THE MICROPHONES 黑胶唱片和CD

Review: Last year, Phil Everum surprisingly relaunched The Microphones, his post-rock vehicle of the late 90s and early-to-mid-2000s, in order to release an album that contained just one 45-minute song. That might sound a bit much, but it was actually rather good all told, with plenty of musical twists and turns and lyrics from Everum that looked back on his life experiences to date. This follow-up is even more surprising. Described as "ambient, but not ambient music", The Foghorn Tape consists entirely of a looped bass tone - created to sound like a classic cliff-top foghorn - drenched in varying amounts of hiss, noise and gritty aural fuzz.