安全购物

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

安全购物

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

Coming Soon: Studio Equipment

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Studio Equipment

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FORTHCOMING
Zoom F2-BT Field Recorder With Bluetooth & Lavalier Microphone
Cat: 800235 Rel: 28 Feb 21
 
Field recorder with Bluetooth & lavalier microphone
Notes: For podcasters, videographers, bloggers, journalists and more, the F2 is the perfect audio solution for creators on the move.

The F2 is incredibly small, but its audio quality will amaze you.

The F2 features 32-bit float recording technology, allowing you to record the loudest audio signals without worrying about clipping. It will also record the quietest signals in beautiful detail. And the best part is you don't have to worry about setting the gain. Just plug in the lav and hit record.

Once you start your recording, use the F2's HOLD switch to ensure you don't accidentally stop recording.

Screw-lock connectors keep your lav plugged-in securely no matter the situation.

With the F2 actors can record and playback their lines to perfect their delivery.

The F2-BT comes with built-in Bluetooth. And with the free Zoom F2 Control app the F2-BT can wirelessly start/stop recordings, display battery levels, adjust output volume, control lo-cut and more.

You can also pair the F2-BT with a Bluetooth timecode synchronization device to receive and write timecode to recorded files. See Bluetooth Control features here.

The F2 Editor for PC and Mac allows you to adjust settings, format SD cards and more. Simply connect your F2 or F2-BT via a USB cable and launch the editor. The USB connection also makes it easy to transfer files to your computer. See the F2 Editor features here.

Whether a stroll through your garden, or the whispers and shouts of a dramatic reading, the F2 provides crystal clear recordings.

The F2 can record up to 15 hours (14 hours on the F2-BT) with two AAA batteries.

Record on microSD, microSDHC, and microSDXC cards up to 512GB.

The LMF-2 omnidirectional lavalier microphone has a low-profiled design, captures high-quality audio, and includes a windscreen and lapel mic clip.

The F2 Field Recorder gives you the option to choose the recording format that works best for your projects. Choose from 44.1 kHz/32-bit float or 48 kHz/32-bit float mono WAV files.

The F2 Is Perfect For Recording Interviews Anywhere.

TECHNICAL SPECIFICATIONS

LMF-2
Lavalier mic
Connector: 3,5 mm stereo mini (with screw lock)
Directionality: Omnidirectional
Sensitivity: -32 dB/Pa at 1 kHz
Maximum sound pressure input: 115 dB SPL
Cable length: 160 cm

F2 / F2-BT
Input
Connector: 3,5 mm stereo mini (with screw lock) Supports plug-in power (2.5 V)
Input impedance: 2 k? or more
Maximum input level: -5,5 dBu
Output
Connector: 3,5 mm stereo mini (with screw lock)
Maximum output level: 20 mW + 20 mW (into 32 O load)
Recording media
Cards compatible with microSD/microSDHC/microSDXC specifications (Class 4 or higher, 512 GB maximum)
Recording formats
WAV, 44.1kHz/32-bit float, 48kHz/32-bit float Mono, BWF format supported WAV
USB
USB Typ-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Mass storage operation: USB 2.0 High Speed
PC app operation: USB 2.0 High Speed
Power
2 AAA batteries (alkaline, lithium or rechargeable NiMH batteries)
AC adaptor
Bluetooth
Bluetooth Ver4.2

The above values are approximate. Continuous battery operation times were determined using in-house testing methods. They will vary greatly according to use conditions.

External dimensions: 57,5 mm (w) x 46,4 mm (D) x 22,4 mm (H)
Weight (main unit only): 32 g
Read more
MRP:$238.20 SAVE 17%
coming soon $198.50
FORTHCOMING
Zoom F2 Field Recorder & Lavalier Mic
Cat: 800221 Rel: 28 Feb 21
 
Field recorder & lavalier mic
Notes: For podcasters, videographers, bloggers, journalists and more, the F2 is the perfect audio solution for creators on the move.

The F2 is incredibly small, but its audio quality will amaze you.

The F2 features 32-bit float recording technology, allowing you to record the loudest audio signals without worrying about clipping. It will also record the quietest signals in beautiful detail. And the best part is you don't have to worry about setting the gain. Just plug in the lav and hit record.

Once you start your recording, use the F2's HOLD switch to ensure you don't accidentally stop recording.

Screw-lock connectors keep your lav plugged-in securely no matter the situation.

With the F2 actors can record and playback their lines to perfect their delivery.

The F2 Editor for PC and Mac allows you to adjust settings, format SD cards and more. Simply connect your F2 or F2-BT via a USB cable and launch the editor. The USB connection also makes it easy to transfer files to your computer. See the F2 Editor features here.

Whether a stroll through your garden, or the whispers and shouts of a dramatic reading, the F2 provides crystal clear recordings.

The F2 can record up to 15 hours (14 hours on the F2-BT) with two AAA batteries.

Record on microSD, microSDHC, and microSDXC cards up to 512GB.

The LMF-2 omnidirectional lavalier microphone has a low-profiled design, captures high-quality audio, and includes a windscreen and lapel mic clip.

The F2 Field Recorder gives you the option to choose the recording format that works best for your projects. Choose from 44.1 kHz/32-bit float or 48 kHz/32-bit float mono WAV files.

The F2 Is Perfect For Recording Interviews Anywhere.

Input
Connector: 3,5 mm stereo mini (with screw lock) Supports plug-in power (2.5 V)
Input impedance: 2 kO or more
Maximum input level: -5,5 dBu
Output
Connector: 3,5 mm stereo mini (with screw lock)
Maximum output level: 20 mW + 20 mW (into 32 ? load)
Recording media
Cards compatible with microSD/microSDHC/microSDXC specifications (Class 4 or higher, 512 GB maximum)
Recording formats
WAV, 44.1kHz/32-bit float, 48kHz/32-bit float Mono, BWF format supported WAV
USB
USB Typ-C
Note: Use a USB cable that supports data transfer. USB bus power is supported.
Mass storage operation: USB 2.0 High Speed
PC app operation: USB 2.0 High Speed
Power
2 AAA batteries (alkaline, lithium or rechargeable NiMH batteries)
AC adaptor
Bluetooth
Bluetooth Ver4.2 (F2-BT only)

External dimensions: 57,5 mm (w) x 46,4 mm (D) x 22,4 mm (H)
Weight (main unit only): 32 g
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MRP:$184.97 SAVE 17%
coming soon $154.14
FORTHCOMING
Zoom AM7 Stereo Microphone For Android Devices
Cat: 803051 Rel: 28 Feb 21
 
Stereo microphone for Android devices
Notes: The Am7 is the perfect audio companion for your Android device. Ideal for music videos, video podcasts, vlogging and more, the Am7 makes your videos sound as good as they look.

Choose either a 90- standard stereo, 120- for a wider sonic image, or Mid-Side for a custom stereo image.

The Am7 mic position can be rotated to align with your camera to capture audio while recording video. When recording only audio, rotate the mic to the audio position, and point your phone like a mic to the sound you want to record.

The Am7 can also shoot in selfie mode*, allowing you to be in the center of the action.

Adjust your input level, with a large front-facing MIC gain knob and LED level meters. Use the headphone jack for monitoring your audio before, during, and after recording.

Available on Google Play, the Zoom Handy Recorder App allows you to record, edit, and share audio from your Android. Upload your creations directly to Soundcloud* or Google Drive.

Package Includes:

Am7 Stereo Microphone
Foam Windscreen
Operation Manual

SPECS:

TYPE: Mid-side (M-S) stereo mic (90-/120-/M-S)
MAXIMUM INPUT SOUND PRESSURE: 120 dBspl
INPUT GAIN: +3 - +43 dB
AUDIO QUALITY: 44.1 kHz/16 bit, 48 kHz/16 bit
POWER: Powered by the connected device
CONNECTOR: USB Type-C connector
Stereo mini jack (combined headphone/line level output)
DIMENSIONS: 54.5 (W) x 57.2 (D) x 26.5 (H) mm
WEIGHT: 31.8 g
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MRP:$118.43 SAVE 17%
coming soon $98.70
FORTHCOMING
Zlob Modular Glow In The Dark Right Angle Patch Cables (30cm, pack of 5)
Cat: 793648 Rel: 31 Dec 20
 
Pack of 5 right-angled patch cables
Notes: Right angle cable length is not including the connectors (plugs).

12"= 30 cm

Glow in the dark cables have to be exposed to around 10 minutes of natural light before they will glow properly.
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MRP:$15.97 SAVE 17%
coming soon $13.29
FORTHCOMING
Zlob Modular Glow In The Dark Right Angle Patch Cables (15cm, pack of 5)
Cat: 793643 Rel: 31 Dec 20
 
Pack of 5 right-angled patch cables
Notes: Right angle cable length is not including the connectors (plugs).

6"= 15 cm

Glow in the dark cables have to be exposed to around 10 minutes of natural light before they will glow properly.
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MRP:$13.31 SAVE 17%
coming soon $11.08
FORTHCOMING
Victrola VTA-72-BAM Eastwood Dual Bluetooth In/Out Turntable 3 SpeedFM Radio With Built In Speakers (Black/Brown)
Cat: 803467 Rel: 31 Dec 20
 
Hybrid turntable with three speeds/Dual-Blutooth connectivity
Notes: The Victrola Eastwood hybrid turntable features a sleek, classic design, molding upgraded features with classic Victrola sound. This 3-speed record player plays all your favorite 33 1/3, 45, and 78 RPM records, and Dual-Bluetooth connectivty allows you to stream music from your smart device, or play your records through any external Bluetooth speaker. Modern bamboo finish brightens up the room and makes the Eastwood the focal point of any listening space.

The Audio-Technica AT-3600LA cartridge combines with the custom tuned stereo speakers to provide crisp, clear sound for your perfect listening experience, making the Eastwood a must-have for any vinyl lover.

The first Victrola was introduced in 1906, and the legacy of making lifelong music memories in every home is being carried on. Over a century later, the Victrola name is still synonymous with precision, quality, and innovation.

Victrola's products are designed to transcend time, from the classic sound of vintage record players to sleek, modern audio systems. With Victrola, stylish design meets unparalleled quality, and we are proud to bring a truly unforgettable listening experience to music lovers of all ages.

Measures 13.16" x 5.4" x 13.11"
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coming soon $120.87
FORTHCOMING
UDG Ultimate Straight USB 2.0 Type C-B Audio Cable (1.5m, yellow)
UDG
Cat: 795654 Rel: 31 Jan 21
 
USB 2.0 C-B cable
MRP:$15.97 SAVE 17%
coming soon $13.29
FORTHCOMING
UDG Ultimate Straight USB 2.0 Type C-B Audio Cable (1.5m, white)
UDG
Cat: 795652 Rel: 31 Jan 21
 
USB 2.0 C-B cable
MRP:$15.97 SAVE 17%
coming soon $13.29
FORTHCOMING
UDG Ultimate Straight USB 2.0 Type C-B Audio Cable (1.5m, red)
UDG
Cat: 795650 Rel: 31 Jan 21
 
USB 2.0 C-B cable
MRP:$15.97 SAVE 17%
coming soon $13.29
FORTHCOMING
UDG Ultimate Straight USB 2.0 Type C-B Audio Cable (1.5m, orange)
UDG
Cat: 795645 Rel: 31 Jan 21
 
USB 2.0 C-B cable
MRP:$15.97 SAVE 17%
coming soon $13.29
FORTHCOMING
UDG Ultimate Straight USB 2.0 Type C-B Audio Cable (1.5m, green)
UDG
Cat: 795517 Rel: 31 Jan 21
 
USB 2.0 C-B cable
MRP:$15.97 SAVE 17%
coming soon $13.29
FORTHCOMING
UDG Ultimate Straight USB 2.0 Type C-B Audio Cable (1.5m, blue)
UDG
Cat: 795519 Rel: 31 Jan 21
 
USB 2.0 C-B cable
MRP:$15.97 SAVE 17%
coming soon $13.29
FORTHCOMING
UDG Ultimate Straight USB 2.0 Type C-B Audio Cable (1.5m, black)
UDG
Cat: 795512 Rel: 31 Jan 21
 
USB 2.0 C-B cable
MRP:$15.97 SAVE 17%
coming soon $13.29
FORTHCOMING
UDG Creator Novation Launchpad Pro MK3 Hardcase (black)
UDG
Cat: 795495 Rel: 31 Jan 21
 
Hard case for Novation Launchpad Pro MK3
Notes: A Digital DJ looking for a professional, durable case solution for your Novation Launchpad Pro MK3 controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Novation Launchpad Pro MK3 controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specification

Color: Black
Weight: 0,99 kg / 2.178 lbs
Outer Dimensions (W x H x D) - cm: 30.2 x 30.2 x 4 | inch: 11.9 x 11.9 x 1.6

Material: Durashock molded EVA foam
Protection: Soft fleece interior

Extras:
Easy grip zipper puller
Convenient carry handle

Fits Novation Launchpad Pro MK3 Controller

Please note: The Novation Launchpad Pro KM3 is not included in this purchase, it is shown for demonstration purposes only.
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MRP:$43.91 SAVE 17%
coming soon $36.58
FORTHCOMING
UDG Creator Akai MPC One Hardcase (black)
UDG Creator Akai MPC One Hardcase (black) (music production controller hardcase)
UDG
Cat: 795498 Rel: 31 Jan 21
 
Hard case for Akai MPC One controller
Notes: A Digital DJ looking for a professional, durable case solution for your Akai MPC One controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the Akai MPC One controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Color: Black
Weight: 0,56 kg / 1.232 lbs
Outer Dimensions (W x H x D): 38.3 x 28.6 x 6.7 cm | 15.1 x 11.2 x 2.6 inch
Inner Dimensions (W x H x D): 37.3 x 27.6 x 5.7 cm | 14.6 x 10.8 x 2.2 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior

Extra's:
Heavy-duty handle
Convenient carry handle
Easy grip zipper puller

Fits: Akai MPC One Controller

Please note: The Akai MPC One Controller is not included in this purchase, it is shown for demonstration purposes only.
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MRP:$59.88 SAVE 17%
coming soon $49.89
FORTHCOMING
TouellSkouarn Strakal Silisiom Distortion & Waveshaper Module
Cat: 790480 Rel: 31 Dec 20
 
Distortion & waveshaper module
Notes: The Strakal Silisiom is composed of two different fuzz circuits.

Features:
2 Different Fuzz circuits sharing the same controls
Morphing between the 2 Fuzz circuits (cv controlled)
Russian NOS Silicon Transistors
All analog

HP : 8
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MRP:$335.34 SAVE 17%
coming soon $279.43
FORTHCOMING
Tesseract Modular VC Logics Dual Logic Gates Module
Tesseract Modular VC Logics Dual Logic Gates Module (dual & stereo / logic synth module)
Cat: 797265 Rel: 31 Jan 21
 
Synth module
Notes: 2 x Logic gates with voltage controlled boolean function selection.

Logic gates are used in order to combine GATE signals to conditional event. For example it can be used to combine the GATE signals from various sequencers to get different patterns.

The module has 2 logic processors, the boolean function can be selected with the potentiometer, the CV input or the push button. The CV input range is 0 to 8V, but the potentiometer will work as an offset, so for example, placing the pot in the center position will allow the use of bipolar i4v CV sources like LFOs etc. The input is protected so voltages over 8v will be trimmed out.

Each processor can work in 2 modes:

-Free: when the boolean function changes the output changes according to the inputs & logic type.

-Quantized: when the boolean function changes the output won't change until there is a change in any of the inputs, that way you won't get out of time beats when using the module for percussions with and LFO in the CV input ...for example.

To change the mode long press the button (1 second) if the mode you've just entered is the 'free' one you'll see a pattern on the leds.

CV input 1 can be set to be a trigger input with a jumper in the back of the module, to work just like the push button, so any incoming trigger will jump to the next boolean function, those functions are:

AND
OR
XOR
NAND
NOR
XNOR

42 mA +12V
10 mA -12V

4 HP
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MRP:$71.86 SAVE 17%
coming soon $59.87
FORTHCOMING
Tesseract Modular Tukra Trigger Sequencer Module With Audio & MIDI
Tesseract Modular Tukra Trigger Sequencer Module With Audio & MIDI (clock generator/drum/MIDI/sequencer synth module)
Cat: 803469 Rel: 28 Feb 21
MRP:$351.30 SAVE 17%
coming soon $290.53
FORTHCOMING
Tesseract Modular Tex Mix Master Section Expandable Mixer Module
Cat: 797281 Rel: 31 Jan 21
 
Synth module
Notes: This is the main module of the mixer and the only indispensable one, the only one that needs the eurorack power cable. It provides power to all the other modules and contains the summing circuit for all channels in every audio bus.

32 mA +12V
32 mA -12V
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MRP:$83.83 SAVE 17%
coming soon $69.85
FORTHCOMING
Tesseract Modular Tex Mix 4 Stereo Channels Expandable Mixer Module
Cat: 797287 Rel: 31 Jan 21
 
Synth module
Notes: This is a 4 stereo channels expansion. Several of this modules can be added to get more stereo channels. Every channel features:
Stereo input (L works as mono in)
SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the ON/OFF/CUE switch position and channel volume control)
SEND B control (post-fader)
PAN control (only affects the master bus)
VOLUME control (affects the master, cue and POST sends)
ON/OFF/CUE switch: ON- channel is routed to the master bus
OFF- channel is muted
CUE- channel is routed to the cue bus

15 mA +12V
15 mA -12V
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MRP:$95.81 SAVE 17%
coming soon $79.83
FORTHCOMING
Tesseract Modular Tex Mix 4 Mono Channels Expandable Mixer Module
Cat: 797284 Rel: 31 Jan 21
 
Synth module
Notes: This is a 4 mono channels expansion. Several of these modules can be added to provide more channels. Every channel features:
- Mono input
- Vactrol Gate (plug a CV into the GATE IN to modulate the volume of a channel, just like a classic VCA. When nothing is plugged in the GATE IN, the gate is normalled to fully open)
-SEND A control (switchable PRE/POST, in PRE mode the signal is present regardless to the channel volume control but only if the channel switch is in ON position)
-SEND B control (post-fader)
-PAN control (only affects the master bus)
-VOLUME control (affects the master, cue and POST sends, does not affect PRE-fader send)
-ON/OFF/CUE switch: ON - channel is routed to the master bus
OFF - channel is muted
CUE - channel is routed to the cue bus

13 mA +12V
8 mA -12V
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MRP:$95.81 SAVE 17%
coming soon $79.83
FORTHCOMING
Tesseract Modular Sweet Sixteen Mk2 Module
Tesseract Modular Sweet Sixteen Mk2 Module (attenuater / controller / MIDI synth module)
Cat: 797258 Rel: 31 Jan 21
 
Synth module
Notes: This module is a eurorack version of the 16n Faderbank, implemented with 16 CV inputs and some other smart add ons. Almost everything is in the front panel.

This new version is oriented for firmware tweaks and future expansions, still being fully compatible with the 16n and the previous Sweet Sixteen.

Changes from previous versions:

Function push button
Function led
Expansion header in the back
i2C pull-up switchable with jumpers (aux pcb not required)
Mate black & gold panel with brass nuts

There are 16 channels, which can be used as:
Midi controller
Manual CV generator (0 to 8v range)
Attenuator
CV to Midi CC
i2C controller
CV to i2C data

The Midi CC number and channels can be different for the TRS jack and the USB port. The firmware has been tweaked to allow also Pitch Bend, which is pretty handy because you can get much better resolution through Midi (from min to max values Midi CCs have 128 steps and Pitch Bend has a resolution of 16.384 steps).

The voltage generated by every fader is up to 8v, which is good enough to control eurorack modules (like wide open/close the cutoff frequency of a filter etc).

In the midi CC messages, 0 volts will correspond to a value of 0, and 8 volts to a value of 127. But the CV to Midi can handle also negative voltages, for such task there are 4 slide switches (1 for every 4 faders) that swaps the internal voltage reference in a way that, when activated, 0 volts will be the middle position of the midi controller, -4 volts the minimum value and +4 volts the maximum. Those switches only affect the Midi/i2C outs, CV outs won't be affected by them in any way.

If you plug in a bigger voltage source (like a -5v+5v LFO or a 10v envelope) the fader will work as attenuator, so you'll be able to adapt how that signal affects the Midi CC out, covering the whole Midi CC range, saturating the waveform or just affecting it briefly.

Panel USB port is type B, which seems to be stronger than mini or micro ones.

i2C could connect directly to an ER-301, monome Ansible or a monome Teletype.

The Teensy can be powered via the internal regulator or the +5v eurorack rail (selectable via a switch on the back).

The partial kit comes with all SMD populated, so only through hole components requires soldering work.

size: 24 HP

92 mA +12V

86 mA -12V
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MRP:$202.27 SAVE 17%
coming soon $168.55
FORTHCOMING
Tesseract Modular Step Fader Dual Sequencer Module
Tesseract Modular Step Fader Dual Sequencer Module (sequencer / slew limiter / CV modulation / dual & stereo synth module)
Cat: 797267 Rel: 31 Jan 21
 
Synth module
Notes: This is a dual sequencer, nothing really new but fun to play with. Oriented to facilitate the interaction of both sequencers in order to get more complex patterns and polyrhythms. Very "hands on" CV source & good complement for more complex digital sequencers like Eloquencer, Performer etc.

There are 3 GLOBAL STYLES:
DUAL (2 totally independent 8 step sequencers)
PARALLEL (one sequencer with 2 rows of CV and 8 steps)
SINGLE (one sequencer with 16 steps)
There are also those PLAY MODES:
Normal
Reverse
Pendulum
Random

There are 2 dedicated buttons (and trigger inputs) to change the sequencer behaviour, pressing 1 button will cycle between the play modes, pressing 2 buttons will do it within the global styles.

Each sequencer has:
8 faders & 8 switches (1 per step)
1 master fader
1 switch for manual step & reset
clock, reset and mode inputs
2 gate outs (activated with the switches, center position is no gate)
1 cv out (0 +8 volts range, unquantized)

There is also an output which is the sum of the 2 CVs of both sequencers and 2 gate outs which are a combination of both sequencer gate lines, pretty handy if it's being used as a 16 steps single sequencer but also interesting when used in dual style.

8 position rotary switch to control the number of steps of the second sequencer, but also other switch allows to send that "reset" signal to the first sequencer instead of the second one, useful for the single 16 step style or to make both sequencers interact.

It has 2 slew limiter circuits with input and output, so they can be used independently, by default processing the CV out of each sequencer, forcing the slew to the max will give as result like a weird-synched LFO, but also the gate outs could be plugged in to get like rudimentary envelopes.

The first sequencer has CV control over step repetition, there's a switch to select the CV IN or the second sequencer as source for such purpose (the master fader has no effect over this, so the 8 lines of the faders correspond to the step repetition, from 1 clock per step to 8) Than means that when used in parallel style the lower row of faders could control the step duration, Metropolis or System 100m style.

Two jumper in the back of the module allows to use the "mode 2" input as reversed CV sum output, giving a total of 6 CV and 6 GATE outs.

26 HP
53 mA +12V
14 mA -12V
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MRP:$214.24 SAVE 17%
coming soon $178.53
FORTHCOMING
Tesseract Modular Selecta 8-Channel OR Combiner & A/B Switch Module
Cat: 797261 Rel: 31 Jan 21
 
Synth module
Notes: This module has 4 channels of OR Combiner and 4 channels of A/B Switch.

This new version has a reversible panel, so the switches can be placed on the left or the right side.

The OR Combiner is conceived to select or sum trigger and/or gate signals, each channel has 2 inputs (A & B) and one output. A switch select which signal would be present at output, being the middle position of the switch the sum of both. It could be used with other type of signals but only the positive part of these would be present at the output stage (with a small lack of voltage because of the diodes and the pulldown resistor), so it could work with envelopes for example. With bipolar voltages the OR COMBINER channels will work as a Half-wave rectified output (the negative half of the signal is clipped to 0V) This can add many harmonics to audio signals, the combination of 2 oscillators will give as result a sort of 'ring modulator' sound.

The A/B Switch selects between A and B and the middle position of the switch is a "mute", works with any kind of signal (cv or audio) and is bidirectional. Can be used with 2 input signals and 1 output or 1 input signal and 2 outputs.

The circuit of the first version has been re-designed to avoid the bleeding among other issues.

This module does not draw any power.

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MRP:$66.54 SAVE 17%
coming soon $55.44
FORTHCOMING
Tesseract Modular Radioactive Analogue Modelling Digital Oscillator Module
Tesseract Modular Radioactive Analogue Modelling Digital Oscillator Module (digital / oscillator / waveshaper synth module)
Cat: 797271 Rel: 31 Jan 21
 
Synth module
Notes: Analog modelling digital oscillator with phase offset modulation

Radioactive is a small but powerful 14-bit analog modelling voltage-controlled digital sound source: a complete voice Eurorack module in 6HP. It consists of 3 simultaneous independent oscillators, voltage-controlled AR/ASR transient generator, voltage-controlled pitch slew (glide) and voltage-controlled waveshaper with 5 different modes, but that's just the beginning. Its forte consists of selectable gate/trigger/constant envelope timing signals, rather unique 3-voice polyphonic mode, semitone-quantized mode, voltage-controlled waveform selection, on-the-fly selectable 10Vpp CV input range with offset (except for Pitch), a few experimental features, and then some.

Under the hood, it's a chiptune-inspired wavetable-gnawing sound cruncher with a mind of it's own, and oh boy it's dirty. It could be described as raw and untamed, but it would probably be an understatement.

Operation:
V/Oct Pitch input with attenuator
3 CV inputs with offset (Glide/Attack, Release, Shaper)
Trig/Gate input for envelope triggering/gating
Wave change trigger input
Single button with 3 different functions: waveform change with short press, shift function (alternate control parameter) with long press, enter setup mode on power-up.
3 green illuminated indicators of selected waveform and their combinations, also providing information in setup mode
Single red illuminated indicator of incoming trigger or high/low gate signal
Simple and intuitive setup without menu diving (parameters are saved and recalled at start-up)
3 different operation modes (A, B & C) selectable in setup:
A - Free range oscillator with Attack and Release envelope
B - Free range oscillator with Release envelope and Glide
C - Quantized oscillator with Release envelope and Glide
3 different envelope activation modes (G, T & P) selectable in setup:
G - Gate mode, monophonic
T - Trigger mode, monophonic
P - Poly mode, 3-voice polyphonic
5 different wave shaper modes selectable in setup and at runtime
9 basic waveforms and 12 different combinations

Specifications:
VCDO sound source with thousands of possible waveform shapes
All inputs: 100k impedance, 512Hz DC rate
32kHz refresh rate
14-bit sound generation
10-bit CV capture
V/oct input range: 0 to +5V (C1-C6 with octave shift control to cover the entire C0-C8 range)
CV input range: on-the-fly selectable 0 to 10V, -5 to +5V or any other 10Vpp range between -10 and +10V
Trig/Gate input range: 0 to +10V (0V closed, 3V+ open), protected
Output levels: -5V to +5V (10Vpp), envelope/shaper mode dependable
Professionally designed front panel with all linked functions clearly labeled in different colours
Comprehensive User guide covering all operation modes and extensive Build guide for DIYers

42 mA +12V
10 mA -12V
0 mA 5V
25 mm deep
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MRP:$102.46 SAVE 17%
coming soon $85.38
FORTHCOMING
Tesseract Modular Nutella Tsunami Conversion Module
Tesseract Modular Nutella Tsunami Conversion Module (drum / MIDI / sampling synth module)
Cat: 797279 Rel: 31 Jan 21
 
Synth module
Notes: Nutella is a eurorack conversion module for the Sparkfun Tsunami Super Wav Trigger.

30 mA +12V
15 mA -12V
200 mA 5V
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MRP:$310.05 SAVE 18%
coming soon $253.94
FORTHCOMING
Tesseract Modular GESS Gate Expander For Sweet Sixteen Mk2 Module
Cat: 797249 Rel: 31 Jan 21
 
Synth module
Notes: Gate Expander for Sweet Sixteen mkII.

This is an expander, brings 8 gate inputs for the Sweet Sixteen mkII.

The panel is reversible, so jacks & buttons can be in the left or right side.

The orientation of the 10 pin ribbon cable is marked by the 'do not plug power here!' legend on the PCB, so it could be with the red stripe facing that in both GESS and Sweet Sixteen mkII modules.
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coming soon $22.17
FORTHCOMING
Tesseract Modular FranKinksTides 1.2 Dual Tidal Modulator Module
Tesseract Modular FranKinksTides 1.2 Dual Tidal Modulator Module (envelope generator / function generator / LFO / oscillator / digital / dual & stereo synth module)
Cat: 797277 Rel: 31 Jan 21
 
Synth module
Notes: Dual tidal modulator with max, min & mix outs

FranKinksTides is a 18hp dual Tides (based on the Swirls pcb layout) with the max/min circuit from Kinks and some switches for sync, quadrature, pll and fm operation . It can be a double/complex oscillator, a dual function generator or any combination of oscillator, Lfo and Envelope generator with lots of cv control plus some interesting cross-modulation and sync features.

Some improvements in version 1.2:

-Mix output is now buffered, no signal bleeding on single outs.
-Mix pot controls also the balance of the signals sent to the max/min circuit.
-Uni/bi switch now also determines the signal sent to FM1.
-Clock/sync switch has now a center OFF position, no need of plugging a dummy cable in the Clock1 when using Sheeps firmware to avoid ultra fast sound bank changes.
small improvements for DIY:
-Bigger font size on the pcb.
-Parts renumbered for easy DIY.

Original design by Emilie Gillet
Available assembled and DIY (pcb+panel)
+12v
-12v
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MRP:$262.15 SAVE 17%
coming soon $218.45
FORTHCOMING
Tesseract Modular Douts Direct Outs Module For Tex Mix
Cat: 800365 Rel: 28 Feb 21
 
Mixer/multiple/utility synth module
Notes: Direct Outs for TexMix & 3,5mm to 6,3mm converter.

This is a breakout box for the direct outs of the TexMix. Each module has 8 outputs so it could have 2 '4MonoChannels' connected or 1 '4StereoChannels'.

Without connecting the ribbon cable it's a 3,5/6,3 adapter.

The orientation of the 8 pin ribbon cable is marked by the 'DIRECT OUTS ' legend on the PCB of the channel expanders (mono or stereo) and a white line in the DOUTS input header.
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MRP:$34.60 SAVE 17%
coming soon $28.82
FORTHCOMING
Tesseract Modular Blinks VU Meter Module
Cat: 797275 Rel: 31 Jan 21
 
Synth module
Notes: VU meter for eurorack.

BLINKS is a VU meter for eurorack with 24 RGB leds per channel, function is pretty easy, it has 2 inputs, one for each led column (no output).

PATT button changes the led pattern ( 6 patterns to choose ).

SENS button changes the input sensitivity, cycling in 7 steps.

Long pressing the PATT button enters the color scheme selection.

Long pressing SENS button enters the brightness adjustment. Most probably you'll prefer the lowest setting.

The module has a 5v regulator in case you don't have 5v in you eurorack PSU. A jumper in the back select if the led board would be powered by the 5v rail or the internal regulator (which works with the +12v rail)

Up to 3 stereo signals can be connected to a buffered input using the rear headers.

Easy DIY with only a few components, the led board is already assembled.

5v not indispensable
+5v: 30 mA (on lowest brightness)
+12v: 4mA (or ~40mA if 5v rail is not used)
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MRP:$59.88 SAVE 17%
coming soon $49.89
FORTHCOMING
Tesseract Modular 8x8 Buffered Matrix Module
Tesseract Modular 8x8 Buffered Matrix Module (multiple / switch / utility synth module)
Cat: 797244 Rel: 31 Jan 21
 
Synth module
Notes: This module is a 8 ins and 8 outs precision buffered matrix.

Every output has a rotary switch to select an input. You can make the same input go through several outputs but not several inputs go to the same output.

There's also a bicolor led next to every switch for visual info of the signal that is going thru it.

Allows fast patch changes and easy rerouting signals, both audio and cv.

Can be used as a traditional buffered multiple, pretty flexible one: 1 x 8 outs, 2 x 4 outs, 4 x 2 outs or any other combination.

62 mA +12V
65 mA -12V
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MRP:$113.11 SAVE 17%
coming soon $94.25
FORTHCOMING
Tesseract Modular 12x12 Buffered Matrix Module
Tesseract Modular 12x12 Buffered Matrix Module (multiple / utility synth module)
Cat: 797270 Rel: 31 Jan 21
 
Synth module
Notes: This module is a 12 ins and 12 outs precision buffered matrix.

Is conceived to be a semi-permanent matrix for medium to big systems, with white silkscreen labels to customize ins and outs names.

Every output has a rotary switch to select an input. You can make the same input go through several outputs but not several inputs go to the same output.

There's also a bicolor led next to every output for visual info of the signal that is going through it.

Allows fast patch changes and easy rerouting signals, both audio and cv.

Can be used as a traditional buffered multiple, pretty flexible one: 1 x 12 outs, 2 x 6 outs, 3 x 4 outs etc.

26 HP
45 mA +12V
45 mA -12V
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MRP:$238.20 SAVE 17%
coming soon $198.49
FORTHCOMING
Teenage Engineering PO-128 Mega Man Pocket Operator Live Synthesiser & Sequencer
Cat: 798083 Rel: 31 Jan 21
 
Ultra-portable live synthesiser & sequencer with studio quality
Notes: Live synthesizer and sequencer based on the Capcom Mega Man game series, with parameter locks, glide control and punch-in effects.

Pocket Operators are small, ultra portable music devices, with studio quality sound and the flexibility to make music on the go. Affordable for everyone and compatible with all other music gear.

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MRP:$113.11 SAVE 17%
coming soon $94.25
FORTHCOMING
Teenage Engineering OP-Z Protective Soft Case (black)
Teenage Engineering OP-Z Protective Soft Case (black) (sequencer & synthesiser soft case)
Cat: 803160 Rel: 28 Feb 21
 
Protective soft case for Teenage Engineering OP-Z
Notes: Black protective soft case for the OP-Z in water repellent Cordura nylon. EVA foam inside for protection and practical divider for storing cables and other smaller accessories. Detachable wrist strap in durable nylon webbing with Teenage Engineering custom hardware in aluminium. The case has a velcro patch for attaching it to the OP-1 soft case which can be bought separately.

Details:

Production country: China

Shell material: 100% Cordura nylon from South Korea

Lining material: 100% Polyester from China

Hardware material: 100% aluminium from China

Measurements: 24.5cm x 8.5cm x 2cm


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MRP:$91.82 SAVE 17%
coming soon $76.52
FORTHCOMING
Teenage Engineering OP-1 Protective Soft Case (black)
Cat: 803154 Rel: 28 Feb 21
 
Protective soft case for Teenage Engineering OP-1
Notes: Black protective soft case for the OP-1 in water repellent Cordura nylon. Custom moulded EVA foam inside for protection and perfect fit. Pocket in the back with zip closing for cables and smaller accessories. Detachable and adjustable shoulder strap in durable nylon webbing with Teenage Engineering custom hardware in aluminium. The case has a velcro patch and strap tunnel on the front for attaching the OP-Z soft case which can be bought separately.

Details:

Production country: China

Shell material: 100% Cordura nylon from South Korea

Lining material: 100% Polyester from China

Hardware material: 100% aluminium from China

Measurements: 32.5cm x 8.5cm x 2cm
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MRP:$118.43 SAVE 17%
coming soon $98.70
FORTHCOMING
Tascam US-4x4HR High-Resolution USB Audio & MIDI Interface
Cat: 798806 Rel: 28 Feb 21
 
High-resolution USB audio & MIDI interface
Notes: High-Resolution USB Audio/MIDI Interface (4 in, 4 out)

The four-channel US-4x4HR is a member of the Tascam US-HR series of high-resolution USB audio interfaces and an enhanced version of the popular Tascam US-4x4. It provides four mic/line inputs, two of which can alternatively be used for direct input of a guitar or bass, four balanced line outputs, two headphones connectors, and MIDI I/O to your Windows or Mac computer or your iPhone or iPad*. This interface is ideal for multitrack recording of two instruments and two vocalists, for instance, or multi-media production with high demands on simple operation and studio-quality sound. The included loopback function and support for Open Broadcaster Software (OBS Studio), however, makes it also an excellent choice for two-channel podcast creation and live streaming.

The versatile US-4x4HR incorporates a wealth of features, including high audio resolution up to 24-bit/192 kHz, ultra-low latency with a Windows buffer size starting at four samples, Ultra-HDDA mic preamplifiers with 48-volt phantom power for superior sound quality with ultra-low noise, a robust USB Type C connector, and a rich assortment of included software to start producing stunning audio right away.

All US-HR models offer a unique dye-cast aluminum honeycomb structure on the side panels with a slight upward tilt. This design not only results in a sleek, eye-catching design, it also provides just the right amount of weight so the interface won't move when cables are connected or disconnected. Equally important, the upward tilt offers the ergonomic benefit of being angled in such a way as to make the interface easy to work with.

With four microphone preamps for multi-mic setups, four configurable balanced outputs, superb sound quality and easy operation, the US-4x4HR is the ideal choice for the demanding musician, producer or home-recordist requiring more than two audio channels.

The Ultra-HDDA (High-Definition Discrete Architecture) mic preamps used on the US-HR series feature a discrete construction. They have a higher number of components and are far away from mass-produced preamps. Their EIN (equivalent input noise) rating, which measures the absence of noise, is truly low for the US-2x2HR and US-4x4HR. Combined with a newly improved audio circuit and support for sampling rates up to 192 kHz, our in-house developed microphone preamplifier delivers enhanced audio performance with the most transparent and low-noise sound, reflected in a signal-to-noise ratio of 110 dB.

One issue when recording using a computer is latency, which is when audio signals are delayed through digital circuitry. Another is setting up the driver software that is used when connecting an audio interface to a computer. In order to eliminate these problems, our driver software introduces only very little latency and is easy to install. Furthermore, by making the external structure of these interfaces as simple as possible, the Tascam US-2x2HR and US-4x4HR allow users who are not expert users of audio equipment to operate them without concern.

The US-4x4HR has four Ultra-HDDA mic preamps. Since up to four condenser mics can be used at the same time, this interface is perfect for recording vocals and acoustical instruments simultaneously. You can also connect two guitars or a guitar and a bass while still having two mic inputs available for vocals.

The unit features four TRS jack outputs, so the individual signals can be output in parallel with the headphones stereo output - often done for multitrack recording. TIP: By using an audio interface to output the sound from a commercial synthesizer app, a richer sound can be achieved.

The Settings Panel, which is installed on your computer, comes with a variety of functions. You can choose whether direct monitoring is done in mono or stereo and adjust the balance between input and computer signals. You can also switch the hardware inputs on and off individually and set the Windows buffer size according to your working environment.

For online broadcasting, Internet communication and other live streaming applications, the US-HR series interfaces offer a Loopback function which can merge input signals 1/2 with signals 1/2 coming from the computer (each can be set to mono or stereo) and send that mix to the broadcasting or other software on the computer. A software slider allows to adjust the final "broadcast" volume independently from the unit's line output level setting.

Maximum input level (Mic/Line/Inst): 10 dBu / +20 dBu / +10 dBV
Maximum input gain: 56 dB
Maximum output level: +20 dBu
Mic preamp equivalent input noise: 128 dBu
S/N ratio: 108 dB / 110 dB
Distortion (THD+N, mic to computer): 0,0013 %
Crosstalk: 95 dB
Power supply: USB / AC adapter (included)
Power consumption: 2.25 W
Overall dimensions (W ~ H ~ D): 296 mm ~ 65 mm ~ 160 mm
Weight: 1.6 kg
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MRP:$307.39 SAVE 17%
coming soon $256.16
FORTHCOMING
Tascam US-2x2HR High-Resolution USB Audio & MIDI Interface
Cat: 798798 Rel: 28 Feb 21
 
High-resolution USB audio & MIDI interface
Notes: High-Resolution USB Audio/MIDI Interface (2 in, 2 out)

The US-2x2HR is a member of the Tascam US-HR series of high-resolution USB audio interfaces. It provides two mic/line/instrument switchable inputs and two balanced line outputs as well as MIDI I/O to your Windows or Mac computer or your iPhone or iPad. This interface is ideal for music creation and home recording with high demands on simple operation and studio-quality sound. The included loopback function and support for Open Broadcaster Software (OBS Studio), however, makes it also an excellent choice for podcast creation and live streaming.

The compact US-2x2HR incorporates a wealth of features, including high audio resolution up to 24-bit/192 kHz, ultra-low latency with a Windows buffer size starting at four samples, Ultra-HDDA mic preamplifiers with 48-volt phantom power for superior sound quality with ultra-low noise, a robust USB Type C connector, and a rich assortment of included software to start producing audio right away. This interface can also be used for mobile production or live streaming using your iPhone or iPad with the included Cubasis LE. Simply put, the US-2x2HR helps you create and distribute great-sounding audio wherever you go.

All US-HR models offer a unique dye-cast aluminum honeycomb structure on the side panels with a slight upward tilt. This design not only results in a sleek, eye-catching design, it also provides just the right amount of weight so the interface won't move when cables are connected or disconnected. Equally important, the upward tilt offers the ergonomic benefit of being angled in such a way as to make the interface easy to work with.

If you're a musician, producer or home-recordist who needs a solid, uncluttered, easy-to-use audio interface with superb sound quality, the Tascam US-2x2HR can be your reliable partner for many years.

The Ultra-HDDA (High-Definition Discrete Architecture) mic preamps used on the US-HR series feature a discrete construction. They have a higher number of components and are far away from mass-produced preamps. Their EIN (equivalent input noise) rating, which measures the absence of noise, is truly low for the US-2x2HR and US-4x4HR. Combined with a newly improved audio circuit and support for sampling rates up to 192 kHz, our in-house developed microphone preamplifier delivers enhanced audio performance with the most transparent and low-noise sound, reflected in a signal-to-noise ratio of 110 dB.

One issue when recording using a computer is latency, which is when audio signals are delayed through digital circuitry. Another is setting up the driver software that is used when connecting an audio interface to a computer. In order to eliminate these problems, our driver software introduces only very little latency and is easy to install. Furthermore, by making the external structure of these interfaces as simple as possible, the Tascam US-2x2HR and US-4x4HR allow users who are not expert users of audio equipment to operate them without concern.

The Settings Panel, which is installed on your computer, comes with a variety of functions. You can choose whether direct monitoring is done in mono or stereo and adjust the balance between input and computer signals. You can also switch the hardware inputs on and off individually and set the Windows buffer size according to your working environment.

For online broadcasting, Internet communication and other live streaming applications, the US-HR series interfaces offer a Loopback function which can merge input signals 1/2 with signals 1/2 coming from the computer (each can be set to mono or stereo) and send that mix to the broadcasting or other software on the computer. A software slider allows to adjust the final "broadcast" volume independently from the unit's line output level setting.

Instead of a computer, you can also use an iPad or iPhone together with the US-2x2HR/US-4x4HR to make music. Performance has been tested with not only the bundled digital audio workstation (Cubasis LE3), but also with other popular recording software - you can continue to use them even if you change DAW software. Since these units include MIDI inputs and outputs, you can connect MIDI keyboards, drum computers etc. to play sounds on the iPad or computer and thus expand your personal orchestra.

Maximum input level (Mic/Line/Inst): +10 dBu / +20 dBu / +10 dBV
Maximum input gain: 56 dB
Maximum output level: +20 dBu
Mic preamp equivalent input noise: 128 dBu
S/N ratio: 108 dB / 110 dB
Distortion (THD+N, mic to computer): 0,0013 %
Crosstalk: 95 dB
Power supply: USB / DC 5 V, 700 mA
Power consumption: 1.75 W
Overall dimensions (W x H x D): 186 mm x 65 mm x 160 mm
Weight: 1.1 kg
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MRP:$191.62 SAVE 17%
coming soon $159.68
FORTHCOMING
Tascam US-1x2HR High-Resolution USB Audio Interface
Cat: 798791 Rel: 28 Feb 21
 
High-resolution USB audio interface
Notes: High-Resolution USB Audio Interface (2 in / 1 mic, 2 out)

The US-1x2HR is the smallest member of the Tascam US-HR series of high-resolution USB audio interfaces. It has one mic and one instrument input and is therefore particularly suitable for simple and intuitive guitar/vocal recording with a computer. The included loopback function and support for Open Broadcaster Software (OBS Studio), however, makes it also an excellent choice for podcast creation and live streaming. Last but not least, it is a perfect solution for feeding an amplifier system with music from a computer in high quality, for example for a birthday party.

The compact US-1x2HR incorporates a wealth of features, including high audio resolution up to 24-bit/192 kHz, ultra-low latency with a Windows buffer size starting at four samples, Ultra-HDDA mic preamplifiers with 48-volt phantom power for superior sound quality with ultra-low noise, a robust USB Type C connector, and a rich assortment of included software to start producing audio right away. The lightweight interface is ideal for mobile recording and production using an iPhone or iPad* with the included Cubasis LE so you can take it to your practice room, use it to report from a live event, or capture nature sounds outdoors.

All US-HR models offer a unique dye-cast aluminum honeycomb structure on the side panels with a slight upward tilt. This design not only results in a sleek, eye-catching design, it also provides just the right amount of weight so the interface won't move when cables are connected or disconnected. Equally important, the upward tilt offers the ergonomic benefit of being angled in such a way as to make the interface easy to work with.

If you need an uncluttered, easy-to-use audio interface with two inputs and two outputs, very low noise, low distortion and superb sound quality, the Tascam US-1x2HR can be your reliable partner for many years.

A recording environment with low noise and great audio performance is a relevant factor for vocal and, in particular, wind instruments. The US-1x2HR features an Ultra-HDDA microphone preamplifier with a very low noise level that makes this interface the ideal tool for recording with a condenser microphone. You can also plug in your electric guitar or bass directly using the line/instrument input and use plug-in effects on your computer recording (DAW) software. Or connect any instrument or hi-fi amplifier's line output to the line input.

The US-1x2HR is also a great tool on the road: Combine it with an iPad and you can capture nature sounds, stream interviews from live events, or simply record your ideas with high quality wherever you go.

Even if you're not so familiar with recording equipment, the US-1x2HR's user-friendly design enables you to use it right away.

The US-1x2HR can improve your sound when playing music from your computer. No matter if you create your own dance music using software synths and other plug-ins or if you are the DJ on a birthday party - with its high audio quality and separate controls for headphones and line outputs (loudspeakers) the US-1x2HR easily turns your computer into a perfect-sounding playback device.

You may have noticed that your sound system is not very loud when powered directly from a computer. When using the US-1x2HR to feed your power amplifiers, its high line output level ensures you get the maximum power out of your sound system.

Instead of a computer, you can also use an iPad or iPhone together with the US-1x2HR to make music. Performance has been tested with not only the bundled digital audio workstation (Cubasis LE3), but also with other popular recording software - you can continue to use them even if you change DAW software.

The Settings Panel, which is installed on your computer, comes with a variety of functions. You can choose whether direct monitoring is done in mono or stereo and adjust the balance between input and computer signals. You can also switch the hardware inputs on and off individually and set the Windows buffer size according to your working environment.

For online broadcasting, Internet communication and other live streaming applications, the US-HR series interfaces offer a Loopback function which can merge input signals 1/2 with signals 1/2 coming from the computer (each can be set to mono or stereo) and send that mix to the broadcasting or other software on the computer. A software slider allows to adjust the final "broadcast" volume independently from the unit's line output level setting.

Maximum input level (Mic/Line/Inst): +10 dBu / +20 dBu / +3 dBV
Maximum input gain (XLR/TRS): 58 dB / 45 dB
Maximum output level: +6 dBV
Mic preamp equivalent input noise: 128 dBu
S/N ratio: 109 dB / 110 dB
Distortion (THD+N, mic to computer): 0.0013%
Crosstalk: 95 dB
Power supply: USB / DC 5 V, 700 mA
Power consumption: 1.8 W
Overall dimensions (W x H x D): 146 mm x 55 mm x 120 mm
Weight: 623 g
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MRP:$150.37 SAVE 17%
coming soon $125.31
FORTHCOMING
Supercritical Neutron Flux 8 Pole Variable Character Filter Module
Cat: 790485 Rel: 31 Dec 20
 
Variable filter module
Notes: The Neutron Flux 8 Pole Variable Character Filter is a 12hp skiff friendly eurorack filter module with a stereo analog core and digital control over it. The controls are familiar filter module controls (cutoff, bipolar FM, mode, drive) with some added spice and no complexity.

The special stuff is in these controllable features:

Character: This control blends between five vintage influenced classic filter characters: Fat, Crisp, Liquid, Sour and Mean. Coming later in a firmware update, the Neutron Flux will also have two user banks for more specialized filter characters which can be replaced via audio update.

Overdrive: You can switch the drive circuit to have a +20dB boost and have the drive pot to sweep from clean via warm saturation to extremely hard distortion.

Stereo: This control spreads the cutoff between L and R channels and induces drift. This way a mono signal can be split into wide stereo.

Two 4 pole filter cores: These can be run in stereo, mono to stereo or chained as a 8 pole mono filter for almost LPG-like steep slope. Both of them have their own drive circuits so you can have the overdrive stage in the front, in between or both.

The module can be used in many different ways. It can do classic LP/HP/BP filtering. It can self-oscillate in different waveforms. It can provide analog warmth and process something coming out of your DAW. It can act as a stereo distortion. It can spread your mono signal to a wide spatial stereo soundscape. It can do formant stuff and other wild characters. It can do audio-rate deep FM (1V/oct and FM CV's are all analog).

Power consumption: 250mA at +12 V and 100mA at -12 V
Depth: 25mm
HP: 12
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MRP:$601.48 SAVE 17%
coming soon $501.22
FORTHCOMING
Soma Laboratory Pulsar-23 Organismic Drum Machine (black)
Cat: 781129 Rel: 31 Dec 20
 
analog synthesiser/drum machine
Notes: Pulsar-23 is a multi-functional analog synthesizer and generator of complex rhythmic patterns.

The Pulsar consists of 23 different modules, including four flexible sound generators with completely different structures, four envelope generators, four looper-recorders, a clock generator with dividers, a controlled chaos generator, an LFO, a two-channel CV-controlled effects processor, distortion, two controlled amplifiers, an inverter, a controlled inverter and two controlled analog switches. In addition to these 23 main units, the Pulsar also contains 13 auxiliary units, such as a four-channel MIDI to CV converter, a noise generator, four attenuators, two dynamic CV generators with sensory control, two impulse converters and single passive electronic components for live circuit bending.

Pulsar-23 can be used for the synthesis of percussion instruments and rhythms, bass and melodic lines, effects and sound landscapes, as well as a source of control voltage. The Pulsar functions in three different modes: stand-alone, MIDI control and CV control. Moreover, all the above features and control modes can work simultaneously in any proportion or combination. Additionally, Pulsar offers live circuit bending capabilities and the use of the artist's body conductivity to create patches and cross modulations.

Pulsar continues the line of organismic synthesizers begun by LYRA-8, but now in the area of percussion instruments.

Also, it has MIDI control and synchronization and a lot of smaller modules such as 4 assignable attenuators and 2 dynamic CV sensors for CV generation etc. In general, there are 55 knobs, 11 switches and over 100 inputs and outputs for patching, Eurorack integration, external mixing and processing, live circuit bending!

It comes in a special HQ bag with 30 alligator clips cables and PSU.
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MRP:$2,129.12 SAVE 17%
coming soon $1,774.26
FORTHCOMING
Soma Laboratory Ornament-8 Organismic Sequencer
Cat: 796815 Rel: 31 Jan 21
 
Organismic sequencer module
Notes: ORNAMENT-8 is an organismic sequencer, or in a broader sense, a synthesizer of behaviour. A unique feature of ORNAMENT is its fully horizontal modular structure that consists of eight equal and independent cells which are special delay lines. It's in fact an analog computer with a temporal dimension, the behaviour of which is determined by patching and adjusting the temporal properties of each cell involved in the generation of the behaviour.

ORNAMENT can be controlled via Eurorack-compatible Control Voltage. The output of ORNAMENT is also standard CV signals that can control LYRA-8, PULSAR-23, Eurorack systems and any equipment that can receive CV, including non-audio ones such as lighting setups or electromechanical installations. For controlling LYRA-8 we developed a special adapter for easy connection to the LYRA sensors while also preserving the ability to play it normally with your fingers.

The adapter attaches to LYRA's surface using magnets which make installation easy and safe. ORNAMENT, as an organismic sequencer, complements LYRA's organismic synthesis nature, making them a perfect pair.

ORNAMENT-8 is based on a completely new principle of synthesis of behaviour. Instead of a vertical structure with a tempo generator on top and some memory for storing sequenced events, Soma Laboratory have have a dynamic equilibrium inside a horizontal structure without any memory, just an infinite "now" that generates the next moment of behaviour. In certain key aspects, it resembles a neural network where there is no difference between "processor" and "memory", where functions are blurred and all structures are very flexible. Because the ORNAMENT is fully modular, you can connect any number of ORNAMENTs into a single network, creating very complex multi-dimensional structures with the same complex behaviour. For those with philosophical inclinations, ORNAMENT is a playground the size of a box of chocolates where you can study fundamental laws of life and society, going beyond linear logical thinking.

ORNAMENT-8 was designed by Vadim Minkin, the new creative mind who recently joined SOMA laboratory. ORNAMENT is intended to be the first in a line of SOMA sequencers developing new principles of behaviour generation and control.

SPECIFICATIONS:

Number of cells: 8
Number of pulse converters: 4
Number of 3.5 mm mini-jack Eurorack adapters: 8
Number of contacts (inputs and outputs): 78
Input and output voltage range : 0-10 volts
Minimum cell delay time: 50 ms
Maximum cell delay time: 50 seconds
Maximum cell delay time at> Cv = 0 volts 5 minutes
Supply voltage: 12 volt center-plus
Current Consumption: 10-50 ma
Dimensions: 266 x 255 x 54 mm
Weight: 1.4 kg

As with any analog device, there may be a small variance in actual values.

Included:
ORNAMENT-8 i 1 pc.
Power supply 12v 1a i 1 pc.
Male-male power cord i 1 pc.
65 cm cable with alligator clips i 12 pcs.
30 cm cable with alligator clips i 14 pcs.
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coming soon TBA
FORTHCOMING
Solid Gold FX Zeta DLX Deluxe Preamp Overdrive & Boost Effects Pedal
Cat: 792830 Rel: 31 Dec 20
 
Overdriver & boost effects pedal
Notes: Guitar tone is tricky business- guitarists are sometimes forced to choose between great tone and utility. Are you also tired of choosing? Venture ahead, brothers and sisters of tone - introducing the Zeta DLX.

The Zeta DLX combines three of the most useful tricks in the gain-based tonal world: Preamp, drive and boost. The entirety of the Zeta DLX comprises a preamp circuit, so that you can keep your tone fresh even if you have to go direct, or your amp options are limited on fly-out gigs. However, each since each side is individually switchable, we must look at the sum of the parts.

The left side of the Zeta DLX serves up a generous drive circuit that has extremely wide sweeps of all the parameters, from jangly boost to crunchy OD. Three of the toggle switches give you options to tailor the Zeta DLX to your individual needs. The Mids and Body toggles allow you to adjust the range of those particular frequency bands, while the Clip switch lets you change the clipping characteristics. A bonus trimpot inside even lets you adjust the overall gain of the circuit.

On the right side of the Zeta DLX is the JFET-equipped individually selectable boost function, with a single knob to control the amount. The B. Tone toggle gives you control over the bass frequencies of the boost, while Pre/Post lets you choose whether the boost goes before or after the drive circuit. You can use this to great effect when trying to get either a super-saturated dirt tone or a burlier version of the drive side.

Don't get caught between a rock and a tonal hard place againiplug into the Zeta DLX and feel the gear instead of just hearing it.

KNOBS:

Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!

TOGGLE SWITCHES:

Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.

UNDER THE HOOD:

Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.

POWER:

The Zeta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$286.10 SAVE 17%
coming soon $237.30
FORTHCOMING
Solid Gold FX Surf Rider III Spring Reverb Effects Pedal
Cat: 792828 Rel: 31 Dec 20
 
Reverb pedal
Notes: Reverb purists often point to amp reverb as being the pinnacle of spring reverb. That may be all well and good, but what if your amp just doesn't have reverb? What if your amp's reverb isn't good? What if you want more options after a simple "level" control? It is time to ride the waves into the Surf Rider III.

The Surf Rider III is the 'verb sound that Fender's engineers would have put into their Deluxes and Vibroverbs if they had access to today's technology. Solid Gold's finest 'verb box gives you that familiar Level control but then adds a plethora of options, including a boost and some nifty resonance features that adds some juice to your tank without the springs.

Versatility is the name of the Surf Rider's game. The Level control is just the beginning, adjusting the amount of reverb in the total signal. The Surf Rider also offers a Depth knob that adjusts the intensity of the reverberations, for some hauntingly huge verbs that fill the room. The expression jack on the side overrides this control, should you feel so inclined.

The Decay control increases the size of the virtual reverb tank, opening up the pedal and giving you verb tones that go on seemingly forever. Speaking of tones, there's a handy Tone knob that brightens or darkens the reverb signal, which helps tame harsh pickups or beef up flimsy ones. It's especially helpful if the Surf Rider III is your only pedalia splendid idea.

The Resonance switch unlocks the "drippiness" of the reverb tank, giving you a lot (upper position), a little (lower position) or none at all (center). Cracking open the Surf Rider III gives you a trimpot to set the lower level for just the right amount of splash.

The Boost section lets you boost or cut the reverb level. With the LED on, the pedal is in Hi mode, and off is Lo mode. There's another internal trimmer that lets you dial in Lo mode. Surf's up.

KNOBS:

Tone: This knob lightens or darkens the frequency of the reverb signal only, from dark and moody to bright and biting.

Decay: Turning the Decay control up increases the decay time of the reverb signal, giving you access to huge, surf-inspired 'verbs that linger seemingly forever.

Depth: Increases the size of the virtual spring tank and the intensity of the signal. When connecting an expression pedal, you can control this knob hands-free.

Level: Controls the volume of the reverb (wet) signal.

TOGGLE SWITCHES:

Res: This is a three-position switch that alters the resonance of the tank. The upper position adds a high amount of resonance, while the lower position adds an amount that you set via internal trimpot (see "Under the hood" below). In the center position, the toggle adds no resonance.

UNDER THE HOOD:

Res (trimpot): This trimpot allows you to adjust the amount of resonance in the reverb signal while in the "Lo" (bottom) position of the Res toggle.

Boost (trimpot): When the Boost is in the off position (LED off), a portion of the reverb level is reduced. This trimpot lets you adjust how much is reduced to fine-tune the reverb signal.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Depth knob.

True bypass footswitch: Turns the effect on and off.

Boost footswitch: With the LED on, the Surf Rider III is in "Hi" mode, boosting the reverb signal. With the LED off, the Surf Rider III is in "Lo" mode, and a bit of the reverb level is reduced. You can adjust how much with the Boost trimpot (see above in "Under the hood").

POWER:

The Surf Rider III requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$251.50 SAVE 17%
coming soon $209.59
FORTHCOMING
Solid Gold FX Spanish Castle Dual Vintage Fuzz Effects Pedal
Cat: 792827 Rel: 31 Dec 20
 
Fuzz pedal
Notes: The year 1969: Not only was Led Zeppelin's eponymous album released, but Woodstock took place in August. 1969 marks a turning point in the gear world also; it was the year that Dallas-Arbiter switched Fuzz Face production from the lower-gain germanium transistor core to readily available higher-gain silicon devices. The Spanish Castle pays tribute to this year.

Packed to the turrets with fuzz spread across two separate and footswitchable If 6 Was 9 circuits, the Spanish Castle is the perfect device for the fuzz-crazy and fuzz-curious alike.

The right side of the Spanish Castle represents the warmer pre-'69 circuit and is equipped with low-gain silicon transistors that emulate the rich character of germanium with more stable and consistent operation. Carbon-composition resistors further round everything out for a sound that is just like they used to roll them off the line. Unlike the Faces of yore, this circuit is equipped with a bias circuit to dial in just the right flavor, and cleans up like a champ. The original tenant of the Spanish Castle would have loved it.

On the left side, the post-'69 If 6 Was 9 circuit lies in wait. This wing of the Spanish Castle offers up higher-gain silicon transistors for a more buzzsaw-like grind, metal film resistors for tighter tolerances and an extended bias range for dialing in ripping gated fuzz textures as well as full-bodied snarl.

Each side offers up two toggle switches- Colour is a three-position switch that adjusts the EQ of its respective side, from flat EQ to two settings that shave off treble and mids. The Input toggle is also a three-position switch, changing gain and bass values that make the Spanish Castle adapt better to your wahs and other pedals.

If that's not enough control for you, each side contains an internal switch that changes between Bold and Comp modes, the former increasing the output and midrange, and the latter offering a softer, more compressed tone.

Please enjoy your stay in the Spanish Castle. You'd better make yourself at home. You're going to be here a while.

KNOBS:

Fuzz: Most Fuzz Face-style pedals only produce usable fuzz amounts at the end of the knob. Not ours. Each Fuzz knob is designed to give you an even sweep of fuzz throughout.

Bias: These knobs vary the voltage to the collector of of the second transistor, giving you burlier (clockwise) or leaner/gated fuzz tones (counter-clockwise).

Volume: Gives you more output than vintage-style Fuzz Faces. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.

TOGGLE SWITCHES:

Color: These three-position switches adjust the EQ of the side they're found on. The center position of each switch bypass the EQing, while the "left" positions shave a small amount of treble and scoop a small amount of mids from their respective sides. The "right" positions shave an even greater amount of treble while scooping a greater amount of mid frequencies.

Input: These three-position switches adjust the input attenuation and wah friendliness of the side they're found on. The "right" positions leaves its respective side alone with regards to attenuation. The center positions heavily cut gain and bass, while the "left" positions mildly cut gain and bass. The center and left positions help adapt the Spanish Castle to a more wah-friendly fuzz.

UNDER THE HOOD:Bold/Comp (internal DIP): Each side contains a DIP switch that toggles between Bold and Comp settings. The Bold side increases the output level and the midrange content, while Comp delivers a softer and more compressed tone. The default setting is with Comp on.

AUXILIARY:

Input: Instrument or other pedal goes here (right side).

Output: Amplifier or other pedal goes here (left side).

True bypass footswitches: Turns each side of the effect on and off.

POWER: The Spanish Castle requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$326.02 SAVE 17%
coming soon $271.69
FORTHCOMING
Solid Gold FX Rosie Tone Bending Fuzz Effects Pedal
Cat: 792825 Rel: 31 Dec 20
 
Fuzz pedal
Notes: There's no doubt that the Fuzz Face and Tone Bender share the crown for "most important fuzz". Just as many iconic records were cut with the Bender as the Fuzz Face, and each original unit commands scads of money in the used marketplace. And with all the reliability issues that plague vintage models, does there exist a silicon Tone Bender MKII?

Introducing the Rosie. Equipped with silicon semiconductors, you won't hear your tone seize up on a cold or hot day, and you won't get a load of choosiness with regards to your guitar stable. The Rosie works effortlessly across all guitar types and in all conditions.

You're treated to a JFET input section that lets the flavor sing regardless of where you place it, even after a wah. It's not what you might expect from a silicon Tone Bender, but Solid Gold are used to exceeding expectations.

The highly specialized transistor selection ensures smoothness and mojo throughout all knob sweeps, with nothing a hair out of place. And the cleanup is exceptional, with a feel befitting a silicon Tone Bender. Just like many silicon fuzzes, you get the best of the worlds of cleanup and screaming leads.

You can pair the Rosie to your specific guitar with Solid Gold's two-way Tone toggle, adapting the Rosie to the thinnest lipstick pickups to the beefiest humbucker you have. An onboard Bias control lets you adapt the voltage to your liking. Ever notice how some fuzzes sound better with old batteries? This is why, and now you can adjust the voltage to taste, lending a different flavor to our silicon Tone Bender.

Whether it's modern chord work or vintage violin-like sustain, the Rosie fulfills all your needs. It's a whole lotta pedal, and it can be yours today.

KNOBS: Turning this control up delivers everything from sparkling crunch to saturated fuzz bliss.

Bias: Ever noticed how some fuzz pedals sound better with an old dying battery? The Bias control lets you adjust the amount of voltage to the final transistor, giving you plenty of splatty singing lead tones, full-bodied fuzz and everything in between.

Vol: Unlike most vintage-style fuzzes, the Rosie gives you plenty of output.

TOGGLE SWITCHES:

Tone: This two-position toggle switch changes between standard and bass reduction modes. Standard mode gives you the push needed to fatten up single coils, while bass reduction mode makes sure you don't beef things up too much.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The Rosie requires a center-negative 9VDC power adapter with at least 5mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$211.58 SAVE 17%
coming soon $175.20
FORTHCOMING
Solid Gold FX Lysis Poly Octave Down Fuzz Modulator Effects Pedal
Cat: 792822 Rel: 31 Dec 20
 
Fuzz/modulation/filter pedal
Notes: If you've ever awoken in a cold sweat dreaming of synthesizers, here's the ticket: Lysis. There's always been something about synth players for which guitarists and bassists alike have yearned. Though they're essentially the same instrument, the onboard accoutrements are what makes all the differenceioscillators, filters, LFOs; these are the makings of true electronic synthesis, and these are all things we stuffed into the Lysis.

All of the bells and whistles of synths are featured in full within the walls of the Lysis. For starters, the Lysis serves up a specially-designed wave-shaping fuzz circuit. This helps the Lysis sound more like a square wave or sawtooth wave.

The DSP-controlled polyphonic octave circuit takes all the clang you've cooked up and sends it south, to a rich two-voice octave-down synthesizer that tracks one note or 88, all at once. Serve Lysis your longest signal chain on a platter, and it will eat it for breakfast.

The Filter section is where things get really interesting. For starters, the Lysis gives you the option to blend the octave/fuzz section with the filtering, so you can enjoy punishing octave-down fuzz, rich, goopy filter sweeps or anything in between. The Lysis also gives you a switchable high-pass and low-pass filter, along with the option to manually manipulate the filter's cutoff or have it automatically modulate.

If you choose the manual path, an expression pedal jack gives you hands-free control of the Freq knob, for a sound-bending filter-wah effect that can absorb the impact of the most well-equipped dirt section. Should you choose modulation, the Freq knob controls the rate of the effect. An expression pedal gives you foot control over the speed for some psychedelic guitar freakouts or smooth undulation.

An onboard vibrato circuit finishes off the signal path of the Lysis. When in fixed mode, Lysis kicks in the vibrato, but in modulated mode, a filter LFO is engaged and Mod controls the rate of that. The two-position Warp switch works in tandem with the corresponding footswitch, either maxing or killing the Mod knob depending on the position.
Much more than a mere effect Lysis is its own future forward entity, a cellular organism of the sonic variety bursting with possibilities.

POWER:

The Lysis requires a center-negative 9VDC power adapter with at least 60mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$326.02 SAVE 22%
coming soon $252.82
FORTHCOMING
Solid Gold FX If 6 Was 9 - BC183 Fuzz Face Inspired Fuzz Effects Pedal
Cat: 792821 Rel: 31 Dec 20
 
Fuzz pedal
Notes: If there's one pedal that captures the soul of classic rock, the Fuzz Face is probably it. For those unfamiliar with Fuzz Face lore, as germanium parts fell out of vogue due to reliability issues, Dallas-Arbiter shifted to silicon parts. Both versions were used extensively on thousands of records.

Solid Gold's If 6 Was 9 pays tribute to all the players who contributed to the pantheon of rock, with specially selected components to get your mojo working. We put two BC183 devices in each one, which is widely regarded as a happy medium between the potentially mushy compression of germanium and the brash sawmill-like fuzz of silicon. The tone of the If 6 Was 9 is just thatismooth and refined without falling apart on chords, and with loads of sustain on single-note work.

The specially-selected BC183 parts gives you a thick balanced bass response and a tight fuzz tone- just right. The If 6 Was 9 supplies a two-way tone toggle switch that adjusts the fuzz character to match with the rest of your rig.

Fuzz Face tone has been whittled down to such a precise science that players now know what voltage at which they prefer their Fuzz Face to be run. Eric Johnson famously kept a box full of batteries drained to various degrees. Now you can harness this power with an external Bias controliset the voltage to whatever you wish for full-bodied fuzz or ripping splatty tones that explode when you dig in.

The Fuzz and Bias controls work in beautiful synchronicity with your guitar's volume control, bringing all kinds of flavors to the table. Anything from mild overdrive to almost envelope-like snarl is available with just a couple turns. Set the onboard controls just how you like and leave the heavy lifting to your guitar.

KNOBS:

Fuzz: Unlike the original, this control has range throughout, instead of just the maximum. Go from sparkling harmonic enhancement to blissed-out sustain with one turn.

Bias: This varies the voltage to Q2's collector, giving you a huge range of tones from zippy and lean to full and throaty.

Vol: There's more on tap here than in the stock unit, letting you really give your amp what-for.

TOGGLE SWITCHES:

Tone: This toggle switch delivers two different fuzz voicings. Chose from Tight (left) or Thick (right).

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER:

The If 6 Was 9 requires a center-negative 9VDC power adapter with at least 3mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS: 4.77" x 2.6 x 1.39" (121.1 x 66 x 35.3mm)
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MRP:$224.89 SAVE 17%
coming soon $187.40
FORTHCOMING
Solid Gold FX Funkzilla Tap Tempo Envelope Filter Effects Pedal
Cat: 792820 Rel: 31 Dec 20
 
Envelope filter effects pedal
Notes: When it comes to envelope filters, there are a funkload of options. Unfortunately, there are plenty of parameters with which to control them, and almost all envelope filters deny you access to at least one. "Let's just not give them a frequency control", some might say. Fear not, funkseeker, as the Funkzilla smashes all preconceptions of what an envelope filter should do and sound like- and it works on everything; guitars, bass, keys, you name it.

The Funkzilla is Solid Gold's take on everything enveloped, filtered or both. While all envelope filters give you the ability to coax that familiar "quack" sound from them, the Funkzilla contains the ability to shift the filtering from envelope control to LFO control. In other words, it's the ultimate funk box.

Attack, Depth and Freq(uency) controls come standard, as does the envelope direction (up or down). Beyond that, the heart of the Funkzilla lies within its Tap/Env switch. This switch toggles between standard envelope filter sounds and more dynamic autosweep sounds that take away the need for dynamics.

With this switch set to Tap, a plethora of options opens up. The Speed and Mode knobs become active, as does the tap switch, along with 1-2-4 and Wave toggles. The Speed knob now controls the speed of the auto-sweep (overridden by the Tap switch), and the 1-2-4 toggle controls the time subdivisions.

You can adjust the Funkzilla's Mode control to one of eight different rhythmic patterns for the utmost expression, and across those patterns, you can choose one of three different waveformsisine, ramp, and square.

An expression jack overrides the Speed control for some truly expressive filtering options, with some phaser and flanger overtones available for the brave.

Even without the bells and whistles, the Funkzilla is one killer envelope box and funks the joint up right out of the box. With the bells and whistles? Look out.

KNOBS:

Speed: When in Tap mode, this knob controls the rate at which the filter sweeps automatically, from near-frozen pulses to hyperdrive.

Mode: This eight-position control cycles through several rhythms and accents when in Tap mode. Because of the different rhythms, it is highly interactive with the standard filtering controls. Turning the Mode control fully left bypasses all functions.

Depth: Controls the intensity of the filter sweep across both Tap and Envelope modes.

Freq: Adjusts the center frequency of the filter sweeps. Turning the knob lower centers the filtering on the dubby side of things while turning it up gets you into Zappa territory. Works across both Tap and Envelope modes.

Attack: This control adjusts the time it takes for the filter to "open." Turning it doesn causes the envelope to open slowly, and turning it up opens the envelope very quickly. This knob works only in Envelope mode.

TOGGLE SWITCHES:

1 2 4: The tempo range of the Funkzilla lives in this switch. In Tap mode, it sets the subdivisions of your tapping. In standard mode, it sets the range of the Speed control.

Wave: A three position switch changes LFO waveforms between Sine, Ramp and Square modes. This switch is only available in Tap mode.

Dir: This switch toggles between forward and reverse envelope operations, and is available across both Envelope and Tap modes.

Tap/Env: Changes between the two main modes: Tap and Envelope. In Tap mode, the filter speed is set by either Speed knob, expression pedal or tap tempo. Each control will override the last one used. Envelope mode works as a standard envelope filter. Make sure that your instrument's volume is set to maximum for best results.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: In Tap mode, connecting an expression pedal gives hands-free control over the Speed knob for some psychedelic filter action. This effect is not available in Envelope mode.

True bypass footswitch: Turns the effect on and off.

Tap tempo footswitch: In Tap mode, sets the tempo of the filter sweeps.

POWER:

The Funkzilla requires a center-negative 9VDC power adapter with at least 15mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS:

4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$326.02 SAVE 17%
coming soon $271.69
FORTHCOMING
Solid Gold FX Funk Lite Envelope Filter Effects Pedal
Cat: 792818 Rel: 31 Dec 20
 
Envelope filter effects pedal
Notes: If your mothership has touched down on planet Funkatron and you're not sporting a quality envelope filter, it'll be a long time before your tone blasts off. If you need the finest quack on the market, Solid Gold have got it. Introducing the Funk Lite.

The Funk Lite contains the envelope core from Solid Gold's all-encompassing Funkzilla, preserving all the fresh funk and powerful envelope generation you'd come to expect from one of our quackboxes. Unlike many filters that skimp on the features, this has everything you need with a sublime sweep for each knob and some extra bells.

The core of the Funk Lite contains the only three controls that you need: Depth, Freq(uency) and Attack. A toggle switch changes the direction of the sweep, giving you everything from deep dubby sloshes to Zappa filter stabs and everything in between.

Depth adjusts the intensity of the filter sweep, from shallow cuts to deep scallops, while the Freq control adjusts the center frequency of the sweep. The Attack control adjusts two parameters at once- the sensitivity of the filter opening and the decay of the overall tone. As you might expect, these three controls are incredibly interactive, with a multitude of funktions on tap.

The Funk Lite is perfectly voiced to squash any unwanted high peaks or rough envelope artifacts, and is engineered to accept line- or instrument-level signals from guitar and bass to keys and anything else you can think of. Combine all this with an all-analog signal path and true bypass switching, and you have a funk box worth talking about.

KNOBS:

Depth: From light and funky to deep and fun-kay, this knob adjusts the width of the envelope effect.

Freq: This control adjusts the frequency of the filter sweeps. At noon, the control is set neutral. Turn the knob down for lower-frequency dub blasts and turn it up for higher-frequency stabs that really cut.

Attack: This control determines how hard you have to hit the strings to get the filter to "open up." It adjusts two parameters at onceidecay time and the sensitivity. Turning the control up increases sensitivity but decreases the decay time, while turning it down decreases the sensitivity but increases the decay time. Turning this knob to zero slams the envelope shut and you can dial in fixed filter or "cocked wah" tones.

TOGGLE SWITCHES

Dir: Changes the sweep direction between forward and reverse.

AUXILIARY:

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitch: Turns the effect on and off.

POWER: The Funk Lite requires a center-negative 9VDC power adapter with at least 6mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.

DIMENSIONS

4.39" x 2.34" x 1.06" (112 x 60 x 27mm)
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MRP:$224.89 SAVE 17%
coming soon $187.40
FORTHCOMING
Solid Gold FX Electroman MKII Oscillating Delay & Modulation Effects Pedal
Cat: 792811 Rel: 31 Dec 20
 
Delay + modulartion pedal
Notes: The debate over which type of delay is "the best" is one that has plagued guitar shops and internet forums for half a century. On one hand, we have analog purists that prefer the murky degraded repeats of an analog delay, while digital users prefer the exacting repeats of ones and zeroes. But Solid Gold simply like delays that are excellent, and the Electroman MKII is just that: An excellent, feature-rich delay that does everything right.

The core of the Electroman MKII is two cascaded digital delay lines, making bold strides in the arena of PT2399 chips. The PT2399 is a chip developed for DJ rigs and karaoke machines, and when tuned correctly, blurs the line between digital and analog.

The mode toggle takes advantage of that unique dual-line approach, giving you standard delay or one that sends the repeats only to the second chip for a cool half-time sound that will sit front and center on your next ambient or shoegaze record.

The second footswitch of the Electroman MKII retains our warp feature, which sends the repeats ramping up to self-oscillation for ambient textures and spatial soundscapes. But this time, you control the sensitivity with one of three settings on the warp toggle, from gentle nudging into infinity to instant freakouts.

Delay repeats are backed by an extremely musical modulation circuit, which has three selectable speed ranges and a generous flutter control, which increases the depth as you roll it up. This control turns the Electroman MKII into an instant tape echo simulator, where you can dial in just the right amount of digital wear and tear.

While the Electroman MKII is equipped with buffered bypass, the tails switch lets you decide whether or not the Electroman MKII chokes off the repeats when switched off, or leaves them trailing into your amp when bypassed. This feature lets you sculpt your sound just how you like, allowing for precision interplay with your other effects by affecting just one passage.

Level, repeat and time controls come standard, with the time control maxing out at 1 second of warm delay. The Electroman MKII's color knob will settle the debate between analog and digital snobs by shaving treble content from the repeats as the control is increased.

An extra jack on the left edge takes the Electroman MKII to the next level: The fx loop jack lets you connect a stereo Y-cable to as many auxiliary pedals as you like, with the looped effect applying itself to the repeats. Try an octave pedal for true space exploration, a ring modulator for a lo-fi delay and even a volume pedal for swells of repeats.

Tone is always the goal, so if you want an outstanding delay unit that hacks through the vines of tiered menus and other complicated fluff, let the Electroman MKII be your machete.

KNOBS:

Level: Changes the amount of wet signal from nothing at all to highly involved.

Repeat: At zero, you'll find the humblest of all delays: the slapback. At full-blast, the repeats will run away and overtake your signal.

Color: This control takes a little treble off the top as you turn it. Fully left is bare-naked digital, and turning it up increases the murk.

Flutter: Controls the modulation depth. Keeping this control at zero shuts the circuit off.

Time: Changes the delay time from a double tracking-esque 70 milliseconds to a full lengthy second.

TOGGLE SWITCHES:

Warp (toggle): Changes the intensity of the Warp footswitch across three modes, from subtle (center) assertive (left) to imminent lift-off (right).

Mode: Changes between standard delay (left) and a special second mode(right), which sends the repeats slamming into the second delay line at half time.

Speed: Offers three different speed settings of the modulation circuit - slow in the center position, fast when toggled right and medium in the left position. See also: flutter knob.

Tails: The Electroman MKII is buffered bypass, and this switch lets you decide how you want the repeats to behave with the pedal switched off: choked off when switched left, or trailing when switched right.

AUXILIARY

FX Loop Jack: This jack lets you attach a stereo Y-cable, allowing you to patch in any number of effects. These effects let you apply external effects only to the repeats, for endless amounts of fun. You can even run a full external pedalboard in this loop. We won't tell. In addition, the loop also doubles an an expression input to control the level knob.

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Warp Footswitch: Engaged self-oscillation when and where you want it, and relents when you release it.

True Bypass/Trails Footswitch: Turns effect on and off.

POWER:

The Electroman II requires a center-negative 9VDC power adapter with at least 40mA of current (not included). Almost all power supplies meet this requirement, but check yours first.

DIMENSIONS

4.67" x 3.68" x 1.18" (119mm x
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MRP:$326.02 SAVE 21%
coming soon $256.15
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