NITE FLEIT 黑胶唱片和CD

Review: Nite Fleit has had a barnstorming couple of years with drops on Planet Euphorique and Unknown To The Unknown, a team-up with Mall Grab on Looking For Trouble and now this rabid electro stormer on Helena Hauff's Return To Disorder label. Compared to some of the grungier, punk-inflected electro you'd expect to find on the label, this is bright, bold, big-room stuff with plenty of ravey motifs to move large masses of bodies. "Empty Nest Syndrome" is hyped up to 11 while "Naive" pivots around a hard as nails electro beat. Watch out for the mad arps on "Can't You See" and "Rebel Faction" too - they're gunning for your cerebellum and you should take heed.

Review: London-based producer Nite Fleit has been busy over the past couple of years slinging out rough and ready club cuts with bags of personality on labels like Unknown To The Unknown and Planet Euphorique. Now she returns to Steel City Dance Discs, the Australian label that provided her first break back in 2018, with a new EP, with some rabble rousing rave busters that span styles, gleefully cherry picking the feistiest ingredients to make surefire bangers. "All New Low" is particularly fierce with its massive monosynth bassline grind and ear-snagging sample hooks. Elsewhere there's plenty of electro punishment waiting - don't sleep on B2 belter "Little Monsters" in that regard.

Review: Although still little known in Europe, Nite Fleit is a headline attraction in her native Australia, where dancers flock to hear her driving and dystopian DJ sets. It's perhaps unsurprising, then, that fellow Aussie Mall Grab has signed her to his fast-rising Steel City Dance Discs imprint. This debut 12" is rather impressive, all told, with highlights including the ragged electro/acid/EBM fusion of opener "Psychic and Mental", the ludicrously bass-heavy, acid-electro rumble of "Little Friend" and the throbbing, acid-fired electronic psychedelia of triumphant EP closer "Partly Sunny". Those looking for something warmer and breezier should also check the breakbeat-driven dreaminess of "Scram".