Back catalogue: Blues

Review: Neo-soul chanteuse Bette Smith is an upcoming talent who lends her tones to the blistering blues guitar work of Kirk Flecther here. The pair take on a cover of The Rolling Stones' classic tune 'Brown Sugar' and do it with real gusto. The drums smash hard, the guitar riffs are big and angular and the vocals re delivered in sleazy fashion. The Tone's quirky pop dance hit 'Dance Monkey' then gets covered don the flip and turned into a psyched out bluesy guitar number with big vocals. It's a unique rework that makes this a collectible 7".

Review: Dynamite Cuts have got another red hot bit of funk on their hands here with Brian Auger's Oblivion Express the subject of this reissue of two of his most blissed out sounds. The first is a magic cover of Marvin Gaye's timeless 'Inner City Blues' from his most iconic album, What's Going On. In this outfit's hands the groove becomes a little more deep and languid, with funky guitars and steamy vocals sinking you into a real romantic vibe. The second is an original tune, 'Voices Of Other Times,' that explores more uplifting soul vibes.

Review: The Black Crowes have never been ones to hide their inspirations. The classically-styled US blues rockers have turned their hands to plenty of covers over the years, and this time they're offering up a short album's worth of renditions under the banner of 1972. The year doesn't so much nod to the songs specifically as the feeling, and a particular era of sound they were aiming for. Given their skin in the game, it's no surprise to hear them nail the likes of 'Rocks Off' and 'Papa Was A Rolling Stone', paying homage and doing their own thing in equal measure.

Review: There are moments in the spellbinding and often criminally overlooked Blue Cheer anthem, 'Summertime Blues', when it feels like we've descended into the depths of industrial guitar chaos. A cacophony of feedback, growls, and low, rumbling refrains. A pithy reinterpretation of Eddie Cochran's 1958 hit single, here rendered obtuse for the second, decidedly less-radio and commercial-friendly rock 'n' roll generation.

The whole version plays out in a way that's much like we can imagine Jimi Hendrix might have made happen. Grizzled, gritty, fraught and, ultimately, very loud indeed. It's a standout on this triple-A-side of 1967 Blue Cheer demos, three tracks committed to the pantheons when the psychedelic blues and acid rockers were first beginning to focus their energies. But while the aforementioned is the main event, everything here shows why there was so much excitement around them in the first place.

Review: Aziza Brahim's fantastic new album Mawja is a blend of Sahrawi roots music, folk, and contemporary sounds that reflect on the resilience and spirit of her homeland. Through haunting vocals and poetic lyrics, Brahim shares stories of displacement, longing, and hope, drawing from her experiences as a Sahrawi refugee. Backed by hypnotic rhythms, intricate melodies, and soul-stirring instrumentation, each track creates a rich tapestry of sound which means the record is more than just an album; it's a powerful testament to the human spirit and a poignant reminder of the ongoing struggle for freedom and justice. Brahim's music resonates deeply, transcending borders and connecting hearts across the globe.

Review: Mel Brown's Chicken Fat album is the latest to get the reissue treatment by the good folks at Verve. The guitarist's 1967 Impulse! debut is said to be one of the funkiest and most original the late ever put out. His signature picking style is clean and bluesy and was honed while he played with legends like John Lee Hooker's and T-Bone Walker's bands. There is also plenty of well swung soul-jazz in the great organ work and for this version the original audio has been transferred from the analog tapes to nice heavy vinyl.