THE STONE ROSES 黑胶唱片和CD

Review: The Stones Roses endure as a popular indie band decades after they were really relevant. Some of their biggest moments were all touched up by a selection of remixes who were at least loosely associated with early acid house, baggy and the indie dance cross over of the same period. 808 State go first and flip 'Made of Stone' into an electric big of indie-techno. Grooverider flips the most iconic of them all, 'Fools Gold', into a low riding breakbeat roller while Paul Oakenfold & Steve Osborne's Verizon of 'Waterfall' leaves al the glorious tumbling guitar melodies intact and beefs up the beats.

Review: What is there left to say to say about The Stone Roses' eponymous debut album that hasn't already been said already. Most of the songs here have become anthems for not one but several generations, from the bouncy opening moments of 'I Wanna Be Adored' to the elongated jam that brings 'I Am The Resurrection' (and the LP) to a close. For what is the iconic album for the indie-dance movement, it's surprisingly devoid if electronics, but the lethal combination of Reni's drums and Mani's bass playing create an irresistible foundation of grooviness, even in the more laid back moments like 'Shoot You Down' and 'Bye Bye Badman'. Steeped in the hazy 60's psychedelic pop of The Byrds and the 70's funk of Sly & The Family Stone, yet executed with a northern grit and football terrace singalong sensibility, this is the album that closed the 1980's and then went on to rule the landscape of indie rock for the next 30 years.

Review: The connection between Madchester icons The Stone Roses, electronic music and club culture has been over-documented, but if anyone still had any doubts as to the links, this remixes album offers plenty of evidence. With added beats, samples and various other pieces, the remains of the original songs that are here sound as though they were made for dancefloors and afters.

The names responsible for breathing new, or at least different life into these tracks represent an entirely fitting crop of producers considering the era the Roses broke through in. Decade-spanning drum 'n' bass, acid house and trance faces are out in force; Paul Oakenfold, Grooverider, Jon Carter, 808 State and A Guy Called Gerald are among those who have been drafted, which should tell you all there is to know really.