FENNESZ 黑胶唱片和CD

Review: It's been nearly three years since the release of Christian Fennesz's last solo album, which is almost an eternity given his track record of serving up several albums a year. The gap is in part down to a lengthy period between studio spaces, a situation that forced the Vienna-based experimentalist to go back to basics and record with minimal equipment in his bedroom (a similar process to that used in the early days of his career). Impressively, the results are every bit as beguiling as you'd expect, from the slowly unfurling manipulated guitars, swelling chords and heartbeat pulse of opener "In My Room", to the shoegaze ambient warmth of "We Trigger The Sun", via the fuzzy field recordings, thunderstorm electronics and emotion-stirring melodies of "Rainfall".

Review: On "Cendre" Ryuichi Sakamoto and Christian Fennesz blend the unstructured and imaginative qualities of improvisation with the satisfying sculpture of composition. Sakamoto's piano, his style reminiscent of Debussy and Satie, perfectly complements Fennesz with his powerful blend of shimmering guitar and passionate electronics.

Review: On "Cendre" Ryuichi Sakamoto and Christian Fennesz blend the unstructured and imaginative qualities of improvisation with the satisfying sculpture of composition. Sakamoto's piano, his style reminiscent of Debussy and Satie, perfectly complements Fennesz with his powerful blend of shimmering guitar and passionate electronics.