NITE FLEIT 黑胶唱片和CD

Review: Nite Fleit follows up Amadeezy's hugely successful East Side G-Ride earlier in 2021 with her own intergalactic electro workout for the International Chrome label. Across four searing tracks of hardworking hardware jams she blows all your senses apart. This one comes on heavyweight 140g purple vinyl and opens with the crashing hits and searing bass of 'Effe Bee Eye' (feat Jensen Interceptor). 'Low Voltage' is another coruscated banger, 'Zero Sum' has a baseline fired from a semi-automatic and 'Bad Blood' is a sleazy ghetto number. A fierce EP, make no mistake.

Review: Nite Fleit has had a barnstorming couple of years with drops on Planet Euphorique and Unknown To The Unknown, a team-up with Mall Grab on Looking For Trouble and now this rabid electro stormer on Helena Hauff's Return To Disorder label. Compared to some of the grungier, punk-inflected electro you'd expect to find on the label, this is bright, bold, big-room stuff with plenty of ravey motifs to move large masses of bodies. "Empty Nest Syndrome" is hyped up to 11 while "Naive" pivots around a hard as nails electro beat. Watch out for the mad arps on "Can't You See" and "Rebel Faction" too - they're gunning for your cerebellum and you should take heed.

Review: London-based producer Nite Fleit has been busy over the past couple of years slinging out rough and ready club cuts with bags of personality on labels like Unknown To The Unknown and Planet Euphorique. Now she returns to Steel City Dance Discs, the Australian label that provided her first break back in 2018, with a new EP, with some rabble rousing rave busters that span styles, gleefully cherry picking the feistiest ingredients to make surefire bangers. "All New Low" is particularly fierce with its massive monosynth bassline grind and ear-snagging sample hooks. Elsewhere there's plenty of electro punishment waiting - don't sleep on B2 belter "Little Monsters" in that regard.

Review: For the 26th instalment in the label's Dance Trax series, Unknown To The Unknown boss DJ Haus has turned to Nite Fleit, a fast-rising producer who has previously showcased her rave-igniting talents on Planet Euphorique and Steel City Dance Discs. Here she offers up two weighty, thrill-a-minute new excursions: the thrusting and throbbing, EBM/acid/electro fusion of "Usual Suspects" and "Folie A Dreamland", an arpeggio-driven electro workout that's as raw and mind-melting as they come. Both tracks come accompanied by notable remixes. First D Tiffany pitches up "Usual Suspects" and turns it into a kind of braindance-meets-Nitzer Ebb smasher, before Jenson Interceptor delivers a harder and fuzzier electro interpretation of "Folie A Dreamland".

Review: Australian-in-London Nite Fleit is a producer we'll undoubtedly be hearing more of this year. Here she delivers her second solo salvo (her debut appeared on Steel City Dance Discs last year), serving up club-ready workouts rich in psychedelic electronics, ragged acid lines, industrial-strength basslines and crunchy analogue drums. Rhythmically, most of the tracks stick close to the electro template, but it's the wild, angular and mind-altering nature of the riffs and melodies she places atop that set the pulse racing. Yet while there's plenty of excitement amongst the club-rockers on show - "Borderline" and "Thar Bye Bye" in particular - it's the deep and melancholic flex of the more introspective "Reply All" that most impresses.

Review: Although still little known in Europe, Nite Fleit is a headline attraction in her native Australia, where dancers flock to hear her driving and dystopian DJ sets. It's perhaps unsurprising, then, that fellow Aussie Mall Grab has signed her to his fast-rising Steel City Dance Discs imprint. This debut 12" is rather impressive, all told, with highlights including the ragged electro/acid/EBM fusion of opener "Psychic and Mental", the ludicrously bass-heavy, acid-electro rumble of "Little Friend" and the throbbing, acid-fired electronic psychedelia of triumphant EP closer "Partly Sunny". Those looking for something warmer and breezier should also check the breakbeat-driven dreaminess of "Scram".