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Items 1 to 10 of 10 on page 1 of 1
FORTHCOMING
Passion
Passion (40 gram vinyl 7")
Cat: ERC 085.
Balearic/Downtempo
  1. Passion
  2. The Man I Feel
Review: Emotional Rescue again delves in the world of private pressings, with a reissue of British electronic pop meets proto-House duo 4AM. With copies of their self titled album now highly sought after, this timely reissue presents two of their songs as a stand alone 7".

Consisting of multi-instrumentalist Steve Kirby - piano, guitar, bass, programming - and vocalist Kevin Finch, 4AM came together after youths filled with a love of music. Following a string of band attempts, Steve dived in to the world of midi, allowing him to build a studio set up and play solo. A meeting with new work colleague Kevin quickly developed to joining forces to expand on his early demos.

Their melodic, dance-influenced pop draws on a love of Japan, OMD and The The, but also ECM jazz and a touch of "white boy soul". The TR-808 drum and hi-hats, string stabs and random acid squelches - although no TR-303 was used - highlights the influence the nascent House sounds emanating from the "second summer of love" of 1988 / 89 had in their music melting pot.

Over this, personal lyrics flow, full of honest emotions and a touch of youthful naivety thrown in - of relationships, love, sex and passions. Intended as a personal artifact, the original album was released in 1990 with no promotion or live shows and has taken until now, some 30 years, to find a cult audience. I want you with a Passion.





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FORTHCOMING
On Broken Glass
On Broken Glass (140 gram vinyl 12")
Cat: ERC 073. Rel: 28 May 19
Pop
  1. I Can't Crack (Broken mix) (6:28)
  2. Throw Away The Script (instrumental mix) (5:20)
  3. Dancing The Hard Bargin (extended mix) (6:29)
  4. Bullet (Unreleased Mix) (9:08)
Review: Emotional Rescue returns to the music of British "pop" band Furniture, with an EP of the band's own extended versions, remixes and unreleased takes of their particular output.

Taken from three 12"s that followed When The Boom Was On (ERC072), the songs included cast a light on their development from 3 to 5 piece, adding Sally Still (bass) and Maya Gilder (keyboards) and the new male/female frontline. The subsequent broadening of their line-up and sound meant they could start to address the kind of pop music they wanted to play.

After the early releases garneered radio play and reviews, Furniture were launched into the melee of '80s pop. An anomaly, the band found they attracted a specific kind of "intense" follower, who were often beguiled by Furniture's freaky normality. This was addressed on the 1984 release, 'I Can't Crack'. A more urgent version of the sound Furniture had debuted with 'Why Are We In Love', the track, sung by Tim, was based around a sequencer-like rhythm played live by drummer Hamilton Lee, and a clarinet part played by Tim's brother, Larry Whelan. A mix of bleakness and euphoria, the song was and is a favourite of the band and considered one of their best self-productions, as well as becoming a latter day club play.

This is followed by the studio experiment 'Throw Away The Script', where the band wrestled with sequencers and synth-pop, but then countered it with a free-jazz sax solo. Found on the flip of the double A -side of 'Love Your Shoes' 12", this instrumental version too became an underground club hit, including a cult play at Fran Lenaer's influential Valencia club, Spook Factory. Played loud, the studio mastery, trickery and oft-accidental discoveries come to the fore, with tissue-damaging frequencies giving extra sound system shaking bottom end.

The B-side continues the band's love of making extended mixes with 'Dancing The Hard Bargain'. Co-produced with Tim Parry (formerly of Blue Zoo), they threw everything at these 12" versions. Able to relax and focus on the sounds they really liked, rather than the ones thought more commercial, this can be clearly heard on this compelling, percussive mix, a stop-start breakdown becoming a band hallmark.
To close this collection is the mammoth 'Bullet'. Again sung by Whelan, an edited version of which debuted on the 1986 Survival compilation of Furniture tracks called 'The Lovemongers', here this previously unreleased original take is centred on a mesmeric tape loop, live drums and a guest appearance by violinist Helena Bjorelius.





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Played by: Manu•Archeo
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FORTHCOMING
Jumpcuts 1: Khidja Remixes
Jumpcuts 1: Khidja Remixes (140 gram vinyl 12")
Cat: ERC 087. Rel: 21 Oct 19
Balearic/Downtempo
  1. Walk On, Bye (Khidja remix)
  2. Down The Locale (Khidja remix)
Review: To accompany the reissue of Man Jumping's Jumpcut album, Emotional Rescue offers 2 remix EPs that showcase the band's music with versions by contemporary producers.

Starting with stalwarts and friends in duo Khidja, it's not often you can put together a reissue that modern day wunder producers have requested, however, that is precisely what occurred. Badgering over several years about their love of Man Jumping and how they should be revered, when the call came that the reissue was happening, Khidja were the first names down.

After breaking through on sister label [Emotional] Especial way back in 2013, the pair have gone on to much acclaim with releases for Malka Tuti, Hivern Discs and DFA to name (drop) a few.

Handed the tapes, their love of Man Jumping's virtuoso playing is evident in these amazing remixes. Walk On, Bye takes its Reich meets Pop aspirations and drifting across 9 minutes of laidback but bass heavy rhythms, intricacies of clarinet, sax and trumpet are stretched and fused to repetition perfection.

Following, Down The Locale's jazz roots is developed, recast and updated, extenuating the bass, while piano and vocals interplay over scattered, skipping drums to become a latter day 'contemporary dance' odyssey.





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FORTHCOMING
Jumpcuts 2 (Bullion/Reckonwrong/Gengahr/William Doyle mixes)
Cat: ERC 088. Rel: 21 Oct 19
Balearic/Downtempo
  1. In The Jungle (Bullion remix)
  2. Sqeezi (Reckonwrong remix)
  3. Down The Locale (Gengahr remix)
  4. Walk On, Bye (Bullion remix)
  5. Belle Dux On The Beach (William Doyle rework)
Review: The second EP of remixes from Man Jumping's reissue on Emotional Rescue features luminaries Bullion, Reckonwrong, Gengahr and William Doyle with their reversions of songs from the Jumpcut album.

Nathan Jenkins aka Bullion follows his recent rerub of Thomas Leer (ERC072) to provide two remixes. His remake of In The Jungle keeps the originals (leftfield) dance floor roots, but sprinkles the ubiquitous warm glow and off kilter fun(k) that he evokes; while his retake of Walk On, Bye drifts back, highlighting intricate percussion; congas, bass and vocal atmospherics along some breezy swing.

Reckonwrong is next; turning the bossa vibes of Sqeezi into his own new wave meets italo reversion; topped with his unique 'under the cupboard stairs' vocals. Funky, driving, this overlooked star adds to his cannon for Whities, Pinkman and DEEK.

After a string of impressive releases for Trangressive / Beggars, Gengahr make a surprise addition, lifting Down The Locale from deceptive beginnings to anthemic heights, adding echo-laden guitar and vocals to the original's underbelly, before a bass break and return lifts to the heavens.

Finally, William Doyle provides perfect closure. Moving away from his East India Youth moniker (XL Recordings), his output has drifted towards ambient introspection, however, here points to addtional layers; rebuilding Belle Dux On The Beach with added bass, guitar, drums and finally vocals that culminate in a prefect 'to the skies' outrospection.





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Played by: Piers Harrison
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FORTHCOMING
Jumpcut
Jumpcut (140 gram vinyl LP)
Cat: ERC 086. Rel: 21 Oct 19
Balearic/Downtempo
  1. In The Jungle
  2. World Service
  3. Aerotropics (12" mix)
  4. Belle Du On The Beach
  5. Walk On, Bye
  6. Sqeezi
  7. Down The Locale
Review: Emotional Rescue presents the music ensemble Man Jumping, with a reissue of their experimental, post-minimalist meets pop debut album Jumpcut, to be followed by 2 special remix EPs featuring Khidja, Bullion, Reckonrong and more.

Formed in 1983 out of the disbanded The Lost Jockey (Les Disques Du Crepuscule), Man Jumping's aim was to move on from the unwieldy nature of that collective to combine the 'systems music' of Steve Reich, Terry Riley, LaMonte Young etc with rock, funk, dance and world music and create a new cross over.

Consisting of studied musicians and created from theory as well as technique, the liberation from formal restrictions took shape over four years that spawned 2 albums and one 12".

Released on Bill Nelson's 'Cocteau' label in 1985, Jumpcut's was critically praised but destined for more discerning ears. The 7 songs - including here a 12" mix of Aerotropics - developed from 16 stave manuscript into live recordings straight to tape, with no sequencing to keep their live feel intact.

Carefully planned but made in the moment, members Charlie Seaward, Glyn Perrin, John Lunn, Orlando Gough and Shaung Tozer's legacy is demonstrably durable, a testament to their originality of thought to an idea of what might be rather than an imitation of what has been.




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FORTHCOMING
Riddims Of Culture 1
Cat: ERC 089. Rel: 04 Nov 19
Balearic/Downtempo
  1. Capueira
  2. Cricket Island (Tribal mix)
  3. In Japan
  4. Jay's Rhama
  5. In Harmony
  6. Infinite Chant
Review: The 1990s "Afro-Cosmic" scene, highlighting on Munich's The New Morning project, is the focus of an in depth reissue, collected across 3 six-track EPs.

As the influence and cult of Baldelli's Cosmic sound spread out across Italy from the late 1970s, the music expanded, mixing new wave, African, funk, electro, space rock, Brazilian, jazz and dub, all delivered in a freestyle playing that became "Afro".

Adding percussion, samples and effects, the music spread north to Austria and Southern Germany, where DJs, producers, labels and parties flourished. In 1994, DJ Otti and Jay Pee started Global Rhythm Records and with friends DJ Thilo and DJ Fred released 1O EPs and 1 LP over 4 years.

The 3 EPs select the best of this output, including unreleased tracks, mixing a love of funk, disco, hip hop and house with syncopated analogue beats and live percussion. The 90-110 bpm sample heavy tracks, often running for only 3 to 4 minutes, showcase their eclectic sound collage.

More than DJ tools, the EPs were warmly received by aficionados and clubbers alike, becoming mainstays at the afro-tribal gatherings taking place throughout the scene. Secret plays for taste-making DJs since, their scarcity and value have increased considerably, bringing a new appreciation of their "Afro-Funky" sound.





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FORTHCOMING
Into Dark Water
Into Dark Water (140 gram vinyl LP)
Cat: ERC 080. Rel: 21 Oct 19
Ambient/Drone
  1. Ascension
  2. Rite Of Passage
  3. Raindance
  4. Ba-makala
  5. Cloud Cover
  6. Musica Ficta
  7. Out Of Nothing
  8. Steppe Land
Review: Emotional Rescue reissue 'Into Dark Water', the second album from UK post-industrial ambient pioneers O Yuki Conjugate (OYC).

The willfully obscure OYC formed in Nottingham in 1982 and have had a
sporadic career on the outskirts of musical culture ever since. Initially associated with the early 80s post-industrial scene - along with Soviet France and Muslimgauze - OYC quietly forged their own brand of ambient music at a time when it was distinctly unfashionable to do so.

Always reluctant to categorise their sounds, OYC have been variously described as post-industrial, ambient, darkwave, tribal ambient, chill out, electronica and Fourth World. Take your pick.

'Into Dark Water' was recorded in 1986 over four days in an eight-track garage studio in Nottingham. Produced and engineered by John Kaukis, the result was a blend of flutes, percussion, electronics and loops that focused their sound and became for many the definitive OYC album.

Originally released in 1987 on the Leeds-based Final Image label, 'Into Dark Water' quickly sold out and has been highly sought after ever since. The re-issue, featuring a lovingly recreated sleeve, makes a vinyl version of this classic available again for the first time in over 30 years.





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FORTHCOMING
Storm
Storm (100 gram vinyl 10")
Cat: BEWITH01TEN / ERC065.
Balearic/Downtempo
  1. Storm
  2. Storm (Arp Duppy Chip mix)
Review: Be With Records and Emotional Rescue team up to present a special release of US jazz vocal group Rare Silk and their cult song, Storm.

A diggers cut for many years, more recently it's become an algorithm "hit". Presented here as a stand-alone limited 10" release, the song is backed by a spellbinding echo-drenched remix by New York's exemplary electronic sonic explorer, Arp.

Originally formed when sisters MaryLynn and Gaile Gillaspie met Marquerite Juenemann in southern California in the late '70s, with the arrival of Todd Buffa the trio quickly expanded to a four-part harmony vocal group. Signed to Polydor, they rose to prominence over the ensuing decade with the release of three albums that gained them multiple Grammy nominations.

Taken from their 1985 album American Eyes, Storm is based on a Stanley Turrentine song of the same name, from his 1971 album Salt Song. With additional vocals written by MaryLynn, as with much of their music -underpinned as it is by an otherworldly exotica - the artisanal, crafted care of the instrumental and vocal arrangements, featuring lush, rich phrasing, is evident in their exquisite reading of the song.

When deciding how best of present the song it seemed right to ask a favourite of both labels. Having appeared on Emotional Response in 2017/18, Alexis Georgopoulos returned to his Arp project with last years' much-heralded Zebra album on Mexican Summer. Stripping out the vocals, the remaining instrumental is rearranged, rebuilt and then soaked in heavy tape echo. The result is a discerning dub to act as the perfect accompaniment.





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FORTHCOMING
Sweet Season
Sweet Season (140 gram vinyl 2xLP)
Cat: ERC 078.
Balearic/Downtempo
  1. Ramana
  2. Bohdran
  3. Amazonas
  4. Blue Castle
  5. Rain
  6. Semi-Piliated Human
  7. Drala
  8. Bendir
  9. Sweat Season
  10. Seven Heaven
  11. Silver Lining
Review: Emotional Rescue is delighted to present a collection of works by the founding father of the modern drum movement, Glen Velez. Collated from his first 3 solo albums from 1985 to 1989, Sweet Season is a snapshot in to the pioneering composing and performance of this four-time Grammy winner. Born in 1949, of Mexican American ancestry, Velez grew up in Texas before moving to New York in 1967. Playing jazz on the drums he soon gravitated to hand drums from around the world (frame drums in particular), seeking out teachers from many different musical traditions.

Among the many instruments Velez favours are the Irish bodhran, the Brazilian pandeiro, the Arabic riq, the North African bendir and the Azerbaijani ghaval. Although these instruments are similar in construction they have their own playing techniques that open new possibilities.

Sweet Season highlights this vocabulary, mixing and adapting techniques from various cultures to develop new ones. The music, often composed as cross-cultural ensembles, has a particular fondness for polyrhythms - superimposing different meters simultaneously - while incorporating Stepping Split-tone and Central Asian Overtone singing to complete the global horizons.

This new genre of contemporary drumming has been hugely influential and seen Velez work with the likes of John Cage and Steve Reich, as well as teaching his virtuosic combinations of hand movements and finger techniques to many emerging players.




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FORTHCOMING
Alternatif Realisme
Alternatif Realisme (140 gram vinyl LP)
Cat: ERC 079. Rel: 07 Oct 19
Balearic/Downtempo
  1. Letsam La
  2. Chaque Jour Est Un Bon Jour
  3. Soleymani Dub
  4. Sunshine Boy & The Time Keeper
  5. Chapati Train
  6. Tu Renverses Encore!
  7. Getting To Know The Moon
  8. Au Dessus De La Falaise
  9. Razaye Axel Jube Hast
  10. Vapanda's Electric Garden
  11. She Walks So Easily Across The Sky
  12. Chirine
Review: Emotional Rescue completes its trilogy exploring the music of Vox Populi with Alternatif Realisme. Highlighting the music that followed 1989's Aither (ERC030) as they transitioned from ethno-industrial roots towards a more expressive "world" sound, until the band's dislocation in 1994.

The band's development saw original members Axel Kyrou (electronics), Mitra (vocals) and Arash Khalatbari (percussion) augmented by a number of guest musicians, bringing an energy to their spontaneous recordings sessions at their studio.

The additional vocals of Dierdre Dubous is indicative of this change. Her onomatopoeia singing features heavily, invoking songs Letsam La, Chaque Jour Est Un Bon Jour and the ethereal She Walks So Easily Across The Sky.

With this, Mitra's vocals lift Chaque Jour Est Un Bon Jour, Razaye Axel Jube Hast and closing paean Chirine, showing their best. Surrounding instrumentals - often built out of long improvisational jamming - underpin. Soleymani Dub, with its Laswell dub groove is a clear stand out, while the melodics of Vapanda's Electric Garden come like a wonderful Woo outtake.

Largely unreleased, the recordings were a step outside of the changing shift towards a more digital sound. The album captures Vox Populi!, mixing their atmospheric mastery with heartfelt arias, that have familiarity but are completely unique.






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