ENRICO SANGIULIANO 黑胶唱片和CD

Review: Up next for Adam Beyer's esteemed Drumcode imprint is Enrico Sangiuliano, a Milan based DJ/producer originally from Reggio Emilia who has been been active on the Italian scene since the early noughties, playing everywhere from clubs to illegal raves. His work of late has been released on sister label Truesoul, Alleanza, Gem Records, Octopus Recordings and Rhythm Converted. On "Moon Rocks", Sangiuliano provides a euphoric, hands in the air anthem with soaring synth leads and seriously humming Reese bassline over a high octane beat. Also on the A side is the mad diva vocal breakdown on "Ghettoblaster" which soon gives way to a dark and tunnelling epic. Finally on the flip, we have two versions of "Dutch Kiss" but for our money it's all about the sombre and emotive IDM vibe of the Inner remix.

Review: Some serious peak time weapons for the main room on offer here, from the ever reliable Swedish label Drumcode. Usual heroes of the label such as Luigi Madonna, Sam Paganini and Joseph Capriati step aside for some other equally reliable staples. On the A, side label boss Adam Beyer teams up with Enrico Sangiuliano on the evocative and life affirming "Preset Heaven" which takes its cues from early trance with its amazing chord progression. It is something more typical of the label next, on the pummelling warehouse stomp of "Muzik" by Bulgaria's Timmo. On the flip, there's more trance nostalgia on offer again - this time from legends Pig & Dan on the hypnotic/melodic bliss of "La Bruja" which we could imagine melting the minds of festival crowds well into the new year. Finally they save the best for last with French peak time specialist Julian Jeweil, serving up the furious, tunneling and strobe-lit ultraviolence of "Nasa" which will have your adrenaline going from the first beat. It has been a stellar year for the powerhouse label, with great releases by Moby, Dubfire and newcomer Layton Giordani.

Review: Italian producer Enrico Sangiuliano may have been serving up dark and intoxicating techno twelves for the best part of a decade, but never before has he turned his hand to the full-length format. Biomorph is not just any old debut album, either, but rather a concept album described by Drumcode as "a journey of evolution". In practice, that means an album that ebbs and flows throughout, opening with a dash of spacey ambient, before charging off on a trip marked out by pulsating techno rhythms (crafted from both straight 4/4 beats and breakbeats), spiraling electronic motifs, booming, elongated basslines, experimental electronic interludes and more future big room techno anthems than the contents of Adam Beyer's USB stick. In other words, if you love Drumcode's particular brand of bombastic techno, you'll love Biomorph.

Review: Buckle up for some no-nonsense techno thrills from a powerhouse collaboration, as Enrico Sangiuliano and Charlotte De Witte mint the third entry in Sangiuliano's self-styled 'transient record label' NINETOZERO. 'Reflection' has all the thunderous low end thrust a big room techno record requires, while the scattered hoover stabs and edgy vocal mantra bring the playful charm to the track - hold tight for the head-nagging acid drop. Meanwhile the 'Intro Mix' of the track gives DJs something to play with when kicking off one of those epic aircraft hangar sets. For something different on the B-side, Sangiuliano goes it alone and presents a tool of sorts featuring a stilted voice defining the titular 'Sources Of Propagation' in cold, clinical fashion - something we imagine will become fun to play through ample FX when getting creative in the mix.

Review: Italian techno star Enrico Sangiuliano is back on NINETOZERO following his collaborative EP with Charlotte de Witte, Reflection. He brings a more direct and dark sound to this one which is based around "the concept of change, in all its forms." Isolated from any behind the scenes thinking it is still an effective two tracker. 'Physical Change' goes first with a fulsome sound that seems inspired by the texture of early video game soundtracks like Wipeout. Dark vocal loops and cosmic synths are all maximal and high impact. 'Pulse Of Progression' then layers in a little more tripped out and trance tinged energy that will get hands in the air.