ERYKAH BADU 黑胶唱片和CD

Review: Erykah Badu remains an absolute badass but the fact she doesn't release much music anymore is very frustrating. She single-handedly defied the neo-soul sounds of the 90s with a superb run of albums as good as any artist in any genre. This one, New Amerykah Part Two (Return of the Ankh), was her fifth way back in 2010 and as always it has soul to spare and a loose structure that placed you right at the centre. 'Window Seat' is one of the standout singles of many that were produced by various top talents including J Dilla, Madlib, Questlove and more.

Review: Erykah Badu tops up her patented purple vinyl reissue series, which she's slowly been building up over the last few years. Taking influence from hip-hop, jazz, R&B and art rock, the album 'But You Caint Use My Phone', originally released in 2015, dealt with the challenges of dealing with quiet-storm emotion in an isolated digital age. Prescient for the post-COVID era, this remaster and reissue is just as well-received for missed Zoom calls as it is for missed Nokia bells.

Review: Although it received a lukewarm reception on its initial 2003 release, Erykah Badu's third studio album, Worldwide Underground, has subsequently become something of a fan favourite - in part thanks to its' partially improvised nature and undeniably impressive fusion of classic hip-hop and soul elements. As this reissue on striking purple vinyl, the album has lost none of its sparkle in the 19 years that have passed since its' release. The multiple highlights include sweet, retro-futurist head-nodder 'Bump It (Part 1 & 2)', the nostalgia-seeped 'Back in the Day', Dead Prez hook-up 'The Grind' and the block party-rocking hook-up with Queen Latifah, Bahamedia and Angie Stone, 'Love of My Life Worldwide', a club-ready update of the Sequence's early rap classic 'Funk You Up' (which, of course, Stone featured on and co-wrote).