PINK FLOYD 黑胶唱片和CD

Review: This live recording of the Floyd in action in the US in 1972 is fascinating mainly for the plethora of tracks the band were playing live at the time that would find themselves forming the classic Dark Side Of The Moon when it was released in March of the following year. There's the revolutionary throbbing sequencer pulse of proto-electronica experiment 'On The Run' - made, remember, when Kraftwerk were still playing flutes and waiting to discover programming - and the biting social critique of 'Us & Them', a potent symbol of the hippy dream dying as the 60s turned into the 70s. There are Dark Side lynchpins like 'Breathe' and 'Time', too, as well as a host of older material and a slow motion blues jam that finishes off the set. Floyd live recordings are always interesting affairs, but this is more interesting than most.

Review: In the pantheon of prog rock landmarks, none come bigger than The Dark Side Of The Moon. Pink Floyd's magnum opus struck the perfect balance between grandiose vision and universal appeal, carrying relatable themes alongside innovative production and providing the fuel for any psychedelically-minded listener to trip out on a precision crafted trip. As the album celebrates its 50th birthday, this stellar recording of a full live performance of Dark Side... from Wembley in 1974 is seeing its first pressing on vinyl. It's faithful to the album in Floyd's exacting way, but it's also a revelation to hear such a wide scope of sound recreated on stage, not least the likes of 'On The Run'. A fascinating insight into the legacy of a towering, seminal work in the history of modern music.

Review: A rare chance to catch the Floyd in what is effectively the second of the many phases they went through as a band, in this case exactly half way between the release of their debut album Piper At The Gates of Dawn in 1967 and their most successful, Dark Side of The Moon, in 1973. You can hear the transition they're undergoing when you compare the four tracks included on this recording of the band at San Francisco's Fillmore West, with Syd Barrett's replacement David Gilmour stepping up and becoming increasingly confident on his guitar duties. Side one's 'Embryo' and 'Green Is The Colour' are still very much embedded in traditional rock territory, with the perky rendition of the latter often sounding like their then contemporary Jimi Hendrix. Flip it over, however, and you see where they are headed - the much more experimental 'Careful With That Axe, Eugene' with its screaming effects and the meditative, minimal 'Set The Controls For The Heart of the Sun'.

Review: Nerds, gather round, for this brand new edition of Pink Floyd's utmost live performance of DSOTM at Wembley's Empire Pool in 1974 documents the band's best performance in the best possible sound quality yet. Truly, audiophilia is real, and fans of Floyd are among the most avid audiophiles out there; several specially mixed versions of the album feature here, including one specifically made for Dolby Atmos, and another, the Quad mix, made for systems made up of exactly four speakers. Remastered by James Guthrie.

Review: Room On Fire is releasing a couple of Pink Floyd live albums this month. Next to Another Night In Montreux from 1970 comes The Heart Of The Sun: Live At The Fillmore West also from 1970. It has previously had an unofficial release on CD but now arrives on vinyl. It is a superb mix of space and prog rock of the sort the band is so well known for. It includes a 20-minute tune 'Atom Heart Mother' (Early Version Known As 'The Amazing Pudding') as well as three other sprawling and epic pieces.

Review: Recorded at Altes Casino, Montreux, Switzerland on 22nd November, Pink Floyd's Another Night In Montreux album has become a rather well-regarded and collectible treasure. It's a great document of a band at the peak of their powers that now gets reissued by Room On Fire on nice heavyweight vinyl. The record features the Atom Heart Mother suite and a 13-minute version of 'Embryo' that very much embodies the prog rock ideal as it lavishly unfolds at an unhurried pace.

Review: Hi-def mono reissue of Floyd's classic 1967 album, remastered in 2017 from the original analog tapes. Known for its rough, crunchy psych sound that predated the band's later, boundless space rock sensibilities, this is the wall-breakers at their most primordial, and their least beat-around-the-bush. This one's been given an anniversary reissue a whopping three times in a row; of course, we should endeavour not to overlook the more perfunctory, audiophiles' rarities such as this. Make sure you add it to your 'Gates Of Dawn' collection while you can.