It All Began In The East (The Sacred Rhythm version) (11:48)
It All Began In The East (The Cosmic Arts Koto version) (3:39)
A Dance For Gratitude (Joaquin's Congo Arts Drum version) (7:15)
It All Began In The East (The Cosmic Arts Meditational mix) (3:18)
Review: Two years ago, Joaquin "Joe" Clausell donned his occasional Mental Remedy alias and offered up "A Journey To Noi", a decidedly spiritual album that mixed Japanese instrumentation with his usual ambient and deep house sounds. On this 12", Clausell offers up some heady new interpretations that - like much of his work over the last decade - are built around the percussive power of African rhythms. The opening "Sacred Rhythm Version" of "It All Began In The East" is particularly potent, with Clausell cloaking a warm, organic and percussive Afro-house beat in distinctive Japanese Koto melodies and jazzy piano flourishes. We'd also recommend the formidably heavy, drum-laden rework of "Dance For Gratitude", whose Latin American bassline and simmering synth-strings are almost as addictive as the weighty groove they sit upon.
Rafael Cameron - "Let's Get It Off" (Dr Packer rework) (6:13)
Ripple - "The Beat Goes On & On" (Dr Packer rework) (7:30)
The Salsoul Orchestra - "You're Just The Right Size" (Dr Packer rework) (6:07)
Review: UK born, Australia based DJ and producer Dr Packer is back with more of his on point edits. He tackles some serious disco heavyweights here on Salsoul and first off, disco diva Loleatta Holloway and her mega-hit "Runaway" gets a fresh 2020 update with some soul uplifting studio skills. A heavy funk remix of Rafael Cameron's "Let's Get It Off" is next, with the original still taking centre stage, then the shimmering and glistening disco gold of Ripple's "The Beat Goes On" follows before in-house collective The Salsoul Orchestra also get treated to some elegant orchestral work and a sultry vocal hook.
Review: Long time disco diva Gwen McCrae is an eternally in demand artist whose music reconnects with each new generation. "All This Love That I'm Givin'" is one of her biggest hits and for good reason. Now it gets a special 7" release on stunning yellow vinyl. The soaring vocals do most of the work but the tentative stabs help bring the funk. It's a totally different vibe on the flip with "Maybe I'll Find Somebody New", a much slower and more sensuous tune with luxurious strings and wind instruments complimenting her smooth and seductive vocal work.
Review: Having sold out in record time a couple of months back, Phil Mison's latest album as Cantoma - an all-star affair featuring a wealth of guest vocalists and musicians - has been rapidly reissued, this time with a colour insert. Musically, "Into Daylight" is sweet and soft-focused, with the Balearic veteran prioritising seductively shuffling samba beats, dewy-eyed vocals, gentle melodies, dubby basslines and tactile instrumentation (think meandering trumpet solos, acoustic guitars, flutes, twinkling Rhodes solos and Pat Metheny style jazz guitar). It's the kind of album that warms you like a hug, soothing mind and body whilst providing enough slow-motion excitement to reward repeat listens.
Review: If you're in the mood for some cosmic grooves, wayward disco and pagan psychedelia, Multi-Culti's Cult Edits series is always worth checking. The imprint's latest offering is packed to the rafters with mind-altering goodness. Inigo Voltier sets the tone with "Ti Amo", a Fairlight-powered bounce through post-Italo oddball electro territory with added mix-80s power-pop guitars, before Angelina Amor reworks a sludgy slab of European industrial/new wave fusion. Youkounkoun's throbbing "Cosmic Yoyo" sounds like post-apocalyptic Italo-disco after a fist full of downers, while Asa Moto's "When The Funk Is On" is a funky but undeniably weird electro-industrial cut rich in delay-laden vocal snippets and metallic percussion hits.
Review: Fabrizio Esposito was born in Naples / Italy into a family of passionate musicians and vinyl collectors. His father played guitar in Tony Esposito's band who was responsible for some classic Italo tracks from the early 80's. He spent his early childhood immersed in his grandparnent's extensive vinyl collection which he has since inherited, this collection heavily influenced Fabrizio and made him a fan of Italian Wave, Italo Disco, Neapolitan Funk, Soul and Disco. After all these years working in clubs and with artists Fabrizio decided it was time to realise his other dream and become a DJ and producer himself fusing together his rich musical heritage combined with his clear vision for the future, creating his own unique sound. Fabrizio explains that since he was 14 he had always been behind the scenes of parties, from a PR to a promoter, always watching the djs and producers working to create the party around them. Since this time he has always been an obsessive vinyl collector, its in his blood, so now it's time for Fabrizio to share his own passion for music with the world.
Fast forward to summer 2019, Fabrizio made his Ibiza debut DJ'ing alongside DJ Harvey and Pete Gooding at La Torre and soon after Fabrizio finished his debut track 'This Way' which was premiered by Harvey at his now 'Mercury Rising' party at Pikes.
Review: The first instalment of the Gallery edits series, which landed in stores at the very end of 2019, was an artful, off-kilter treat, so we're expecting big things from this eagerly awaited follow-up. A-side "Stop" is simply superb: a clattering, delay-laden, dub disco style revision of a poodle perm-sporting bunch of early-to-mid-'80s electronic disco laden with percussion hits, ear-pleasing synthesizers, druggy, arpeggio-style bass and familiar-sounding vocal snippets. It just keeps building throughout, suggesting dancefloor pandemonium is almost guaranteed. Flipside "Remember" is rather good, too, with the mystery audio art lovers re-wiring a deliciously camp, over-the-top electro-disco stomper.
Review: The Bonfido Disques label comes to life with a strong cast of edit-happy movers and shakers focusing on music from the African continent. Panama Cardoon is up first with the heavy-stomping "Olofofu", which rides a sturdy rhythm section and lets rip with some gorgeous, warm sax and a vocal hook that will get under your skin. Fixed Angles take on "Tabou", a gorgeous high life edit that takes on a supercharged jacking quality thanks to some savvy drum programming. Sirhan gets into a pleasant, piano-backed reverie on "Le Flute", where the titular wind instrument pirouettes over the broken beat with grace and dexterity. Chico & Bianca complete the set with "Anole", a limber and funky number with some carnival spirit in its drums and the most effervescent guitar lines you're likely to hear all year.
Review: Soul Central responsible for the anthemic house version of 'Strings of Life' needs no introduction. Their latest Pimp Life EP is a limited edition four-track vinyl that fluidly introduces the Electric Shrine imprint. The EP features a mix of gritty, jazzy, soulful and funk-filled cuts that are interplayed with raw interviews from behind bars. Soul Central keeps it deep and sleazy whilst delivering the real deal. 'Late Night Cruising' chronicles the journey of a Bluesman, departing with the funkiest of grooves and solid sub-bass becoming the final destination.
'Just A Man' embeds the confessions from a convicted pimp dispersed with classic keys and dripped in Soul. Turning in a modern take on the deeper side of Disco. 'Bring It Home' is haze fuelled & reminiscent of the early US House scene. 'Chicago Lights' fuses 4/4, low slung Funk driven by a deeper dub vehicle.