibration absorption.

The uniquely developed mechanism for the faders also benefits from optimum weighting. You'll notice a difference in the feel of the knobs when you turn them at different speeds, as a smooth load is applied when you turn a knob slowly for delicate fine-tuning and a limited load level is applied when you turn a knob quickly to instantly reach your intended volume level. And the fader volume curves have been optimized through feedback from numerous DJs, enabling smooth and natural mixing without equalizing, so you can concentrate on volume control. This innovative fader allows for musical expression that will move your audience and enhance your performance.

Energy Visualizer for understanding overall sound at first glance

Get an instant visual grasp of the status of your mix and the balance of track volume levels by glancing at the euphonia's Energy Visualizer. Conventional VU meters only have 1 needle meter, making it difficult for DJs to grasp multiple channel levels at the same time. But the euphonia's uniquely developed Mix Level Meter features a needle meter for each channel so you can visually check the levels for all channels and mix smoothly while keeping the groove going. You can even keep an eye on the balance of the master output by looking at the Spectrum Analyzer, which helps you keep your mixes sounding consistent and smooth, even in a long set, as you "watch" the euphonia's output and adjust it to create your perfect sound.

Next-generation 3Band Master Isolator that transforms sensibility into sound at your will

Highest-quality isolator

The size of the isolator knobs is perfect for rapid turns from centre to maximum or minimum, and the torque load is perfectly balanced for both quick operation and fine sound quality adjustment, with a luxurious feel that's not too light. The cut-off frequency and slope are set to control and highlight the kick, melody, and rhythm bands in a natural yet sharp manner.

Brand-new Boost Send for one-handed effects application

Add one of the built-in Send Effects, or an effect from an external unit, to the sound of any of the master isolator frequency bands.

Specifications

Max. external dimensions (W × D × H): 429.2 × 331.0 × 119.9 mm / 16.90" × 13.03" x 4.72"
Main unit weight: 9.5 kg / 20.94 lbs.
Frequency response: 20 Hz - 40 kHz (LINE)
S/N Ratio: 107 dB (USB, DIGITAL IN)
88 dB (PHONO)
105 dB (LINE)
79 dB (MIC)
Power requirements: AC 110 V - 240 V, 50 Hz / 60 Hz
Power consumption: 43 W
Accessories: Power cord
Warranty (for some regions)
Quick start guide
Precautions for use

Compatible software:
rekordbox
Serato DJ Pro

Terminals

Inputs:
DIGITAL IN × 4 (coaxial)
LINE × 4 (RCA)
PHONO × 4 (RCA)
MIC x 1 (XLR & 1/4" TRS jack)

Outputs:
MASTER × 1 (XLR)
BOOTH × 1 (1/4" TRS jack)
REC × 1 (RCA)
PHONES × 2 (1/4" stereo phone jack, 3.5 mm stereo mini jack)
USB: USB Type-C × 1

Others:
SEND × 2 (1/4" TS jack)
RETURN × 2 (1/4" TS jack)

Review: Parallel is the fourth EP by Altinbas on his own label, Observer Station. The beats are pounding and rough for those strong advocates who like their techno tough. The gold in 'Tide' is found in the ever-changing percussion elements that propel it to addiction. For the second side, 'MT15' keeps things moving, employing key rave claps and a nice ride to the support the pulsating driver. Lastly, the title track takes some edge of tension with a great balance of melody over the mechanical loop. Hats off to Altinbas for taking the 90s warehouse techno sound and updating it while still paying homage to it.

Review: Nestor Alvarez's Midnight in Havana on Original Gravity delivers an electrifying Afro-Cuban instrumental jam that transports listeners to the vibrant streets of Havana. With a mesmerising flute lead and dynamic jam sessions, the track exudes a captivating energy that feels like a theme song for the city's bustling nightlife. The infusion of Cuban soul adds depth and authenticity to the music, immersing listeners in its rich cultural heritage. On the B-side, Alvarez offers a creative cover version of the Happy Mondays' 'Kinky Afro,' reimagined with a Cuban twist. The fusion of Afro-Cuban rhythms and the iconic melody of the original song results in a fresh and exciting interpretation that showcases Alvarez's versatility as a musician. Fans of Latin and Cuban dance music are sure to eat this up.

Review: Amirtha Kidambi's New Monuments is a politically charged fusion of avant-jazz, Carnatic music, and rock that confronts colonialism and oppression. Its dark, psychedelic soundscapes express urgent determination through Kidambi's evocative vocals and the experimental instrumentation of her collective, the Elder Ones. Kidambi weaves personal experiences as an Asian American into her critique of global injustices, using her music as a platform for resistance. Through diverse vocal styles and instrumentation, she highlights the interconnectedness of struggles against oppression. Its grim determination underscores the resilience of the downtrodden, their march toward a future where their voices and rights are recognized.

Review: Was anyone ready for one of the most talked-about albums of the year to be Andre 3000 going ham on the flute? Probably not, but in a post-reality world New Blue Sun just slots right in. Of course the legions of Outkast fans are going to be split when an artist of such prominence takes a wild swerve into experimental musical pastures, but for those with an open mind or a pre-existing appreciation of ambient and leftfield music, this album is an easy sell. Teasing the tension between acoustic and electronic, ancient and hypermodern, grounded and ethereal, Andre has been bold and honest in presenting this album to the world and his gamble has paid off.

Review: Romanian electro agent Andrew Red Hand has been spotted delivering the heat to respected outposts like M>O>S, Detroit Underground and Chiwax, and now he's setting off with Rotterdam Electronix for a night drive through future cityscapes. It's electro through and through, driven by snappy 808 beats and analogue monosynths, but there's something particularly charming about the minimal wave quality to Red Hand's sound. That contrasts with The Exaltics, who delivers a gutsy re-version of 'In The Cemetery' which will keep you up at night for all the right reasons.

Review: Dimi Angelis makes a fine statement with his 13th release via the ANGLS label and it is packed with raw, authentic beats across four robust tracks that are destined to captivate dancefloors. The A-side features 'Shadowland' which immediately ensnares listeners with its lasso-like loops and spatial nuances. Meanwhile, 'Intergalactic' ignites the dancefloor with its mechanical noise assault and superbly uses the 909 to build suspense with punchy rhythms. Flipping to the B-side, 'Crionics' plunges you into a deep sonic abyss where tension abounds and finally 'Ice Warrior' concludes the journey with abstract yet fulfilling frequencies. Dimi Angelis returns with his distinctive sound, primed to electrify floors from basements to warehouses once more.

Review: Polish record label Moonshine Recordings top up their ongoing crock of electronic dub come dub techno with a fresh one from mainstays Another Channel, whose name implies we actually had the ability to pick up the remote control and tune into any other dub station other than the Basic channel One all along. Teaming up with Prince Morella and Marina P on 'Nameless Woman' and 'Find A Way', Another Channel follow the tape-hissed early dub techno recipe to a T, shirking any residual desire to over-embellish for a neat pair of pure, squinty horizontal gaze-offs, with both singers riding the same instrumention. The instrumental 'Version Of Love' provides a versioned listen, highlighting the track's bulbous bubbles and highpassed vocal dancings-in-the-distance.

Review: Since the unveiling of their decrepit debut EP Granular Transformation at the end of 2020, Californian doom-tinged tech-death brutalists Apparition have become a hushed name and recommended extremity amongst the caverns of audible ugliness. Following on from 2021's insidious and unsettling full-length LP Feel, the band return with Disgraced Emanations From A Tranquil State; a monolithic opus set to eclipse any of the muted hope of their previous material. Dissecting forms of early psychedelic proto-doom, but with the sole intention of re-channelling those fuzzed out sonics into abyssal swathes of complex, heaving dread, this isn't your beer-chugging, whiplash-headbanging gross out death metal (while there's always a place for that). Rather, this is a cosmic realm of Lovecraftian variety, designed to enthral, impress, touch, harrow, and haunt in equal measure. Arriving courtesy of Canadian extreme metal peddlers Profound Lore, no refunds will be offered for those lost to the abyss.

Review: The recently started Xistence Records, is dedicated to being a beacon of quality Detroit inspired techno. The label is the home base for Phil Robertson and his own music (so far). Under the name Arbilla, this is the third release on the label. The Movement is a massive classic sounding Detroit techno that would could easily be found in the UR camp. This is that large futuristic, dystopian hi-tech jazz type sound. The B-side features remixes by Biz and then Microworld. The Biz remix is more pronounced on the rhythm and works out a few additions to the original melody successfully. Australian veteran Microworld puts a bit more muscle into the groove while still keeping things melodic and up-tempo. For fans of Detroit techno, you are going to love this.

Review: Bristol producer Arcane makes a monumental debut on Over/Shadow here with four tracks that have Brady caused plenty of carnage on global dancefloors. 'Minotaur' kicks off with a flurry of snares that are so snappy they will break your neck. 'Execute' is another dense packed rhythmic workout with blasts of horn, dark bass and drilling drum work while 'Warriah' then floats above then dancelfoor with its paranoid pads and stepping broken beat rhythms. This most high impact and physical of EPs shuts down with 'Spirit Chaser', a more pad laced cut but one that is no less driving.

Review: British band Archive unveils their soundtrack for the new French film Voleuses (Thieves) on NetFlix under the English title of Wingwomen, in the UK. The soundtrack offers a unique blend of electronic, avant-garde, post-rock and progressive rock and draws from diverse musical influences throughout, with the the London-based ensemble delivering an immersive landscape that mirrors the story of Carole and Alex, two adept thieves battling for liberation in the film. This one comes on audiophile vinyl and is a great accompaniment to the move itself.

Review: First released in 1980 via the little-known Pick Up Records, Danish jazz-rockers Ariel's self-titled debut record sees an unlikely reissue via Jazz Room here. A worthy reintroduction of the quintet to the world at large - where before it wasn't well-known at all - it comes after the album was recently hepped to by none other than Brownswood aficionado Gilles Peterson, whose encyclopaedic internal memory bank and capacity to chin-wag served the cascading recollection of the album by Jazz Room label boss Paul Murphy. Now the eight-tracker dazzles us once more, fusing jazz with subtle elements of kraut and kosmische to make for bustling, brimming urban fugs, all hemmed together by a consistent baritone sax, and the vocal pyrotechnics of Hawaiian singer Lei Aloha Moe.

Review: Aniara's white label number four delivers more techno goodness direct to the dance floor. The A-side features two of Arkajo's most compelling dance-floor tracks, with both offering a propulsive groove and warped and dubbed-out basslines. On the flip side, Dorisburg and Efraim Kent (who are here making their debut on Aniara) present the darker vibes of 'Data Smuggler' which rides on broken beats and has real menace in the airwaves. It complements the A-side with a more deep mood and hypnotic rhythm that will be pure dancing bait.

Review: Francesco Strippoli (Armonica) returns to Bordello A Parigi, following up his first two wonderfully refreshing and true-to-form Italodance EPs for a third, 'Future Echoes'. Indeed, reinterpretations of classic sounds can function as messages from the future as well as versions of the past. With cuts like 'Floating On High', a bulbous, buzzing, repetitious enjoyment is heard overflowing from a single stylistic source, every element bursting forth from its root. Offbeat bass licks double up as forward-driving donks on the likes of 'Retrospectiva' and 'Music And Lights', while the slick, coruscating synth twangs on the title track make do with 16th note repetitions that evoke the ecstatic feeling of urban mobility, each step matching the feeling of climbing higher and higher.

Review: Public Possession welcomes back Aroma Pitch for another four tracker that bares all their usual hallmarks - namely lots of warm analogue sounds that unite everything from driving to Balearic beats via big room nu-disco and playful in-between sounds. 'Millennium Surfer' opens with a wash of gently twirling synth arps and 80s drums, there is a fantastically bubbling bassline and dubby feel to 'Balearic Shift', while 'Staub Groove' is a more thumping house cut with weird synth textures. Without doubt it is closer 'Areal Earth (dub)' that wins the EP with its ethereal pads, dreamy vibes and smooth dub house low end.

Review: Brazilian artist Lucas Arruda, is fast becoming a regarded figure in the Latin scene. 'Ominira' is his latest long player that once again, finds a home on the French label Favorite Recordings. An album full of rich sounding musical textures that cross boundaries and bridge many genres such as Latin, soul, house, jazz and pop. The vibrant summer jams 'The Bravest Heart' and 'Novos Planos' are A-side standouts that will surely excite veteran and new listeners alike, who are into World music. '4:28' and 'The Mountain' start the second side with some catchy instrumentals that give off memorable beachy 70s vibes. ' Projecoes' closes the album with one of the most soulful performances of the album. All and all, you have a wonderful sounding jazzy grooved piece that ups the expectation of what a Latin jazz album can be. Cafe Del Mar approved!

Notes: Control your DAW, play with MIDI hardware, and get hands-on with your own style of music-making with KeyLab Essential mk3 88. This full-range keyboard controller removes barriers and makes creativity simple, with expressive semi-weighted keys, idea-sparking creative functions, and the most inspiring music software included as standard.

The streamlined piano range keyboard

Expand your musical horizons with a semi-weighted 88-note keyboard that removes barriers and makes your creative life easier. From studio to stage, DAW to MIDI hardware, KeyLab Essential 88 mk3 keeps things simple so you can focus on your music with full piano-range expressivity.

Your essential ingredients for creativity

KeyLab Essential provides an array of useful & intuitive controls that'll get the job done. Enjoy a comfy keybed, tactile faders/encoders/pads, and thoughtful layout that'll make sense for your setup. Enjoy a hands-on instrument experience balanced with software flexibility.

The best DAW integration

Get creative right out the box with KeyLab Essential's custom DAW scripts, bringing pre-mapped controls into your workflow with any major DAW. Not only that, but the KeyLab Essential controls work seamlessly with Analog Lab V, the included sound anthology plugin - letting you freely explore thousands of sounds, old and new.

Your musical workhorse

For when you want to get experimental, find a new sound, or just need a bit of extra inspiration, KeyLab Essential has a few tricks up its sleeve. Create fun ever-changing melodies with the Arpeggiator, weave rich chord voicings with Chord play, and always stay in key thanks to Scale mode.

What's new compared to the previous version?

A bigger display with 4 contextual buttons
5 dedicated DAW scripts, plus MCU & HUI protocols, for controlling any DAW
Enhanced integration with Arturia Software
Creative features: Scale mode, Chord Play, Arpeggiator (with presets), Hold function
2 Pad Banks (for finger drumming, clip launching, or User configuration)
Bigger software bundle (Analog Lab V, Ableton Live Lite, NI The Gentleman, UVI
Model D, Loopcloud & Melodics)
Multi-purpose pedal input (Sustain, Footswitch or Expression)
USB-C
Eco-designed

Premium Keybed quality
88-note velocity-sensitive semi-weighted keyboard

Pads & controls
1 clickable encoder
9 rotary encoders
9 x 30mm faders
8 transport switches
4 command switches
1 modulation wheel & bend wheel
8 touch & pressure-sensitive pads

Display control
2.5" LCD display with contextual buttons
Real-time feedback on tweaks and controls

Smart features
Multi-mode arpeggiator
Chord mode
Scale mode
Hold function
Semitone transpose

Software integration
Seamless integration with Analog Lab Pro and V Collection: select sounds, browse presets, smart-assigned controls
Custom DAW scripts for FL Studio, Logic Pro, Ableton Live, Cubase, Bitwig Studio
Also compatible with MCU/HUI control
Up to 6 user presets for a totally customizable experience

Included Software titles & services
Analog Lab Pro software with 2000+ sounds
Ableton Live Lite
Native Instruments' The Gentleman
UVI Model D
2-month Loopcloud subscription
Melodics subscription for 40 lessons

Connectivity
USB-C connects to computers and MIDI Control Center
MIDI 5-pin DIN output for connection to external instruments, gear
Control input for pedal: sustain, expression, or footswitch
USB-C powered

Platform specifications

Windows
Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
3GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Apple
Mac OS 11+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or M1 CPU
3GB free hard disk space
OpenGL 2.0 compatible GPU

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS (64-bit DAWs only).

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Box content

KeyLab Essential Unit
USB-A to USB-C cable
Registration card

Dimensions

Size : 49.53 x 10.04 x 2.63 inches (1258 x 255 x 66.8mm)
Weight : 18.08 lbs. (8.2 Kg)


Included Software

You'll also get 6 titles giving you everything you need to make music your own way - here's

What's included:

Analog Lab V software with 2000 synth & keyboard sounds
Ableton Live Lite
UVI Model D & Native Instruments The Gentleman pianos
Loopcloud subscription
Melodics subscription

Box content

Quick Start
Registration card
USB Cable (C/A)

Review: Arutani's third album Who We Used To Be is a meditation on times passed and alternate lives lost, filtered through the decorative lenses of deep, minimal, tech and dub. As if to paint a character portrait of the artist himself, this is a measured, calm, light, mindful and modest album, replete with bulging concave chord undulations and synaptic percussive snaps for balance. Everything from electro's usual dotted rhythmic pattern to progressive house's woodblocky felicities are checked off here, plus the glissando'ing lead on 'In Case You Wondered What I've Been Doing' is a special highlight.

Review: Heads will know 'As We Enter' as the name of the Breakage tune that set the stage for many more things halftime to come - not to mention a Damian Marley & Nas song released around the same time - so we're more than pleased to learn that one next-gen producer has taken on the name as an alias. However, something in the aura of this release tells us this artist is no debutante; 'Lover To Lover' brings wubbing Reesebound rollage and summery fluting funk together in quick step, with complementary numbers 'So Gone', 'Come Again' and 'Shifting Gears' flaunting a respect for the many different facets of drum & bass, from techstep to early jump-up. This one gets more and more sinister as it progresses; despite the cover, whatever's entered the room feels more elephant than pigeon.

Review: Mikal Asher, a scion of Jamaica's Morgan family dynasty, reunites with Chocolate Star Records here and does so with a collaboration with disco legend Gary Davis. Asher, akin to his brother Denroy Morgan, upholds the family's legacy of righteousness through music. Known as the Binghiman, he crafts captivating tunes with profound lyrics and has recorded in Ghana's Hustle Hard Studios and collaborated with industry pioneers in Kingston and Brooklyn, setting new standards in musical excellence along the way. Here, 'Wicked Ah Fi' transforms into a modern dub stepper, while 'Black Woman' offers a soulful, laid-back dedication to Davis' wife, Sonjia. This 7" also comes with innovative remixes from California-based DJ and producer Knoe1.

Review: Los Angeles-based ASHRR are back with a new cut which comes from their forthcoming Sunshine Low album which they have re-interpreted as their ASHRR Soundsystem alter ego, while System Olympia also steps up with a remix on this fine new package from 20/20 Vision. In the hands of the latter, 'What's Been Turning You' is a remix with plenty of hi-fidelity cosmic details over mid-tempo deep nu-disco drums. The version from ASHRR is a chugging and Italo-tinged classic with loose-limbed and jumbled drum funk and plenty of bright, shiny arps. A great collection then.

Review: Japanese psychedelic pop singer-songwriter Ai Aso hails from Tokyo and has an almost impossibly wispy thin folky style to her singing that makes her utterly unique. She has been active since 2000 and has worked both solo as well as with the likes of White Heaven members You Ishihara and Michio Kurihara. Her solo album arrived back in 2014 and now a decade on gets a vinyl press via Ideologic Organ. It is beautifully delicate and whimsical, with lullaby-like guitar melodies and her own vaporous vocals drifting gently with a real sense of innocence in the sparse tracks. Lo-fi and intimate, this is a quiet gem.

Review: The latest offering from serial collaborator and cross-genre tastemaker Stephen O'Malley's Ideologic Organ imprint is a tender filigree bureau of acid folk sketches from Tokyo's Ai Aiso. Across seven tracks, she patiently meanders through broken and phased chord progressions, her simultaneously pure and wavering vocal lines forming elegant arcs over sparse beds of instrumentation and washes of room tone. Some tracks are bookended by applause, and it is this ostensibly 'indoorsy' atmosphere which lends the mini LP a great deal of charm; the delicate atmospherics seem to issue from an intimate and isolated space. Indeed, Bandcamp user Everyvillianislemons317 describes it as "The perfect album for a lonely night in the city." We're more than inclined to agree.

Review: Sensory Blending is a new collaborative album from Italian collective Aura Safari and Finnish musician Jimi Tenor, born from an impromptu studio session after a Hell Yeah party in Perugia. Despite never having met, their synergy results in a vibrant record brimming with musicality and indelible melodies. Tenor, a psychedelic space-jazz-funk virtuoso, joins forces with Aura Safari's skilled musicians, known for their label regularity and sublime Island Dreams album. From the seductive opener 'Bodily Synesthesia' to the dramatic finale 'Indigo,' Sensory Blending offers a seamless fusion of talents, hinting at potential live performances later this year.

Review: Three lovely, carefully terraformed dub tekno sketches from new co:clear recruit Eden Aurelius. Both in title and soundworld, these pieces strongly evoke slow-panning aerial shots of undulating terrain, gusts of wind through glistening skyscrapers and diffused sunlight through striated cloud. A stretch maybe - but a stretch informed by years of dub techno semiotics from precursors like Rod Modell and Pub, whose visually evocative sonic staging doubtless laid some of the groundwork for records like this. There's a formalism and orthodoxy to Aurelius' work, marking it apart from the glut of neu-ambient ASMR-scapes from labels such as INDEX and 3XL. Take the cathartic pulse of title track 'Plateau', for instance, which deftly weaves cavernous swathes of vocals and band-passed chord stabs into something that would sound equally at home on SUED or echospace. Real nice.