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Pinch

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Items 1 to 4 of 4 on page 1 of 1
Border Control EP
Cat: BH 059. Rel: 01 Oct 19
Bass
  1. Border Control (4:21)
  2. Fortune Tellers (5:07)
  3. Loose Cables (4:02)
Review: Tectonic bossman Pinch on Berceuse Heroique? Now this is a match made in boundary-breaking heaven. Not even the lead track "Border Control" can keep things confined as we're hurled into a swampy, heady, paranoid and relentless stampede which is just as much techno as it is 140. "Fortune Tellers" brings us back down to even woozier 125 as layers of off-kilter percussion scuffle up and down the mix in a blurry, sense-deceiving way before "Loose Cables" turns us inside out with its tripletty off-beat, subaquatic pressure. A one of a kind artist on a one of a kind label; there are no borders here.
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 in stock $14.13
Reality Tunnels
Cat: TECLP 025. Rel: 25 Jun 20
Bass
  1. Entangled Particles (feat Emika) (3:50)
  2. All Man Got (feat Trim) (3:18)
  3. Accelerated Culture (5:11)
  4. Returnity (4:08)
  5. Making Space (4:00)
  6. What Are We Waiting For (feat Trim) (3:34)
  7. Party (feat Killa P) (4:22)
  8. Back To Beyond (5:33)
  9. Change Is A Must (feat Inezi) (3:58)
  10. Non Terrestrial Forms (4:16)
  11. The Last One (feat Nive Nielsen) (4:04)
 in stock $19.56
Reality Tunnels
Cat: TECCD 025. Rel: 24 Jun 20
Bass
  1. Entangled Particles (feat Emika)
  2. All Man Got (feat Trim)
  3. Accelerated Culture
  4. Returnity
  5. Making Space
  6. Party (feat Killa P)
  7. Back To Beyond
  8. Change Is A Must (feat Inezi)
  9. Non-Terrestrial Forms
  10. The Last One (feat Nive Nielsen)
Review: It was arguably 2007 debut LP "Underwater Dancehall" - still one of the greatest dubstep albums of all time - that made Tectonic co-founder Pinch one of British bass music's most celebrated talents, so this solo sequel is long overdue. Much has changed in UK bass - and his life - since then, and "Reality Tunnels" reflects that. Much more widescreen in approach and sound, it sees him flit between vocal grime and dubstep, 21st century jungle mutations, future dub, ambient soundscapes, deconstructed dancehall and - most surprisingly of all - weighty, bass-heavy, Bristol style techno. Some fans may be surprised at the decidedly different directions, but it all makes perfect sonic sense - after all, British bass music has long been about more than just dubstep and D&B.
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 in stock $11.42
Crossing The Line
Cat: TEC 109. Rel: 23 Oct 19
Dirty Dubstep/Trap/Grime
  1. Crossing The Line (4:37)
  2. Send Out (4:37)
Review: Given the beat-making and production talents of Bristol boys Pinch and Khan, this hook-up with grime MCs Killa's Army - Killa P, Irah and Long Range - was never going to fail. Even so, "Crossing The Line" is insanely good; a future club anthem in which the three MCs get the hype going over a weighty, fuzz-fuelled beat that sits somewhere between grime, dancehall and dubstep. Killa (sorry) stuff. Pinch and Khan ditch the MCs on B-side workout "Send Out", instead peppering a moody bassline, clandestine aural textures and ricocheting vocal samples with gunshot snares, gut-punching sub tones and panicked electronics.
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 in stock $10.34
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