New releases last eight weeks: Dancehall/Ragga

Review: First released way back in 1982 on Greensleeves, Eek-A-Mouse's 'Ganja Smuggling' is a towering example of early 80s "singjaying", a style of reggae vocal improv made popular by its combination of toasting and singing. Here we open with an asphyxial, spitballing steppers sound, as 'Mouse is heard scatting and bidi-bonging in his signature opening style, shortly before launching into a cautionary tale about working as a border lines marijuana smuggler. The track deals in a stoic, forborne whimsy, comically scatting and riff-licking through what is implicitly portrayed as an otherwise thankless and unforgiving task. This 7" reissue marks an important milestone in Greensleeves' release catalogue, harking back to one of Eek's earliest cuts laid down with kingpin producer Henry "Junjo" Lawes, the association with whom helped fuel Eek's early celebrity.

Review: Footsie is widely thought of as one of grime's most legendary voices and a legend of the game. From his early collaborations with D Double E as part of Newham Generals to his solo work, his roots in sound system culture run deep having grown up as the son of a system operator. Footsie was heavily influenced by reggae and dub and now runs his father's renowned King Original Sound. Returning to the label is Nottingham's Adam Prescott, who provides a heavy, dubwise riddim for Footsie to showcase his distinctive flow.

Review: Sonic gastronomists come therapists Ital Counselor serve the scene as musical physicians, prognosing the soul food hygiene ratings of each dub bit that comes their way, as they see fit. On the releasing side of things, however, their output meets the consistent quality of whatever the reggae equivalent of a Michelin star is. Welcoming reggaeist, melodica player and vocalist Hughie Izachaar to the fold for a debut single release after a ridonkulous string of releases kept steady since the early 1980s, 'Do You Really Know' carries an authentic vintage charm and yet is actually a brand new track; it hears Izachaar singjay with a birdlike glide, impressively navigating a bouncy dub firmament, using the genre's characteristic elegiac vibe to ask us if we really know what it's like to know righteousness. We're only a chosen few, after all...

Review: Dennis Anthony Thomas is known as King Kong and is the celebrated Jamaican singer behind hits like 'Trouble Again' and 'Legal We Legal.' His track 'Song of Love' was originally released by Pisces Productions and is a rare gem and a powerful anti-apartheid anthem. The song confronts South Africa's apartheid regime, referencing President P.W. Botha while urging unity and human rights. Through themes of love and resilience, King Kong highlights the strength of cultural solidarity in a tune that is rooted in reggae's tradition of political advocacy. As such 'Song of Love' transcends music and symbolises global support for freedom.

Review: Big Red is a legendary artist from French reggae group Raggasonic who here presents Blood & Victory, a powerful album that blends sound system culture with modern dub. Released by Evidence Music, it showcases ten original tracks that unite reggae roots with contemporary bass influences. Collaborating with top French dub producers like OnDubGround, Little Lion Sound and Irie Ites, Big Red toasts over a dynamic mix of immersive rhythms. With socially charged lyrics addressing racism, police violence and societal flaws, his inimitable flow brings energy and emotion to Blood & Victory which is more than music-it's a manifesto for resistance and revolution.

Review: Bugle's fifth studio album is a powerful and introspective offering that reveals his growth as an artist and his unwavering commitment to conscious lyricism. The Jamaican reggae luminary fearlessly navigates a diverse landscape of themes, from love and life to faith and social issues, with a depth and honesty that resonates deeply. Bugle's evocative vocals, reminiscent of reggae greats like Garnett Silk and Luciano, soar over intricate rhythms and soulful melodies, drawing the listener into a world of introspection and conscious reflection. Collaborations with reggae giants like Buju Banton and Damian Marley on 'Thank You Lord' add a powerful dimension to the album, highlighting the unity and strength of the reggae community. 'Hopes (Small World)', featuring Capleton, is a fiery call to action, a sonic embodiment of the genre's ability to address social injustices and inspire change. Tracks like 'Patience, God & Time' and 'Heads Up' offer moments of quiet contemplation and encouragement, while 'Inside Warm' and 'Love Story' explore the complexities of love and relationships with a raw honesty that is both refreshing and relatable. An exploration of the human experience, a tapestry woven with threads of love, loss, faith and resilience.

Review: This wonderful reissue of Yellowman & Fathead's classic 1982 album comes pressed on 180 gram yellow vinyl complete with an insert. It's a real reggae jam that features a unique collaboration between the legendary Jamaican reggae artists and blends Yellowman's iconic dancehall style with Fathead's distinct contributions. The tracks are infused with humour, romance and playful energy that captures the essence of early 80s reggae. A must-have if you love authentic Jamaican sounds, this Burning Sounds gem is sure to bring plenty of new ears to a timeless album full of charisma and chemistry between two of reggae's most influential figures.