Robert Glasper - "Enoch's House" (DJ Kemit remix) (7:03)
Guy - "Groove Me" (KZRekchampma club mix - part 1 & 2) (8:55)
Review: There's been little information released about this three-track EP, though we do known that it's the work of "a classic US label going incognito". Whatever the source, what counts is the quality of the music; happily, the EP is impeccable. Leading the charge is Karizma, whose remix of Flacko's "Lonely Town" is a breezy, soft-focus chunk of modern soul/broken house fusion smothered in hazy synthesizer chords and slowly strummed Latin guitar breakdowns. DJ Kemit dances towards peak-time floors with a wonderfully emotion-rich house version of jazz pianist Robert Glasper's "Enoch's House" built around similarly tropical drums, while KZRekchampma's glorious flipside club revision of Guy's "Groove Me" sits somewhere between bass-heavy UK house, soul-powered New Jersey garage and revivalist synth-boogie.
Review: Since he's such a prolific collaborator and creator of bands, it's easy to overlook the fact that Will Holland hasn't released a solo album as Quantic for almost five years. "Atlantic Oscillations", then, is a welcome return - particularly since Tru Thoughts boss Robert Luis thinks it's Holland's "most cohesive and intricate album to date". It's certainly a strong collection, with Holland wrangling multiple styles, tempos and musical influences to create cuts that defy easy categorization. While there are downtempo moments, "Atlantic Oscillations" includes more bona-fide club cuts then he's delivered in recent years, with sun-kissed disco cut "September Blues", Cuban disco-funk workout "Atlantic Oscillations" and Afro-Latin house bumper "Motivic Retrograde" standing out.
Review: London label Olindo continues to explore the world of contemporary Venezuelan music via a three-track 7" from up-and-coming multi-instrumentalist and composer Isaac Sasson. The two original tracks here are sweet, loose and gently breezy, with Sasson offering up an atmospheric blend of soft-focus South American rhythms, evocative acoustic guitars, humid tropical field recordings, breathy flute solos and occasional flashes of his own improvised vocals. The flipside boasts a fine remix from Albert's Favourites artist Hector Plimmer, who fuses hand-picked Sasson samples - percussion, vocals, and so on - with dreamy synthesizer chords, lilting electronic melodies and a super-deep breakbeat groove.
Review: Given that he's been rather busy with 22a's jazz house band Ruby Rushton, it's quite a surprise to discover that Tenderlonious has found time to record another solo album, his first full-length solo effort for three years. It's a deep, woozy and atmospheric affair, with the storied Peckham producer flitting between jazz-funk-fuelled deep electro ("Buffalo Gurl"), lapsed lo-fi deep house ("Hard Rain", "Casey Jr"), blunted beats ("GU22"), sparkling ambient jazz ("Low Tide"), wonky futurist synthesizer grooves ("Another State Of Consciousness"), and cuts so deep, jazzy and off-kilter that they defy definition ("Aesop Thought", where his distinctive flute playing takes centre stage).
Review: Stunning stuff here from the mysterious but utterly intriguing West Loop Chicago, an outfit only known for two previous releases on City Volt and nothing else. Taking cues from the broken beat and jazz scenes, this new record is a force to be reckoned with, not least as "The Serpent" comes wheeling in with a skittering drum funk and bugging synth lines to send you pinging into the cosmos. On the flip, "Divinity" has a more organic feel with Rhodes keys and piano dancing across the rhythms - these aren't specifically billed as edits, but given the project's background in disco re-rubs it's safe to assume these are two soul jazz bombs buffed up for your wild card spinning pleasure. There's even bonus beats for each track included - how considerate!