DURAND JONES & THE INDICATIONS 黑胶唱片和CD

Review: Colemine Records very much transports us back to another time with this latest lovely offering. It is a deep dive into the work of sophisticated lounge-pop as might be played during dinner at a trendy society ball back in the 60s. It comes from Durand Jones and The Indications and one track off they third album Too Many Tears. It's is one of heartbreak and is lit up by the gorgeous falsetto of Aaron Frazrs on the A-side, who tells s tale of betrayal. On the flip is a sweet soul sound soaked up by new school fans with an alternative indie an experimental sound from Y La Bomba led by singer-songwriter and guitarist Luz Elena Mendoza.

Review: The A-side of this new 45 from Colemine can be described as sophisticated lounge-pop for dinnertime at a hip debutante ball in 1962. Featuring a track off of Durand Jones & The Indications' third LP, 'Too Many Tears' depicts a story of heartbreak, with Aaron Frazer's silky falsetto mournfully painting a scene of betrayal. The B-side has gone on to become a theme tune for a whole new generation of sweet soul lovers: featuring Y La Bomba, a Latin indie alternative/experimental band led by singer-songwriter and guitarist Luz Elena Mendoza, the track is an homage to lowriders across the globe. A heater of a 45. Let's cruise....

Review: Durand Jones & The Indications' third LP, Too Many Tears keeps on offering up superb singles and after the latest back in November, we now get this new one 'Ride or Die.' This band is a regular on the Colemine label and they do it all from slow motion seductiveness to blue eyed soul and sophisticated lounge pop. This time we get lovely harmonies and breezy soul on 'Ride Or Die' with its lead falsetto set to melt anyone's heart. The flip, things take a tender turn with more vulnerable vocals and gently rhythms that come alive with serene strings, gentle tambourines and neat basslines.