THE EXALTICS 黑胶唱片和CD

Review: Robert Witschakowski has been a man on an electro mission (as well as many other side mission, to be really quite honest) for as long as we can remember. His furtherment of electro knows no bounds and it has often come in association with Dutch label Clone and its offshoots, though here he has his They Arrive EP reissued by fellow Dutch label Creme Organization. It landed first back in 2011 but has aged like fine wine and sounds as good as ever - there are a mix of creepy and atmospheric pieces, sick dancefloor rhythms and plenty more to enjoy here.

Review: To coincide with the reissue of the standout Exaltics album Das Heise Experiment, Robert Witschakowski has reached out to an all-star cast for a bonus 12" of remixes and collaborations which will only serve to add weight to the whole project. Iconic Detroit duo ADULT. team up with Exaltics on 'Dreizehn Habits', which is a vocal update of a track from the original soundtrack. Then Gesloten Cirkel jumps on for the typically incisive, edged-out machine language typical to his Bunker Releases. The mighty Keith Tucker dons his K1 cap for a punchy slice of Motor City machine funk, and then Gerald Donald's Arpanet alias locks on for a creeping, slippery excursion to close the record out on the B2.

Review: The Exaltics is always a dab hand at crafting cinematic sci-fi scenes out of his dystopian electro, but even he took it to another level with Das Heise Experiment. Conceived in 2013 as a soundtrack to a graphic novel, it was the perfect outlet for Robert Witschakowski's music beyond the function of a club 12". The atmospheres and moods he elicits from the Exaltics sound bank are brilliantly rendered across the whole release, which gets the ten year treatment on this reissue with striking, all-new full colour artwork which brings the visuals to life alongside the music like never before.

Review: You can always count on Clone's Repetitive Rhythm Research label to bring a proper, hard-edged strain of techno that matches brawn with brains. Next up on the label after a knockout record from Frequency is The Exaltics, tailoring their signature electro style to a blown-out 4/4 sound to incite a thousand sweatboxes. 'It Never Ends' is brilliantly jacking, with deep space synths on top, and 'Hammerheads From Outta Space' doubles down on brute-force kicks and dirtbag leads. 'Corroded From The Future' dips into dystopian acid from the depths, and 'Dumb MST Digital' caps the record off with a stripped back 303 workout for those who carry a torch for the glory days of Bunker Records.

Review: ***B-STOCK: Slight tear to left side of outside sleeve, but otherwise in excellent condition***


Robert Witschakowski's tunnel-like focus on the advancement of electro continues apace with this latest Exaltics transmission for Clone West Coast Series, his second album after 2019's II Worlds and his latest since the acclaimed link-up with Heinrich Mueller, Dimensional Shifting. Of course this is electro first and foremost, so the likes of 'Let's Fly The Gravity Together' will hit the pleasure centre of any machine funk aficionado, but even more special is the presence of Detroit Grand Pubahs' Paris The Black Fu offering his unmistakable MC work to 'Lif Eono Ther Planets'. Paris returns for penultimate track 'Did You See Them' alongside Mr Remy, and in between there's an abundance of electro riches to fulfil your cybernetic fantasies.