IDRIS MUHAMMAD 黑胶唱片和CD

Review: Idris Muhammad, a prominent American jazz drummer and bandleader, has left an indelible mark on contemporary music as one of its most sampled drummers. His 1976 album House Of The Rising Sun likely fuelled this reputation, thanks to Muhammad's impeccable rhythmic precision. Renowned for his tight, rubbery style, Muhammad's mastery shines through in the six long jazz-funk tracks on the LP. Each piece showcases his unwavering commitment to the craft, delivered with ultra-crisp quality. Despite his acclaim, it's doubtful Muhammad ever faced flying cymbals during his illustrious career, a testament to his undeniable skill and professionalism.

Review: Legendary jazz drummer Idris Muhammad really made his mark with his debut album Black Rhythm Revolution! for the Prestige label in 1970. Originally recorded at celebrated Rudy Van Gelder studio in Englewood Cliffs, it is bookend by length tunes 'By the Red Sea' and 'Wander' which feature tight grooves, compact solos and memorable melodies. It is not as intense of some of his later work and features the likes of Virgil Jones on trumpet Clarence Thomas on tenor and soprano saxophone and Jimmy Lewis on electric bass. Craft present this reissue with original artwork on nice 180 g limited edition vinyl.

Review: Idris Muhammad was known more as an American jazz drummer who recorded extensively with many musicians, including Ahmad Jamal, Lou Donaldson, Pharoah Sanders and Tete Montoliu - but released the irresistible and life affirming dico jam "Boogie To The Top" back in 1978. Young Pulse steps up on the B-side, adding his own subtle touches and tweaks to the original by looping the guitar and echoing out the vocals, whilst working in more of the synth lines. He keeps the original feel intact, whilst revitalising it for 2018.

Review: There's no doubting that Idris Muhammad's "Could Heaven Ever Be Like This" is a stone-cold classic; a sparkling, heavenly chunk of dreamy, disco-era jazz-funk that's capable of reducing grown men and women to tears when played at the right time. Some could argue that it's so good that it shouldn't be tampered with. Late Nite Tuff Guy, a producer who previous for reworking classic cuts, clearly disagrees, because he's delivered a fresh 2018 revision. His version is actually rather reverential, subtly beefing up the bottom end to provide a little more a rolling disco feel while adding some easy-to-mix beats at the beginning. Otherwise, he's made use of all the key original instrumentation and should be applauded for his tasteful efforts.