Pharoah Sanders - "You've Got To Have Freedom" (Opolopo Tweak) (7:12)
Roy Ayers - "We Live In Brooklyn Baby" (Opolopo Tweak) (6:05)
Review: The latest missive on GAMM is something of a biggie. It features two superb reworks of classic cuts by Pharoah Sanders and Roy Ayers courtesy of Opolopo, a house producer whose cuts always have plenty of synth-fired funk and lashings of soul. He brilliantly transforms Sanders' "You've Got To Have Freedom" into a rubbery, Latin-tinged house number, underpinning the original jazz cut - complete with righteous vocals and killer trumpet solos - with an ace new bassline and beefed-up beats. He takes a different approach on his revision of Roy Ayers' "We Live In Brooklyn Baby", re-casting it as a rolling and chunky house number full of suspenseful string parts, twinkling pianos and Ayers' titular vocal.
Review: The second release from the newly emerging If It Ain't Jazz label comes from Swedish producer Opolopo. For this one he takes two classics from the jazz-disco world and adds his own distinctive spins. The results soar into the stratosphere on golden chords and humid pads, funky drums and gliding grooves. Both are timeless reworks that will do plenty of damage on a wide range of dance floors. This marks another noteworthy release for this small but well formed label.
Review: Opolopo has been serving up floor filing blends of disco, funk and soul for two decades on plenty of well regarded labels. Toolroom now invites him to serve up three brand new jams that show off his pedigree. "Sickla Side Push Shuffle" is a funk-licked, string-laced soul searcher with plenty of poolside appeal and "Aqua Lung" is a big disco roller from the Philly school. Mellifluous closer "Groovitational Waves" has some slick keys, tight bass licks and loose and authentic drums that make it feel like an OG wedge of disco gold.
Review: Having previously proved his production credentials via a series of fine 12" singles fusing synth-heavy boogie sounds and tactile house grooves, Z Records regular Opolopo has decided to throw himself headfirst into the disco re-edit scene. For the first release on Version Galore, the Stockholm-based producer serves up two killer interpretations destined for peak-time plays. On the A-side you'll find "Go Get It", a brilliantly bumping and groovy re-arrangement of a punchy, horn-heavy disco funk jam that makes much of the original's winding synth solos and jazzy backing vocals. Arguably even better is heavy disco B-side "American Promise", where crunchy, Hendrix style guitar riffs and urgent female vocals ride a guttural disco-funk groove.