PLANETARY ASSAULT SYSTEMS 黑胶唱片和CD

Review: With Planetary Assault Systems, one imagines weaponry of celestial scale, designed to zap spatial anomalies, planet-eating worms and other eldritch horrors into oblivion. 'Reassembled' hears Mote Evolver boss Luke Slater follow up last year's fifth volume on the 'Deep Heat' series, and does well to mastermind the evocation of such numb horror, such gargantuan warfare. Made up of a throng of "reassemblies" by Oscar Mulero and Len Faki, as well as Slater himself, this one makes up part of a series also involving Chlar and Rene Wise. The alien sound design here is highly believable, with the new versions of 'Engage Now To Surface' and 'Surface Noise' bringing mucusy blends and membraneous bells.

Review: Planetary Assault Systems' latest offering, Deep Heet Vol 5 on Mote Evolver, marks a powerful return for UK techno luminary Luke Slater's enduring alias. True to form, the release delves into the shadowy depths of the club scene with relentless intensity. Side-1 kicks off with 'Clap Trap,' an otherworldly journey through techno's outer reaches with its uptempo alien soundscape and heavy, percussive beats that evoke a sense of impending destruction on the dancefloor. Following suit is 'Sidewinder,' a relentless banger that embodies the underground ethos with its intense energy and headstrong groove. On Side-2, 'Electric Culp' emerges as a peak-time anthem, its big, bold sound commanding attention and igniting the dancefloor with its pulsating rhythms and infectious energy. Closing the release is 'Grid Livers,' a deeper exploration into the darker realms of techno, with subliminal undertones that captivate the listener and keep them locked in the sonic grip until the very end. With Deep Heet Vol 5, Planetary Assault Systems demonstrates once again his vision of forward-thinking techno, delivering a visceral experience that seamlessly bridges the gap between the studio and the stage.

Review: To celebrate the passing of three decades since the release of his first EP as Planetary Assault Systems, Luke Slater has served up new reworks of the single's most celebrated cut, 'In From The Night'. The first to have a crack at transforming Slater's 1993 original, a throbbing techno stomper rich in alien-sounding electronics and razor-sharp TB-303 motifs, are old pal Adam Beyer and Drumcode regular Webhha. They retain the original's intensity and sweaty techno breathlessness, adding raw, tech-trance style riffs and a grand, big room-ready sound. Over on the flip, Slater provides two tweaks of his own: a classic, build-and-release 'Edit' with added murky noises and extra TB-303 tweakery, and a blisteringly energetic, off-kilter, on-the-fly 'Live Edit' that re-imagines the track as a jumpy, broken techno beast.

Review: Everything about this release looks massive: the legend Luke Slater, on Token no less, with an EP titled Say It Loud. Indeed from the first beat of 'Bang Wap' you know you are in for a wild ride with one of techno's expert technicians, on this powerful and functional DJ tool in typically futurist aesthetic. The restrained fury of 'Bolt' is similarly looped and stripped down but still capable of taking you into cerebral realms on the warehouse dancefloor. Over on the flip, the title track is a jacking old school jam centred around its thunderous 909 rhythm patterns and ending with the cyclical and hypnotic energy of 'Shine'.