Smokey Robinson - "And I Don't Love You" (instrumental dub)
Peech Boys - "Don't Make Me Wait" (extended version)
Review: Larry Levan's influence on the development of dance music in New York during the 1980s cannot be overstated. That much is clear from Genius Of Time, a two-disc collection of the Paradise Garage resident's finest remixes. Heavy on dub delays, spaced-out synthesizers and rolling grooves, it gathers together a swathe of stone-cold classics - killer reworks of Gwen Guthrie, Man Friday, Peech Boys, Loose Joints and Jimmy Ross - with lesser-known, but no less vital, tweaks of cuts from Dee Dee Bridgewater, Esther Williams, Smokey Robinson and Tramaine. While dedicated fans will have many of these already, it serves as the perfect introduction to Levan's distinctive and hugely influential style.
Review: On his 2008 debut album "Where You Go, I Go Too", Hans-Peter Lindstrom offered up a grandiose vision that was almost cinematic in scope. His new album, "On A Clear Day I Can See You Forever", opts for a similar approach, delivering a quartet of atmospheric, moody and filmic cuts that slowly rise, fall and unfurl throughout their duration. Whether or not he becomes Norway's answer to Vangelis, that's the kind of vibe we get from stunningly icy and alien ambient opener "On A Clear Day I Can See You Forever" and the bubbly, uptempo throb of "Really Deep Snow". It's there, too, on the outer-space bliss of "Swing Low Sweet LFO" (we chuckled, at least) - think Radiophonic Workshop meets Jean-Michel Jarre - and the melancholic, modular-sounding beauty of clicking and echoing closing cut "As If No One Is Here". In a word: stunning.