EMIL AMOS 黑胶唱片和CD

Review: Zone Black almost never was. The KPM music library originally commissioned Emil Amos to make a collection of new material which could be used in television and film. A little way into this process, the executive who did that hiring departed, and the artist opted to take what was there to the Drag City label in a bid to turn it into a proper album. The end result is something between the two. For all intents and purposes, plenty here fits into the library definition, but this is a far more personal, deeper and coherent take on the format. The foundations of library music - commercial use - soon thrown out with the dishwater, and instead the focus was on creating movements and arrangements that would hold up on their own, and create entire narratives independently, for themselves. Removed from what's happening on screen, you can live in these tracks and nowhere else.