Effects pedals

Notes: The 4ms Nocto Loco is an octave pedal capable of going as low at three octaves down in pitch. It can also function as a tremolo effect with the Pulse and Speed knobs.

Notes: - Speed: Rate of the effect, from a steady swell, to a rapid fire arm
- Symmetry: From ramp-up sawtooth, to triangle, to ramp-down (pulse width when Smoothness is at square)
- Depth: Amount of effect from barely a shudder to full tremulation. Can achieve silence to blaring loud squarewave chop
- Spacing: Loud/quiet "balance" waveshaper... Adjusts spacing between volume pulses
- Smoothness: Blend between full on/off squarewave "chop" to smooth buttery sine-tri-round wave
- Gain: Overall boost/cut

Notes: The AFA Baron Samedi Fuzz pays homage to the legendary Jordan Bosstone, but sounds nothing like one. Additional gain and a very strange tone control add aggression, fullness and bite to the sound. The interactivity of the top three knobs make this a raucous device that yields an entire variety of sounds, from a great vintage fuzz tone to synthier sounds with faux-portamento decay.

Guaranteed to summon harmonics from other worlds, the AFA Baron Samedi encapsulates the vulgarity, the madness and sheer joy of the electric guitar. Whether you're playing mellower brass sounds on a jazz solo from hell, gated faux-bass single-note riffs or all-out scooped mid riffs, this pedal will take every note to the afterlife and back.

Did we just say guitar? For those unafraid to experiment and stand out, the Baron is a devastating effect, live or in the studio, to use on drum machines, synthesisers and bass guitar too.

Hand-built with pride in Bombay, India.

Notes: The Chemical Burn is a take on a juggernaut of 60s fuzz sound - the Shin-ei/Companion Superfuzz FY-6. Chemical Burn is an almost-faithful reproduction of this classic, with a few modern twists that make it more usable and versatile and add new operation modes to this classic circuit. The basis of operation remains the same.

If you're looking for a subtle fuzz that cleans up well when you back off the volume control, you're clearly in the wrong place.

Notes: Although the Godeater was designed for bass guitar, it might just be the most versatile Animal Factory pedal yet.

With extreme compression and saturation in the low end, this is a very unique circuit that is not a clone of any existing pedal.

The idea behind the Godeater was to be able to run the pedal 100% distorted and have a full, strong bass response without having to dial the clean signal back in.

The Godeater distinguishes between global gain and saturation with two stages of gain control.

The very musical EQ can thin out the sound or go deep into the subs.

From adding a subtle grunt, blending clean and dirty sounds to full doomy chords, this pedal does it all and more.

The extended bass response makes it an ideal choice for downtuned or baritone guitar, but also bass synths and drum machines.

Power: 9-12V DC, 100 mA, Uses a 2.1 mm DC jack with negative center (Boss-style pedal standard power supply)

Input Impedance: nom. 1MO

Output Impedance: nom. approx 2kO

Notes: The Pit Viper is a solid state overdrive which can go from a rather clean boost to a roaring "all controls to 11" sound.

It features controls for Gain, Tone and Volume as well as switches to alter the clipping behaviour.

The cases are made from distressed hand polished aluminium with hand etched graphics, every single one is unique!

Notes: The TranZformer GT is a multifunction pedal that is designed to easily and affordably bring the world-famous analog sound of API to your guitar. Offering the user an unsurpassed level of sonic control, the TranZformer GT combines an API 525 feedback-type compressor with a guitar-optimized 3 band equalizer, both independently in/out switchable. The unit also features phase invert switches on each output, ground lift, clip indicator and transformer output. Like all API products, the TranZformer GT is built to API's exacting standards and remains true to the design philosophy that has made API the leader in professional analog gear for nearly 50 years.

Notes: The ART COOLSwitchPro A/B-Y Switch with Isolation is a handy foot-operated box that lets you switch an instrument signal (guitar, bass, or keyboard) to either of two amplifiers or amp channels, A or B. The "Y" function sends the input signal to both the A and B outputs in parallel.

Switch-selectable features on the B channel add versatility to the basic switching functions. A high quality audio transformer can be switched in to provide isolation between the input and output signals. This helps reduce the danger of shock when the amplifiers are at a different potential. Also, this isolation, along with a ground lift function, helps to eliminate the hum caused by ground loops. A phase reverse function lets you make sure both amps are in phase.

The ART COOLSwitchPro is completely passive with true bypass and is housed in a rugged, stable case with industrial-grade footswitches spaced for easy operation. It will provide many years of reliable service, whether on stage or in the studio.

Notes: The LSwitch is a normally closed (NC) latching footswitch for use with various effect units or amplifiers that have an external footswitch jack. The onboard LED is supplied power by the switching circuitry on the host device; not all host units will necessarily power the LED properly, but the footswitch will work in spite of this.

Notes: Your Eventide H9 is one of the most advanced guitar pedals, but it only has two buttons. Unleash its full potential with a new kind of auxiliary switch. Meet the OX9 - a handcrafted H9 auxiliary switch with a form-fitting design that gives you more control and takes up less space on your board.

Stop fiddling with your iPad on stage and use your feet (like we used to do it the 20th century). The OX9's two additional buttons let you unleash the full potential of your H9 (with no hands)! The OX9 saves you a ton of pedalboard real-estate versus other auxiliary switches.

The input jack on the OX9 allows you to add another button or an expression pedal. The OX9's custom designed and moulded plug ensures you can still access every jack on the back of your H9.

The OX9 has a laser cut bottom plate, so it securely attaches to your H9 without hiding any of its sexy contours! Every OX9 is assembled, tested, and packaged in Klecknersville, PA.

Notes: For an unplugged sound that's rich, loud and electrifying, step on the V Tone Acoustic Driver DI ADI21. This amazing little box is essential for piezo equipped guitars and will make your acoustic guitar sound come to life!

By their very nature, piezo pickups tend to be very bright, with somewhat reduced bass response and warmth. The ADI21 combines the features of an active DI (direct injection) box with our proprietary microphone/tube emulation. If you don't want to use the emulation feature, the ADI21 also functions as a superb active DI box. The blend control allows you to mix the amount of modeled tone with your instrument's normal output. The resulting sound is more natural with smooth saturation, just as if your guitar were being miked.

Armed with an onboard 3 band EQ, with sweepable mids to keep feedback under control, the ADI21 effectively eliminates the harsh harmonics of piezo pickups. The output is laid out on 1/4" TS or balanced gold plated XLR connectors, which can be used to send a low impedance signal to the mixing console or straight to tape. You also get a ground lift switch to eliminate annoying ground loop hum problems. You can power this little lifesaver with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: There are DI boxes - and then there's the V Tone Bass BDI21 - the feature packed analog DI box built especially for bass.

The BDI21 combines the features of an active DI (direct injection) box with our proprietary tube emulation circuitry. It's like having a truckload of vintage tube amps right at your toes! The Blend control allows you to mix the amount of tube emulation you want with your direct bass signal. And if you don't want to use the tube emulation feature, just step on the switch and the ADI21 functions as a superb active DI box.

With its dedicated Drive, Treble, Bass, Level, and Presence dials, the BDI21 DI box goes above and beyond, giving you vintage tube tones for some funked-up slap, gonzo overdrive and everything in-between. You can use the BDI21 as a recording output DI, with tube emulation, or as a standard active DI box, when running in bypass mode. The output is laid out on 1/4" TS or balanced, gold plated XLR connectors. There's also a ground lift switch that eliminates typical ground loop hum problems.

You can power this bad boy with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: Do you find it hard to get the perfect sound from your bass? Maybe your bass seems to virtually disappear in some rooms; then again, it feels like a runaway locomotive in others? The problem's not your bass - you need an equalizer! The Behringer BEQ700 can resurrect your bass, providing total control over your tone, no matter what the performance situation. You can instantly improve the sound of your band from the bottom up, with the Behringer BEQ700.

With 15dB available boost or cut per band (that's a lot!), the BEQ700's seven frequency bands have been carefully chosen to provide the ultimate tools for EQing the bass guitar, even 5 & 6 string instruments. Of course, to make full use of its capabilities, you should first understand some basics about the frequency range of your axe.

The BEQ700 covers the audio spectrum from below 50Hz to over 10KHz, allowing you to effectively cut or boost specific frequencies that help focus your sound. Special attention has been paid to the critical midrange frequencies, which can either make or break your sound. The following section offers tips that will have you sculpting the perfect bass sound in no time at all.

Most performers don't have a clue about what good equalization can do for their sound. Maybe you've heard the old maxim, "Make a sine wave to get really good sound," or "Make a smiley face, that always works." Sadly, this qualifies as advice from the uninformed. Just as every room is different, every musical instrument is unique. Even guitars and basses made by the same manufacturer, using the same materials, on the same day can vary a great deal.

People provide a good example of this principal - although we are all similar, we don't all wear the same size shoes, or even have the same colour eyes. There is no one "perfect" equalization curve that fits every scenario; equalization is dynamic.

When frequencies from 20Hz - 200Hz are boosted or cut, the bass is affected dramatically, since sounds in this range are often felt, as well as being heard. Boosting frequencies within this range can increase the sensation of power and punch. Conversely, reductions in this range can weaken or muddy low frequency response.

The fundamental notes of most basses fall within the 100Hz - 1000Hz range. Even slight changes in this range can cause a tremendous variation in overall bass energy and impact, as the human ear is especially sensitive to this range. Boosting frequencies around 200Hz often gives the bass warmth and body, without a loss of definition, while boosting frequencies in the 500Hz to 1000Hz range tend to make bass sounds brittle. Often, better EQ results can be achieved by reducing the frequency bands that are offending and by turning up the overall volume, rather than boosting one specific band.

Notes: Does your bass sound dull and lifeless? Sound engineers and professional bass players have known for years that high quality limiting and enhancement makes bass tracks pop in the mix. The Bass Limiter Enhancer BLE400 gives your playing that same velvety finishing touch by smoothing out inconsistent volume peaks. This is especially noticeable if your performance involves slapping and popping styles. The BLE400 will make your tone as solid as your performance.

Even if you employ the best technique, there will be volume inconsistencies in your sound. This becomes really obvious when you switch from finger style playing to slapping and popping. The BLE400 can help smooth out these inconsistencies and improve your sound. How? A limiter works by reducing the dynamic range of a signal, often referred to as compression. This means that loud signals are turned down and softer sounds are turned up, so they more closely match each other. The resulting sound is more powerful, focused and rich in tone.

By its very nature, extreme compression tends to suck the high end out of any signal, so we added a tone compensation circuit to the BLE400. This dedicated Enhance control lets you dial in just the right amount of sparkle, without giving your bass that over-processed or brittle sound. This feature alone will make the BLE400 one of your favorite secret weapons!

The dedicated Level, Enhance, Ratio and Threshold controls provide easy and intuitive sound shaping. Just set the Ratio control for the amount of compression you want and adjust the Thresh(old) control to where you want the compressor to kick in. Then, turn the Level knob to match the volume of your bass when the effect is switched off. It's just that easy!

A first class electronic on/off switch is provided for absolutely noise free operation. The BLE400's top mounted LED lets you know when it's on and also serves as a battery tester.

And if you don't enjoy replacing 9V batteries, you can always use Behringer's PSU-SB DC power supply (not included) to power this pedal.

Notes: Get rich, tube-like distortion, smooth sustain and super-fat tone! Here's an overdrive pedal that supports the entire frequency range of bass guitars, even 5 & 6-stringers. The best part of all, the Bass Overdrive BOD400 was designed specifically for bass, so the bottom-end won't drop out when you pull the trigger.

Notes: Whether it's a million-dollar hook or a soul-wrenching solo, some licks are just begging for the compression power of the Behringer CL9.

By pumping up quieter notes and bringing down the louder ones, this stomp box packages your sound into one smooth, consistent volume.

Dynamics play an important role in music. They help to convey emotion, whether it's a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well - mush. That's where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor's main job is to make every note the same volume.

Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just don't put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap-style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.

Twist the Level to determine this pedal's overall output, adjust Attack to give the front end of every strum and pluck added definition, then dial in the amount of sustain desired. The blue LED tells you when it's on, and the high-quality on/off switch maintains incredible signal integrity in bypass mode. You can power this sound compactor with either a 9 V battery or a DC power supply (not included).

Push the good stuff to center stage with the Compressor/Sustainer CL9.

Notes: If tone is the name of your game, the Compressor/Sustainer CS400 will add amazing impact to your tone and provide endless sustain.

Dynamics play an important role in music. They help to convey emotion, whether it's a sultry blues solo or the unrelenting gallop of unfettered metal. But uncontrolled dynamics can take all your best intentions and turn them into so much, well - mush. That's where compression comes in, softening loud sounds and boosting low signal levels to keep everything more uniform. So, a compressor's main job is to make every note the same volume.

Ever notice how some strings on your guitar or bass sound louder than others? This is partly due to physics. Strings with lower mass just don't put out as much volume as the heavier ones. When used properly, a compressor makes all of the strings the same volume. Compressors are also great for slap style bass players, making thumb slaps, string pulls and muted notes all the same volume, for an extremely percussive effect.

You can dial in the right amount of compression using the dedicated Attack and Sustain dials. The Level control allows you to set the output to subtle, or engage a monster volume boost. Tone lets you add exactly the right level of highs. From clean, snappy country leads to rock solos that scream for eons, the CS400 is built to make your sound the center of attention.

Its LED tells you when it's on, and the top quality on/off switch maintains outstanding signal integrity in bypass mode.

You can power this scene stealer with either a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: The DD600 is the ultimate digital delay effects pedal for subtle to substantial echo delays. Compare it to delay boxes costing three times as much and you'll find yourself returning to this remarkable pedal every time. The pedal has dedicated Mode, Delay Time, Feedback and Level controls for awesome sound shaping, which results in 24-bit high-resolution stereo delay, echo and panning effects with delay times of up to 2000 milliseconds. Modes include 4 tempo settings, 4 delay settings (exclusive of delay time), E/D and Reverse. The featured Real Sound Modeling (RSM) processor emulates true acoustic environments, delivering ultra-realistic sound to your ears. Other features include an extra Pan Out output, a bright blue LED to indicate the power status and battery condition, as well as an electronic bypass footswitch which preserves signal integrity. The DD600 can be powered by either the Behringer PSU-SB DC power supply or a typical 9V battery.

Notes: You wouldn't think of using anything less than best reverb you could get in the studio. So why skimp on the 'verb at your live gig? Now you can add studio-grade reverb to any amp with the mind-blowing Digital Reverb DR600.

This 24-bit, high-resolution collection packs six of the most desired reverb types (Spring, Plate, Hall, Room, Gate and Modulate) into the ultimate to-go package. With its dual output jacks, you will dazzle your audience with true stereo reverb.

Just select the reverb type with the Mode control, and then dial in the Level, Tone and Time. It just doesn't get any easier than this. The blue LED tells you when the DR600 is activated, and the top-quality on/off switch maintains incredible signal integrity when in bypass mode. You can power the DR600 with a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: Finding it hard to get the perfect sound from your guitar? Maybe your guitar gets lost in the mix? Do you have major feedback issues with your acoustic?

The problem's not your guitar - you need an equalizer! The Graphic Equalizer EQ700 provides total control over your tone and puts the brakes on annoying feedback, no matter what the performance situation. You can instantly improve the sound of your guitar with a little help from the Behringer EQ700.

With 15dB of available boost or cut per band (that's a lot!), the EQ700's seven frequency bands have been carefully optimised to provide the ultimate tools for EQing the guitar. Of course, to make full use of the EQ700's capabilities, it helps to first understand some basics about the frequency range of your axe.

The EQ700 covers the audio spectrum from below 100Hz to over 6.4KHz, allowing you to effectively cut or boost specific frequencies to help focus your sound. Special attention has been paid to the critical midrange frequencies, which can make or break your tone.

Notes: Studio effects processors sound really good, but they can bulky, complicated and expensive. Now you can have all the power and great sound of studio grade, stereo effects processing, thanks to the ultra affordable, and easy to use Digital Multi FX FX600.

This studio in a box features flanger, chorus, phaser, delay, tremolo and pitch shifter, all in mind blowing 24bit/40KHz resolution that turns everyday riffs into 3D epics from the outer limits.

Just select one of the 6 effects with the dedicated FX knob, and then use the two PAR(ameter) dials to fine tune the effect. The LEVEL control determines how much of the effect is mixed with the original signal.

The LED tells you when the FX600 is activated, and the top quality on/off switch maintains incredible signal integrity in bypass mode.

You can power this pedal with either a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: The Hellbabe HB01 is unlike any wah you've ever stepped on, offering a tremendous array of tone sculpting options. You get everything from old school wah to the most up to date sounds, all in one mesmerizing effects pedal. The Hellbabe will add new dimension and depth to your artistic expression.

First of all, the Behringer Hellbabe's heel down range control provides low frequency adjustment that can be swept from 440Hz down to 250Hz, making the HB01 the ideal companion for either guitar or bass. For custom tailoring the toe down frequency range, the Hellbabe features a fine control, allowing you to adjust the frequency sweep as high as 2.2KHz.

It is also possible to dial in a powerful volume boost (up to +15dB), so that when you do step on the HB01, your guitar will rise to the top of the mix. A highly versatile Q control is provided for precise filter shaping and for achieving vocal like effects.

Unlike anything else on the market, the HB01 uses no mechanical pots or switches, which significantly reduces on wear and tear. But that's not all that separates this pedal from the pack; it also features a spring back pedal mechanism with resistance adjustment. And thanks to our ultra bright LED indicators you'll always know when it's on and when the volume boost is activated. You can power this bad boy with a 9V battery or our PSU-SB DC power supply (not included).

Notes: When you're ready to go beyond the boundaries of brutality, you have to throw some serious weight to get the job done. That's when you break out the Heavy Distortion HD300.

In addition to providing loads of devastating distortion, this little sonic warhead allows you crank up the bottom end and the gain, to lay waste to everything in your path.

With its dedicated gain boost, distortion, tone, bottom and level control, you can dial in a trademark sound all your own. The blue status LED tells you when this pedal is activated, and the rock solid on/off switch maintains outstanding signal integrity in bypass mode.

You can power this behemoth with either a 9 V battery or a PSU-SB DC power supply (not included)

Notes: The Heavy Metal HM300 produces the huge, slicing guitar tone that, until now, was only available from high gain amps cranked to the point just before meltdown.

With its ultra high gain circuitry, the HM300 gives you rude and rowdy distortion for the fiercest rhythm chops and searing leads, with virtually endless sustain.

Its dedicated Distortion, low, high and level controls allow you to sculpt your own trademark metal tone, from deep and brooding to crisp and furious. A status LED tells you when this beast is activated, and a top quality on/off switch maintains incredible signal integrity in bypass mode.

You can power the HM300 with either a 9 V battery or a PSU-SB DC power supply (not included).

Notes: So you love the bite, twang and snap of single-coil pickups but can't stand the nasty hum that comes along for the ride: plug into the Behringer Noise Reducer NR300 and kiss unwanted noise goodbye for good!

The NR300 actually functions as two pedals in one. In Reduction mode, you can adjust the dedicated Threshold and Decay dials to keep all your tone and dynamics intact, but effectively eliminate hum from the picture. In Mute mode, the NR300 becomes a super-quiet on/off switch for your instrument.

Operation couldn't be easier. The NR300 features two LEDs, one to indicate when it's activated, another to indicate when it's suppressing noise. You can power this pedal with either a 9 V battery or the PSU-SB DC power supply (not included). And the top-quality on/off switch maintains absolutely noise-free operation.

Notes: Some tunes call for an edgy modern crunch; others call for the classic sound of hot and bothered tubes. Some need a little of both. The Behringer Overdrive/Distortion OD300 has all your bases covered.

With its dedicated overdrive/distortion blend dial, you can turn all the way to the left for pure overdrive, or all the way to the right for straight ahead distortion. In between, you get an infinite amount of options for creating the perfect overdrive/distortion cocktail. And with the dedicated tone, level and drive dials, everything you need to create a signature sound is at your fingertips.

The LED tells you when this pedal is working its magic, and the top quality on/off switch maintains excellent signal integrity in bypass mode.

You can power the OD300 with either a 9V battery, or the optional PSU-SB DC power supply (not included).

Notes: If the raw, Neanderthal power of history's nastiest stomp boxes inspires you to plug in, turn on and rock out, it's time to expand your mind with the Super Fuzz SF300.

With the SF300's three unique sound modes you can: channel the grittiest tones of underground punk legends; update your sound into a crunchy industrial cacophony; or opt for a pure gain boost that will make your amp spew white hot lava.

Dedicated level, gain, treble and bass dials provide tons of tone shaping options. A blue LED tells you when this wild thing is activated, and a top quality on/off switch maintains optimum signal integrity in bypass mode.

You can power it with a Behringer PSU-SB DC power supply (not included) or a 9V battery.

Notes: Setting up amps, dialing in tones and positioning mics takes a lot of time and patience. Why not step on a Tube Amp Modeler TM300 and skip straight to the good part? With 3 classic tube amps, 3 gain modes and 3 mic placements to choose from, the TM300 puts 27 combinations of some of the most sought-after tube amp tones right at your feet!

In this one simple pedal, you can call up the sound of a coveted tweed relic, a clean Californian classic or a roaring British powerhouse. You then apply your choice of the three different gain modes, and even control virtual mic placement. And with its dedicated Level, Low, High and Drive dials, the TM300 allows you to take any of these historic tones and shape them into something uniquely all your own.

The bright, blue LED tells you when the TM300 is activated, and the top-quality on/off switch maintains incredible signal integrity in bypass mode. You can power this little jack-of-all-trades with either a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: The classic sound of blazing, overdriven vacuum tubes never goes out of style. This sound is at your command when you put the Vintage Tube Overdrive TO800 in your effects chain.

In order to recreate the sound of real tube crunch, we put the original 4558 op amps and legendary MA150 distortion diodes in the TO800, putting rock's most powerful overdrive sounds at your disposal. The resulting output is extremely faithful to that of the vintage tone machines that made rock and roll history.

Dedicated drive, tone and level controls let you shape exactly the sound you want. The status LED tells you when this pedal is activated, and its top quality on/off switch gives you the highest signal integrity in bypass mode.

You can power the TO800 via a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: The Ultra Chorus UC200 pedal enhances your guitar's tone by making it sound super thick, plus adds an unbelievably rich stereo effect.

The UC200 features dedicated level, tone, rate and depth controls for awesome sound shaping.

A cool blue status LED for effect on/off and battery check plus a first class electronic on/off switch for highest signal integrity come standard.

The UC200 runs on a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: In the churning, smoldering world of heavy metal, it's the middle frequencies that make all the difference between mush and muscle. With the UM300 Ultra Metal, you not only get control over the mids - you can micromanage them!

The UM300 effects pedal gives you the most extreme, sought after hard rock and heavy metal sounds with super thick, tube like distortion - plus virtually endless sustain.

Like most distortion stomp boxes, the UM300 comes with distortion and level controls. And the high and low controls let you dial in the amount of top end and bottom you desire. But the similarity to other stomps ends right there. Much like our world class mixing consoles, we've given the UM300 a mid freq control, allowing you to select a midrange frequency (from 200Hz-5KHz) and boost/cut it by up to 15dB (that's a lot!). What this means in terms of tone, is thick, tube like distortion with endless sustain, for everything from aggressive, traditional metal assaults to bone crunching mayhem.

A bright blue LED tells you when the UM300 is active, while a top quality on/off switch maintains highest signal integrity in bypass mode.

You can power the UM300 with Behringer's PSU-SB DC power supply (not included), or pop in a 9V battery.

Notes: Fatten up your guitar's sound instantly with one or two octaves of massive subterranean impact, courtesy of the Ultra Octaver UO300.

There is strength in numbers. That's what they say, and who are we to argue with that? The Ultra Octaver UO300 underpins your sound with added muscle, generating notes one and two octaves below what you play. The result is powerful, with the deep, rich impact that is only possible when guitar and bass lines are joined at the hip.

First, use the dedicated RANGE control to specify whether you want to add beef to the high, middle or low frequencies, then dial in the amount of your original sound with the DIRECT knob. Lastly, turn up the OCT 1 and OCT 2 controls to add the lower octaves. Now bask in the adoration of your fans.

The UO300 isn't just great for fattening up guitar riffs - it'll add incredible beef to keyboards and bass, too!

The status LED tells you when the UO300 stomp box is working its magic, and the excellent on/off switch maintains superior signal integrity in bypass mode.

You can power the UO300 with either a 9V battery or Behringer's PSU-SB DC power supply (not included).

Notes: When you've got to have the classic tremolo made famous by vintage '50s amps, get the Behringer Ultra Tremolo UT300.

The classic surf music of the '50s and '60s might not have even happened if tremolo hadn't come along. Vintage amps produced this intriguing effect by pulsing the volume of the instrument signal at a user-adjustable rate. The UT300 pays homage to this legendary sound, bringing it up to date for modern surf freaks.

With its dedicated Rate, Wave and Depth dials, you can shape a pulsating tremolo that nails every sound from rowdy rockabilly and surging surf, to modern space rock.

A red LED tells you when the effect is activated, and you can power this groovy stomp box with either a Behringer PSU-SB DC power supply (not included) or a 9 V battery.

A top quality on/off switch maintains excellent signal integrity in bypass mode.

Notes: Kicking the Ultra Vibrato UV300 into action is like putting an invisible, automatic whammy bar on your guitar. From the gentle, pulsing rhythms of the ocean surf, to the wild, whirling effects of a rotating speaker system, the UV300 will bring a dose of days-gone-by to your sound.

Select from Unlatch, Bypass or Latch modes and twist the dedicated Rise, Rate and Depth dials to create your ideal vibrato. In Latch mode, the effect is constantly on once you step on it. Unlatch mode only applies the effect while you press down on the pedal, so you can add vibrato to a single note if you like. Your guitar will be playing mind-games with everyone in earshot as familiar, but hardly ordinary, tones of the 1960s and '70s ooze out of your amp.

The blue LED tells you when the pedal is activated, and the first-class on/off switch maintains peerless signal integrity in bypass mode. The UV300 can be powered with either a 9 V battery or the Behringer PSU-SB DC power supply (not included).

Notes: From elastic delay to vintage slap-back echo, the Vintage Delay VD400 harnesses the authentic sounds of classic 1960s studio wizardry.

Though digital sound technology constantly evolves, nothing sounds quite like the old-school analog Bucket Brigade-style delay you get when you step on the VD400. With its dedicated Repeat Rate, Intensity and Echo dials, this amazing little stomp box evokes the spirits of some of rock and roll's most legendary heroes, and provides up to 300 milliseconds of true analog delay. Every type of classic delay, from a deep-space whisper, to an interplanetary battle cry, is at your command.

The bright blue LED tells you when the Vintage Delay is activated and the top-quality on/off switch maintains excellent signal integrity in bypass mode. You can power the VD400 with either a 9V battery or the PSU-SB DC power supply (not included).

Notes: The VINTAGE TUBE MONSTER VT999 effects pedal has that full-tone roar of a tube engine under its hood, letting you take off with anything from warm blues overdrive to heavy distortion. Add to this the excellent build quality and true-bypass wiring, and you begin to see just how monstrous this pedal really is!

You can have it all:
This high-quality stomp box has the warm sound of a hand-selected 12AX7 vacuum tube. In addition, the VT999 offers an integrated and switchable noise gate with adjustable threshold that keeps your signal noise-free. The VT999 provides the ultimate in distortion-laced tone shaping, with an onboard 3-band EQ and dedicated Gain and Master output level control.

True-bypass Switches:
The brilliant status LED tells you when the VT999 is activated, and the top-quality on/off switch allows for true mechanical bypass when the effect is not in use, so your tone stays completely intact. VT999's dedicated power supply comes with it, so you're ready to rock right-out-of-the-box!

Value:
With the VINTAGE TUBE MONSTER VT999 defining the ultimate tube-distortion tone, your guitar playing will definitely be kicked into monster overdrive! Check out the VT999 at your local dealer today, or grab yours online.

Notes: Authentic and classic three dimensional phase shifting, from rapid rotary speaker to impressive jet plane effects! There is a dedicated Rate control and separate Tone switch for the fine-tuning of effect speed and tone. A status LED for the effect is included, plus a true hard-wire bypass for ultimate signal integrity. No matter what phasing effect sound you're after, VP1 is bound to make getting there easier! The VP1 runs on a 9V battery or a DC power supply (not included).