CATERINA BARBIERI 黑胶唱片和CD

Review: Italian composer Caterina Barbieri has enjoyed a walloping career so far as a contemporary experimental electronic music composer and producer, in part thanks to her rather mind-melting explorations in computational and generative methods, which have aided her creation of icy, god-playing deconstructed 'scapes. It was hardly expected she'd stop at her Mego debut Ecstatic Computation or the more recent Spirit Exit, though, and now comes the curt six-track statement Myuthafoo. A new effort via Barbieri's own label light-years, this one was actually written at the same time as her debut, and contains an array of modular-modelled sequences in similar fashion, backed up by intensely spiritual augmentations (such as ultra-deep reverb and clever portamentos) on the production end.

Review: Italian composer and modular synth wizard Caterina Barbieri makes a debut on the Light-Years label here with a profound work of ambient beauty. Known for her musical vortexes, she warps space and time with her compositions and has done ever since breaking through with 2017's double-album Patterns Of Consciousness. Spirit Exit again finds her start up her modal rug and get to work in her home studio amidst Milan's two-month pandemic lockdown in 2020. It's a personal work that "takes inspiration from female philosophers, mystics and poets spread across time." The transportational sounds are as complex as they are emotive from front to back.