SIDIKU BUARI 黑胶唱片和CD

Review: BBE wrap up their four part reissue series of Sidiku Buari's unique and in demand body of African Disco albums with final instalment, Revolution (Live Disco Show In New York City). It is thought that disc one here is a fully live recording from 1979 complete with bells, whistles, molten Moogs, bass heavy rhythms and plenty of party starting lyrics. On the second disc are four tracks that vary in style from cosmic disco to afro and include perennial crowd-pleasers Merry Christmas and Happy New Year. This has been a refreshing series and it is now completed in style.

Review: BBE continue to explore the little-known catalogue of Ghanaian athlete-turned-musician Sidiku Buari, whose West African style takes on disco and boogie made him a surprise star on the New York underground in the late 1970s. Here they offer up a fresh pressing of "Disco Soccer", a brilliantly vibrant and over-the-top set of NYC disco floor-fillers that's been stretched out across two slabs of wax (the original album was a single LP) to ensure a more dancefloor-friendly cut. Highlights include the bass-heavy, Moog-laden hustle of "I'm Ready", the Patrick Adams-esque brilliance of "Hard Times", the intoxicating, high-octane thrills of "African Hustle" and the pitched-down sweetness of "Games We Used To Play".

Review: Recorded in 1983 and '84 respectively, "Feelings" and "Sidiku Buari & His Jam Busters" were the last albums recorded by Sidiku Buari, a New York based musician who turned to music after a promising career as an athlete in his native Ghana. He initially rose to prominence making highlife and afro-disco, but by the early '80s Sidiku was in full-on Afro-boogie and electrofunk mode, offering up tracks rich in colourful synthesizer lines, punchy electronic drums and righteous vocals in his native tongue. There's much to set the pulse racing across both slabs of wax, from the squelchy, club-ready brilliance of "Music" and "Anokwar (Truth)", to the slap bass propelled flex of "Minsumobo", dub disco grooves of "Karambani" and flute-laden breeziness of "Rhythm Of Africa".