Bobby D’Ambrosio - "Moment Of My Life" (feat Michelle Weeks) (9:08)
Carlos Romanos - "121" (Doug Willis Raw edit) (5:15)
Joey Negro - "K-Jee" (Philly World mix) (8:48)
The APX - "Lose Yourself To The Groove" (JN Future Boogie edit) (6:55)
Review: Z Records' compilation style "Attack The Dancefloor" EPs rarely fail to deliver, with big cheese Dave Lee (AKA Joey Negro) collecting together floor-friendly treats with the label's vast catalogue. There's plenty to set the pulse racing on this 12th volume, starting with Negro's organ-heavy revision of Bobby D'Ambrosio and Michelle Weeks' classic '90s house cover of Inner Life disco classic "Moment of My Life". Purist disco thrills are provided by Lee's tidy Doug Willis re-edit of Carlos Romanos' boogie-era disco-funk bumper "121", as well as his vintage cover of MFSB classic "K-Jee". Arguably best of all, though, is Lee's sparkling, synth-heavy "Future Boogie" mix of The APX's revivalist electrofunk jam, "Lose Yourself To The Groove".
Where Do We Go From Here? (Andres alt remix) (7:02)
Where Do We Go From Here? (LTJ Xperience remix) (8:40)
Review: The past six years have seen Far Out call on the great and the good to rework material by the Dave Brinkworth and Daniel Maunick-led ensemble, Far Out Monster Disco Orchestra with John Morales, Mark E, Theo Parrish, Marcellus Pittman, Dego and DJ Spinna among the contributors. La Vida man Andres is pulling ahead of the competition in terms of appearances on the series, having contributed two remixes in the space of a year. He's back for a third time with an alternate mix to "Where Do We Go From Here" alongside LTJ Experience man Luca Trevisi. Whilst the Andres mix of the track that featured on a 12" earlier this year was an exercise in chopped simplicity, there is a touch more complexity to this alternate take which shows off his ear for warming musicality. The LTJ take is super deep and super good!
Man Friday & Jive Junior - "Picking Up Sounds" (4:56)
Kleeer - "Taste The Music" (7:21)
Review: The Ron Hardy edits just keep on coming. For the 43rd edition we find ourselves peeping through a very focused time window as all three tracks come from one of the smoothest transition periods funk has made; the rare groove, soul and boogie from the class of 81-83. Cappuccino's "Hell Dance With Me" slinks and shakes with an ESG style looseness and hypnosis, Man Friday & Jive Junior's "Picking Up Sounds" is a beautiful slightly sleazy synth funk jam while Kleeer keep things clam-tight with their plucked guitar, strolling bassline and dreamboat synth chords. Bliss, as always.
Review: Forever faithfully mining the past to keep your shelves stocked with gems that might have otherwise been consigned to history, Emotional Rescue turn their attention towards Carl & Carol Jacobs' cult slice of early house music, and what a treat it is. "Yonge Street Jam Band" comes in the form of two mixes that serve as impeccable examples of late 80s club music in all its culture spanning glory. The playful sample slicing and triggering of the second mix is the winner, although the vocals on the original version are equally on point if you want a little more soul in the mix. Jonny 5 then steps up on the flip for a bold but measured re-rub that stretches the vibe out for nine minutes of perfect party fodder.
Don't You Want My Love (Joe Claussell 1986 Reel To Reel edit) (8:54)
Don't You Want My Love (Cratebug More Love remix) (9:06)
Review: Defected's fabulous Glitterbox off-shoot has thankfully repressed these two fist pumping disco remixes of Debbie Jacobs' classic "Don't You Want My Love". Stepping up on the a-side is the master of the mix, EQer extraordinaire and founder of the legendary Body & Soul party, Joe Claussell. His remix is perfect for said New York party with its loose percussion, big string stabs and relentless disco drums. Cratebug strips things back to a more functional and contemporary club track that builds in layers, with subtle filters bringing the tension until finally he lets the groove drop, no doubt to devastating scenes on the dance floor.
Review: Scorchio: Best return in time for the summer with one of the funkiest productions Maurizio 'Sangy' Sangineto has ever conjured. Sleazy electro boogie with just the right balance of Italo and soul in the mix, "Baby Come On" was a solo expedition by Armed Gang's James Otis White Jr. who hits the juiced-up bass-led groove in consummate syrup-toned style but gives the groove all the room it needs to let loose. Spacious, sun-kissed and profoundly funky, this couldn't have landed at a better time.
Review: Chicago batboy Jamie 3:26 is one of the few Windy City producers who is still waving his city's flag up high; alongside other house and techno artists like Hieroglyphic Being, they are defining the Chicago sound of today. This particular producer's style is suave and supremely sleek in its execution, a quality that is clearly audible from this second instalment of Basement Edits. The first, "Acid Whump" couldn't be from anywhere else and, although the UK also has a long tradition of heavy acid house, this particular tune sounds like it really is from the source of it all. "Bostitch Time", on the other hand, is more leftfield in all senses; there's a jazzy percussive beat pushing it forwards, but the track's sonic coating is filled with strange and wonderful synth sounds that render it something of a misnomer. Excellent cuts.
Review: South Carolina's John Zahl aka Jaz returns. He's said to be a DJ/Episcopal Priest from Charleston, South Carolina who digs deep, uncovering vinyl gems from the mid-80s with lots of drum machines and tons of fun weirdness - as heard on his many mixtapes on Soundcloud. Some of that material gets featured on this collection of edits here for P&F Recordings, who make a departure from original compositions in favour of these four beautiful downtempo edits by a modern day master of the craft. From the low slung boogie funk of "Dancing In The Sunshine", to the neon-lit '80s R'n'B of "Here We Go" and the slo-mo rock swagger of "Push Comes To Shove" - there's all you need right here!
Review: Digger and editor extraordinaire John Zahl returns with three more deep dug oddities from the disco cosmos. Early 80s stadium synth boogie with Italo stamped deep into the core and some fantastic horn stabs, "Show Me Luv" kickstarts the party all synths blazing. It's backed up by an Alexander O'Neal meets-D-Train smoocher "Oh Jaaaz" before "Let Me Treble" closes the show with a vibe that you could imagine Abba sounding like if they spent a day on the beach jamming on high doses of peyote. Divine.
Review: Africa Seven's A7 edit series hits second base. Following the inaugural release from Stefano Ritteri comes JD Twitch with this almighty dancefloor suckerpunch; First up is the near-evangelistic disco boogie positivity of the 82-release "Kilowi Kilowi" from Italian / Gold Coast band M'Bamina which gets a subtle tighten and turn up from the Optimo merrymaker. Meanwhile on the B we're taken on a raw funk trip in Cameroonian cruise control as the gritty riffs and falsettos of Tala AM are celebrated in all their slinky glory before Twitch hammers up the mix with bulbous kicks and brazen rolling breakbeats. Sunnyside steamrollers; these have summer smashed all over them.
Review: As with its' 12 predecessors, the latest compilation style EP from publicity-shy French diggers Unlimited Love gathers together an impressive selection of sought-after gems. This time round, many of the cuts are taken from eye-wateringly expensive and hard-to-find private press records. Check, for example, the fizzing 1982 boogie of Jeancy's "Reservation", the sweet breeziness of Karizma's "Will You Dance With Me" (an original 7" copy of which would set you back around L300) and the skewed, orchestra-smothered quirkiness of Marion Javius's "Waiting in the Wings". Elsewhere, Makonde's "Manzara" is a heavy chunk of psychedelic-minded Afro-funk, while Neo Experience's sumptuous "Human" is a lesser-known chunk of Philly soul bliss.
Review: Buttery bits of 'honey-house' with love on offer once again from the Honey Butter camp, following up a great last one by Swales. This time around, the Amsterdam/Malmo joint venture presents an EP by Frenchman Jehan (About Disco/Star Creature). There's lots to enjoy on this EP - highlights include the slo-mo disco for late night lovers on "Sugar Riderz" or "Pop Corn", and the smokin' hot grooves of the lo slung variety on "Sucre Sale" or "Jambalaya Avenue" - the latter in particular will really lock you in and is well funky!
Review: Having appeared on Razor-N-Tape, Z Records and File Under Disco in recent years, NYC's Jkriv steps up to Peter Croce and Moonlighter's Rocksteady Disco with three precision-picked Latin-laced floor-heaters for three totally different shades of the night. Title track "Aguaxire" takes a Brazilian standard and whips it up in a vat of bubbling jazzy acid, "Ive Brussell" gives Jorge Ben a new suit and kick-ass chunky shoes while "Deep Cove View" takes the swooning soul of Tania Maria and loops it up with stuttering samplecraft. Genius.
Review: Having made its bow on digital download last autumn, JKriv and Adeline's brilliant "Vertigo" finally makes it to wax. The original Club Mix sounds like a long lost cut from Brooklyn disco revivalists Escort, a band that both JKriv and Adeline were members of. It's absolutely brilliant all told - think strong choruses, Nile Rodgers guitars, jangly pianos and walking bass - as is JKriv's throbbing, delay-laden Dub. In between you'll find a dusty disco-house revision from Yuksek and a storming interpretation from Z Records chief Joey Negro, who wraps Adeline's vocal and JKriv's bassline in colourful new boogie synths and some classic disco-funk horns. There's no doubt about it, this will be one of the biggest disco records of 2019.
Review: The UK's Kat is back with yet more tasteful edits of forgotten gems. From disco to house, folk to funk and balearic nuggets: these guys know the score. This time around it's over to New York City's Jason Kriveloff aka Jkriv, who works that magic razor once again on these wonderful re-edits. On the A side we've got Red Sharon (see what he did there?) with "Handle It" (JKriv RNT dub) which takes a right diggers delight into sultry, late night territory and sure to burn up any dancefloor. On the flip is Marashal (oh come on already!) with "Socket Rockin". No guesses what's going on here but just for the record: it is one funky and soul filled celebration and most of all, a respectful edit.
Ed Wizard & Disco Double Dee - "Love Me Too" (5:28)
Will Buck & PRTMNTO - "I Need Your Love" (6:40)
Vagabundo Club Social - "Sonico Amor" (7:41)
Review: Perhaps we should think of Whiskey Disco's Small Batch series as their attempt at "artisan disco". Certainly, the re-edits on show should have a few hipsters - and plenty of disco DJs - stroking their hirsute chins in appreciation. Dubtribe Soundsystem's Sunshine Jones kicks things off with the mid-80s synth-pop-goes-acid-house brilliance of "Lovergirl", while regular collaborators Ed Wizard & Disco Double Dee doff a cap to Sly & Robbie and Larry Levan on the dub disco vibes of "Love Me Too". Those after some high tempo jazz-funk-meets-disco-house thrills should check Will Buck and PRTMNTO's "I Need Your Love". As for Vagabundo Club Social's "Sonico Armor", it's a hazy, dub-flecked Balearic disco delight.
Review: REPRESS ALERT: Etwas stirs in die Ostlich. Edits and verks of twist sounds. Synth pop, cold wave, neu wave, minimal wave, industrial, neu beat, soundtracks and a selbst Balearen. Freiheit! Als erstes is hero of old Cybernetic Broadcast (CBS) and (Intergalatic FM) radio. Jonny 5 and his verstorbenen Blindsign blog and mixes were a steigen'n'steigen to rescue us from boring neu disco. Schieben his search and discovery for harder, but musical soundscapes. 4 edits is a geschmack. Start brave on the floor feel with the Neu Beut Euro Pop thumper Kaka Kaka. Geschleift, verdreht thoughts. Black Hole is hours spent in Eastern Bloc basements graben in the search for drahts. Stoned indeed, immaculate synth electronic battle cruiser, hart percussion, cut gesang and break. Ready for the percussive finale in Horizon's Change. Was Auch Immer. Bahnsteig!
Review: Jonny 5 can rightly be considered a mainstay of Bahnsteig 23 now, as he returns to the label for the third time. It seems that the main source of inspiration for this latest opus from the intermittent producer has been the Indian sub continent, and he's channeled those vibes into three wild and wicked tracks for the weird dance party. "Bengali Dub" channels the proto electro vibes of 80s synth pop and shoots it through with some illustrious sample drops, while "Simha" works more like a particularly bold edit loping in a polyrhythmic fashion that will have the floor hopping like mad to keep up. "Tum Tum" turns up the heat on the B side with a deadly electronic revision of an Indian classic.
Review: Following initial appearances on Bahnsteig 23, Jonny 5 returns on the Pleasure Wave label with more of that well-travelled, groovesome voodoo for all manner of sonic wayfarers. "Apocalypse" in particular is a stunning piece of tom-powered menace, but it's quickly offset by the bubbling cosmic delights of "Electronix". "Firedance" on the B-side channels some righteous 80s industrial and synth pop tropes to create it's own kind of drama, and then "Stardriver" finishes the EP off with some pulsing, noirish wave synths and gaseous atmospherics. With the styles shifting from track to track, Jonny 5 has once again done a sterling job of keeping his options open and keeping us locked expectantly into his delirious sound.