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Jomox T-Resonator MkII Filter Box
Cat: 458808 Rel: 25 Jul 12
 
Time woven filter matrix
Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

www.youtube.com/watch?v=P6FHbqRb9S4
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 2 in stock $261.75
Mode Machines OMF-1 Oakley Moog Style Analog Filter
Cat: 510772 Rel: 18 Nov 15
 
4 pole true analog filter based on the transistor ladder filter developed by Moog
Notes: A four pole true analogue filter. This is based on the famous transistor ladder filter developed by Dr Bob Moog in the 1960s. A front panel pot controls the filter cut-off frequency, another controls the resonance. The resonance control is configured not to cause volume drop when turned up. The filter can be made to oscillate if required.

Two filter outputs are available. One is the Fizz output. This is a type of -6dB/octave filter and it gives a unique filtering effect with a real bite. The other is the Smooth output. This is a classic -24dB/octave filter, and gives a smooth warm analogue filter sound. Each filter output goes via its own reversible attenuator. This means not only can you adjust the output level, but also the phase of the output signal. This allows complex filter shapes to be made when the two outputs are mixed together in various degrees. This includes a very nice sounding band pass filter.

A wet/dry control allows the filtered audio to be mixed with the original signal. Not only is this useful in controlling the depth of the effect, but it can also create unusual phasing and vibrato type effects.

A wide range pre-amplifier is included. You can use the OMF-1 with virtually any input from guitars to synthesisers. A peak indicator will allow you to monitor overloads, although the OMF-1 is designed to overdrive beautifully.

An inbuilt low frequency oscillator with triangle and square waveforms. The frequency can be changed from 0.05Hz (one cycle in 20 seconds) to over 50Hz. A bi-colour LED gives visual indication of the speed of the LFO. Use the LFO to create auto wah and phaser type effects. The LFO can also be selected to trigger the envelope generator.

An ingenious dynamic envelope section that can move the filter cut off point up or down. It can be put into one of three modes at a flick of a switch:
FLR: It can function as a useful envelope follower, with controllable attack and decay times. Perfect for simulating many classic dynamic follower filter boxes. Play louder and hear the filter open up.
AD: It can be a standard attack-decay envelope generator. This is a type of one shot envelope, that rises and falls at the presence of an initial trigger signal. Useful for percussive type sounds.
AR: It can be a standard attack-release envelope generator. This is triggered either by the LFO, external gate signal or by an automatic audio trigger circuit with a variable threshold level. Powerful for creating rising crescendos.

The final output volume can be controlled with a level control. The output circuitry is configured to drive long length cables with ease and without ground loops.

A side chain input is available. This is a second audio input that can control the main input, but is not heard directly. Use this to trigger the envelope generator, or drive the envelope follower. A common use of this is to make the main audio program respond to a drum machine's output for syncopated effects. Use a deep rich string patch as your main input, and listen to the drum machine automatically pulse the output to the beat. Awesome!

CV and gate inputs are available for connection to a modular synth or midi-CV convertor. The CV input will control the filter frequency, and the gate control will trigger the envelope generator if selected.

With a second OMF-1 a stereo unit may be built. The two channels can either be run independantly or linked together for true stereo processing.
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 1 in stock $278.98
Sherman Filterbank 2 Classic Analogue Filter
Cat: 531916 Rel: 02 Sep 14
 
Powerful analog filtering and distortion unit
Notes: What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.

PLEASE NOTE: SUPPLIED WITH EU 2 PIN ADAPTER PLUG ONLY.
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 2 in stock $675.37
Sherman Filterbank 2 Classic Analogue Filter (B-STOCK)
Cat: 789602 Rel: 02 Sep 14
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


What is the Sherman Filterbank 2?

A powerful analog filtering and distortion unit with a huge frequency range and a killing TUBE overdrive behavior.
Easy and FUN to use, live and in the studio
A small modular system? YES!
Another 303 clone? NO!
Affordable? YES!
Application: processing every sound source, effect mixing, expanding modular systems, etc.

What you get:

Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
These are switchable between parallel or serial
The second filter has a 6 octave switch, and is synchronizable with the first filter
1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
1 FM input for the filters, internal or external audio, LFO or CV
1 VCA overdrive with AR generator also
1 ring modulator input, internal or external audio, LFO or CV

The original Sherman Filterbank (Version 1) is no longer being made and is thus now completely being replaced by this new version !

The global look has remained the same, but there have been added several strong functions. To summarize :

There are 5 extra NEW SWITCHES, 1 extra INPUT (for footpedal), 2 extra new LEDs, a NEW COLOR (silver-grey) with an improved (long-lasting) varnish layer.
The inner electronics have also been adapted to achieve an EVEN BETTER SOUND-QUALITY
We also do have new packing-boxes (silver, with photo on upper side), new flashy stickers (silver) and new adaptors (with Sherman-logo).
All this with the famous solid SHERMAN-QUALITY and the well-known thorough & speedy AFTER-SALES service (repairs).

What's new?

There are 5 extra switches and 2 extra LEDs, and on the back panel there's one pedal input jack. A reworked front-panel lay-out and the grey metal color.

The pedal input allows foot control of freq1and bypass/effect switching. You can rewire an old wah (because they have a switch on board) as shown by te diagram in 'extra stuff'.
A 5mm big green LED indicates "Effect on" on the FB 2
A 3-way switch on the input stage allows Hi boost as well Hi cut (both boosting high frequencies at input)
Another 3-way switch allows "Sensitrig" (which makes the triggering twice as sensitive for, e.g. clean string pad filtering) and "Limit", which leaves the filters more "breathing room" for self-oscillation if the input stage is extremely overdriven.
A 3-way switch has 2 general transpose functions : +1 Octave and + Quint which works nice with monophonic signals, and has a specific dirty character.
A 3-way switch for the really powerful and quite revolutionary "Tracking" function - a monophonic pitch follower, that tunes filter 2 to the incoming pitch, and makes filter 1 slave of filter 2 via the harmonics switch. E.g. in position 2, filter 1 will be pitched one octave higher than filter 2, but still following the pitch. This extra switch activates the "tracking" in a normal or deep "track low" position, with stunning basses as result.

The "revolutionary" aspect of this function is that never before any similar system enhances "on the spot" harmonics and creates new harmonics with fat analog circuits.
An extra white LED indicates when the tracking system is "locked on".
At last there is an 3-way function switch in the LFO section, allowing sawtooth wave shape OR AR retrig : this forces an LFO restart from the AR trig with pumping grooves as unavoidable result. If you want to receive a new brochure, please ask your dealer first.

The Sherman Filterbank is now also midi controlable via kenton control freaks (a small portable hardware console, including sliders)

All the finger-tip MIDI control you need, instantly to hand. Forget your mixer maps and do it all in real-time. An ideal solution for the gigging musician, or the musician who likes to save time & settings. The Kenton Control Freaks are made in the U.K., by Kenton, and are preprogrammed with profiles for the Sherman Filterbank as well. Hundreds of additional profiles are available for download FREE from the Kenton website.

PLEASE NOTE: SUPPLIED WITH EU 2 PIN ADAPTER PLUG ONLY.
Read more
 1 in stock $673.64
Sherman Filterbank 2 Compact Classic Analogue Filter
Cat: 649002 Rel: 10 May 17
 
Analog filtering & distortion unit with high frequency range & tube overdrive behaviour
Notes: Compact version of a modern classic, based around a pair of complex analogue filter circuits with amazing sound and huge hands-on tweaking potential. One of our absolute favourites for studio, live use and even DJ setups.

Supplier's notes:
A classic, but smaller - The Sherman Filterbank is a powerful analog filtering and distortion unit with a huge frequency range and a killing overdrive behaviour. It's easy and FUN to use, live and in the studio processing every sound source, effect mixing, expanding modular systems, etc.

- Independent low pass, band pass and high pass filters with resonance, frequency and ADSR (positive - negative) controls
- These are switchable between parallel or serial
- The second filter has a 6 octave switch, and is synchronizable with the first filter
- 1 ADSR generator for these filters with an external output for use with more filterbanks or modular systems, triggered by the incoming signal, by a second sounds source, or by a gate
- 1 FM input for the filters, internal or external audio, LFO or CV
- 1 VCA overdrive with AR generator also

Connectors:

- MIDI In/Out, 3x Thru
- Main out, out1 (Filter1)
- Trigger AR, AM In, ADSR Out and Trigger In, Link In/Out, FM In, Sig. In, Pedal In
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 1 in stock $675.38
Click for better price!
or call +44 20 7424 1960
quote 649002
Vermona Action Filter 4 Rack Mounted Effects Unit
Cat: 572883 Rel: 19 Jun 15
 
Rack mounted effects unit with RCA & 1/4" jack ins and outs
Notes: We have to admit being more than a little proud when thinking of the Action Filter's history. Twelve years ago we made the first version of this still popular stereo-filter with no end in sight. It still is built upon the same basic principle: ACTION!

Neither MIDI nor control voltage decide about filter sweeps and cues but you. Action Filter demands and supports your intuition and creativity. Reign over frequencies and rhythm instead of being a victim of technique.

What remains?

Like its predecessors, Action Filter 4 consists of a high-/lowpass filter-combination per stereo channel. Together, these either work as bandpass- or notch-filter with variable bandwidth and individual resonance per filter.

What's new?

Unspectacular but a spectacle nevertheless: Beside the mandatory RCA in- and outputs, Action Filter 4 is equipped with 1/4"-jacks. In addition, the FILTER MODE switch made it to the unit's front, labeled as STYLE.

Who is the Action Filter 4 dedicated to?

... of course for all action heroes! With jack- and RCA-connectors, Action Filter 4 is best suited for the DJ booth as well as for studio applications. You can use it to process full tracks or add that "certain something" to individual audio tracks. Emphasize or kill specific frequency bands and - on top of it - have lots of fun actively playing with frequencies! Simply: ACTION!
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MRP:$381.32 SAVE 16%
 2 in stock $320.99
Click for better price!
or call +44 20 7424 1960
quote 572883
Vermona Filter Lancet (with UK power supply)
Cat: 433132 Rel: 19 Aug 11
 
Analogue multimode desktop filter, includes UK power supply
Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.
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MRP:$438.19 SAVE 24%
 3 in stock $334.42
Click for better price!
or call +44 20 7424 1960
quote 433132
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