Back catalogue: Disco/Re-Edits

Juno's full catalogue of Disco/Re-Edits

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ADSX / HANOBEN

DB12 007 (140 gram vinyl 12")

Duca Bianco

Cat: DB12 007. Rel: 20 Sep 21

Sina's Freund (5:44)

Werner's Spiel (6:02)

Elvira's Katzenfisch (5:40)

Frank's Einsamkeit (5:51)

Review: Audiosex and Hanoben stepped out together on Discos Capablanca back in 2018 with the on-point acidities of Phone Sex, and now they're teaming up once again for this killer clutch of edit tackle for the always interesting Duca Bianco label. Rather than the well-mined stocks of disco and funk that usually get dusted down by edit scavenegers, these two have turned to synth pop and German new wave sounds, coming up with four deep cover, deliciously dishevelled pieces which align perfectly with the brand of acidic club music they make themselves. 'Elvira's Katzenfisch' is a prime case in point - a broad, sweeping slice of synthwave which sounds like it might slide off the reel to reel at any moment, while 'Frank's Einsamkeit' swells into a searing 303 burner for the darkest dungeon dancefloors.

Played by: Manu Archeo, Dj soFa

Tags: Disco Not Disco

in stock $8.82

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Nick HANZO

Candy Places (hand-numbered 12" limited to 300 copies)

forTunea Austria

Cat: FORTUNEA 23. Rel: 07 Oct 22

Parallel Universe (3:45)

Saturn Nate (5:19)

Spark Light Year (5:07)

Like Glass But Candy (6:20)

A Berry Tale (5:44)

Played by: Marcelo Tavares(Deep Space Podcast)

Tags: Leftfield Disco | Experimental Techno | Leftfield House

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in stock $8.43

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Pete HERBERT / DICKY TRISCO

Paradise Row Vol One (12")

Paradise Row

Cat: PR 01. Rel: 02 Mar 15

Hanging Out (7:51)

Machine 16 (6:23)

Aperol Sunset (5:05)

Review: Proper party music from two of the most trusted names in the game. Paradise Row is a brand new label and production outlet for both long-standing pillars of the modern disco community, and each of these three launch tracks tip nods right back to the roots. From the brazen piano slapping of "Hanging Out" via the shiny guitar, chugging synth bass and dubbed out vocal tactics of "Machine 16" via the early Chicagoisms-meet-Balearic -guitar-twangs of "Aperol Sunset", there's no fronting or pretention here; just lush floor-focused music that is designed to make you smile.