Review: Without argument, Terror Danjah has been one of the most influential and respected producers in the grime scene since day one, and "Invasion" is his sixth album. Fully instrumental and loaded with ideas, samples and a myriad of musical twists and turns, this far excels any standard grime boundary and celebrates everything that's great about UK bass and beatmaking culture. Every beat has its own story; the soulful swoons on "Scene 1", the absolute gully daggers of "Snowfall", the wheezy eastern pipework of "TBC" and the dense, intense head-spin "After Dark". Total blueprint business and releases at a very poignant time. We wish Terror a speedy and full recovery.
Review: Making their debut on Warp, Hudson Mohawke and Lunice proudly cross their beams to rain down a sick and slick kind of future-crunk, aptly demonstrated in in the introductory nature of bass-rich teaser "Top Floor" with its juke leanings and menacing posture. There's a detuned nature to the recognisable bleeps and wails on offer here while the beats remain crunchy and steadfast. "Higher Ground" is more overt in its use of juke to create a twisted kind of hype, while "Bugg'n" drips and drops in a loping vat of sub bass and slow-mo strangeness, leaving you with one of the oddest takes on the contemporary mess of electronic beats.