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Coming Soon: Studio Equipment

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Studio Equipment

Items 1 to 34 of 34 on page 1 of 1
Malekko Varigate 4+ Module (black faceplate)
Cat: 766093 Rel: 31 Dec 20
sequencer module
Notes: The Varigate 4+ is a 4-channel, 8-step sequencer that includes most features of the original Varigate 4, PLUS the new option to output both CV (quantized or unquantized) and gates simultaneously. Other new features include a Play/Stop function, Preset Banks (4×4), Glide Per Step, Scales and can also be configured as master for the Malekko Voltage Block as well as a slave to the Varigate 8+ if you're looking to expand your total channels and presets (up to 14 channels and 100 presets with V8+).

Each Channel (or Track) correlates with it's own sequencer (so 4 independent sequencers). The addition of the Gate/CV Switch allows for switching between 4 channels of CV, 2/2 for 2 channels of CV and 2 channels of gates, or all 4 channels to output only gates. Additionally, each step of a sequencer can be programmed with Probability for gates, Repeats, Glide and Notes (when in a CV mode). There is a also a Randomization feature for Repeats, Notes and Glide. Channel parameters for Scales, Sequence Direction (Forward, Reverse, Pendulum and Random), Sequence Length, Division, Multiplication and Pulsewidth are all easily accessible using Track Mode.

Easy Preset Recall makes the Varigate 4+ perfect for live performance. Pair it with the Malekko Voltage Block for maximum control.
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MRP:$331.32 SAVE 17%
coming soon $276.10
Qu Bit Cascade Ratcheting Envelope Generator Module
Cat: 766031 Rel: 31 Dec 20
envelope generator module
Notes: Cascade is a ratcheting envelope generator featuring burst generation, a flexible curve parameter, and two discrete level controls. Freeze allows you to lock the output voltage exactly where it is with the press of a button or a gate input. The Cascade can be transformed into several other modes, including ASR, ADSR, dual AD, and a gravity-based bouncy-ball mode.
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MRP:$258.56 SAVE 17%
coming soon $215.46
Malekko Quad LFO Module (black faceplate)
Cat: 766096 Rel: 31 Dec 20
LFO module
Notes: An LFO, or low frequency oscillator, sends control voltage out in the shape of a waveform. The Quad LFO available shapes include sine, ramp, saw, triangle and pulse and moves through these shapes using the SHAPE slider. You can send these 4 distinct LFOs directly out or to other modules for frequency modulation, VCA control, filter control, etc.

What makes this Quad LFO module different is that it also includes a 16 step automation sequencer for each channel, as well as autosave or expanded preset functions when used in conjunction with Varigate 4+ and Varigate 8+.

Multiple Quad LFOs can be controlled by one Varigate 8+ or Varigate 4+ on the same bus to instantly save/recall presets.

To create a sequence of automation for an LFO, select a channel and then hold the RECORD button and move the sliders for Frequency, Phase, Shape, Distort and Level and those slider movements will play back automatically as the Quad LFO cycles through the sequence. This sequencing feature allows for a multitude of dynamic possibilities for live performance and recording.

Set each LFO to trigger via one of the 4 individual gate inputs, or set channels 2 through 4 to follow channel 1 for quadrature and phase modulation. Change the direction of each channel of sequenced automation to Forward, Reverse, Pendulum or Random. Switch the playback speed and style between Fast, Slow or Tempo Sync. There are also inputs for both Clock and Reset.

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MRP:$357.31 SAVE 17%
coming soon $297.76
Sensel Morph USB & Bluetooth MIDI Controller (standalone)
Cat: 785452
USB & Bluetooth MIDI controller
Notes: Swap overlays to change from music, writing, gaming, and more. USB or Bluetooth means the Morph works anywhere. Experience a new level of expression with 20,000 pressure sensors at your fingertips. Whatever your passion, you can make it with Morph.

Comes with:
Sensel Morph
One overlay of your choice: Piano, Music Production, Drum Pad, Buchla Thunder (+$20=$269), Innovator's, Video Editing, Keyboard, Gaming
License to Arturia's Analog Lab Lite synthesizer software
License to Bitwig's Studio 8-Track music-creation software (when purchased with a MIDI overlay*)
USB Cable

The Sensel Morph uses Sensel's patented PressureGrid technology: a high-resolution, multi-touch, pressure sensing touch technology with a sensitivity range of 5g to 5kg and a tracking accuracy of ~0.1mm.

Compatibility: Windows, OS X, iOS, Android, Linux, Arduino (see final product image for more details on compatibility)
Dimensions: 240 mm x 169.5 mm
Active Area: 230 mm x 130 mm
Thickness: 6.75 mm
Weight: 0.4 kg
Latency: 2 ms - 8 ms (mode dependent)
Resolution: 6,502 DPI
Connectivity: USB, Bluetooth LE, and Serial
Power: USB, Rechargeable Battery
MIDI: USB Class-compliant, MIDI Polyphonic Expression (MPE), Bluetooth MIDI
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MRP:$349.51 SAVE 33%
coming soon $232.78
Midi Fighter Twister MIDI Controller
Cat: 794833 Rel: 31 Jan 21
Knob-assisted MIDI controller with LED rings
Notes: The most playable knob controller around.

Each knob doubles as a super powerful button. Turn the encoders to control a parameter in any software and twist their built in buttons to quickly reset the knobs or turn effects on and off. This means each knob is like 3 knobs.

The heart of the Twister are the 16 "Endless Encoders". These are very powerful knobs that don't have a start or ending point. Instead the LED rings show you the position of the knob. This means that the controller and the software are always in sync, even when changing banks, racks or songs on the fly.

The Twister allows for deep customization of every knob across all 4 banks with 5 killer features not found on any other controller. Change LED color, transform an encoder into a DJ filter, enable fine midi control, toggle a parameter on/off, or setup a "shift" knob so pressing a push-encoder activates control of a secondary function

The Midi Fighter twister was designed with producers in mind. We need compact, reliable controllers that are easy to map to our DAW's. The endless encoders respond to the software so everything is always in sync, even when playing back recorded automation.

Combine The Twisters powerful knobs with a DAW template so that every time inspiration strikes, a powerful studio environment is there to support you. This is how the pro's do it - why wouldn't you?

The knobs not only control your typical volume, pan and FX send controls but they also enable a host of quick access to deeper control - only available on the twister. For example, push the encoder to send out a fine resolution range and dial in the exact EQ setting you want. Release and return to normal range control.

You need to be able to react to the dancefloor. Having a dedicated controller is just like being a practiced instrumentalist. Once you have a idea, you can just make it happen as soon the inspiration hits.
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MRP:$262.46 SAVE 17%
coming soon $218.71
TouellSkouarn Strakal Silisiom Distortion & Waveshaper Module
Cat: 790480 Rel: 31 Dec 20
Distortion & waveshaper module
Notes: The Strakal Silisiom is composed of two different fuzz circuits.

2 Different Fuzz circuits sharing the same controls
Morphing between the 2 Fuzz circuits (cv controlled)
Russian NOS Silicon Transistors
All analog

HP : 8
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MRP:$327.42 SAVE 17%
coming soon $272.84
IO Instruments KALLICHORE Six Voice Digitally Controlled Oscillator Module
Cat: 795935 Rel: 31 Mar 21
CV modulation/MIDI/oscillator/ring modulator synth module
Notes: SIX VOICE FPGA based oscillator

Three pairs of DCOs controlled by CV&MIDI

MONO, 3 and 6 POLY VOICE mode

Internal & external SYNC, 3 RINGMODs


FREQ range from 0,1 Hz to 10 KHz


Modulation via 3 CV INs & DCO 4/5/6

Multiple MOD sources to one target

300 programs

TFT display & continuous potentiometer

Easy user interface for studio & live

Future features planned via SD Card update


Width: 20 HP
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MRP:$280.65 SAVE 17%
coming soon $233.86
Moog Grandmother SR Series Case
Cat: 792865 Rel: 31 Dec 20
Case for Moog Grandmother
Notes: Moog SR Series Cases are here to safeguard your Moog Grandmother synthesizer where you need it most and ensure your sound travels far and wide.

Musician's report the most important performance a case can offer are protection from impact and protection from water - in that order. With that in mind, Moog SR Series Cases have been developed to be the first line of defense for your synthesizer.

Moog SR Series Cases feature generous padding around a semi-rigid ABS shell, a rugged Ballistic Cordura outer that resists tears and abrasions, and laminated water-resistant zippers to offer on-the-go protection and safe storage for your instrument. Multiple strap and handle configurations keep your commute comfortable, and multifunction pockets ensure you're organized on arrival.

Moog SR Series Cases are a perfect fit for your Moog Grandmother Synthesizer.

PLEASE NOTE: The Moog Grandmother is not included in this purchase, it is for demonstration only.


INTERNAL: Padded plush liner
EXTERNAL: Durable abrasion resistant 1680D Cordura, water-resistant
Laminated zippers, reinforced stitching and metal rivets

PADDING: Semi-rigid ABS, generous foam padding

(2) Smooth and durable webbed handles (top and side) with reinforced stitching
Removable anti-slip shoulder strap,
Removable air-mesh padded backpack straps

External Pockets
Multi-compartment Exterior Pocket
Rear pocket for storing tablet or laptop
Internal Pockets
Zippered pockets
Velcro pocket
Pen holders

Grandmother Semi-Rigid Bag
Removable Backpack Straps
Removable Shoulder Harness


INTERNAL IMPERIAL (in): L 23" x W 14." x H 5.5" (tapers down to 3")
EXTERNAL IMPERIAL (in): L 25" x W 16" x H 7"
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MRP:$258.56 SAVE 17%
coming soon $215.46
ADDAC System ADDAC405 VC Relabi Generator Module
Cat: 797099 Rel: 31 Jan 21
clock generator / clock modulator / LFO / quad / comparator synth module
Notes: In 2009 John Berndt coined and defined the term Relabi in his essay "Relabi": Patterns of Self-Erasing Pulse, these are his own words: "Relabi, Def.: The experience of a palpably coordinated plurality of events that appears to be cyclical but simultaneously suspends identification of a uniform pattern, preventing a resolved sense of pulse. Relabi therefore seems equally pulsed and unpulsed at the same time. It is an experiential gestalt, a quality of experience, greater than the sum of its parts (it forms a sustained unity in experience, albeit of a new kind)."

He also makes the question: "Why would anyone want this Relabi experience? I maintain that much of what is exciting in musical forms involves an interplay between the setting up and denying of pulse expectations."

Inspired by this idea, ADDAC System developed this module that is both a gate/trigger and cv generator that can be freely used to trigger events or act as a complex modulation source. Four Sine LFOs are internally generated, each has controls for gain, frequency and mute(off). These 4 LFOs are then mixed together to generate what Berndt named the "Relabi Wave" this "wave" becomes a complex bipolar CV source. This i5v bipolar "wave" can be monitored on the 2 dedicated leds and is also available at its own Output.

Make sure to check the User's Guide for indepth description, working behaviour and diagrams.

Tech Specs:
4cm deep
100mA +12V
40mA -12V
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MRP:$346.91 SAVE 19%
coming soon $281.51
Zlob Modular Vnicursal VCA 6-Channel Voltage Controlled Amplifier Module
Zlob Modular Vnicursal VCA 6-Channel Voltage Controlled Amplifier Module (6-channel voltage controlled amplifier synth module)
Cat: 793167 Rel: 31 Dec 20
6-channel VCA module
Notes: The VnIcursal VCA is an 8hp 6 Channel VCA Eurorack Module available as a Eurorack DIY Kit, PCB and Panel, or Built Module.

It the smallest, most compact Voltage Controlled Amplifier in the Eurorack market. It provides 6 OTA(LM13700)-based DC Coupled Linear VCAs for Audio or CV. The 6 VCAs are summed together so it can be used as a voltage controlled mixer. Each VCA is normalled to the sum so they can be removed from the mix and used on their own. The potentiometers control the amount of gain, and when a voltage is inserted into the CV in the potentiometers act as attenuators. With a control voltage of 5 volts the VCA will be at unity gain, anything above that can clip the input. LED brightness with or without CV in provides constant feedback of each channels amount of gain.

The VnIcursal is not a perfect scientifically spec'd VCA. Analog VCAs can only close so much, or be so silent. In certain situations based on power supplies and gain stages the VCA can experience some bleed or noise mainly at the sum out as all channels are passively summed then buffered.

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MRP:$324.83 SAVE 17%
coming soon $270.68
Presonus AudioBox Studio Ultimate Bundle 25th Anniversary Edition Deluxe Hardware & Software Recording Collection
Notes: Everything you need to record and produce- and beyond.
Produce and record like a pro with a single-purchase bundle! The core of this package is the AudioBox USBr 96 audio/MIDI interface and award-winning Studio One recording and production software. You also get PreSonusr' best-selling Eris E3.5 Active Media Reference Monitors and HD7 headphones, allowing you to monitor your work loud and proud or quietly to yourself. Lastly, the M7 dynamic microphone is a superior all-purpose condenser mic ideal for guitar and vocalsiand we even included all the necessary cables and a desktop mic stand.

AudioBox USB 96: Simple, reliable, and portable.
The AudioBox USB 96 is the heart of the AudioBox Studio Ultimate Bundle. This simple, handy little audio/MIDI interface has just the right features for basic recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.

Studio One Artist makes recording a breeze.
No other entry-level recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio Oner Artist lets you work quickly and stay focused on your inspiration, offers unlimited tracks and plug-ins, and delivers features not normally found in entry-level DAWs. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy!

Sound you can trust. Eris 3.5
PreSonusr Eris-series studio monitors are used worldwide by audio engineers who need to hear every detail of their recordings. Eris E3.5 employs the same technology as the larger Eris models to deliver studio-quality sound, with a smooth and accurate frequency response. They're compact enough to fit almost anywhere, but still offer robust I/Oiyou can connect them to nearly anything.

Capture every nuance with the M7 condenser microphone.
Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone and desktop stand. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones, like the M7, tend to "warm up" a sound, making them the go-to microphone for recording vocals and a wide range of instruments.

Hear every detail with HD7 professional headphones.
PreSonus' high-definition HD7 headphones take advantage of a patented, semi-open sound chamber to deliver exceptionally deep low frequencies with a balanced and yet powerful bass punch. Accurate midrange and extended treble response let you pick out the fine details of a mix or track. The lightweight, ergonomic design adjusts to any head size, offering a comfortable listening experience during long recording sessions.

Make your own magic.
PreSonus audio interfaces come with everything you need to craft your own mesmerizing spells in the studio. That's why Studio One Artist is included with Presonus every audio interface.Not only that, the Studio Magic Suite of software is also included with Presonus audio interface products.
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MRP:$344.31 SAVE 17%
coming soon $286.92
Nektar Impact GXP61 USB MIDI Controller Keyboard
Nektar Impact GXP61 USB MIDI Controller Keyboard (USB MIDI controller keyboard)
Cat: 784008
MIDI controller keyboard
Notes: Nektar products are synonymous with DAW integration on Mac and Windows and the Impact GX61 is no exception. The compact design is comfortable in front of a computer and delivers powerful functionality not even found on more comprehensive controllers. When inspiration strikes, the Impact GX61 delivers the control needed to capture ideas while they are fresh. Compact. Powerful. Control.

The Impact GX61 is a dynamic and expressive instrument, tailored to composition & performance with your computer music system. The no-fuss interface is a great entry into the world of Nektar controllers.

Featuring a 61-note (5 octave) keyboard, pitch-bend wheel, modulation wheel and foot switch socket. Two multi-colored octave buttons enable shifting the keyboard range up or down -3/+4 octaves with the LED colors changing to show the exact status, Impact GX are well equipped to deliver a great workflow.

Dedicated transpose buttons allow you to shift the keyboard range up to +/- 12 semi tones. The buttons can quickly be re-purposed to change the Global MIDI Channel or send Program messages. Additionally an assignable potentiometer provides control over any MIDI parameter, by default controls mixer volume.

Nektar DAW Integration for many of the most commonly used DAWs makes it easy to get going, and a pleasure to use. With Impact GX49 your controller keyboard is part of your system, giving you the creative freedom to compose, perform and play, without having to reach for your mouse constantly.

Eight buttons intended for DAW control, are at the center of the Impact GX. Essential tasks like transport activation or navigating tracks are highly repetitive and reaching for the mouse every time, can kill any seed of inspiration. Used with Nektar DAW integration, the 8 buttons extend functionality to include control over transport and a host of other important DAW functions, right from Impact GX.

The buttons can also be assigned to MIDI messages for use with any MIDI software that's not supported by Nektar DAW Integration. A primary and a secondary message can be programmed for each of 7 buttons, delivering 14 programmable options total.

Nektar DAW integration is carefully crafted to give the best experience with your Nektar hardware. It delivers the freedom to create, instead of having to reach for the mouse constantly when you are in the middle of capturing an idea.

Transport control with ability to goto and set locators, track navigation, volume control, launching windows and patch navigation is all available right from Impact GX. Check out the function overview chart below and see how the Impact GX ticks all the right boxes.

Impact GX is a MIDI controller as well as a DAW controller. If you use MIDI software that's not supported by Nektar DAW Integration, a host of options are available for you to set up MIDI control yourself.

Each of the 14 assignable MIDI buttons, the modulation wheel, foot switch and of course the big control knob, can be assigned to send out MIDI cc messages. The assignable buttons (14) can in addition be configured to send out Program message or MMC transport control. MMC (MIDI Machine Control) is often supported by DAWs that don't allow for advanced integration, so with this option Impact GX covers all the bases.

The Setup menu also enables Program messages, Bank LSB/MSB to be sent out on the fly as well as settings for selecting one of the 4 velocity curves, setting the Global MIDI Channel and assigning the transpose buttons.

As a low powered USB device, Impact GX works with all USB devices that feature a Class compliant MIDI driver. That includes all version of Windows from XP and higher, Apple OS X 10.5 and higher plus Linux (as long as a USB MIDI driver package is installed).

And if you are often on the move you can easily hook your Impact GX keyboard to an Apple iPad using the iPad's optional USB camera connection kit (optional). Of course the Impact GX is powered by the iPad so you can work away for as long as your iPad remains charged.

Bitwig 8-Track is included with every Impact LX+ so you can start producing, performing, and designing sounds like a pro from day one. Bitwig 8-Track gives you access to over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own, too. The 'Bitwig Essentials Package', a highly versatile handpicked selection of loops, clips and samples, is also included to help you get started. So put all that together and you have a powerful sketchpad for your musical ideas featuring the acclaimed workflow of Bitwig Studio.
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MRP:$259.86 SAVE 17%
coming soon $216.54
AniModule V9a Module
AniModule V9a Module (clock generator / sequencer / waveshaper synth module)
Cat: 793809 Rel: 31 Dec 20
VC sequencer & waveshaper module
Notes: Here's a powerful animal to add to your sequencing arsenal.

Send your CV to the CV In. As the Voltage increases the sequence steps forward. As the voltage decreases the sequence steps back.
Scale and adjust your input voltage to taste with the Onboard Attenuator and Offset.

Control the Output CV with an individual Potentiometer for each step.

When a step changes, a 10MS trigger is sent to it's corresponding switch. If the latching switch is depressed it allows the trigger to pass to the Trigger Out.

There is a switch per step for slew (portamento/slide).
and a Potentiometer to control the Slew Amount.
There is also an input to allow gated control of when the slew turns on and off which will work in conjunction with the switches.

This module is looking for 0V to +5V. The Offset is 0V to +5V.

To allow for chaining of the V9a and rests, 0V will put you under the sequencer range and +5V will put you over the sequencer range.
When the sequence drops below step 1 or over step 9, 0V will be sent to the CV Out and No Trigger will be sent to the Trig Out.
When step 1 or 9 is activated a trigger will be sent to the Trig buss.

Max Current Draw:
+12V = 40mA
-12V = 11mA

Width: 14HP Depth: 39mm
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MRP:$297.54 SAVE 17%
coming soon $247.95
Izotope Spire Studio Portable Digital Multitrack Recorder
Izotope Spire Studio Portable Digital Multitrack Recorder (portable digital multitrack recorder)
Cat: 784795
Multitrack recorder
Notes: Quickly capture amazing audio anywhere- A liberating recording solution combining powerful hardware with an innovative mobile app. Never lose another song idea again.

Spire Studio makes it easy to record and collaborate
The creative process can be a challenge, but it doesn't have to be. In this video, discover how easy it is to get your next song idea recorded, produced, and shared with the world, all using tools as creative as you are-iZotope Spire and plug-ins.

Why Spire Studio?

Soundcheck: your personal recording engineer
Say goodbye to distorted, quiet, or muddy-sounding recordings. When a song idea strikes, there's no need to waste time manually setting recording levels and EQ. In seconds, Spire Studio's Soundcheck intelligently detects your instrument, automatically sets input levels, and sculpts its tone to sound great in the mix.

Streamline collaboration with cloud sharing
Collaborating on a song with co-writers, bandmates, or producers has never been this easy. Instantly create and send a project link, allowing anyone to preview the song, open the project in Spire, download an .MP3 or .WAV mixdown, or even download high-quality stems to work within a DAW.

iZotope's award-winning processing meets wireless recording
Add the final touch to a song with Enhance; a mastering feature born from iZotope's award-winning Ozone technology. With the touch of a button, Enhance increases clarity and boosts loudness to get the most out of a song before it's shared out to the world.

The all-in-one recording solution

1. Intuitive control
Record with simple controls if your smartphone is out of reach

2. Soundcheck
Press once, play for 10 seconds, your levels are set

3. On-board studio mic
Worry-free mic placement with a 360- omnidirectional condenser mic

4. Headphone out
1/8" output to monitor while you record

1. 4+ hour battery life
Rechargeable battery lets you capture ideas anywhere

2. Custom preamps
Pristine clarity from industry-leading Grace Design custom preamps

3. XLR & 1/4" instrument inputs
Plug in your mics and instruments to build songs with ease

4. Phantom power
48V to power your favorite condenser mics

Quickly capture amazing audio
Record anywhere with a built-in studio mic, 2 inputs, automatic Soundcheck, and 4+ hours of battery life.

Expand ideas with layers
Layer up to 8 tracks and use the Spire app to add effects, clarity, and fullness to your sound.

Mix & share anywhere
Visually mix your tracks, export to your desktop, send to friends, and publish from within the app.

Spire Studio Specs
Weight: 1.6 lbs.

Dimensions: 4.8 x 4.4 x 3.4 inches

Inputs: 2 XLR/TS combo jacks, 48v Phantom Power

Outputs: Two headphone 1/8" outputs

Sample Rate/Bit Depth: 48 kHz/24-bit

Connection Type: Built-in Wi-Fi network

Power Supply: Universal power adapter

Battery: Internal rechargeable lithium-ion

Battery Life: 4+ hours

Supported Operating System: Android, iOS

Device Requirements
The Spire Music Recorder app and Spire Studio are compatible with 64-bit iOS devices running iOS 10 or higher, including those listed below and any newer iPad/iPhone models.

iPhone 6 or higher
iPad Air
iPad Mini 2
iPad Mini 3
iPad Mini 4
iPad Air 2
iPad Pro 9.7
iPad Pro 12.9
iPad (5th gen)
iPad Pro 2 12.9
iPad Pro 10.5
The Spire Studio Controller app for Android and Spire Studio are officially tested and supported on Samsung Galaxy S series phones from the S7 and above. At this time we are unaware of issues on any devices running Android 8.0 or higher.
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MRP:$349.51 SAVE 17%
coming soon $291.25
Midi Fighter 3D MIDI Controller
Cat: 794824 Rel: 31 Jan 21
MIDI controller with 3D control
Notes: Connect, trigger, & tilt to perform.

One of the most popular finger drumming and performance controllers around. Built like a tank to survive a beating on stage and in the studio. The 3D is equipped with world class arcade buttons that perform better than anything around.

The Midi-Fighter also includes a completely unique 3D controller set. You can map left, right, forward and back tilt to any parameter including FX, filters, or pitch. By combining a gyroscope, accelerometer, and compass we provide the smoothest, most accurate 3D control you can possibly imagine.

Six hidden, but very functional buttons are built into the soft sides of every Midi Fighter. These can even be banked so their functionality changes depending which of the 4 banks is enabled. You can even map these to launch scenes in Ableton.

The four top buttons can provide 4 banks of arcade control or they can be directly mapped to your own settings. This feature and others are changed using the powerful MIDI editor.

These buttons were forged in hell: made for non-stop, 24/7 button-mashing in busy arcades. Rock-solid construction, buttons rated to last 5 million presses and zero moving parts mean one thing: the 3D can survive a serious beating.

Playing a real drum kit just feels satisfying. Why? Real drums bounce back. Our buttons bounce back one full millimeter for ultra-fast playback, easy triplets & drum rolls. Offering industry-leading latency, this is the gold standard for finger drummers.

Shouldn't music making feel fun and not frustrating? Meet the 3D: 4 banks of 16 buttons - aka all you need to make and play a full song. Easily color code each LED ring or create ultra bright, eye-popping light shows to impress friends.
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MRP:$263.76 SAVE 17%
coming soon $219.79
Tesseract Modular FranKinksTides 1.2 Dual Tidal Modulator Module
Tesseract Modular FranKinksTides 1.2 Dual Tidal Modulator Module (envelope generator / function generator / LFO / oscillator / digital / dual & stereo synth module)
Cat: 797277 Rel: 31 Jan 21
Synth module
Notes: Dual tidal modulator with max, min & mix outs

FranKinksTides is a 18hp dual Tides (based on the Swirls pcb layout) with the max/min circuit from Kinks and some switches for sync, quadrature, pll and fm operation . It can be a double/complex oscillator, a dual function generator or any combination of oscillator, Lfo and Envelope generator with lots of cv control plus some interesting cross-modulation and sync features.

Some improvements in version 1.2:

-Mix output is now buffered, no signal bleeding on single outs.
-Mix pot controls also the balance of the signals sent to the max/min circuit.
-Uni/bi switch now also determines the signal sent to FM1.
-Clock/sync switch has now a center OFF position, no need of plugging a dummy cable in the Clock1 when using Sheeps firmware to avoid ultra fast sound bank changes.
small improvements for DIY:
-Bigger font size on the pcb.
-Parts renumbered for easy DIY.

Original design by Emilie Gillet
Available assembled and DIY (pcb+panel)
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MRP:$255.96 SAVE 17%
coming soon $213.29
Joue Board Play Modular MIDI Controller With Joue App For iPad & iPhone
Cat: 781726 Rel: 30 Oct 20
MIDI controller
Notes: MIDI controller for Joue Play- iPad & iPhone compatible
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MRP:$346.91 SAVE 17%
coming soon $289.08
Solid Gold FX Spanish Castle Dual Vintage Fuzz Effects Pedal
Cat: 792827 Rel: 31 Dec 20
Fuzz pedal
Notes: The year 1969: Not only was Led Zeppelin's eponymous album released, but Woodstock took place in August. 1969 marks a turning point in the gear world also; it was the year that Dallas-Arbiter switched Fuzz Face production from the lower-gain germanium transistor core to readily available higher-gain silicon devices. The Spanish Castle pays tribute to this year.

Packed to the turrets with fuzz spread across two separate and footswitchable If 6 Was 9 circuits, the Spanish Castle is the perfect device for the fuzz-crazy and fuzz-curious alike.

The right side of the Spanish Castle represents the warmer pre-'69 circuit and is equipped with low-gain silicon transistors that emulate the rich character of germanium with more stable and consistent operation. Carbon-composition resistors further round everything out for a sound that is just like they used to roll them off the line. Unlike the Faces of yore, this circuit is equipped with a bias circuit to dial in just the right flavor, and cleans up like a champ. The original tenant of the Spanish Castle would have loved it.

On the left side, the post-'69 If 6 Was 9 circuit lies in wait. This wing of the Spanish Castle offers up higher-gain silicon transistors for a more buzzsaw-like grind, metal film resistors for tighter tolerances and an extended bias range for dialing in ripping gated fuzz textures as well as full-bodied snarl.

Each side offers up two toggle switches- Colour is a three-position switch that adjusts the EQ of its respective side, from flat EQ to two settings that shave off treble and mids. The Input toggle is also a three-position switch, changing gain and bass values that make the Spanish Castle adapt better to your wahs and other pedals.

If that's not enough control for you, each side contains an internal switch that changes between Bold and Comp modes, the former increasing the output and midrange, and the latter offering a softer, more compressed tone.

Please enjoy your stay in the Spanish Castle. You'd better make yourself at home. You're going to be here a while.


Fuzz: Most Fuzz Face-style pedals only produce usable fuzz amounts at the end of the knob. Not ours. Each Fuzz knob is designed to give you an even sweep of fuzz throughout.

Bias: These knobs vary the voltage to the collector of of the second transistor, giving you burlier (clockwise) or leaner/gated fuzz tones (counter-clockwise).

Volume: Gives you more output than vintage-style Fuzz Faces. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.


Color: These three-position switches adjust the EQ of the side they're found on. The center position of each switch bypass the EQing, while the "left" positions shave a small amount of treble and scoop a small amount of mids from their respective sides. The "right" positions shave an even greater amount of treble while scooping a greater amount of mid frequencies.

Input: These three-position switches adjust the input attenuation and wah friendliness of the side they're found on. The "right" positions leaves its respective side alone with regards to attenuation. The center positions heavily cut gain and bass, while the "left" positions mildly cut gain and bass. The center and left positions help adapt the Spanish Castle to a more wah-friendly fuzz.

UNDER THE HOOD:Bold/Comp (internal DIP): Each side contains a DIP switch that toggles between Bold and Comp settings. The Bold side increases the output level and the midrange content, while Comp delivers a softer and more compressed tone. The default setting is with Comp on.


Input: Instrument or other pedal goes here (right side).

Output: Amplifier or other pedal goes here (left side).

True bypass footswitches: Turns each side of the effect on and off.

POWER: The Spanish Castle requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Surf Rider III Spring Reverb Effects Pedal
Cat: 792828 Rel: 31 Dec 20
Reverb pedal
Notes: Reverb purists often point to amp reverb as being the pinnacle of spring reverb. That may be all well and good, but what if your amp just doesn't have reverb? What if your amp's reverb isn't good? What if you want more options after a simple "level" control? It is time to ride the waves into the Surf Rider III.

The Surf Rider III is the 'verb sound that Fender's engineers would have put into their Deluxes and Vibroverbs if they had access to today's technology. Solid Gold's finest 'verb box gives you that familiar Level control but then adds a plethora of options, including a boost and some nifty resonance features that adds some juice to your tank without the springs.

Versatility is the name of the Surf Rider's game. The Level control is just the beginning, adjusting the amount of reverb in the total signal. The Surf Rider also offers a Depth knob that adjusts the intensity of the reverberations, for some hauntingly huge verbs that fill the room. The expression jack on the side overrides this control, should you feel so inclined.

The Decay control increases the size of the virtual reverb tank, opening up the pedal and giving you verb tones that go on seemingly forever. Speaking of tones, there's a handy Tone knob that brightens or darkens the reverb signal, which helps tame harsh pickups or beef up flimsy ones. It's especially helpful if the Surf Rider III is your only pedalia splendid idea.

The Resonance switch unlocks the "drippiness" of the reverb tank, giving you a lot (upper position), a little (lower position) or none at all (center). Cracking open the Surf Rider III gives you a trimpot to set the lower level for just the right amount of splash.

The Boost section lets you boost or cut the reverb level. With the LED on, the pedal is in Hi mode, and off is Lo mode. There's another internal trimmer that lets you dial in Lo mode. Surf's up.


Tone: This knob lightens or darkens the frequency of the reverb signal only, from dark and moody to bright and biting.

Decay: Turning the Decay control up increases the decay time of the reverb signal, giving you access to huge, surf-inspired 'verbs that linger seemingly forever.

Depth: Increases the size of the virtual spring tank and the intensity of the signal. When connecting an expression pedal, you can control this knob hands-free.

Level: Controls the volume of the reverb (wet) signal.


Res: This is a three-position switch that alters the resonance of the tank. The upper position adds a high amount of resonance, while the lower position adds an amount that you set via internal trimpot (see "Under the hood" below). In the center position, the toggle adds no resonance.


Res (trimpot): This trimpot allows you to adjust the amount of resonance in the reverb signal while in the "Lo" (bottom) position of the Res toggle.

Boost (trimpot): When the Boost is in the off position (LED off), a portion of the reverb level is reduced. This trimpot lets you adjust how much is reduced to fine-tune the reverb signal.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Depth knob.

True bypass footswitch: Turns the effect on and off.

Boost footswitch: With the LED on, the Surf Rider III is in "Hi" mode, boosting the reverb signal. With the LED off, the Surf Rider III is in "Lo" mode, and a bit of the reverb level is reduced. You can adjust how much with the Boost trimpot (see above in "Under the hood").


The Surf Rider III requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Beta DLX Deluxe Bass Preamp Overdrive & Boost Effects Pedal
Cat: 792793 Rel: 31 Dec 20
Preamp overdrive & boost effects pedal
Notes: What if you had an all-in-one tonal powerhouse that could keep your tone snappy and crisp, with a boatload of options to keep your signal buoyant? The Beta DLX is such a device. By pairing it with your bass, you create a highly sophisticated tonal symbiote and your audience and bandmates will thank you.

The makeup of the Beta DLX is a super-customizable drive circuit that's paired with a juicy boost. Let's start with the drive circuit.

Volume, Tone and Gain controls come standard, and each one has an unreal range of flavors, but the five-pack of toggle switches are where the magic happens. The Beta DLX offers up fine-tuning for both channels, but Body, Mids and Clip are within the drive side's domain. Body adjusts the bass frequencies, while Mids does the same with the midrange frequencies. Clip changes the clipping threshold of the drive side. A bonus trimpot inside lets you adjust the overall gain for this side- truly putting the DLX in Beta DLX.

The Boost section of the Beta DLX gives you a powerful JFET-equipped boost. Yes, you can use it just by itself- a miracle! On this side, the B. Tone control alters the bass frequencies of the boost, while Pre/Post determines whether or not the boost side comes before or after the drive sideiuse the Pre side to push the drive side into sweet saturation, or use the Post side to kick your drive tone up a notch.

If you've ever found your bass tone lacking due to the multitude of hurdles you're forced to jump, the Beta DLX is your ace in the hole.


Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!


Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.


Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.


The Beta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Counter Current Reverb & Feedbacker Effects Pedal
Cat: 792808 Rel: 31 Dec 20
Reverb + feedback pedal
Notes: You've dipped your toes in the water with the Surf Rider, now it's time to get swept away in the Counter Current- the do-it-all immersive lo-fi reverb unit that gives you just the type of degraded reverb madness that you need to create crumbling walls of verb, 8-track garage rock ambience, and swells of bit-starved echo.

The heart of the Counter Current is three interconnected and highly interactive controls and one footswitch: F.Back (Feedback), Decay, Drive and the Momentary Feedback switch. By using these controls together and with generosity, all kinds of reverb sounds open right up.

Let's start with the Decay control: This knob affects the end result of all your careful knob placement, by extending the, well, decay time of the virtual reverb tank. Dialing it in nice and high keeps the trails ringing out longer and really lets you flood the front end of your amp with the heart of the Counter Current.

In keeping with lo-fi reverb tradition, the Drive control overloads the virtual reverb tank transducers, saturating the front end with a touch of extra gain that excites your tone in the best way. Dialing this control back gives you a characterfully clean reverb sound that still sounds an absolute treat, but go ahead- tweak that thang.

The Counter Current's Feedback control recycles the post-'verb signal into the front end for a chaotically rich reverb tone, increasing the resonance and augmenting the Drive control. Turning the control fully counterclockwise shuts the back door and keeps the feedback out of the input, retaining sparkle and clarity.

Of course, the Tone knob does wet-signal tone knob things, lightening or darkening the reverb signal, and the Level control adds wet signal to the mix. After you set those, it's time to examine the Momentary Feedback switch. Buckle up.

The Counter Current's secret weapon, the Momentary Feedback switch ramps up the feedback for some oscillating blasts of reverb just when you want them. Not only is it a killer tone, but it's a rock 'n' roll set ender. This switch's function, as you might expect, is extremely dependent on where the "core three" knobs are set, giving you everything from crunchy spring drip to bottomless wells of soft scuzzy ambience and everything in between. Step inside the Counter Current. It'll treat you well.


Tone: This knob adjusts the frequencies of the reverb signal only, giving you 'verb tones from dark and intimate to bright and present.

F. Back: This adjusts the intensity of the momentary feedback footswitch function and works in conjunction with the drive and tone controls. Increasing this control will create a faster and more intense feedback.

Decay: Increases the size of the reverb space and the intensity of the signal.

Drive: This control lets you saturate the virtual transducers on the reverb unit, giving you additional grit, grime and drive before the 'verb kicks in.

Level: Controls the volume of the reverb (wet) signal.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: Connecting an expression pedal here gives you hands-free control over the Drive.

True bypass footswitch: Turns the effect on and off.

Momentary feedback footswitch: Hitting this switch will cause the reverb to feed back into itself creating sounds ranging from a mild oscillation to a screeching howl depending on where the f.back and drive controls are set.


The Counter Current requires a center-negative 9VDC power adapter with at least 53mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Lysis Poly Octave Down Fuzz Modulator Effects Pedal
Cat: 792822 Rel: 31 Dec 20
Fuzz/modulation/filter pedal
Notes: If you've ever awoken in a cold sweat dreaming of synthesizers, here's the ticket: Lysis. There's always been something about synth players for which guitarists and bassists alike have yearned. Though they're essentially the same instrument, the onboard accoutrements are what makes all the differenceioscillators, filters, LFOs; these are the makings of true electronic synthesis, and these are all things we stuffed into the Lysis.

All of the bells and whistles of synths are featured in full within the walls of the Lysis. For starters, the Lysis serves up a specially-designed wave-shaping fuzz circuit. This helps the Lysis sound more like a square wave or sawtooth wave.

The DSP-controlled polyphonic octave circuit takes all the clang you've cooked up and sends it south, to a rich two-voice octave-down synthesizer that tracks one note or 88, all at once. Serve Lysis your longest signal chain on a platter, and it will eat it for breakfast.

The Filter section is where things get really interesting. For starters, the Lysis gives you the option to blend the octave/fuzz section with the filtering, so you can enjoy punishing octave-down fuzz, rich, goopy filter sweeps or anything in between. The Lysis also gives you a switchable high-pass and low-pass filter, along with the option to manually manipulate the filter's cutoff or have it automatically modulate.

If you choose the manual path, an expression pedal jack gives you hands-free control of the Freq knob, for a sound-bending filter-wah effect that can absorb the impact of the most well-equipped dirt section. Should you choose modulation, the Freq knob controls the rate of the effect. An expression pedal gives you foot control over the speed for some psychedelic guitar freakouts or smooth undulation.

An onboard vibrato circuit finishes off the signal path of the Lysis. When in fixed mode, Lysis kicks in the vibrato, but in modulated mode, a filter LFO is engaged and Mod controls the rate of that. The two-position Warp switch works in tandem with the corresponding footswitch, either maxing or killing the Mod knob depending on the position.
Much more than a mere effect Lysis is its own future forward entity, a cellular organism of the sonic variety bursting with possibilities.


The Lysis requires a center-negative 9VDC power adapter with at least 60mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand. There is no option for a battery.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX 76 Plus Octave-Up Fuzz & Filter Effects Pedal
Cat: 792775 Rel: 31 Dec 20
Fuzz & filter effects pedal
Notes: Introducing the new 76 Plus Octave-Up Fuzz & Filter Effects Pedal. The 76 Plus takes inspiration from the lauded Univox Super Fuzz, Shin-Ei Companion and Ibanez Standard Fuzz. It's a powerful, cutting fuzz with a baked-in octave up that's especially apparent the higher you go up the fretboard. Do you like fuzz? Then you'll especially like this fuzz.

But what really makes this pedal special is the inclusion of an independent wah-like filter that's as tasty as it is useable. The filter section of the 76 Plus offers a mind-boggling number of ways to add movement to your tone, from triangle and sawtooth waveforms, to 2, 3 and 4-step sequences.

This filter speed can be dialed in perfectly via the speed knob or for you control-freaks, you can use an external expression pedal (not included) to give you infinitely variable control. Rather than "boxing you in," the 76 Plus gives you both options.

Knobs & Switches:

Vol Knob (Right): Adjusts the Fuzz output volume, from quiet to your mum yelling, "TURN IT DOWN!"

Texture Knob: This control adjusts the mid frequency of the 76 Plus from a deep scoop to a mid-drenched grind.

Fuzz Knob: When you turn the Fuzz knob up, you get more fuzz- and vice versa.

Speed Knob: Adjusts the speed of the filter (disconnected when expression is plugged in).

Volume Knob (Left): Adjusts the output volume of the filter.

Color Switch: Shaves some top-end for a smoother, woolier fuzz. "Left" rolls off some treble, "Right" rolls off even more treble, and "Center" rolls off no treble.

Clip Switch: "Left" is the original vintage setting (heavy compression & extra breakup), "Right" is a tamer, balanced option, and "Center" is a punchy setting with the compression dialed back a bit.

Mode Switch: Toggles between three available filter modes: Manual (left), Triangle (center), and Square (right). Each mode has 3 corresponding shapes, controlled by the "Shape" switch.

Input/Output:Instrument or other pedal goes on the right side, Amplifier or other pedal goes on the left side.

EXP Input: Enables the Filter to be controlled by an expression pedal (not included).

True bypass Footswitches:Turns each side of the effect on and off.

Power:This pedal requires a center-negative 9-to-18VDC power adapter with at least 10mA of current (not included). There is no option for a battery.

Dimensions:4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Zeta DLX Deluxe Preamp Overdrive & Boost Effects Pedal
Cat: 792830 Rel: 31 Dec 20
Overdriver & boost effects pedal
Notes: Guitar tone is tricky business- guitarists are sometimes forced to choose between great tone and utility. Are you also tired of choosing? Venture ahead, brothers and sisters of tone - introducing the Zeta DLX.

The Zeta DLX combines three of the most useful tricks in the gain-based tonal world: Preamp, drive and boost. The entirety of the Zeta DLX comprises a preamp circuit, so that you can keep your tone fresh even if you have to go direct, or your amp options are limited on fly-out gigs. However, each since each side is individually switchable, we must look at the sum of the parts.

The left side of the Zeta DLX serves up a generous drive circuit that has extremely wide sweeps of all the parameters, from jangly boost to crunchy OD. Three of the toggle switches give you options to tailor the Zeta DLX to your individual needs. The Mids and Body toggles allow you to adjust the range of those particular frequency bands, while the Clip switch lets you change the clipping characteristics. A bonus trimpot inside even lets you adjust the overall gain of the circuit.

On the right side of the Zeta DLX is the JFET-equipped individually selectable boost function, with a single knob to control the amount. The B. Tone toggle gives you control over the bass frequencies of the boost, while Pre/Post lets you choose whether the boost goes before or after the drive circuit. You can use this to great effect when trying to get either a super-saturated dirt tone or a burlier version of the drive side.

Don't get caught between a rock and a tonal hard place againiplug into the Zeta DLX and feel the gear instead of just hearing it.


Volume: Gives you a tasteful amount of volume on tap, enough to work with all kinds of setups.

Tone: Adjusts the bass and treble content of the drive side.

Gain: Adjusts both the amount of overdrive and the amount of treble. As you roll the Gain up, more high end enters the signal path, allowing for clarity within the saturation.

Level: Governs the amount of boost engaged when in Boost mode. Be careful with this one!


Post/Pre: This switch controls the order of both channels when they are used simultaneously. Toggling this switch puts the Boost before the Drive or vice-versa for two different stacked tones.

Tone: This three-position toggle controls the level of the bass frequencies pushed by the Boost channel. When set to the left, the bass is the stock value. In the center, you'll find a bass cut, and the right position is a bass boost.

Body: Controls the level of the bass frequencies in the Drive channel. The corresponding switch positions are the same as the B. Tone switch above.

Mids: Adjusts the amount of mids present in the Drive channel. The left position is flat, center position s boosted, and the right position is scooped.

Clip: This three-position switch controls which type of clipping diodes are present in the drive channel. The left position selects a silicon-germanium hybrid for a bit more compression and crunch, the right position selects silicon parts for a bit more dynamics and sizzle, and the center position removes them altogether for a raw, throaty tone.


Gain (trimpot): Adjusts the overall gain of the drive channel, and thusly, the range of the external Gain control.

Bias 1 and Bias 2 trimpots are not user-adjustable.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

True bypass footswitches: Turns corresponding channels on and off.


The Zeta DLX requires a center-negative 9VDC power adapter with at least 30mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Solid Gold FX Funkzilla Tap Tempo Envelope Filter Effects Pedal
Cat: 792820 Rel: 31 Dec 20
Envelope filter effects pedal
Notes: When it comes to envelope filters, there are a funkload of options. Unfortunately, there are plenty of parameters with which to control them, and almost all envelope filters deny you access to at least one. "Let's just not give them a frequency control", some might say. Fear not, funkseeker, as the Funkzilla smashes all preconceptions of what an envelope filter should do and sound like- and it works on everything; guitars, bass, keys, you name it.

The Funkzilla is Solid Gold's take on everything enveloped, filtered or both. While all envelope filters give you the ability to coax that familiar "quack" sound from them, the Funkzilla contains the ability to shift the filtering from envelope control to LFO control. In other words, it's the ultimate funk box.

Attack, Depth and Freq(uency) controls come standard, as does the envelope direction (up or down). Beyond that, the heart of the Funkzilla lies within its Tap/Env switch. This switch toggles between standard envelope filter sounds and more dynamic autosweep sounds that take away the need for dynamics.

With this switch set to Tap, a plethora of options opens up. The Speed and Mode knobs become active, as does the tap switch, along with 1-2-4 and Wave toggles. The Speed knob now controls the speed of the auto-sweep (overridden by the Tap switch), and the 1-2-4 toggle controls the time subdivisions.

You can adjust the Funkzilla's Mode control to one of eight different rhythmic patterns for the utmost expression, and across those patterns, you can choose one of three different waveformsisine, ramp, and square.

An expression jack overrides the Speed control for some truly expressive filtering options, with some phaser and flanger overtones available for the brave.

Even without the bells and whistles, the Funkzilla is one killer envelope box and funks the joint up right out of the box. With the bells and whistles? Look out.


Speed: When in Tap mode, this knob controls the rate at which the filter sweeps automatically, from near-frozen pulses to hyperdrive.

Mode: This eight-position control cycles through several rhythms and accents when in Tap mode. Because of the different rhythms, it is highly interactive with the standard filtering controls. Turning the Mode control fully left bypasses all functions.

Depth: Controls the intensity of the filter sweep across both Tap and Envelope modes.

Freq: Adjusts the center frequency of the filter sweeps. Turning the knob lower centers the filtering on the dubby side of things while turning it up gets you into Zappa territory. Works across both Tap and Envelope modes.

Attack: This control adjusts the time it takes for the filter to "open." Turning it doesn causes the envelope to open slowly, and turning it up opens the envelope very quickly. This knob works only in Envelope mode.


1 2 4: The tempo range of the Funkzilla lives in this switch. In Tap mode, it sets the subdivisions of your tapping. In standard mode, it sets the range of the Speed control.

Wave: A three position switch changes LFO waveforms between Sine, Ramp and Square modes. This switch is only available in Tap mode.

Dir: This switch toggles between forward and reverse envelope operations, and is available across both Envelope and Tap modes.

Tap/Env: Changes between the two main modes: Tap and Envelope. In Tap mode, the filter speed is set by either Speed knob, expression pedal or tap tempo. Each control will override the last one used. Envelope mode works as a standard envelope filter. Make sure that your instrument's volume is set to maximum for best results.


Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Expression jack: In Tap mode, connecting an expression pedal gives hands-free control over the Speed knob for some psychedelic filter action. This effect is not available in Envelope mode.

True bypass footswitch: Turns the effect on and off.

Tap tempo footswitch: In Tap mode, sets the tempo of the filter sweeps.


The Funkzilla requires a center-negative 9VDC power adapter with at least 15mA of current (not included). Almost all power supplies meet this requirement, but check yours beforehand.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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Zlob Modular Dual VCO Voltage Controlled Analogue Oscillator Module
Zlob Modular Dual VCO Voltage Controlled Analogue Oscillator Module (voltage controlled analogue oscillator synth module)
Cat: 793137 Rel: 31 Dec 20
Dual voltage ontrolled anallogue oscillator Eurorack module
Notes: The Dual VCO is a 4hp Dual Voltage Controlled Analog Oscillator Eurorack Module available as a DIY Eurorack Kit, PCB and Panel, or Built.

Each VCO has square, triangle, and sine wave out, coarse and fine tuning controls, a control voltage input, and a switch for selecting exponential or linear cv in. When a control voltage is inserted, the fine tune control becomes an attenuator for the incoming voltage. In exponential mode, when the attenuator is fully clockwise, the VCO will track around 5 volts per octave.

There are a couple quirks to these 8038 VCOs:

Below 300Hz the waveform symmetry is slightly off. triangle waves get a little uneven in the lfo range, the sine is not completely perfect to begin with the bottom trough and in the lfo range it slopes slightly, and the square turns more trapezoidal above 1khz(see scope shots) Also it doesn't track 1 volt per octave perfectly. usually the 1st and 3rd octave will be a couple cents off.

Other than those idiosyncrasies, it is a powerful, stable dual oscillator in a small footprint with no cross talk between oscillators. It's great for: drones and beating sine or triangle waves, cross modulating itself for interesting clocks/LFOs, creating complex waveforms/timbres through lin/exp frequency modulation.
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Solid Gold FX Communication Breakdown Dual Fuzz Effects Pedal
Cat: 792803 Rel: 31 Dec 20
Fuzz pedal
Notes: Sporting two different modernized takes on the legendary Tone Bender circuit in one box, Communication Breakdown is an unabashed sonic love letter to the glorious fuzz tones of yesteryear.

This pedal is ready to reveal the stairway to tone heaven through its wide gain range, intuitive tone controls and the ability to use the two channels individually or together. From clear and refined low-gain grime, crushing walls of sound to beautifully compressed and singing leadtones, Communication Breakdown is sure to bring all of the good times and none of the bad.

Adding not one, but two amazing fuzz pedals to your collection, all in one compact box of gainy goodness. Fuzz A is born out of the fire and flames of the rare Tone Bender MK1.5, but brings it into the modern era by using hotter silicon transistors than the original. This results in a wide range of extremely powerful yet refined fuzz tones.

Fuzz B, on the other hand, takes a page (see what we did there) from the book of the classic Tonebender MKII, and preserves everything good and great about that snarling, saturated and compressed box of fuzzy wonder. But as an extra bonus, we added our JFET pre-amp to the equation in order to breathe more stability and tonal clarity into this legendary circuit.

But the really cool part is of course that you can use the two channels either individually or together, seeing you jump from a hairy rhythm tone to a soaring lead in seconds, or lets you sculpt unique dirt tone never heard before.

Each channel sports the same super intuitive controls, so you won't be left dazed and confused exploring its vast fuzzy playground. Besides the ubiquitous Fuzz and Volume controls, each side has a Bias knob, whichlets you vary the voltage sent to the circuits. Clock-wise will give you beefy and bold dirt tones, whereas counter-clockwise sees it unleash a more lean, choppy and gated fuzz tone.

On top of that you can further sculpt the overall tone of each side viathe simple three-way Color toggles, for everything from bright and biting full-range tones to smooth and dark, while the Input toggles let you adjust the input attenuation of the pedal, making sure that it plays well withany wahyou want to put in front of it.

So whether you're a classic fuzz connoisseur looking to nail history defining dirt tones or simply searching for a versatile fuzz pedal to jump-start your creativity, then the Communication Breakdown is sure to deliver.


Fuzz Knobs: Want less fuzz? Turn these suckers to the left. Boom, you're there. Want some more fuzz? Of course you do. Just take these fellas on a spin to the right.

Bias Knobs:These knobs vary the voltage to the collector of the second transistor. Turn 'em clockwise to fatten up your fuzz, or turn 'em counter-clockwise for a lean, choppy, gated fuzz tone.

Vol Knobs: Makes things louder, or less loud. Note: when running both sides at once, Side B's Vol control becomes the "master volume" while Side A's control becomes a "saturation" control.

Input Switch: These three-position switches adjust the input attenuation and wah friendliness of each side. "Right" is no attenuation. "Center" heavily cuts gain and bass, and "left" mildly cuts gain and bass. The center and left positions help adapt the Communication Breakdown to a more wah-friendly fuzz.

Color Switch: These are special three-position EQ controls that help you dial in your fuzz even further. "Left" rolls off some high-end and scoops the mids, "right" rolls off even more high-end and scoops even more mids. "Center" bypasses the EQ entirely.

Internal DIP Switches:Each side contains a DIP switch that toggles between Bold and Comp settings. Bold increases the output level and the midrange content, Comp delivers a softer and more compressed tone. Comp is the default setting, feel free to switch it up.

Input/Output:Instrument or other pedal goes on the right side; Amplifier or other pedal goes on the left side.

True bypass Footswitches:Turns each side of the effect on and off. Both Fuzz A and Fuzz B are independent.

Power:This pedal requires a center-negative 9 VDC power adapter with at least 10mA of current (not included). There is no option for a battery.


4.67" x 3.68" x 1.18" (119mm x 94mm x 30mm)
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MRP:$318.33 SAVE 22%
coming soon $247.95
Solid Gold FX NU-33 Vinyl Engine Chorus & Vibrato Effects Pedal With Integrated Noise Generator
Cat: 793057 Rel: 31 Dec 20
Chorus & vibrato pedal with noise generator
Notes: Built around a philosophy of perfect imperfections, the SolidGoldFX NU-33 is here to make your tone warble, glitch, bend and break in all the right ways. Packed to the brim with warm and gooey chorus/vibrato tones, as well as a built-in noise generator plus a host of filters and waveshapes, this unique vinyl engine will deliver all the dusty dreamy modulation textures your lo-fi heart can handle.

While features like tap tempo, expression and CV in, momentary speed ramping and triggered vinyl skips perfectly propels this nostalgia machine into the modern age.

The NU-33 packs a ton of creative potential beneath its six knobs, four toggles and two switches. Blend lets you dial in the mix of the modulation, from a subtle shimmer to deep-sea chorusing and all the way to wiggly vibrato. Flutter and Rate are your classic speed and depth controls, effectively setting the intensity and speed of the modulation, but the NU-33 actually packs some extra cool tricks up its sleeve here. Setting Flutter to minimum will effectively stop the LFO movement, while Speed will let you determine the delay offset, letting you use the pedal as a rich and organic doubler effect as well.

Those controls will have your modern hi-fi chorus/vibrato tones covered, but you want that warbly vintage flair too, right? Just turn the unique Hiss control to blend tastefully engineered vinyl grove noise, crackle and pops into the modulation, color it with the selectable lowpass or high-pass filter modes and finally shape it with one of the 3 different waveforms and you have your own custom designed lo-fi modulation tone.

But we're not ready to pull the needle off the record just yet. NU-33 also has two momentary effects hidden under its bypass and tap tempo switches. Holding down the Bypass switch will create momentary vinyl skips and stutter effects, while pressing and holding the Tap Tempo switch momentarily speeds up or slows down the modulation. Perfect for adding that element of organic glitchy randomness into your sound.

You'll also find top-mounted I/Os as well as an expression input on the NU-33, which delivers hands-free control over all the knobs on the device via either an expression pedal or a CV sequencer, making these sounds of yore fit perfectly into any present-day guitar rig, synth setup or studio situation.
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MRP:$318.33 SAVE 17%
coming soon $265.28
Wavefonix 1847 Wavetable Oscillator Module
Cat: 796480 Rel: 14 Dec 20
Wavteable oscillator module
Notes: The 1847 Wavetable Oscillator (VCDO) is a versatile and easy-to-use voltage-controlled 8-bit wavetable oscillator.

The main oscillator has 16 waveforms arranged as a wavetable and a sub-oscillator also provides 8 waveforms; each selectable at one of four octaves (+1, unison, -1 or -2). The main and sub-oscillator wavetables can be cycled through manually using knobs on the front panel, or can each be controlled by a CV source. The main oscillator waveform select CV has its own dedicated attenuator.

Two FM CV inputs are also provided (FM 1 has an attenuator), along with a 1V/octave input (quantized to semitones).

Coarse and fine frequency controls are provided. The overall frequency range of the oscillator is ten octaves i.e. 8.18Hz to 8,372Hz (MIDI note 0 to 120).

Other features include a bitcrush effect; allowing the sample resolution of the output to be varied between 1-bit and 8-bit. This is controllable via a knob on the front panel and a separate CV input.

Controllable glide allows portamento to be introduced when the oscillator is controlled by a keyboard.


Format: Eurorack
Width: 14hp
Depth: approx. 45mm
Power consumption:
+12V: 40mA
-12V: 30mA
+5V: 0mA
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coming soon $238.20
IO Instruments DIA High-End Preamplifier Module
Cat: 795949 Rel: 31 Jan 21
Preamplifier module


Up to 80dB MIC GAIN

Low distortion and noise

High CMRR, sweet sound

Variable HI and LO PASS

PAD switch - 20dB



All switching is with relays


XLR, 6,3 & 3,5 mm OUTs


Width: 12 HP
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MRP:$379.40 SAVE 33%
coming soon $254.44
Solid Gold FX Electroman MKII Oscillating Delay & Modulation Effects Pedal
Cat: 792811 Rel: 31 Dec 20
Delay + modulartion pedal
Notes: The debate over which type of delay is "the best" is one that has plagued guitar shops and internet forums for half a century. On one hand, we have analog purists that prefer the murky degraded repeats of an analog delay, while digital users prefer the exacting repeats of ones and zeroes. But Solid Gold simply like delays that are excellent, and the Electroman MKII is just that: An excellent, feature-rich delay that does everything right.

The core of the Electroman MKII is two cascaded digital delay lines, making bold strides in the arena of PT2399 chips. The PT2399 is a chip developed for DJ rigs and karaoke machines, and when tuned correctly, blurs the line between digital and analog.

The mode toggle takes advantage of that unique dual-line approach, giving you standard delay or one that sends the repeats only to the second chip for a cool half-time sound that will sit front and center on your next ambient or shoegaze record.

The second footswitch of the Electroman MKII retains our warp feature, which sends the repeats ramping up to self-oscillation for ambient textures and spatial soundscapes. But this time, you control the sensitivity with one of three settings on the warp toggle, from gentle nudging into infinity to instant freakouts.

Delay repeats are backed by an extremely musical modulation circuit, which has three selectable speed ranges and a generous flutter control, which increases the depth as you roll it up. This control turns the Electroman MKII into an instant tape echo simulator, where you can dial in just the right amount of digital wear and tear.

While the Electroman MKII is equipped with buffered bypass, the tails switch lets you decide whether or not the Electroman MKII chokes off the repeats when switched off, or leaves them trailing into your amp when bypassed. This feature lets you sculpt your sound just how you like, allowing for precision interplay with your other effects by affecting just one passage.

Level, repeat and time controls come standard, with the time control maxing out at 1 second of warm delay. The Electroman MKII's color knob will settle the debate between analog and digital snobs by shaving treble content from the repeats as the control is increased.

An extra jack on the left edge takes the Electroman MKII to the next level: The fx loop jack lets you connect a stereo Y-cable to as many auxiliary pedals as you like, with the looped effect applying itself to the repeats. Try an octave pedal for true space exploration, a ring modulator for a lo-fi delay and even a volume pedal for swells of repeats.

Tone is always the goal, so if you want an outstanding delay unit that hacks through the vines of tiered menus and other complicated fluff, let the Electroman MKII be your machete.


Level: Changes the amount of wet signal from nothing at all to highly involved.

Repeat: At zero, you'll find the humblest of all delays: the slapback. At full-blast, the repeats will run away and overtake your signal.

Color: This control takes a little treble off the top as you turn it. Fully left is bare-naked digital, and turning it up increases the murk.

Flutter: Controls the modulation depth. Keeping this control at zero shuts the circuit off.

Time: Changes the delay time from a double tracking-esque 70 milliseconds to a full lengthy second.


Warp (toggle): Changes the intensity of the Warp footswitch across three modes, from subtle (center) assertive (left) to imminent lift-off (right).

Mode: Changes between standard delay (left) and a special second mode(right), which sends the repeats slamming into the second delay line at half time.

Speed: Offers three different speed settings of the modulation circuit - slow in the center position, fast when toggled right and medium in the left position. See also: flutter knob.

Tails: The Electroman MKII is buffered bypass, and this switch lets you decide how you want the repeats to behave with the pedal switched off: choked off when switched left, or trailing when switched right.


FX Loop Jack: This jack lets you attach a stereo Y-cable, allowing you to patch in any number of effects. These effects let you apply external effects only to the repeats, for endless amounts of fun. You can even run a full external pedalboard in this loop. We won't tell. In addition, the loop also doubles an an expression input to control the level knob.

Input: Instrument or other pedal goes here.

Output: Amplifier or other pedal goes here.

Warp Footswitch: Engaged self-oscillation when and where you want it, and relents when you release it.

True Bypass/Trails Footswitch: Turns effect on and off.


The Electroman II requires a center-negative 9VDC power adapter with at least 40mA of current (not included). Almost all power supplies meet this requirement, but check yours first.


4.67" x 3.68" x 1.18" (119mm x
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MRP:$318.33 SAVE 21%
coming soon $250.10
AniModule Lil' Monster VCO Module
AniModule Lil' Monster VCO Module (oscillator synth module)
Cat: 794393 Rel: 31 Dec 20
VCO module
Notes: At 8HP and 28mm deep this is A Frightening little Oscillator with Monstrous PWM, Sick, Sick Sync, and Terrifying FM capabilities!!

Great 1V/Oct tracking

Range from below to above the audible

All Waveforms respond to your Sync Input signal

Current Draw: +12V = 21mA, -12V = -21mA 8HP, 29mm Deep
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MRP:$242.97 SAVE 17%
coming soon $202.47
AniModule LogicOgic Module
AniModule LogicOgic Module (clock modulater / frequency divider / logic synth module)
Cat: 794401 Rel: 31 Dec 20
Logic module
Notes: This is a handy module. It's nice to have a few ORs and ANDs around when you're fiddling around with your clocks and percussives.

The Output from FlipFlop1 Q is normalled to the FlipFlop2 Input via the jack switch.

The NOT Q outs from the FlipFlops are fun to stagger your clock pulses or use as a Sub-Oscillator. The Inverter/Buffer can be sent to a Gate-Trigger converter and back to the OR to double your clock.

2 - FlipFlops (Q and NOT Q outs for each)

2 - OR Gates

2 - AND Gates

1 - Buffer/Inverter

All the outs are Buffered.

55 mA +12V
38 mm deep
O 4.00 (2 Votes) Average Rating
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MRP:$255.96 SAVE 17%
coming soon $213.29
Solid Gold FX Oblivion Quad Flange Effects Pedal
Cat: 792824 Rel: 31 Dec 20
Flanger pedal
Notes: If you think you have Flangers all figured out and placed neatly in your little square genre-defined box, then get ready to have your world turned upside down by the OBLIVION QUAD FLANGER. An otherworldly vast sonic sea awaits you with this device, as every turn of a knob and flick of a switch unlocks mind-melting tones. From epically lush modulated movements to intense regenerating alien airwaves, lo-fi bit-crushed textural landscapes and much more, Oblivion is not here to capture a snapshot of the past, it's here to open portals to the future!

With the OBLIVION, you have the traditional Speed, Range and Regen controls, but where this pedal really shines is in the three distinct Flange modes available.

The OBLIVION has a Flanger and throw in Thru-Zero capabilities to pull you in and out of space. To push things a little bit further, the Bi-Flange mode was added - offsetting a pair of modulating delay lines for even more sweeping movement.

The quad-flange mode adds those four (yes, four!) independent delay lines for massive swooshing tsunamis of ominous textures.

To make things even more interesting, each of these three Flangers have their respective Degrade modes, introducing a lo-fi element unique to this pedal that grants you access to eyebrow raising textures, reminiscent of ring mods or robotic overtones.

Once all of that was accomplished, tons of flexibility was added for even more fine tuning. A Blend control helps to adjust your wet and dry mix for light and polite Chorus sounds or for a full-on swirling whirlpool of Flange. Expression and CV capabilities, with internal Dip Switches, add even more variation and control. Not to mention the multi-function foot switch capabilities for Tap Tempo, Speed Ramping and LFO Braking.

With top-mounted jacks and soft touch, relay True Bypass switching, this pedal truly has it all. So, what are you waiting for? Jump on into the sea of the OBLIVION, where growing layers of waves filled with the push and pull of the tide are waiting to wash over you.
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MRP:$318.33 SAVE 19%
coming soon $257.69
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