Filters

Notes: One of the most innovative effects processors in recent times, the Restyler is the result of great collaboration between 2 high-end analogue equipment manufacturers, Rodec & Sherman. Not comparable to any existing processor, the Restyler redefines the dynamics, punch, groove and sound of your music. Essentially a combination of a filter, oscillator and dynamic processor, the Restyler is ideal for use in dj sets, yet it can add a freakish dimension to productions too, all with premium analogue sound quality.

Various controls allow you to adjust the level and frequencies at which the Restyler kicks into action. 3 independent filters can be assigned or adjusted according to your requirements, each with a fader to determine level of effect. Then, with resonance, frequency modulation, attack and make-up gain controls, audio can be manipulated to pump and excite like you've never heard before with tight frequency sweeps with hot & punchy dynamics and a smooth analogue resonance. With a selection inputs, it is compatible with all DJ mixers, audio interfaces and mixing desks, so integration into any audio set-up is guaranteed. This processor adds a uniquely creative twist you music. To label this device an effects processor would be an understatement.

A Restyler is genuinely a quite apt term.

http://www.youtube.com/watch?v=-t_LhkTKUOg&feature=player_embedded
http://www.youtube.com/watch?feature=player_embedded&v=vQtysv-DT6A

Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.