LEON VYNEHALL 黑胶唱片和CD

Review: Leon Vynehall confounded expectations with his first album for Ninja Tune, 2018's Nothing Is Still. For the most part, it eschewed the celebratory dancefloor feel of his previous sets, instead opting for a more diverse, atmospheric, layered and thoughtful set of rhythms, sounds and melodies. He's at it again on Rare, Forever, opening with an almost symphonic chunk of electronic trip-hop (the cinematic and spacey 'Ecce! Ego!'), before variously offering up Afro-techno/neo-classical/IDM fusion ('Mothra'), bouncy but unusual house cut-ups ('Snakeskin Has Been'), sparkling and hard-to-pigeonhole electronic bliss ('An Exhale') and much more besides.

Review: You have to admire Leon Vynehall's ambition. Although he built his career by delivering atmospheric, otherworldly club music, his first set for Ninja Tune is a sprawling, largely ambient - or at the very least hazy and horizontal - concept album inspired by the story of his parents emigrating to New York. Thus, the ten tracks that make up the album - crafted from a combination of field recordings, sound effects, orchestral instrumentation recorded at Konk's studio in New York and his own sublime electronics - were produced and sequenced to tell a story. It's epic stuff, all told, but crucially also incredibly good. It proves, without any shadow of a doubt, that Vynehall is a producer with talent to match his widescreen vision.

Review: You have to admire Leon Vynehall's ambition. Although he built his career by delivering atmospheric, otherworldly club music, his first set for Ninja Tune is a sprawling, largely ambient - or at the very least hazy and horizontal - concept album inspired by the story of his parents emigrating to New York. Thus, the ten tracks that make up the album - crafted from a combination of field recordings, sound effects, orchestral instrumentation recorded at Konk's studio in New York and his own sublime electronics - were produced and sequenced to tell a story. It's epic stuff, all told, but crucially also incredibly good. It proves, without any shadow of a doubt, that Vynehall is a producer with talent to match his widescreen vision.

Review: Having contributed a stellar track to Gerd Janson's Musik For Autobahns 2 compilation, it's little surprise to see Leon Vynehall pop up on Running Back. Rojus (Designed To Dance) is an expansive affair, with eight tracks stretched across two slabs of wax. It's also predictably varied; contrast, for example, the drowsy ambient chords and twinkling electronics of opener "Beyond This", and the deep-jack-goes-rave sweatiness of "Beau Sovereign". Vynehall also finds space for the Balearic jazz-house swing of "Paradisea", the wall-of-sound Detroit deep house of "Blush", and the African influenced drum workout "...There Is You". In other words, it's a versatile cracker.

Review: Leon Vynhell has made some of the most interesting albums of the last few years. He's a prolific producer with a very different take on things, and a DJ who reaches just as far into the unknown. He proves that here with a super mix for the Fabric Present's series. His own 'Sugar Slip' opens with a hunched, stripped back but killer garage house rhythm then tunes from Or:la get percussive,
Skee Mask's 'Untitled 279' layer up the breakbeats and Piero Umiliani's 'Produzione' is a wild and wonderful Latin tinged rhythm that never lets up.

Review: On his contribution to the long-running "DJ Kicks" series, Leon Vynehall has decided to take a widescreen approach, offering up a blend that showcases the depth and variety of his music collection rather than his club-rocking skills. The first half of the mix ebbs and flows with the laidback drowsiness of his selections, which flit between post trip-hop beats, ambient, IDM, electronica and crunchy post-punk pop. Midway through he begins to crank things up a notch or two via RAC's UK garage-influenced 1997 cut "Fushigi", the chunky peak-time warmth of Crinan's "Kilimanjaro" and the bass-heavy pump of Ploy's "Pressure", before unleashing some seriously intense experimental dancefloor workouts from the likes of Etch, Aphex Twin and Peach. It makes for a hugely enjoyable and at times breathtakingly brilliant musical journey.