THE DAMNED 黑胶唱片和CD

Review: Taken from their now iconic performance on 6th July 1976 at London's 100 Club, this live LP was originally released in 2007 as an accompanying bonus disc to the 30th anniversary deluxe version of The Damned's seminal 1977 debut full-length Damned Damned Damned. Landing on its own exclusive, limited and numbered red/black splattered vinyl 12", the set is noted for being the band's first official live show, as they provided support for the Sex Pistols, while guitarist Brian James has since elaborated that while the members were paid L5 for the gig by Pistols' manager Malcolm McLaren, they were also charged L10 to use their PA system. Not very punk if you ask us.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


You'll have to go a long, long way to find a more important record in the back catalogue of The Damned. Strawberries marked album number five for the New Wave-Goth-punks, arriving in 1982, initially through the now-defunct UK indie label Bronze, established by Gary Bron who - incidentally - also played a pivotal role in helping Uriah Heap realise their sound. Digressions aside, this LP at once marks one of the finest moments in The Damned's history, and one of their most turbulent times.

The band's creative confidence - Captain Sensible especially was enjoying a fair share of the limelight at this time as a solo artist - helped them expand and mutate in both subtle and crystal clear ways, introducing instruments like the sitar and cello to the mix. Fans got their beloved dark room masters, and much more besides. Behind the scenes, though, this was a point in time pockmarked by fallouts and disagreements. Still, who said greatness doesn't come at a price?

Review: Around the mid-nineties, pioneering gothic punks The Damned would see a resurgence in interest thanks to both Guns N Roses covering 'New Rose' for their The Spaghetti Incident? covers LP, as well as The Offspring's rendition of 'Smash It Up' being included on the Batman Forever soundtrack. These simultaneous introductions to a younger audience (whilst possibly also a reminder to forgetful fans), coincided with the band's second reformation, where they boasted the short-lived line up of Dave Vanian and Rat Scabies joined by Kris Dollimore (The Godfathers), Moose (New Model Army), and Alan Lee Shaw (Maniacs). Shadowed Tales From Mulhouse captures this iteration of the band during a 1994 live show in Mulhouse, France, where they would road-test cuts from the following year's Not Of This Earth, including 'Testify', 'Shut It', and the gloomy title-track, while also dusting off plenty of essentials from their back catalogue from 'Neat Neat Neat' to 'Noise Noise Noise' to a cover of their Sex Pistols peers' 'Pretty Vacant'.

Review: Shadowed Tales From Mulhouse by iconic punk group The Damned is a haunting journey into the depths of musical darkness. The album captivates throughout with its eerie melodies, ethereal vocals, and brooding atmosphere. Each track exudes a sense of mystery and intrigue, drawing the audience into a world of shadows and secrets. The band's masterful instrumentation and haunting lyrics create a spine-chilling experience that lingers long after the final note fades away. All of this makes Shadowed Tales From Mulhouse is a testament to The Damned's prowess as musical storytellers, leaving listeners enthralled and eager for more from this enigmatic ensemble.

Review: Shadowed Tales From Mulhouse captures punk's original rebels in live action in 1994, feeling like a return to their rowdy garage punk origins after spending the latter part of the 80s helping to shape goth rock and then take it overground and into the charts. No sign of 'Eloise' or 'Grimy Fiendish' here though - this all about genre-defining hits like 'Love Song', 'Neat Neat Neat', 'New Rose' and 'Smash It Up', with a heap of perfectly suited and totally unlikely cover versions, from 'Pretty Vacant' to 'You've Lost That Loving Feeling' and 'I Walk The Line'. All on nice coloured vinyl, too, it stands as a testament to The Damned's storytelling prowess, leaving audiences enthralled and craving more from this enigmatic ensemble.

Review: Following 'New Rose' as only the second ever single released by The Damned, 'Neat Neat Neat' has gone on to become, not only one of the band's biggest hits, but a timeless punk anthem used in everything from series like The Boys and The Simpsons, to the epic heist/chase sequence in Edgar Wright's Baby Driver, to even being covered by vastly differing acts from Elvis Costello to My Chemical Romance. This vibrantly coloured 7" captures a handful of cuts from a 1994 live performance in Mulhouse, France, boasting the aforementioned single on the A-side with a curious selection of covers on the flip, ranging from Johnny Cash's 'I Walk The Line' to 'You've Lost That Lovin' Feelin' from The Righteous Brothers and even a rendition of 60s mod originals The Craig's 'I Must Be Mad' lobbed in for good measure.

Review: Here's a classic live album from British punk heroes The Damned, captured in full flight at Woolwich Coronet on July 11 1985. Wrongly credited to a gig at Santa Monica Civic when it was originally released back in 1997, the facts have since been set straight but whatever the case, this is the band at their best. There's all the best bits of their back catalogue and even some choice covers such as the Electric Prunes' ever-classic 'I Had Too Much To Dream Last Night' and Iggy Pop's 'Lust For Life' - and that's just the icing on top of a set brimming with kick ass punk rock.

Review: This classic compilation album by legendary punk rock band The Damned first came as a 1981 release on Chiswick, dubbed the 'first true indie' label to crop up in the UK. Responsible for pushing many of this condemnable bunch's best works, this compilation is representative of the process, covering the band's evolution from their fast and furious debut Damned Damned Damned to their more experimental and diverse Black Album. Wide-ranging but unified in sound, it's testament to the Damned's long shelf-life; they don't call it "eternal damnation" for nothing.

Review: Just a few nights before Halloween of 2019, The Damned brought, 'A Night Of A Thousand Vampires', to the London Palladium with the help of The Hammer House of Horror and cast of The Circus of Horrors. What transpired was a truly immersive, theatrical, career-spanning set delivered with a level of artistic showmanship that only the iconic horror-punks could pull off so brazenly. Recorded and filmed for immortalisation (or undead resurrection), you can now witness the orchestrated carnage in true fly-on-the-wall, slasher movie voyeuristic fashion.

Review: The first definitive British punk album, Damned Damned Damned, would serve as the arrival of a new form of audible angst, that over four decades later has still managed to maintain its bite and snarl. Originally released on Stiff Records in 1977, National Album Day 2022 has insisted on bringing this highly influential classic to life in a new pressing; teeming with energy, wit and enough proto-genre bending to remind all why The Damned are still an integral aspect of any discussion regarding UK punk and alternative music nearly a half century on.