杂志

Notes: A zine about the tribes living in Mali, West Africa, with traditional masks, folk tools and small stories of each tribe.

Enclosed is a QR code for a mix by DJ Shhhhh.

Hiroshi Ogawa, the president of Tokyo Kan-Kan, a pioneer in African art for 46 years, has long collected a variety of folk tools of ethnic minorities in West Africa.

The book is an eye-pleasing visual book that describes the ritual tools, uses of folk tools, and small stories of each tribe in West Africa, sorted by country and tribe, along with photos taken during his travels.

The first volume is on the Republic of Mali.

The book is an easy-to-understand summary of the masked dances of the Dogon tribe and the rituals of the Bambara tribe, along with real local photos.

The book comes with a bonus QR code to listen to an original mix composed entirely of Malian music by DJ Shhhhh, who has been active in discovering world music and is highly trusted for his depth of knowledge in West African music.

Notes: Borshch 2 discovers precious history lessons on the emergence of electronic music with Gudrun Gut, BBC Radiophonic Workshop, and Species of Fishes. The issue features ????’s newcomer Volruptus as well as techno titans Steffi, Perc, and Rødhåd. Loke Rahbek of Posh Isolation reveals the story of the punk and noise scene in Copenhagen. The organisers of Berlin Atonal and Varg as the festival’s a guest curator speak about the programming of Berlin’s significant experimental playground. An insider view sheds light on the gradual development of electronic music culture in Kyiv, with presidents and revolutions aside.

Notes: Together with Jeff Mills, Borshch 3 speculates on the role of music in the technology-driven future. We approach Jeff's collaborators who also see electronic music as an independent art form integral to their craft: poet Jessica Care Moore, actor Akaji Maro, and film diretor Jacqueline Caux. We meet Dasha Rush to explore her ideas envisioned in her Dark Hearts Of Space. Kelly Snook, a planetary scientist and instrument inventor, joins this circle of deep thinkers to discuss our expansion into outer space and propose new scenarios of a hopeful future.

Notes: In the pursuit of a sound mind, Borshch 4 explores the power of music to reach the darkest corners of the psyche and drive out an unquiet spirit. Aisha Devi, Object Blue, and Jasss experience the healing capabilities of music and its potential to purge, transform, and enlighten. Marie Davidson confesses about obsessive and destructive behaviors and the role of music in her process. Prequel Tapes reveals a new musical identity after physical trauma. Bergsonist creates sonic weapons to soothe anxieties, while Iron Sight uses distorted sounds as armor for a sensitive nature.

Notes: In sweaty basements and concrete cathedrals, we enter the darkness. We challenge our senses with obscure electronic music and unsettling environments to feel comfortable with our discomfort. Animistic Beliefs, Deena Abdelwahed, Rrose, Lucrecia Dalt, Klein, Alessandro Adriani, and Ziur commit to neither darkness nor light. In the democratic culture of shadows embodied in DIY studios and on stuffy dancefloors, these musicians experiment with our dark sides. In their process, sins, injustice, and disquiet are as human and real as pleasures and joy. Think of entering the dark as an act of coming home, to the cave where the primary source of life is hidden.

Borshch is a magazine for electronic music on and beyond the dancefloor.

Notes: Lately, everything's been weird. The feeling of vulnerability, fragmentation of time, space and memory, lack of solid ground. It's time to listen, improvise, and feel again. For many musicians, it's also been time to return to where they started, come back home, and remember what mattered before they grew up. In our conversations, Lanark Artefax, Lyra Pramuk, Nazar, Hiro Kone, Bill Kouligas, Amnesia Scanner, Farwarmth, Helena Hauff, and Racine review pieces and bits of their memories, values, and intentions with creating music. When you return to where you started and remember the days when the world was big, and you were small, and nothing was impossible, you begin to play again. You free and protect your inner child. You are at home.

The 'coming home' issue is a tribute to many musicians' fragile state of mind in recent months. Conversations with lanark artefax, lyra pramuk, hiro kone, bill kouligas, amnesia scanner, and helena hauff took place in the middle of the lockdown. it felt like an inward slowdown helped each of them stay hopeful and dreamy when everything was coming to pieces, and old structures wouldn't work anymore.

Borshch is a magazine for electronic music on and beyond the dancefloor. founded in berlin in 2017 by mariana berezovska and tiago biscaia, it's a space to provoke open dialogues and challenge established ideas about making, listening, and dancing to music. through physical and digital formats, borshch discusses the artistic, social, and political impact of electronic music on contemporary culture in and outside the club settings. the print edition of the magazine is published biannually.

Please note: magazine cover varies and particular cover cannot not be specified for order.

Notes: Eight-track compilation in AIFF and 320 MP3 on a metal USB stick, with an accompanying A5 full-colour zine. Zine is also included as a pdf on the USB stick.

The zine features an interview from Discwoman's Frankie Decaiza Hutchinson, writing on off-Facebook event organizing from Adwoa Afful, a beautiful cover from collage artist Fenna Fiction, and a guide to recognizing opioid overdoses and administering Naloxone from Liz Singh and Sara Martin in Toronto. It also features a comic from Finnish artist @juicycomics and a poem from Wafa Ktaech.

Notes: The Winter 2022 annual focuses on the creatives behind some of this year's standout shoots.

Introducing next edition of the The Collections, the limited edition publication compiling the best articles and photography of the last year.

The new issue, The Collections Vol. IV, launches today (17 November) and is in stores from 24 November. This year's collectable annual showcases behind-the-scenes insights from some of Crack Magainze's best features and imagery from 2022. This includes landmark covers such as Top Boy, Mistki, Carly Rae Jepsen and Hessle Audio as well as shoots with artists such as Lous and the Yakuza, Gaidaa and Girlpool.

The Collections was started up in 2020, during the pandemic, as a way to publish their best features at a time when the monthly magazine couldn't be printed. Since then, Crack Magazine have continued to use the publication as a space to celebrate and spotlight the work shared in the months prior. The fourth edition focuses on the creatives and shoots that make up the monthly magazine, in addition to some unpublished imagery, honing in on the global network of photographers.

Behind-the-scenes features in The Collections Vol. IV include an interview with ONDA - the photographer behind the May issue cover with Digga D - as well as interviews with artist Ethel Cain about self-shooting, and photographer Stephen Tayo about the Naira Marley cover shoot, Lagos and its creative scene, respectively. There's also a profile with Lynn Hayleigh (O-Ke) who photographed Touching Bass and a chat with duo Boy Harsher about filmography.

Notes: Founders of seminal 90s title Jockey Slut launch new bi-annual electronic music magazine Disco Pogo.

Following the success of 2020's A Jockey Slut Tribute to Andrew Weatherall book and a successful crowdfunding campaign raising L60k at the end of 2021, the original founders of seminal 90s electronic music magazine Jockey Slut are launching new publication Disco Pogo with the first issue out this month.

"We never had any intention of re-launching Jockey Slut and then events of recent years made us rethink. But the world has changed and so we decided that a new magazine with a new name was best", say Jockey Slut and Disco Pogo founders Paul Benney and John Burgess.

Disco Pogo is a 236-page, heavyweight, twice-yearly magazine featuring new names alongside the best electronic artists and stories from the past 30 years or so with contributions from some of the best music journalists and photographers working today.

The first issue features Gilles Peterson and SHERELLE on its covers, is out May 25th and will be available to buy in the UK, Europe and around the world from good independent record shops, specialist magazine shops, selected newsagents and direct from discopogo.co.

Notes: Disco Pogo is the new, bi-annual, electronic music magazine from the original founders of seminal 90s title Jockey Slut.

Issue 2 is, once again, a chunky 236 pages and features Daniel Avery, I. JORDAN, Ashley Beedle, David Holmes, Donna Summer, Eddie Chacon, Erol Alkan's Trash, Flesh at The Hacienda, Honey Dijon, Hot Chip, Kerry Chandler, Laurent Garnier, Lou Hayter, Paul Woolford, Ron Trent, TSHA, 90s Jungle and much more.

Long live acid house!

*** This magazine has two different covers - we can't guarantee which one you're going to get! ***

Notes: Issue 3 is a heavyweight 220 pages and features Roisin Murphy, Grace Jones, Art of Noise, Boards of Canada, Chris Frantz, Danielle Moore, Decius, Hifi Sean, Jamz Supernova, Leftfield, Luke Solomon, Native Tongues, Ralph Lawson, Twisted Nerve, Underground Resistance and much, much more.

*** This magazine has two different covers - we can't guarantee which one you're going to get! ***

Notes: Issue 4 is a bumper 200 pages of quality journalism and original photography and features The Chemical Brothers, Romy, Skream, Pet Shop Boys, 90s Chicago House, DJ Paulette, Mr Scruff, Jon Carter, John Carroll Kirby, Alex Kassian, Movulango, Say She She, Church of Sound, Josh Caffe, Sofia Kourtesis, A (New) Balearic Network, On-U Sound, 50 Years of Hip Hop and much more.

*** This magazine has two different covers - we can't guarantee which one you're going to get! ***

Notes: Khruangbin, Bicep and Elkka cover issue 4 of Disco Pogo

Three covers this time with huge features on the transcendental Khruangbin, the phenomenal Bicep and the incredible Elkka.

Plus 25 Years of The Social, How To Run A Record Shop With Phonica, DFA in photos, the pivotal year of 1994, Slam on how they made Positive Education, crate digging with Nightmares on Wax, Krust on where he is now and Richard Norris on has he ever ridden a horse!

Also features on Beat Hotel Ibiza / Bolis Pupul / Charlie Dark / Flowered Up / Julie Pavon / Lindstrom / Kate Bush / Mildlife / Miss Kittin / Optimo / Paranoid London / Pete Blaker / Robert Hood and much more.

204 pages of quality music journalism by the world's best music writers plus beautiful photography and design in a quality print magazine.

*** This magazine has three different covers - we can't guarantee which one you're going to get! ***

Notes: Head Voice is an audio recording zine founded by Donovan Quinn, Ben Chasny, and James Toth that focuses on creative musical pursuits and unorthodox sound production. The zine strives to be of interest to those intrigued by the imaginative ingenuity behind audio recordings, and is tailored from the threads of a thousand conversations between recording musicians concerning the creative, non-technical aspects of sound recording. While the world seems to be overflowing with tips and tricks concerning how-to-do-this and how-to-do-that, Head Voice is more interested in the joy of recording while keeping in mind the primacy of the music. Dogmatic opinions about the "right" and "wrong" ways to create and record musiciin both the analogue and digital realmitend to obscure and even dismiss the intuitive approaches that have been utilized to create art since the dawn of recorded time. Such strategies are often as unique, idiosyncratic, and individual as the artists who implement them, and these are the corners Head Voice wishes to explore, with the aim of presenting this shared knowledge as both a resource and inspiration.

6" x 8.25", Black and White, 84 pages.

Issue # 1 features interviews and /or articles on:
Cheval Sombre
Kristen Gallerneaux
Matt Valentine
Peter Laughner
Naomi Yang
Jason Quever

Notes: 130 full-colour pages, glossy sleeve, plus bonus Space Rock/Neo-Psychedelia compilation CD! A must-have for fans of 'Shindig!', 'Flashback' or 'Ugly Things Magazine'! Read, what Vernon Joynson has to say about it: The first Country Joe and The Fish album Electric Music For The Mind And Body is one of the very finest examples of psychedelia and when Klemen found it as a 12-year-old among a pile of his dad's records and played it, his life changed forever. His curiosity lead him to research deeper and deeper into the whole sixties music scene. He started a blog where he discussed private pressings and over the next few years, with the help of a network of like-minded friends, the blog evolved into the fabulous online magazine that is now 'It's Psychedelic Baby!'. The name is perhaps a little misleading because the magazine's scope is much wider than just psychedelia. Its scope encompasses prog-rock, jazz, blues, folk, punk, metal & avant-garde music. Indeed Klemen is a huge folk and jazz fan. Above all, the website has a special focus on obscure and rare music. At the last count this stunning site contained over 500 interviews with a very broad range of artists and people connected with the music business, as well as lots of reviews and articles. He has done so much original research, located so many forgotten artists and even helped some to find record labels. What you have in your hand is the first hard copy version of this magazine! This first edition is primarily dedicated to Texas psychedelia. The state has a very rich and diverse musical tradition, but in the sixties it produced countless tough garage-punk bands and some of the most demented acidpunk records to come out of the US in this era, as well as some seminal hippie-rock bands. Many of these were drawn to the attention of wider audiences in the subsequent years by the pioneering works of David Shutt whose 'Journey To Tyme' was a brilliant interpretative discographical guide to Texas 1960s punk and psychedelia and by Doug Hanners' equally excellent magazine 'Not Fade Away' focusing on the Texas music scene in that era. It is largely due to them and other Texas collectors that many obscure Texas recordings of the mid to late sixties found their way onto the many various artists' compilations of sixties punk and psychedelia that emerged in subsequent years. Now, in this new hard copy magazine, Klemen assisted by other music historians like Kevin Rathert, has traced and interviewed many more artists and the magazine contains features about Powell St. John, Zakary Thaks, The Moving Sidewalks, Lemon Fog, Golden Dawn, Homer, Corpus and many more. Be sure to read the interview with Michael Jensen (who was a member of the 13th Floor Elevators in the eighties) and shares for the very first time many stories about Roky and different meanings of some of the band's songs. In keeping with the sheer scope of Klemen's antenna this mag includes many other features too. He has tracked down the Zambian band WITCH and has a fascinating feature (probably the first in hard copy) about the whole seventies Zambian music scene. He's also found Vyto (from First Chips) and there are articles on the Mexican Kaleidoscope, Bodo Molitor, Anonymous and reviews of new reissues and new psych releases. There is also a fascinating non music-related feature about "music as medicine". Read on....I promise you will not be disappointed.

Notes: Cover art by Detroit-based graphic artist Lucy Cahill depicts Wanda Jackson as an alien because why not; with additional recent works by her inside the issue.

Glasgow's justly beloved Belle & Sebastian, hot on the heels of a US tour and their best record in ages, deliver unto us decades' worth of posters and ephemera, with an interview with Stuart Murdoch on the history of the group's aesthetics. Novelist and longtime friend David Gordon lets us run the full text of his archival talk with celebrated painter and author Duncan Hannah (RIP -- and yes he goes into detail about the Lou Reed incident described in Please Kill Me). Kevin Esquire spent hours with Motown's almost-star from the 1960s and '70s, Christina Carter, and we have unpublished archival images and many amazing anecdotes.

Speaking of Motown, did you know that the son of the great Marxist/Black liberation activist CLR James was in 'mixed race' band Odyssey, who had a record on Motown? We have a great feature on that. Fascinating discussion between guitarist-singer-songriter-innovators Chris Forsyth and Steve Wynn.

There is an amazing excerpt from Ben Berton's new book on Dan Treacy and the TV Personalities, detailing how the first 7" came together and John Peel inadvertently named the band. Nate Carlson goes deep on the Tony Iommi era of Black Sabbath. Why Buffy Saint-Marie matters, now more than ever, by writer and musician Emily Pothast. One of our favorite writers, Sara Jaffe, tells us how her own grandfather wrote the song 'I'm My Own Grandpa'! No, really! That alone is worth admission. Plus -- there's a terrific and long and excellently illustrated feature on the country and experimental steel guitarist Barry Walker Jr by Tom Humphrey.

Our SF Indie Scene Report: 2022 is so well done that it's going to knock your socks off. Plus, Lucy Sante and Mimi Lipson and the tape column and Katie Lass on her soon-to-be classic Hypnopomp LP and the great Jay Ruttenberg on Sessa, whew.

Plus, also of course beautiful images galore, and more besides.

Notes: -BJORK: This cover feature is a career-spanning piece by Tamara Palmer on Iceland's most noted export since the foundation of their parliament in 930, with a terrifically gorgeous cover image by Marly Beyer. -MARCELLUS HALL delivers a 30-plus page excerpt from a graphic novel about life in indie-rock in the early 1990s that's stunning and lyrical.

-Hot on the heels of their world tour, it's an engaging photo essay from Detroit's premier music photographer Doug Coombe on the return of garage punk heroes BE YOUR OWN PET. -Mike Turner spends serious time with BMX champion CHELSEA WOLFE, right when she might be suspended from competition for being trans. -Ana Gavrilovska digs deep into the work of up-and-coming multimedia artist WAYNE PHOENIX. -Uncharacterizable instrumental musicians PENGUIN CAFE are back (under the direction of originator Simon Jeffes' son Arthur Jeffes) and Kurt Reighley is writing beautifully on them. (Their first two records for Eno's label are The Shit.) Cassette tape reviews; Lucy Sante delivers a tribute to the olden days of mp3 blogs.

Mimi Lipson weighs in on cats versus dogs in her advice column; Andy Beta talks of Annea Lockwood in the Icons column; the reissue of the issue is a box set of Pauline Anna Strom, by Michelle Dove; Fred Thomas on "why Sonic Youth's most underrated record deserves a second look" (guess which one it is!); an overview of reissue label Mesh Key for a new column on the people who run labels and stuff like that. In the new column Tracked (on music supervisors) Martin Douglas talks to Tiffany Anders, and it's largely about her work on RESERVATION DOGS! Then there's the column PHYSICAL GRAFFITI by editor McGonigal, an epic look at dozens of recent LP releases plus a few books (that's right, it's a bona fide multi-page record review column), plus the debut of Maggot Brain's food column with a disastrous visit to the Russian Tea Room courtesy of noted genius QUINTRON.

Notes: Modul8 Issue #1 is here!

Modul8 kick off their first issue by looking both locally and globally towards people who are extending what electronic music can be, and what it means to truly explore synthesizers.

Modul8 #1 features interviews with Detroit / Berlin based Dub Monitor, YouTube synth philosopher JAde Wii, Pure Data wrangler Nicky Systems, lofi lover and Plumbutter maestro Kozepz and Make It Up Club legend Stevie Richards.

There's also features on the unfulfilled promise of grooveboxes plus an interview with the director of Lunar Orbit, a full length documentary on The Orb.

And if that's not enough, there are contributions from Todd Barton, Paleman and 303 champion Honeysmack.

All up its 56 pages of utter synth geekery, and it's only available via good old fashioned printed paper.

*Modul8 acknowledges the Traditional Custodians of the land we live and work on, the Wadawurrung and Dja Dja Wurrung People, and recognises their continuing connection to the land and waterways.

Modul8 pay their respects to their Elders past, present, and emerging and extend this to all Aboriginal and Torres Strait Islander People.

Modul8 is produced off-grid and attempts to limit its carbon footprint where possible.

Notes: This is the second issue of the new We Jazz Magazine, 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Includes inspiring stories on music including John Coltrane by Ashley Kahn, Irreversible Entanglements by Daniel Spicer, Ben Lamar Gay by Stewart Smith, Linda Fredriksson by Arttu Tolonen, Marshall Allen by David Mittleman, French Caribbean Music by Markus Karlqvist, Pablo Held by HT Nuotio, record reviews, book reviews, plus more. This is a magazine put together by a quality cast of writers and illustrators/photographers with references such as The Wire, The Quietus, Pitchfork, Jazzwise, etc.

Notes: Featuring Raphael Top-Secret, Julianna Barwick, Misha Hollenbach, Jacques Renault, Carla Dal Forno, Arthur Russell Invites, Michael Kucyk, Avalon Emerson, Thomas Bullock, Dubby, Marie Davidson and Bell Towers.

198 pages, Perfect bound, Softcover

Issue 5 supplement:

RVNG Intl. Experiments in Design and Collaboration: 2003-2018

72 pages, Saddle stitch, Softcover

Notes: Record Culture Magazine is a bi-annual publication that focuses on niche music communities around the world and their intersection with the worlds of art, fashion and culture.

Led by in-depth interviews, image portfolios and photography that gives a unique view into homes and studio spaces.

Issue 4:

Featuring Kim Ann Foxman, Suso Saiz, Joe Goddard, Alexis Le-Tan, Jonnine Standish, Keith Haring Party Invites, Ron Morelli, Andee Frost, Paramida, Eddie Ruscha, Phil Mison, Justin Van Der Volgen and Ruggero Pietromarchi.

- 212 pages
- Perfect bound
- Softcover

Notes: Featuring Kenji Takimi, Heidi Lawden, Nicky Siano, Christophe Lemaire, Cale Sexton, Vidal Benjamin, Georgia, Matthew Higgs, Yasmina Dexter, Ivan Berko and Current Wave: Contemporary T-Shirts From the Scene.

248 pages, Perfect bound, Softcover

Notes: Featuring Biscuit, Colin Self, Michel Gaubert, Budino, Andras, Eric Duncan, Weyes Blood, The Juan MacLean, Roza Terenzi, and the visual feature "Miro & Music".

Notes: Featuring Bradley Zero, Se´bastien Tellier, Yu Su, Gerd Janson, June Jones, The Twilite Tone, Eug, Vanessa Worm, Ana Roxanne, Oskar Mann, and the Beats in Space visual feature, Postcards Through Time and Space

Notes: The sixth issue of We Jazz Magazine, "Revelation" for Black Jazz Records. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented IN ENGLISH. Stories include Black Jazz Records by Daniel Spicer, As-Shams by Andy Thomas, Nyege Nyege Festival by Markus Karlqvist, Alina Bzhezhinska by Tina Edwards, Carl Stone by Peter Margasak, Gyedu-Blay Ambolley by Rob Garratt, Travelogue by Kari Ikonen, Pharoah / Jazz Composers Orchestra by Seymour Wright, reviews, plus more.

Country of printing: Finland

Notes: ***B-STOCK: Creases on back cover, product otherwise in excellent condition***


The eighth issue of We Jazz Magazine, "Shadow Shapes" for Dorothy Ashby. 128 pages 170 x 240 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers.

All articles presented IN ENGLISH.

Dorothy Ashby by David Mittleman, Don Cherry by Magnus Nygren, Peter Evans by Andrey Henkin, The Return Of the Queer Jazz Scene by Tina Edwards, Jimetta Rose & the Voices Of Creation by Samuel Lamontage, Asher Gamedze by Teju Adeleye, Jazz Taphonomy by Seymour Wright, Discaholic column by Mats Gustafsson, Guy Stevens by Lander Lenaerts, reviews, plus more.

Country of printing: Finland

Notes: The 24th issue of the New York music magazine focuses on the figure of Sun Ra.

Sun Ra (1914-1993) is an African-American experimental jazz pianist and composer. A prolific artist, he recorded over one-hundred albums with his band, the Sun Ra Arkestra. His work is imprinted with esoteric elements drawn from a personal cosmic philosophy that had a great influence on Afrofuturism.

A quarterly journal founded in 2012 by Nate Wooley, providing in-depth interviews and essays, Sound American starts from a simple desire to open the doors of experimental music to a wider audience. Sound American believes that music is for everyone and should be shared on the most basic human level. Sound American aims to accomplish this by creating a direct intellectual, social, and emotional bridge that links audiences and artists.

Notes: The OCCAM Ocean Issue, focuses on the radical musical eco-system of French composer Eliane Radigue's OCCAM Ocean project. In a first for the publication, this issue is built solely around interviews with the performers that have collaborated with Radigue to produce this body of work over the last decade. Contributors include Charles Curtis, Carol Robinson, Rhodri Davies, Catherine Lamb, Julia Eckhardt, Silvia Tarozzi, Dafne Vicente-Sandoval, Laetitia Sonami, and Frederic Blondy. All interviews were conducted by SA's editor, Nate Wooley, also a performer of Radigue's music. The issue features an opening invocation from Radigue herself, followed by writing on the history and practice of the OCCAM pieces, interviews, and a concluding essay by Wooley on his own experience performing OCCAM X. This special issue concludes with the last of a three-part series of "exquisite corpse" compositions, written especially for SA by inti figgis-vezueta in response to the preceding work of Moor Mother and Amirtha Kidambi.

This issue also comes with a special one-of-a-kind pull-out poster detailing the entire OCCAM Ocean composition in all of its interconnected glory. Designed by Remake Designs, this is a unique graphic perspective on the human web of collaboration that Radigue has created. Pre-orders of SA26 come with a free download of Sound American's False Start conversation with Eliane and clarinetist Carol Robinson.

Eliane Radigue (born 1932 in Paris) is considered one of the most innovative and influential contemporary composers, from her early electronic music through to her acoustic work of the last fifteen years. Influenced by musique concrete and shaped by regular sojourns in the United States, where she discovered analogue synthesisers, her work unfolds an intensity which is at once subtle and monumental. Through her deep reflections on sound and listening, not only her music but also her working methods have come to shape a widely resonating set of new parameters for working with sound as musical material.

Notes: A year in the making and weighing in at a whopping 144 pages, #SNC100 Vol.1 maintains the Interplanetary Sounds: Ancient To Future vision and unites fresh new features with re-mixed classics from the archive.

Featuring:

NU SKOOL: IG Culture meets Steam Down, Kahil El'Zabar, Shirley Tetteh, Rosie Turton, Ishmael Ensemble and James Brandon Lewis & Thomas Sayers-Ellis.

ARCHIVE: Pharoah Sanders, Yusef Lateef, Abbey Lincoln, Dr John, Terry Callier, Gary Bartz, McCoy Tyner & Fontella Bass.

Label/Imprints: Soul Jazz/Brownwood. Plus: Undercurrents, Charts & Reviews...

- Softback
- 144 pages
- Size 270mm (h) x 210mm (w)
- 3 colour - pantone 877 + pantone319 + black

Notes: #SNC99 - over 130 pages - connects with band-leaders Cassie Kinoshi (SEED Ensemble), Tenderlonious (22a), Femi Koleoso (Ezra Collective) and keys whiz Joe Armon-Jones.

Also in the mix are a host of spirited individuals like Midori Takada, Nabihah Iqbal, Nat Birchall and Ben LeMar Gay. The London- Lagos-Accra connection is explored alongside Durban's Qgom scene.

On the indie imprint tip there's Gondwana, Jazz re:freshed, Detroit Love and On the Corner.

For the crate diggers there's Motown's Black Forum + nuff reviews. There's no room for complacency when it comes to getting your copy.

Notes: The fourth issue of We Jazz Magazine, "The Call" for Horace Tapscott. 128 pages 174 x 250 mm in size and printed on 140g Edixion paper with laminated 300g Invercote covers. All articles presented in English. Stories include Horace Tapscott by Andy Thomas, Ava Mendoza by Stuart Smith, Tigran Hamasyan by Rui Miguel Abreu, Istanbul Scene by Alper Kaliber, Isaiah Collier by Daniel Spicer, Bill Frisell by Debra Richards, DJ Old Crank by Matti Nives, Tokyo Jazz Joints Vol. 2 by Philip Arneill, reviews, plus more.