FRED P 黑胶唱片和CD

Review: Here's something guaranteed to ensure a rush of excitement in deep house heads everywhere: a brand new album from much-loved U.S producer Fred P. It's the first under the previously unused F.P-Oner alias, and his first studio outing since 2013's Black Jazz Chronicles set, Codes & Metaphors. Unsurprisingly, the simply titled 5 is as inspired, sumptuous and melodious as you'd expect, with gentle dub house, jazz and - in the case of the wonderful "Infinite Love" - Detroit techno influences. While much of the album is slinky, sensual and ultra-deep (see the fabulous "Visions of You" and "Sleepless in Shibuku"), there are a couple of thrillingly percussive moments to get the pulse racing, including the African-influenced tribal workout "The Realm of Possibility".

Review: Fresh from delivering a fine album of drone and ambient excursions on his own Private Society imprint - the inspired Message To The Universe - Fred Peterkin returns to the dancefloor via a surprise outing on Synchrophone. As usual, what's on offer brilliantly blends deep house rhythms and textures with the kind of more spacey and dubbed-out elements more often heard in Detroit techno and hypnotic tech-house. A-side 'The Sound Exchange' is particularly potent, with Peterkin wrapping a typically tough-but-tactile groove in ghostly chords, hand percussion hits and echoing synth riffs. Over on side B, 'The Sonic Tour' is a brighter and more colourful riff on a similar sonic blueprint - albeit with deeper, heavier sub-bass and sustained synth strings - while 'The Kingdom' pairs a thickset groove with sweeping strings and twinkling pianos.

Review: Fred P continues to be a prolific driving force in deep house, with his own Private Society label carrying a huge amount of his work these days. On this latest single he maintains one of his other close working relationships with Parisian institution Synchrophone, delivering three cuts of his refined, endlessly immersive music. 'Dance Of Rhythms' is a driving, sharply defined cut with a lot of action occurring in the lower register while the higher frequencies have acres of space to stretch out in, all the better to keep your head mellow while the hips sway. 'The Beauty In The Sound' is a more pattering affair and 'Vibe Science' favours a nagging drum pattern which nods towards jazz funk as much as techno. This is quintessential Fred P mastery, through and through.

Review: Berlin-based but American-born producer Fred P is as deep as they come. Private Society has been his latest label concern for a while now and this State of Bliss series kicked off in November last year in fine fashion. Part 2 is another of his smooth signature blends of jazz, ambient and house. 'NY' has shimmering chords and a percussive clatter that eventually clears to reveal a skittish broken beat that is live and lush. 'Awakening Desire' then cuts loose on expansive ambient pads, with worlds vocals smeared across a wide open night sky in suggestive jazz drumming drifts way down low. It's an experimental piece before the funky jazz dancer 'High Fusion' gets you on your toes with a killer bass guitar line.

Review: American don Fred P goes deeper than anyone when he turns on his machines. It has been that way for a decade plus now, and always with that special sense of melody that lingers in your memory long after his records have stopped spinning. His Private Society series has been chugging along nicely this last year or so - not least with the superb Abstract Soul album back in May. Now he's back in 12" form with another useful EP. 'In The Flow' pairs train-track grooves with sun-facing and freeform synth work to open up your soul. 'Art Life Tribal Dub' is everything the title suggests, and 'Elevated States' carries on that trend of nominative determinism. A funky broken beat defines 'Live Your Way' and 'River' is a glorious bit of new age ambient to close out a versatile EP

Review: Some Trans-Atlantic collaborative action here, as New York deep house and techno don Fred P joins forces with London-based French producer Smbd (formerly known as Simbad) for the very first time. Given both producers' undoubted abilities and musical approaches, you'll be unsurprised to discover that 'When The Mantras Return' blends deep, jazzy and intergalactic sounds with beats that variously reference jacking house, broken beat and intergalactic techno. Highlights include the jazzy, deep space house of 'Be Your Self', the acid-fired heaviness of 'Conscious Feedback (Part 1 & 2)', the dubby, spaced-out house excellence of 'Rawness', and the ambient techno meets broken beat wonder that is 'Innerspace'.