Body In The Thames - "Silver Threaded Crystal Beads" (6:02)
Peach - "Silky" (7:13)
Jay - "Balsam Drum" (6:30)
Webstarr - "The Muse" (7:02)
Review: Midland's Graded launches a new diffusion imprint: Intergraded. Featured here are four cuts from emerging producers. With Graded now focusing on the label boss's solo work and ReGraded catering to a different style altogether - the logical progression was to start a new label that could help introduce this music to a wider audience. Body In The Thames kicks things off on the A side - despite the name he's actually Swedish. His track "Silver Threaded Crystal Beads" is an emotive piece that sits somewhere between early Detroit techno and electro, in the vein of the Motor City godfather Juan Atkins. This is followed by the slinky tech house of "Silky" by London's Peach - a sturdy number supported by ethereal elements. On the flip, NTS host Jay (Siren) presents some moody, heads down techno for the late night on "Balsam Drum" while Yorkshire native Webstarr (De Grey/Mistry) goes deep into the afterhours on the darkly hypnotic "The Muse".
DJ Device & Devibes - "Down On My Knees" (Oral Satsifaction mix)
The Kentros - "No Way But Our Love" (Jazz N Groove mix)
Workin' Happily - "Better Things" (Workin' dub)
Review: REPRESS ALERT: Plastik People is proud to bring you a new collection of vinyl classics that takes us back to those House & Garage vibes from our most loved era, the 90's. all are rare & hard to find track compiled with love by label owner Marc Cotterell.
Review: Interesting things appear to be happening at base camp ClekClekBoom on the evidence of recent releases from Jean Nipon, Chaos In The CDB, and those Fred P and Chevel refixes of French Fries. The mutant brand of bass, techno, ghetto flavours and more that has characterised the Paris label seemed to have taken new shape on those records and continues here with this Various Cuts 12". French Fries teams up with NS DOS for the percussive burn of "8 Hours From Nation" which pulls from Chicago House and NYC ballroom but pushes in all new directions. From here CCB regular Aleqs NOTAL provides perhaps the deepest cut to appear on the label with "Mare Imb" whilst there are shades of Kassem Mosse in Jean Nipon's excellent "Cause Of Action". A label newcomer rounds out the 12" in style with Dutch producer Barbara Ford instigating a mesmerizing exploration of ocean deep acid in "Frostbite".
Review: Jenifa Mayanja continues on with her pursuit of spiritual deep house on her Bu-Maka Records imprint. This time by recruiting various artists in harmony with her labels mission statement. "Survive" by Introspective is all uplifting pads, sultry afro rhythms and restrained 303 squelch; sounds good enough right? Next up is "Double Thinking" by Berlin's Jay Mond, who goes for more of a Detroit, high tech soul exploration. On the flip we have "Track 3" by Sean Bird providing another raw and tight, yet smooth deep house cut. Finally "Dove Tales" by Wallflower channels the dreamy, early nineties aesthetic of Larry Heard.
Review: The Sound Warrior label focusses on releasing music by female house and techno producers, an extended collection of women who share a similar vision of dance music. The label is run by Jenifa Mayanja and Dakini 9 - the latter being part of NY's Plan B imprint alongside DJ Spider - and the girls are back with two new faces for the label's fourth outing. Daniela La Luz's "Milkus" is a mid-tempo chugger with evil percussion and a funky chord hook, while "The Only" by Whim EE is darker, more deranged and of a lo-fi nature. On the flip, Mayanja's "Night Walker" is a tribal affair with a deep, growling bassline and "Limbic Resonance" by Dakini 9 is the hardest cut of them all, the certified techno head-nodder among the deeper tracks. Tough.
Review: In his usual no-nonsense fashion, Theo Parrish has not said much about the surprise release of Gentrified Love Part 2, despite it being his first fresh material since 2014. The EP features contributions from two of the Detroit's legends oldest friends: Rotating Assembly member Duminie DePorres, and original Slum Village member Waajeed. A-side "Warrior Code" is a quietly foreboding proposition, with spiraling electronics, jammed keys and cosmic chords riding a chunky, West London style broken beat groove. Flip for the altogether brighter and breezier "Leave The Funk To Us", a jaunty and jazz-wise 4/4 excursion blessed with some superb, Herbie Hancock style jazz-funk keys.
Review: Soulful hip-hop beat-maker Waajeed's transformation into a Detroit deep house star continues apace, with the former Slum Village man's second EP for Dirt Tech Reck in as many months. He begins by doffing a cap to Theo and Moodymann on "Get Down", a shuffling, warm and dreamy workout full of rich disco bass, twinkling electric piano keys, gentle vocal samples and layered hand percussion. Confirmed summer jam "Through it All" is a breezy, string-laden bastion of piano-heavy positivity complete with bustling analogue bass and "Strings of Life" style solos, while B-side "Kingdom" sits somewhere between crunchy Chicago house, gospel and lilting Motor City deepness. Yes, please!
Review: For the debut of New York's anticipated Purple Trax label, a new formation of key players in Brooklyn's underground debuts with an EP sure to entrance fans of L.I.E.S., White Material, and other established NYC labels. Composed of Terekke, local DJ/producer Jan Woo, and Erez Avissar, label head and founder of the respected Weird Magic parties, Wabi Sabi's dusky and diverse sound comes from its origin in loft jams, but tracks like the closing 'Rx' with its powerful dub techno framework show the work of seasoned talents. Patricia's cameo on 'Casper' is the record's strangest sound, a propulsive house groove with explosions of crackling texture and a bassline deeply buried in fog, while 'Babi' stutters along between the drum pulse and its disappearances into deep wells of delayed vocal samples and gentle melodies. Vibes are saved for the opener 'Moon River Membrane', where Terreke's characteristic cosmic haze comes out more heavily, complemented by the genre-bending psychedelic tendencies of Avissar's programming and Woo's weighty low-end.
Review: Takashi Wada returns here with another slab of charming, off beat house music for his own WADA label that will appeal to anyone that hoovers up anything that hovers on the radar of the Sex Tags/Acido/SUED axis. Seemingly inspired by the occasional Tase project done in collaboration with SUED boss SVN, the inherent beauty of the two parts to Deep Sea Diver doesn't really transfer to 90 second soundclips. Side A's Part One for example dovetails into this amazing pattern of glistening keys and chords as the final third comes into view. Both productions are made all the more alluring by some off key drum programming that really grabs your ears.
Review: Following the recent dip into the Theo Parrish archives that was The Twin Cities, Phil Weeks' Robsoul imprint looks to another one of Detroit's adopted sons in the form of Rick Wade. Like that recent Parrish reissue, Weeks re-releases another three tracks from Wade's bulging discography. The upbeat disco loops of "Players Theme" was originally released on French label Funky Chocolate in 2002 and still sound fresher than anything being plied by the Soundcloud dwellers today, while "Can't You See" from 2003 provides a more soulful take on house music. On the flip, the tracky funk and cascading string melodies of "I Feel Good" originally graced Wade's own Harmonie Park imprint in 1998, but sound no less vital today. Essential.
Review: Rick Wade is one of the most dependable forces in the deep house diaspora, continuing to plough his furrow of heads down, smoky groovers as the trends, scenes and hypes ebb and flow around him. This turn on Sudd Wax (which has previously released the likes of Norm Talley and Gari Romalis) finds Wade in pristine form, not least on lead track "Mannish". "DTroit" has a killer swing and woozy feel to the melodies that could send dancers into an unexpected, gentle kind of rapture, and "Bottomless Anger" occupies the B side with a rich spread of keys twirling up in the ultra-classy deep house that Wade has made his own all these years.
Review: Break out Belgian house producer Sjef Wanders follows recent heavily supported appearances on New York's Nurvous Records and 124 Recordings with Don't Front, a two track 12" primed for club play on the Deso Records label. "Don't Front" is deep and dubby house music emboldened by banging low end and it's well complemented by a remix from label owner Desos. The Dane takes things deep in typical fashion, adding a little New Jersey swing and flavour to proceedings .
Review: Swiss based Italian DJ Gianni Siravo continues to excel under his recently established Washerman alias, with an appearance on the newly minted Saft imprint following a superlative drop for Drumpoet earlier in 2012. Whilst that releases focused on no nonsense booming warehouse sounds, the three track Deeper For Me approaches matters from a slightly more classical deep house angle (as you'd expect from the title) Opening track "Just A Touch" hogs the A Side with one of those thick punchy grooves reminiscent of 90s US garage but its complemented by vast washes of subaqueous melody that lend the track some contemporary feeling. On the flip, "Deep Feelin" is rhythmically more clipped, lead by a nagging vocal under tone and slick percussive embellishments that keep you on your toes, whilst Washerman playfully drops drunken keys on top. Finally "Mellow Go" stays true its title, with the straight groove deep in the mix as the woozy keys and incandescent chords are allowed centre stage to work their magic.
Review: Norwegian producer Wasserfall makes his way to Chicago/Los Angeles based Hesperian Sound after several releases for Greta Cottage Workshop, offering a highly organic affair. The EP opens with "Stiv Heks" which evokes a lush natural landscape, both dreamlike and quirky. The remix from young Chicago newcomer, Daniel Chavez, strips down the original for a simplified yet feverish dancefloor edit. The B Side returns to Wasserfall's signature laid-back jazzy deep house sound with "Twilight" and "Gravlaks", which flex the producer's knack for working in samples into his grooves. A consistent warm psychedelia flavors these four functional tracks with looseness and reverie.
Review: With Creme Organization the label responsible for finally it coaxing a debut album out of UK house veteran Neville Watson, it seems fair for the Dutch label to open up tracks from the excellent Songs To Elevate The Heart for reinterpretation. Commissioning remixes from KiNK & Rachel, Moon B and Marquis Hawkes demonstrates the level of quality you'd expect from DJ TLR's unrelenting label too. Watson's old Bulgarian mucker KiNK is first up with a wonderfully uplifting house refix of the title track alongside his more recent production partner Rachel that hogs the A Side. Down below DABJ's secret weapon Marquis Hawkes adds some detuned acid and pounding metallic kicks to "Against The Tide" whilst Atlanta's Moon B drops a fuzzy edged, self styled Houz Mutha take on "Son Of House" that might just be our favourite.
Review: Those well versed in ghetto house history should know all about Wax Master Maurice, a Chicago originator who released a string of on-point EPs on Dance Mania throughout the second half of the '90s. This surprise 12" for Super Rhythm Trax marks his first appearance on vinyl since 2008's footwork-inspired Waxmaster Make 'Em Juke EP. The material here is closer in tone to his now-classic releases, though there are some nods to B-more club (see "Otis Ghetto House") and, of course, the juke movement of recent years ("Keep On Jukin"). Naturally, all six tracks are formidably club-focused, brilliantly combining chopped-up samples (snaking sax lines, bits of old funk records, looped vocal snippets) with the kind of boundless, energetic rhythms that send Chicago dancers crazy.
Review: Waxwing pops up on Re-Fix with a crafty, chopped up soulful house approach that will sit right with fans of Max Graef and Felix Lenferink. "Can You" is a summery jam with plenty of sliced and diced vocals and romantic sweeps of melody, while "LongFunk" gets a cheeky shuffle in the mix with splashy drum hits and nifty Rhodes stabs to get bodies popping uncontrollably. "Do It For 'Em" gets even twitchier in the edit, using all kinds of heavily funked up samples to create a killer groove. "Stand It" takes a more classic New Jersey approach without losing that instinct for crafty twirls and curls to spice the mix up.
Review: Earlier this year the Kolour Ltd label issued the (rather indecisively titled) It's House Not House EP which featured DJ Sprinkles, Rick Wade and Bicep; understandably it was quite well received by the house (not house) vinyl buying public and sensing they are onto a winning formula Kolour now issue a second volume. It's an equally international affair too with the UK represented by the ubiquitous Waze & Oddysey and the like minded Zoo Look whilst Leipzig and South African are represented in the shape of M.ono & Luvless and Terrence Pearce respectively. W&O demonstrate a slightly more contemplative mood melodically speaking amidst the swooping vocal hooks and club ready beats on "Playin Musique" whilst "Auckland Joggers" showcases the inherent musicality of M.ono & Luvless. On the flip Zoo Look come through with a deeply layered slab of contemporary UK house whilst "The Fantastic" from Mr Pearce lives up to it's name and then some.
It's Inside That Counts (Eats Everything Reebeef) (6:04)
It's Inside That Counts (8:00)
Review: Right from the tip of his top hat, Eats Everything has got serious beef with us... And we couldn't be happier about it. Taking Weeks' 2014 Holloway-belting thumper and ramping the dickens out of every clattering snare roll and chugging kick, Eats' take on "It's Inside That Counts" rattles and hums with subtle edit craft. Retaining everything that's great about the original (and the samples Weeks used) this hits every dancefloor spot imaginable. Tip!