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Coming Soon: Rock (All)

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Items 1 to 12 of 12 on page 1 of 1
FORTHCOMING
40 Live: Curaetion 25 + Anniversary
Cat: 743413 Rel: 21 Oct 19
 
2xDVD and 4xCD deluxe box set of live performances from 2018 to mark the 40th anniversary of the band
Notes: CURAETION-25: From There To Here | From Here To There

Captured on the tenth and final night of the 25th Meltdown Festival (curated by lead singer Robert Smith) at London's Royal Festival Hall in June 2018. Smith, Simon Gallup, Jason Cooper, Roger O'Donnell, and Reeves Gabrels performed a song from each of their 13 studio albums in chronological order, displaying the evolution of The Cure's music live on stage.

ANNIVERSARY: 1978-2018 Live In Hyde Park London

The band's acclaimed 29-song, 135-minute anniversary concert. Filmed in one of London's Royal Parks to a crowd of 65,000 fans, The Cure presented a four-decade deep set on July 7, 2018, including "Just Like Heaven," "Lovesong," "High," and "The End Of The World." Adding to the experience, the band is back-dropped by giant screens displaying footage that complements the unique moods and emotive song writing that established The Cure as pioneers of alternative rock.
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coming soon $45.42
FORTHCOMING
Attraktors
Attraktors (140 gram vinyl LP)
Cat: VIVOD 024LP.
  1. Future Systems
  2. Math Redux
  3. Heavy Water
  4. Maximum Minimum
  5. She Of Stars
  6. Mensonge Et La Chute
  7. Theme From Unknown
  8. Search Mode
  9. A Nearfield Background
  10. Interlude For Wounded Deer
Review: Attraktors are JFlower: Antronhy: Jhon:

Former members of Six.BySeven: Bivouac: Julian Cope: The Selecter: Nectarine No9

Inspired by Minimalism: Fripp: Eno: Marcel Duchamp: Krautrock: Proto-Punk: Soundscores: Sci-Fi: Computer Science.




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coming soon $13.52
FORTHCOMING
Lost Girls
Lost Girls (cassette)
Cat: BATFL 01C.
  1. Kids In The Dark
  2. The Hunger
  3. Feel For You
  4. Desert Man
  5. Jasmine
  6. Vampires
  7. So Good
  8. Safe Tonight
  9. Peach Sky
  10. Mountains
Review: Don't believe everything you read - the fifth Bat For Lashes album confirms this girl (or woman) found herself musically and thematically some time ago, freeing up creative energy to explore new approaches to deliver her often mournful, always heartfelt songs inspired by personal crises and private longings. On this outing there's more than a hint of 1980s pop evident in the mix. Shades of Prince ("Feel For You"), Madonna ("So Good"), Bowie's Berlin days and electro-era Gary Numan (the stunning, infectious instrumental "Vampires") cast the record in a nostalgia that suits the sense of yearning that always seems to pervade Natasha Khan's work. Simply name-checking reference points is lazy and unfair, though. This is an incredible collection of tracks moulded in the artist's own image - bold, beautiful and instantly captivating. Then again, it would be surprising if anyone had expected anything less.
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coming soon $10.81
FORTHCOMING
Chastity Belt
Chastity Belt (cassette)
Cat: HARCS 117.
Review: If this is the first time you've stumbled upon Chastity Belt we implore you to look back on their previous three albums. That should confirm how much the band have grown, although in this case rather than reaching for higher heights the development is like the roots of a tree. Here they're pushing deeper, and leaving the listener more nourished than any previous encounter. Poor analogies aside, dark undertones marry a sense of strange tranquility. The sort of feeling you get after suffering great loss and finally having a moment to reflect without that freight train of grief. There's sadness, or at least a subtle mood of lamentation to "Elena", but it also packs love at first sight melodies. "Effort" builds a tension from beneath, as though that aforementioned great oak were trying to burst from the earth itself. Alternative, detailed rock? Perhaps, but we prefer to simply say "stunning".
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coming soon $8.38
FORTHCOMING
Close It Quietly
Review: When bands hit album four, two things can happen - or three. Some suffer from a crisis of creativity, opting to regurgitate or, worse still, stagnate. Others opt for reinvention, with as many getting it right as going well off-piste, alienating faithful fans in the process. The lucky ones, meanwhile, hit the nail on the head with their most accomplished and complete work to date. Consider Frankie Cosmos among the lucky ones, then, not that luck had much to do with it. Recorded in their New York hometown, everything about the record feels comfortable in that there's nothing forced, and yet it engages and grabs from the off. Lilting, lo-fi rock 'n' roll odes to love, life and the genre itself, anyone who's ever wondered what Cate Le Bon might sound like having a pancake breakfast with The Orielles should grab a seat at this table.
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coming soon $21.62
FORTHCOMING
The Living Daylights (Timothy J Fairplay mix)
Cat: ERC 076. Rel: 25 Nov 19
  1. The Living Daylights (original Uncut mix)
  2. The Living Daylights (live In Studio)
  3. The Living Daylights (Timothy J Fairplay Redub)
  4. The Living Daylights (TJF bonus)
Review: The third in the releases where label favourites are represented for today and backed with a remix / version by a contemporary producer of repute, presents 80s leftfield pop-rock band In Embrace. Appearing here are two versions of The Living Daylights, the original long version and a re-recorded live take, plus additional versions by Timothy J Fairplay.

Coming out of the midlands Post Punk / fanzine scene Gary Knight and friends formed the original incarnation of In Embrace in 1981. Picked up by Glass Records, the early, edgy live recording were re-proposed as Knight developed his 'non-musicianship' with an interest in the possibilities of the studio.

The original "Uncut" version takes it's anti-war themed vocal and lays it over a Jah Wobble inspired bassline and tense electronic rhythm. As it builds, the pressure mounts a visceral sense of oblivion of 9+ minutes of deep dubbing and repeating refrain.

Next to this the "Live In Studio" version sees the later 3 piece band replay it out in an energetic raw form that makes a worth addition. Handing the versions, plus backing tracks to Timothy J Fairplay offered a radical departure. His brooding Redub and Bonus mixes take the track to a darker place, drawing out the induced, relentless madness Knight always intended.





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coming soon TBA
FORTHCOMING
Anak Ko
Anak Ko (CD)
Cat: PRC 390CD.
Review: By the time you reach the muffled, eccentric opening bars of "Tenderness", just past halfway on "Anak Ko", Jay Som's remit is clear. The Los Angeles singer-songwriter has left her shoes, or rather shoegaze, behind. This time she's walking barefoot through a lo-fi musical tapestry, baring soles and heartbreak while musing on the importance of self-value. Highlights are plentiful throughout, from the head-noddingly agreeable "Nighttime Drive" to the jerking, grunge-y "Peace Out", it's equal parts gorgeous and effortlessly- not to mention breathily- cool, sexy and surprising. Perhaps what's most reassuring, though, is that there's every chance this could all come across as affected and a little too self-aware. Nothing could be further from the truth from what we can hear- an honest work representing the next step in the evolution of a truly exciting American indie talent.
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coming soon $17.85
FORTHCOMING
August
August (cassette)
Cat: SP 1315CS.
Review: With track titles such as "Death Up Close", "Something On Your Mind" and "Shuffling Stoned", it's not going to surprise anyone to learn that Shannon Lay's beautiful long form is a reflective, introverted and tender accomplishment. A place where acoustic guitars regularly lull us into dream-like states of consciousness, the fact you also get a truly stunning voice packing opiate qualities adds to the feeling of escaping into a fantasy. It's not all buttercups and rainbows, mind. And nor should it be. This, after all, is Lay, the guitarist from scuzz-loving LA garage punk quartet Feels, not to mention a solo artist whose last release arrived via a label someone set up especially for her. Those looking for grit will find themselves coming up short, as efforts like "November" prove, this one's vulnerable, thoughtful, heartfelt and comes with more than a wistful longing.
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coming soon $8.11
FORTHCOMING
The Competition
  1. Galapagos
  2. Hand Of God
  3. Two Faced Love
  4. Young Republicans
  5. Real Thing
  6. Buster Keaton
  7. I Drive
  8. Simple Life
  9. Empire Sundown
  10. Lucky People
  11. In Your House
Review: The return of Baltimore's Lower Dens - now with half as many members as last time we caught up with them - could have been entitled "The Contrast", although that may be stating the obvious. As anyone familiar with the outfit's combination of heartfelt vocal delivery, dream pop ambience and brutally honest socio-political commentary will understand. It's a unique combination for a band that, on first contact, sound like they should be all about the love songs. Then again, there's an air of jilted love, or at least just jilted, about numbers like "Young Republicans", sliding into waves of powerful synth as Jana Hunter waxes lyrical about the world burning. While many of today's pop bands nod to the 1980s, Lower Dens are particularly convincing given the decade was, for many, defined by the death of America's big dream and a realisation that societal progress could be a 20th Century myth. Uptempo but stark stuff.
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coming soon $11.36
FORTHCOMING
Iowa Dream
Cat: AU 10172. Rel: 15 Nov 19
  1. Wonder Boy
  2. I Never Get Lonesome
  3. Everybody Everybody
  4. You Did It Yourself
  5. Come To Life
  6. Iowa Dream
  7. Words Of Love
  8. I Still Love You
  9. You Are My Love
  10. Barefoot In New York
  11. Just Regular People
  12. I Wish I Had A Brother
  13. I Felt
  14. The Dogs Outside Are Barking
  15. Sharper Eyes
  16. Follow You
  17. List Of Boys
  18. I Kissed The Girl From Outer Space
  19. In Love With You For The Last Time
Review: Over the past decade, the visionary musician Arthur Russell has entered something close to the mainstream.
Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he's ever been. Thanks to Russell's partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell's vast archive of unreleased material, the world now hears many versions of Arthur Russell. There's the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him.
Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell's dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell's utterly distinct songwriting. And although Russell could be inscrutably single-minded, he was never totally solitary. Collaborating here is a stacked roster of downtown New York musicians, including Ernie Brooks, Rhys Chatham, Henry Flynt, Jon Gibson, Peter Gordon, Steven Hall, Jackson Mac Low, Larry Saltzman, and David Van Tieghem. Musician Peter Broderick makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing.
Several tracks on Iowa Dream Russell originally recorded as demos, in two early examples of his repeated brushes with potential popular success-first in 1974, with Paul Nelson of Mercury Records, and then in 1975, with the legendary John Hammond of Columbia Records. For different reasons, neither session amounted to a record deal. Russell kept working nearly up until his death in 1992 from complications of HIV-AIDS.
At once kaleidoscopic and intimate, Iowa Dream bears some of Russell's most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s. For Russell, Iowa was never very far away. "I see, I see it all," sings Russell on the title track: red houses, fields, the town mayor (his father) streaming by as he dream-bicycles through his hometown. Russell's childhood home and family echo, too, through "Just Regular People," "I Wish I Had a Brother," "Wonder Boy," "The Dogs Outside are Barking," "Sharper Eyes," and "I Felt." Meanwhile, songs like "I Kissed the Girl From Outer Space," "I Still Love You," "List of Boys," and "Barefoot in New York" fizz with pop and dance grooves, gesturing at Russell's devotion to New York's avant-garde and disco scenes. Finally, the long-awaited "You Did it Yourself," until now heard only in a brief heart-stopping black-and-white clip in Matt Wolf's documentary Wild Combination, awards us a new take with a driving funk rhythm and Russell's extraordinary voice soaring at the height of its powers. On Iowa Dream, you can hear a country kid meeting the rest of the world-and with this record, the world continues to meet a totally singular artist.
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coming soon $19.20
FORTHCOMING
Iowa Dream
Iowa Dream (2xLP)
Cat: AU 1017 1. Rel: 15 Nov 19
  1. Wonder Boy
  2. I Never Get Lonesome
  3. Everybody Everybody
  4. You Did It Yourself
  5. Come To Life
  6. Iowa Dream
  7. Words Of Love
  8. I Still Love You
  9. You Are My Love
  10. Barefoot In New York
  11. Just Regular People
  12. I Wish I Had A Brother
  13. I Felt
  14. The Dogs Outside Are Barking
  15. Sharper Eyes
  16. Follow You
  17. List Of Boys
  18. I Kissed The Girl From Outer Space
  19. In Love With You For The Last Time
Review: Over the past decade, the visionary musician Arthur Russell has entered something close to the mainstream.
Sampled and referenced by contemporary musicians, his papers now open to visitors at the Performing Arts Library at Lincoln Center in New York, and his name synonymous with a certain strain of tenderness, Russell is as widely known as he's ever been. Thanks to Russell's partner Tom Lee and to Steve Knutson of Audika Records, who have forged several records from Russell's vast archive of unreleased material, the world now hears many versions of Arthur Russell. There's the Iowa boy, the disco mystic, the singer-songwriter and composer, and the fierce perfectionist deep in a world of echo. While all of these elements of Russell are individually true, none alone define him.
Now, after ten years of work inside the Russell library, Lee and Knutson bring us Iowa Dream, yet another bright star in Russell's dazzling constellation. Blazing with trademark feeling, these nineteen songs are a staggering collection of Russell's utterly distinct songwriting. And although Russell could be inscrutably single-minded, he was never totally solitary. Collaborating here is a stacked roster of downtown New York musicians, including Ernie Brooks, Rhys Chatham, Henry Flynt, Jon Gibson, Peter Gordon, Steven Hall, Jackson Mac Low, Larry Saltzman, and David Van Tieghem. Musician Peter Broderick makes a contemporary addition to this list: more than forty years after Russell recorded several nearly finished songs, Broderick worked diligently with Audika to complete them, and performed audio restoration and additional mixing.
Several tracks on Iowa Dream Russell originally recorded as demos, in two early examples of his repeated brushes with potential popular success-first in 1974, with Paul Nelson of Mercury Records, and then in 1975, with the legendary John Hammond of Columbia Records. For different reasons, neither session amounted to a record deal. Russell kept working nearly up until his death in 1992 from complications of HIV-AIDS.
At once kaleidoscopic and intimate, Iowa Dream bears some of Russell's most personal work, including several recently discovered folk songs he wrote during his time in Northern California in the early 1970s. For Russell, Iowa was never very far away. "I see, I see it all," sings Russell on the title track: red houses, fields, the town mayor (his father) streaming by as he dream-bicycles through his hometown. Russell's childhood home and family echo, too, through "Just Regular People," "I Wish I Had a Brother," "Wonder Boy," "The Dogs Outside are Barking," "Sharper Eyes," and "I Felt." Meanwhile, songs like "I Kissed the Girl From Outer Space," "I Still Love You," "List of Boys," and "Barefoot in New York" fizz with pop and dance grooves, gesturing at Russell's devotion to New York's avant-garde and disco scenes. Finally, the long-awaited "You Did it Yourself," until now heard only in a brief heart-stopping black-and-white clip in Matt Wolf's documentary Wild Combination, awards us a new take with a driving funk rhythm and Russell's extraordinary voice soaring at the height of its powers. On Iowa Dream, you can hear a country kid meeting the rest of the world-and with this record, the world continues to meet a totally singular artist.
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coming soon $34.61
FORTHCOMING
Face Stabber
Face Stabber (coloured vinyl LP)
Cat: CF 116X.
Review: Jolting, licking, riffing, rolling and almost definitely tripping out of their minds and into your ears, garage-psych heroes Oh Sees compliment their already-prolific track record for wonderfully brain-melting business with an expansive double offering. It's a world that's not for the weak-kneed, with stacks ready to make floors shudder beneath the thump of feet driven by commanding rhythms and pounding kicks. Perhaps best exemplified on the title track, the likes of "Gholu" explore similarly ferocious, neo-punk, almost-heavy metal territories, electric guitar strings screeching like crazed banshees. Elsewhere there's more hallucinatory avenues traversed, the otherworldly intro and infectious strut of "Poisoned Stones", "The Experimenter" and its funk-infused instrumentation- like Hendrix cameoing on some early-Chilli Peppers demo. Not that we didn't want to shoehorn references to Zappa, kraut and Primal Scream in here, too.
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coming soon $34.61
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