It is arguable as to whether any other artist has released that much music. What we know for sure is that no other artist has released 100 studio albums with every one of them on vinyl.
This book contains the front and back covers for all 100 albums. Less a testament to Pollard's extensive career and more a study in album art, the book is a large format (12" x 12") hard cover document containing over 200 pages printed to the edge.
Limited to 1000 copies worldwide.
This edition of "Record Covers" presents a selection of the best rock album covers of the 60s to 90s from music archivist, disc jockey, journalist, and former record-publicity executive Michael Ochs' enormous private collection. Both a trip down memory lane and a study in the evolution of cover art, this is a sweeping look at an underappreciated art form.
Over 1000 colour images of the rarest album covers from over 40 countries. A kaleidoscopic overview of the most expensive collectable albums from all over the world.
An indispensable book for all serious collectors with accurate description of origin, label, value and rarity, printed on glossy paper and issued as a hard-cover.
This edition has 15 pages more then previous issues featuring a host of British beat.
The image of the Caribbean is as much a creation of the outsider as it is the complex identity of its people, a melting pot of races created out of the participants of the 400 year slave trade - enforced Africans, indigenous Caribbeans and their colonisers - French, Spanish, Dutch, English.
From luscious and beautiful backdrop of tourism and hedonist retreat, to colonial outpost and revolutionary threat within North America's backyard, the complex identity of the Caribbean stands at the intersection of tourism, the detritus of the slave trade, the decline of colonialism and the region's tropicality.
The regions politics span an almost constantly changing path of ideas, radicalism and revolutionaries - from Castro's Cuba and Michael Manley's Jamaica, to the violent right-wing dictatorships of Haiti's Francois 'Papa Doc' Duvalier and the Dominican Republic's Rafael Trujillo.
The hundreds of fascinating and unique photographs featured here illustrate more than one hundred years of Caribbean history, culture and industry as well as the subsequent diaspora of its people to America, England, Canada and elsewhere.
Introduction by Paul Gilroy. Edited by Stuart Baker.
Paul Gilroy is the author of There Ain't No Black in the Union Jack: The Cultural Politics of Race and Nation (1987), The Black Atlantic: Modernity and Double Consciousness (1993), Black Britain - A Photographic History (2004) amongst others.
Stuart Baker is the editor of a number of photography and design books all of which deal with culture and identity including Punk 45 (with Jon Savage), Dancehall (with Beth Lesser), Kanaval: Vodou, Politics and Revolution on the Streets of Haiti (with Leah Gordon), Voguing (with Chantal Regnault), Bossa Nova, Freedom, Rhythm & Sound (both with Gilles Peterson) and more. He is also the founder of Soul Jazz Records.collection.
Now, in this first book of fictional set pieces, Korine captures the fragmented moments of a life observed through the demented lens of media, TV, and teen obsession. Korine reinvents the novel in this highly experimental montage of scenes that seem both real and surreal at the same time. With a filmmaker's eye and a prankster's glee, this bizarre collection of jokes, half-remembered scenes, dialogue fragments, movie ideas, and suicide notes is an episodic, epigrammatic lovesong to the world of images. Korine is the voice of his media-savvy generation and A Crack-Up at the Race Riots is the satiric lovechild of his dark imagination.
The guide contains detailed discographies, line-up data, bibliographies, comment on their music, compilation appearances, and an up-to-date rarity scale for all album releases between 1963 and 1976, for the artists featured.
Illustrated throughout and includes 12 pages in colour. There is nothing currently in print similar to this!
To read the Ace Records: Labels Unlimited is to explore the history of modern music and to discover the stories of the people that made it. The book chronicles this fascinating label and profiles a diverse range of artists including BB King, John Fahey, Lee Hazlewood and Art Blakey & The Jazz Messengers, Riff Raff, Johnny & the Self Abusers, Drug Addix and Rocky Sharpe & The Replays. Illustrated with many unseen archive photographs dating back to the 1920s, rare artwork and newspaper clippings and written by established music journalist and author David Stubbs, the Ace Records: Labels Unlimited is a highly entertaining and visually stunning guide to a pioneering alternative to the mainstream UK music scene.
Raised on the tough south London streets of Brixton, Nigel Thompson was saved from a life of crime and punishment, by music. A pirate DJ on Passion FM, when acid house broke down virtually every cultural boundary in the UK, Frost was right there at the forefront of the British rave revolution. Then, when hardcore splintered into jungle in the early nineties, Frost became one of the figureheads of this uniquely British phenomenon; releasing many of the tunes that defined this scene, on his and fellow DJ Bryan Gee's hugely influential record label V.
V would go on to break artists such as the Mercury-Prize winning Roni Size, a success story that saw Frost travelling the planet on his quest to take jungle global. A life of sex, drugs and drum and bass followed as Frost became established as one of the hardest working DJs on the circuit.
But no matter how hard he tried to evade the criminal lifestyle that had taken many of his friends down, prison, guns and violence were never far away. And when his drug use started to spiral out of control, Frost faced a battle that threatened to take everything he had.
Featuring contributions from Goldie, Roni Size, Congo Natty, Bryan Gee, Jazzie B, DJ Ron, Tipper Irie and many more, Big, Bad & Heavy is the compelling story of one man's bruising journey through the deepest, and darkest, jungle of all...
2 in stock $21.19
Amazing pictures from Ashton Court Festival in 1977. Plus rare unseen photos of out of town bands visiting Bristol Johnny Thunders with Steve Jones and Paul Cook (The Sex Pistols), Ian Dury, Elvis Costello and Big Youth. These 100 copies available from the website will be signed by Gill Loats and some of the artists from the era. Also includes digital download of the CD.
'Dancehall' is an essential reference book for anyone interested in Reggae and captures a previously unseen era of musical culture, fashion and lifestyle in stunning, vibrant colour.
Dancehall is a culture that encompasses music, fashion, drugs, guns, art, community, technology, and more. Born in the 1950s out of the neighbourhood soundsystems of Kingston, Dancehall grew to its height in the 1980s before a massive influx of drugs and guns made the scene too dangerous for many. Today Dancehall remains at the centre of Jamaican musical and cultural life. From its roots in Kingston in the 1950s to its heyday in the 1980s, Dancehall conquered the globe spreading to the USA, UK, Canada, Japan, Europe and beyond.
In the early 1980s Jamaica was in the throws of political and gang violence - photographer Beth Lesser ventured where few other dared and this book is a never-before-seen record of the exciting, dangerous and vibrant world of Dancehall.
Living in Jamaica in the late 70s and early 80s she photographed and documented a cultural explosion as producers, singers, DJs and soundsystems who all made a living out of the slums of Kingston. With unprecedented access to the incredibly vibrant music scene during this period, Beth Lesser's photographs are a unique way into a previously hidden part of Jamaican culture.
The second revised edition of the book profiles over 130 vinyl collectors, featuring a foreword by the RZA and interviews with Questlove, Gilles Peterson, Four-Tet, the Gaslamp Killer, and more.
(This edition has 20 more pages than the first edition)
Eilon Paz's 436 page coffee-table book illuminates over 130 vinyl connoisseurs and their collections in the most intimate of environments- their record rooms. With a foreword by the RZA, compelling photographic essays are paired with in-depth interviews to illustrate what motivates record collectors to keep digging.
Readers get an up close and personal look at a variety of well-known vinyl champions as well as a glimpse into the collections of world-renowned and lesser-known DJs, producers, record dealers, and everyday enthusiasts. The book is divided into two main parts: the first features 250 full-page photos framed by captions and select quotes, while the second consists of 12 full-length interviews that delve deeper into collectors' personal histories and vinyl troves.
Unearthing the very soul of the vinyl community, his book will appeal to a broad spectrum of readers, from die-hard record enthusiasts to fans of pop culture, sharp photography, and music history.
Eilon Paz has shot for Israel's top cultural publications and is a regular contributor for the US based food/travel magazine, Saveur, and his work appeared in worldwide publications such as Wax Poetics, Monocle, Conde Nast Traveler, Delta
Airlines' Sky magazine, and the French music magazine Vibrations.
On November 27, 1989, when Pavitt and business partner Jon Poneman arrived to meet the band in Rome, they were almost finished with a grueling six week tour of Europe. Although determined to promote their grungy, riff-heavy debut album, Bleach, their travels with fellow Sub Pop act Tad had left them exhausted. Providing label support, Pavitt and Ponemon did their best to revive the spirits of a frustrated and downcast Kurt Cobain, who then managed to continue to London where Nirvana played the biggest and most important show of their career to date.
LameFest UK, held at the 2,000-capacity Astoria Theatre, featured three Seattle Sub Pop acts: Nirvana, Tad and popular headliners Mudhoney. Although Nirvana opened the show, their heart-pounding performance won over the crowd as well as the powerful British press, who went on to proclaim that Nirvana was, "Sub Pop's answer to The Beatles." It was then that the world's attention began to focus on the band that would become the biggest rock act of their generation.
This is a unique collection of cover artwork of revolutionary jazz music between 1965-83. Martin Luther King, Malcolm X and the civil rights movement of the 1960s loom large as self-determination, economic power and musical freedom led to jazz artists finding new paths - both musical and economic.
Years before the D-I-Y cultural revolution of punk, Sun Ra, John Coltrane, Pharoah Sanders, Don Cherry, Ornette Coleman, the Art Ensemble of Chicago and others 'took control' of their own work by recording, releasing and distributing their own music themselves.
The record sleeves of this era are as iconic and historically unique as the music itself and a striking reflection of the time; pre-desktop publishing, pre-internet these small-run (sometimes as low as 500 copies), self-made sleeves are graphically bold and radical.
'Freedom, Rhythm and Sound' is the first ever collection of this fascinating goldmine of album art, which represents the first wave of inspired independent production within popular music.
'Freedom, Rhythm and Sound' includes a large introduction contextualising the music and artwork as well as features on many of the people involved. Alongside the musicians mentioned above these include Rashied Ali, Steve Reid, Mary Lou Williams, Horace Tapscott, Lloyd McNeil, Tribe, The Last Poets, The Pharoahs, Philip Cohran, Black Artists Group and many others.
Gathering both classic and rare covers, the collection celebrates each artwork's ability to capture not only a buyer's interest, but an entire musical mood. Browse through and discover the brilliant, the bold, the outlandish and the sheer beautiful designs that fans rushed to get their hands on as the likes of Marvin Gaye, James Brown, Curtis Mayfield, Michael Jackson and Prince changed the world with their unique and unforgettable sounds.
Featuring interviews with key industry figures, Funk & Soul Covers also provides cultural context and design analysis for many of the chosen record covers.
More than 10 in stock $4.94
Artist, producer and DJ Robi Insinna aka Headman released his first album 'It Rough' in 2001. He has also released tracks as 'Manhead' and remixed the likes of Roxy Music, Gossip, Franz Ferdinand , Richard Fearless, Nitzer Ebb, The Units, Unknown Cases, Gina X and Klein & M.B.O. The new album "6" feels like the conclusion of the music he has been putting out over the years. There are many collaborations on the album, with friends and artists he has worked with over the years.
Featuring on the album are Brassica, The Emperor Machine, Red Axes, David Shaw, Sam from Gramme, Rosie from hot new Berlin Act Ballet School, Brassica, Bozzwell and Tara from It Rough fame!
The album release comes accompanied by a Fanzine like Art Book with a download code for the album, there will be 2 x 12" vinyls together with the digital and CD release. The concept is further developed in the video for the first vinyl EP which is directed by Robi and has been premiered on THUMP/VICE TV. It's a fusion of art, fashion and music, the 3 things that in Robi's eyes should always go together. VIDEO: http://youtu.be/SWkaaVEX_mk
'6' is quite an eclectic album with a strong grounding in electronica whilst also staying true to the previous output of Robi and Relish Recordings. Some tracks can sound more like post punk ESG influenced, some more like pre-detroit machine funk, and some of the vocal tracks have a more pop sensibility!
The album was produced with loads of analog equipment which gives that organic feel, but Robi always stresses that he does not want to be just Retro, but take the best from the past and use it together with the technologies from now to create something modern.
Style is always something very important for his projects, the use of old synths, guitar pedals, tape delays, drum machines or emulations, and old Vintage gear was essential to create a vintage / classy sounding album, which is also reflected in the art book and the video. The video is filled with references from the past, late 70's 80's and 90's but again with a style and taste that makes it very modern.
Following the runaway success of the first two Hip Hop Family Tree instalments, Ed Piskor hits us with another block-rocking volume.
Ed Piskor's acclaimed graphic novel series continues! VOLUME 3 highlights RUN-DMC's rise to fame and introduces unassailable acts like Whodini, The Fat Boys, Slick Rick and Doug E. Fresh. The Beastie Boys became a rap group. And Rick Rubin meets Russell Simmons to form Def Jam
The famous TV pilot to the dance show Graffiti Rock and the documentaries Style Wars and Breakin' and Enterin' are all highlighted in this volume spanning 1983 - 1984. Piskor continues to deliver the goods in this comprehensive history of hip-hop!
Owen exposes the issues faced by the black, predominately African-Caribbean, community and the daily racism they faced in school, on the streets and in the workplace. He then takes us through his seminal years of growing up, from the physical fights with white racists to the battle of wills with teachers and sports coaches. But the book really comes into its own when Owen writes about his three constant companions and passions: sport, music and his family.
Owen excelled at a number of sports and could have been a professional basketball player if fate (and a rehearsal) hadn't interfered. Instead he turned to music, which came naturally to him, and for a few fleeting years was part of an extraordinary movement in Birmingham's and indeed the UK reggae scene.
He vividly brings to life some of the musicians, characters and hustlers of Handsworth and the venues where they plied their trade, giving a voice to these lost and hidden bands, encouraging the reader to discover them. As an added bonus, the discographies at the end of each chapter are incredibly deep and will offer even the most knowledgeable reggae lover something to discover.
The book's central theme is of Owen's spiritual journey and of the love he shares for his mom Gladys, a formidable but loving presence through his life, Dad Hartnel, and brother Lewis as well as a dizzying cast of relatives.
'I Ain't Mad at Ya' offers a rare insight into Birmingham's black community and shines a light on the incredible amount of black music culture produced in the vibrant suburb of Handsworth and the role its musicians and entrepreneurs have played in shaping and influencing popular music in the UK.
The I Am Very Far: The Lyrics is a hard bound lyric book containing the full scope of Sheff's vision for his latest and most refined album to date, Okkervil River's I Am Very Far. The I Am Very Far: The Lyrics is meant to function as a distinct entrance point into the content of the music. More than a complement to the albums themselves, Sheff's prose weaves tales both subtle and dynamic and enriches the content of his songs. Including the lyrics for Mermaid and other songs recorded during the I Am Very Far sessions, the book is a complete work in its own right.
Limited to only 50 copies for the UK and Eire.
The nuances and ambiguities within plain-spoke expression are at the exquisite center of Callahan's gift, and the plain fact of words on paper nails them down in a concrete fashion that signals eternity somehow more concretely than sounds in the air can conjure.
I Drive a Valence does this for the listener - makes him/her a reader, while putting Bill Callahan's songs on another shelf where they sit just as entirely as they do on LP shelves around the world.
The book features an introduction by Robert Smith and includes many photographs never seen before, all carefully scanned and retouched to show Tom's work at its glorious best.
Featuring many previously unseen images, "In Between Days" is divided into three parts focusing on specific phases of their history. Part 1 (1982-84) traces their early travels at home and abroad, also including portraits of Smith's parallel career in Siouxsie & The Banshees and the side-project The Glove.
Part 2 (1985-89) highlights their imperial period through a trio of classic albums The Head On The Door, Kiss Me, Kiss Me and Disintegration, including rare behind the scenes images from the celebrate The Cure in Orange concert film. Finally, Part 3 (1990-2005) collects Sheehan's latter portraits of Smith and the group as they cement their status as one of the biggest alternative bands in the world, still touring today.
Each section is accompanied by an essay by acclaimed Author and music journalist Simon Goddard (Ziggyology).
- Strictly limited edition of 2500
- 240 pages with many unseen images
- Foreword by Robert Smith
- Printed on 170gsm matt art paper
- 3mm rigid board slipcase
Compiled over a number of years, the book features examples of Limonious' newspaper comic strips alongside his illustrations for the publications of JAMAL (the Jamaican Movement for the Advancement of Literacy, and his distinctive artwork for the burgeoning dancehall scene coming out of 1980s Jamaica. Includes a foreword by Beth Lesser and additional words from Orville "Bagga" Case and Dr Donna P Hope.
- Designed by Emery Dash and Al Fingers
- First edition, published by One Love Books, 16 Aug 2016
- 285 colour and 69 black-and-white illustrations
Jim Abbott's book is the result of years of research piecing together evidence, relations and apocryphal stories from Frank's life. It is also part memoir, as Abbott cared for Frank through the final decade of his life. Their friendship was fraught with difficulties, which Abbott portrays with the honesty of a journalist. In doing so, he draws a portrait of a uniquely gifted songwriter, blessed with talent and besotted by demons. At 250 pages, Abbott's memoir shows a flawed and caring individual whose struggle was best depicted in his songs.
Following the release of Jackson C. Frank: The Clear, Hard Light of Genius, Ba Da Bing will release three volumes of Jackson C. Frank: The Complete Recordings in early 2015, compiling work from throughout his life, including unreleased material.
From the 1940s through to the 1990s, each chosen cover design is distinct in the way it complements the energy of the album's music with its own visual rhythms of frame, line, text, and form. To satisfy even the most demanding of music geeks, each record is accompanied by a comprehensive fact sheet listing performer and album name, art director, photographer, illustrator, year, label, and more.
As a fast paced view of Harrington's journey through the kaleidoscope of the movie business, it acts alternately as a personal memoir and cultural history from a veteran of the entertainment business. As Harrington was living as a gay man in Hollywood, the book additionally gives a rare peek into the hidden world of what was then an elite subculture. Doubling as both a serious study of film aesthetics and a gossipy tell-all, this truly unique look at the Hollywood dream includes an unlikely cast of characters, including Dennis Hopper, Christopher Isherwood, Shelley Winters, Marilyn Monroe, Stanley Kubrick, and Aaron Spelling, as it reveals a portrait of the machinations of the film and television business.
Curtis Harrington was a film and television director whose work included experimental films, horror films, and episodic television. He was a close associate of groundbreaking cult film pioneer Kenneth Anger and is considered one of the forerunners of New Queer Cinema.
The book includes a mid section of black and white photographs.
Only Love Can Bring You Peace is the first selection of Simon Joyner's lyrics (assembled and edited by Simon and his wife Sara) to appear in book form, showcasing the images and characters of over 15 albums, EPs, and rare releases. It also features two interviews with Joyner (from Aquarium Drunkard  and Circumstantial Evidence ), rare liner notes, and illustrations from over a dozen guest starring friends.
Whether you're new to Joyner's work, or you've had his songs stuck in your head since 1992, this book serves as a sturdy companion to what Callaci calls "the grass, branch and bone of a lifetime."
50 Rhythms sorted by Rhythm, Producer and Artist.
In 1979, Bruce Pavitt moved from Chicago to Olympia, Washington, and began programming a show called Subterranean Pop on local community radio station KAOS-FM. In 1980, he launched Subterranean Pop magazine, dedicated to the unsung punk, new wave, and experimental regional bands of the Pacific Northwest and Midwest. Calvin Johnson of K Records joined the zine's staff later that year, beginning with the second issue.
The Sub Pop zine puzzled punk and new wave fans from major cities; readers were surprised that there were enough bands in the forgotten cities and states to devote a column, let alone an entire fanzine. Even more puzzling was the exclusion of artists like the Clash, Gang of Four, Blondie, or PIL, solely because of their major label associations. Driven by the power of independent thinking, early issues featured impassioned rallying cries for local action that make more sense than ever today, alongside early published artwork by Linda Barry, Charles Burns, and Jad Fair.
In 1983, Pavitt moved to Seattle and commenced his widely-read Sub Pop USA column in the Rocket newspaper, each month exposing new underground and independent artists. From Beat Happening and Pell Mell to early records by the Beastie Boys, Metallica, and Run-D.M.C., Sub Pop was a 1980s independent music bible, written with a diverse appreciation for happening scenes across the USA. In 1986, Pavitt put his ideas into practice, launching Sub Pop Records with the historic Sub Pop 100 compilation and Soundgarden's first release, Screaming Life. While the Sub Pop Records legacy is today legendary, the groundwork and creative wellspring that put Seattle on the musical map is assembled here for the first time.
This book is the most thorough look ever done about mixtape culture. It begins in the park jams all the way to the current day and shows how mixtapes shaped Hip Hop over the decades. The book features (deep breath) : Red Alert, Jazzy Joyce, Brucie B, DJ Envy, Doo Wop, Cipha Sounds, Funkmaster Flex, Mick, Jazzy Jeff, DJ Clue, Ron G, DJ Premier, DJ Self, Dj Whoo Kid, Silva-Surfa, Stretch Armstrong, Cosmic Kev, Neil Armstrong, DJ Skee, Statik Selektah, DJ Drama, DJ Soul and countless other tapes with a forward by Kid Capri. The Art Behind The Tape also showcases so many classic tape covers from every era, it's just an endless amount of eye candy, and trip down memory lane for any 90's rap fan. With over 200 pages of full color mixtape art and interviews this book is so expertly done we can't do it enough justice.
God's favorite DJ Clark Kent says "God bless DJ Mars for telling the story of our beloved mixtape world! This is a perfect read for anybody who wants to learn about one of Hip Hop's most vital tools, the mixtape."
Just Blaze adds "To say that I love this book is an understatement. Mars and his team have accomplished the seemingly impossible and presented this archive of History in a way that can only be described as a shinning example of their dedication and love for the craft and more importantly, our culture!"
"At its core hip hop is all about independence and self expression. I feel it is my duty as a card carrying member of the hip hop community to tell this story the right way!"
The best bits of this notorious and outspokenly passionately zine are now available in book format. Alongside hundreds of zine pages, The City Is Ablaze! features new writings by Karren and other members of the Ablaze! team, as well as interviews with fanzine writers John Robb (Rox), Dave Haslam (Debris) and Richard Johnson (Grim Humour), essays by DIY cultural commentators Lucy Cage and Deborah Withers, a re-examination of the Riot Grrrl movement by those who were part of it, and an epilogue by Gary Jarman.
This 320-page A4 book also covers other zines that Karren produced in Manchester and Leeds between 1984 and 1994, capturing an era where DIY was de rigueur and indie actually meant something.
You'll be able to read original interviews with the following bands (in chronological order).
Eyeless In Gaza • The Membranes • The Stone Roses • The Inca Babies • Tools You Can Trust • The Bodines • Inspiral Carpets • The Pastels • The Janitors • Happy Mondays • King of the Slums • The Dust Devils • The Shamen • Cud • Sonic Youth • Dinosaur Jr • The Pixies • Throwing Muses • The Sundays • Thrilled Skinny • Rapeman • UT • Dog Faced Hermans • Edsel Auctioneer • Mudhoney • AC Temple • fIREHOSE • Band of Susans • Henry Rollins • Live Skull • Kilgore Trout • The Sun and The Moon • The Breeders • Happy Flowers • Silverfish • The Keatons • The Stretchheads • Pregnant Neck • Mayomberos Alive • Fluff • Archbishop Kebab • Nirvana • Pale Saints • Mercury Rev • The Heart Throbs • Babes in Toyland • American Music Club • Hole • Pavement • My Bloody Valentine • Shudder To Think • The Wedding Present • Leatherface • Nation of Ulysses • Tsunami • Poster Children • Sugar • Moonshake • Hood • Polvo
The book also includes irate letters from Morrissey and Thurston Moore.
The City Is Ablaze! reads like a musical history of the late eighties and early nineties, a history that could only be obtained by surfing the sliproads, sneaking backstage at a thousand shows, sleeping on strangers' floors and living to type up the tales of the sounds that defined an era.
Features contributions from Moby, 808 State, LFO, Bizarre Inc, Utah Saints, Mark Goodier and many more...
"Altern 8 occupy a unique place in dance music history." Moby