Review: Probably for good reason, techno deviant Rrose isn't as active as he was a few years back. However, we see this as a winning strategy - building and maintain momentum up until the very moment the bombs drop. Back on his own EAUX label, we have three new, blurry technoid structures made for the more finessed ears. "The Smallest Footprints" dazzles and confuses with its constantly shape-shifting groove, guided and supported by an ocean of deep-water sonics and atmospheric harmonies, whereas "The Ends Of Weather" itself sounds like the beginning of the perfect storm, gliding with tenebrous might across its six minutes and 42 seconds of instability and beatless sway. On the B-side, "Nest Of Queens" manages to do very much with very little, launching a minimalistic percussion flex that evolves at its own pace, twisting and convulsing more and more with each new bang of the beat. What a stunner. Be quick, these will go!
Review: Since launching in 2011, James Healy's Air Texture label and compilation series has become something of an institution within the ambient scene. As with its predecessors, the seventh volume in the series has been jointly compiled by two artists with an existing musical relationship, in this case Rrose and Silent Servant. Their selections are on point, drowsily drifting between academic ambient compositions (see Rrose and James Fei's "For Bass Clarinet 8.97 (Rrose Version)", uncomfortable electronic explorations (Ron Morelli, Anthony Child), modular movements (Not Waving), jazz-flecked deep space soundscapes (Luke Slater), horror-influenced throb-jobs (Phase Fatale, June & An-i) and 1990s style ambient electronica (Octa Octa, Function).