SATOSHI TOMIIE 黑胶唱片和CD

Review: The legendary and ever-green talent that is Satoshi Tomiie is back with more of his house excellence. 12B Dub highlights Tomiie's versatility and innovative production style as he nudges at fresh territory here on Phonogramme Records. Opener 'Haus Muzik' blends deep grooves with experimental flair, 'Shakedown' is dubby, stripped back and raw but packed with feeling and 'Out Of The Present, Out Of The Future' is a beautiful track that all have you gazing off into the middle distance, happy to be lost in its balmy pads swirls.

Review: Deep-headed, deeper-bodied dub house, hurtling our way from New Yorkers Dopeus and Satoshi Tomiie. Building on Tomiie's already relatively storied career, this chronological time-clock keeps track of the big smoke's early hours for us: '2AM' and '3AM' build to knifing edges, the latter track especially working from blueprints of overdriven satu-rave and chambered echoic dub techno, basking in hollowness. As we cross into the temporal impossibility of '4:60AM', 909 puff snares and naively high strings are accrued, and by the turn of 'Sunrise', an entire breakbeat has worked its way around our eyelid bags.

Review: Satoshi Tomiie and Tomoki Tamura present their latest EP 'Dream Sketches' for Berlin's Abstract Architecture label. A surreal blend of rattling dub echoes and beat crabs, the pair are seen sat in a recollective room of strange patterns, their skin greyed but facial expressions confident, matching the uncanniness of the EP, littered with both sonic funky foliage and dubious demurrals. 'Dream Sketches' and 'Bounce 60' sound like CAD explosions transposed into abstract sonic space, but theirs is an impossible architectural project, which makes cool noises nonetheless. 'Lost Keys' and 'Bahnhof 120' do rigidify things somewhat, but do not lose that trademark surrealism, that sense of jank.