KING MOST 黑胶唱片和CD

Review: King Most is a revered American edit and remix master who is back with yet another big vinyl drop. This one is the first on his own new KM label and has already, we're told, been getting some high-profile plays from the likes of A-Trak. The A-side pairs off two epic classics - 'Bam Bam Tom Tom Club' has that languid, ass-wiggling groove you know and love with a twisted reggae vocal to make for something brilliantly original. The B, meanwhile, is a vinyl-only exclusive packed with Jamaican sunshine. 'Reggae For Roy' is perfectly organic and horizontal with its new reggae beat delivered under a classic Roy Ayers vocal.

Review: Oonops' legendary radio show on Brooklyn Radio is a real treasure trove of musical gold from across the spectrum. King Most has guested on it many times and never failed to impress with his sound and so it makes sense he now releases on his Oonops' Oonops Drops and Resense selections via Agogo Records. This is a double sided bit of black gold with great take son two classics songs. There is the breezy 'Wind Parade' to kick off with and a take on Stevie Wonder's 'Golden Lady' on the flip that brings warm funk to any floor.

Review: King Most is a Brooklyn Radio regular who has made some fine outings on Oonops Drops and Resense selections via Agogo Records. Now he is back on his own label Redropped with a double-sided gem that is aimed squarely at funk loving floors. Each side is a red hot new take on a classic song and does a fine job of bring them up to date without losing any of the original charm. It is Stevie Wonder's 'Golden Lady' on the B-side that is the tune of this EP for us, with its smooth grooves and great vocals. A side soul stepper 'Wind Parade' is no dud either, though.

Review: DJ Flow & King Most are two of California's finest hip-hop heads right now and have already had props from the one and only Jazzy Jeff. What they do here is add pure magic to an iconic soul song about Egypt which they are cleverly calling 'Rhymes Over Egypt.' It's a smooth groove with the the iconic chords rolling deep while new bars bring the funk up top and dusty drum breaks keep you moving. On the flip, King Most comes through with 'Ridin' Higher' which takes another soulful favorite and reworks it into something a little more bumping and energetic.

Review: If hot-to-trot and heavyweight funk re-fixes are your thing, you should already be familiar with the work of Chicago-based Heat Rock Records. Their latest limited seven-inch delivers two must-check workouts. On the A you'll find the "Rhythm Rug" edit by San Francisco scalpel fiends King Most, a cut-and-paste concoction that peppers a sunny, hip-hop tempo good-time soul-funk groove with excerpts from the acapella version of rap classic "Can I Kick It?" Over on the flip, label regulars and Windy City heroes Altered Tapes provide something even wilder: a hot-stepping fusion of Afro-jazz horns, dancehall style drums and what sound like occasional Q-Tip vocal snippets.

Review: On April 6 2020, DJ Oonops will notch up his 100th show on Brooklyn Radio. To celebrate, the popular NYC DJ has partnered with Austria's Agogo records to deliver this celebratory 7" featuring three previously unreleased tracks. Side A boasts King Most's "Jazzy As Fogg", a fine chunk of instrumental hip-hop goodness rich in jazzy and life-affirming samples that reminded us a little of the kind of head-nodding dancefloor fare once released by Manchester's Grand Central Records. Side B begins with a superb neo-soul/R&B riff on classic song "Que Sera" from Canadians Mike Clay and Sara Diamond, before German DJs Stefan "Merse" Ulrich and DJ Robert Smith join forces as Slick Walk on the short, scratch happy, Fingathing style workout "The Devil's Lick".