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Synth modules

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2hp Grain Granular Processor Module (black faceplate)
2hp
Cat: 727386 Rel: 02 Oct 19
 
High fidelity audio processor focused on granular synthesis
Notes: 2hp Grain is a high-fidelity audio processor focused on granular synthesis. It's capable of generating granular clouds, microsound phrases, and unique textures that are derived from any input signal. The Density control sets the rate of granularization applied to the input signal and sets its position within the buffer. The Mix control sets the balance between live input and the granular audio stream for dialling in the perfect combination of sounds. In addition, there is a frequency control and associated v/oct input allowing for pitch accurate sequencing of grains. Particle patching has never been smaller with Grain.
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MRP:$180.18 SAVE 15%
 1 in stock $153.44
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2hp Sine Wave VCO Module (silver faceplate)
2hp
Cat: 727388 Rel: 23 May 19
 
Digital oscillator module with sub output & wavefolding - silver
Notes: Sine is a harmonically pure VCO with two distinct outputs.

The primary output contains a perfect sine wave with a wide frequency range and pristine volt per octave tracking. The Sub output features two sine tones that can be blended together to achieve a mix of one octave below, or a fifth above the primary output's frequency.

In addition, both outputs have an internal wavefolder that adds harmonic content to the signal allowing for spectrally complex tones within a single module. Keep your tones pure (or not!) with Sine.
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MRP:$180.18 SAVE 16%
 1 in stock $151.23
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2hp Vowel Speech Synthesis & Formant Oscillator Module (black faceplate)
2hp
Cat: 714255 Rel: 17 Dec 18
 
Speech synthesiser/formant oscillator with speech & FOF synthesis algorithms - 2HP
Notes: Vowel is a speech synthesis and formant oscillator. It synthesizes and approximates the human voice by generating vowel sounds. These can be manipulated to provide deep low baritones, or high pitched squeaks. Two unique algorithms provide separate takes on this exciting synthesis method and allow for a multitude of talking synth sounds.
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MRP:$180.18
 1 in stock $164.40
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4ms Listen Four 4 Channel Stereo Mixer Module
Cat: 717580 Rel: 06 Feb 19
 
Four channel stereo mixer with line-level, modular-level & headphone outs
Notes: The Listen Four is a four channel stereo mixer with line, modular, and headphone outputs. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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MRP:$227.53 SAVE 19%
 2 in stock $184.13
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4ms Listen Four Quarters 4 Channel Stereo Mixer Module
Cat: 717581 Rel: 06 Feb 19
 
Four channel stereo mixer with balanced 1/4-inch & headphone out - 12HP
Notes: The Listen Four Quarters is a four channel stereo mixer with 1/4" (6.35mm) TRS balanced outputs and 1/8" (3.5mm) headphones output. Two mono channels with Pan knobs and two stereo channels with dual inputs provide optimal compatibility with both stereo and mono signals. The Listen Four Quarters can be daisy-chained to other Listen modules to create a larger mixer with sub-mix outputs.
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MRP:$251.20 SAVE 26%
 2 in stock $185.22
4ms Quad Clock Distributor Expander Module
Cat: 589491 Rel: 10 Dec 15
 
Expansion module for the Quad Clock Distributor (QCD) synth module - 12HP wide
Notes: The QCD Expander is an expansion module for the Quad Clock Distributor (QCD). The QCD Expander adds a host of features, turning the QCD into a programmatic non-linear sequencer. Each channel gets a CV Trigger Delay (Pulse Width) jack and knob, an additional output jack with three selectable modes, and attenuverters for all CV input jacks. Self-patched evolving rhythms and swing/shuffle patterns are easily obtained, as well as complete control over standard rhythmic patterns.
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MRP:$239.37 SAVE 31%
 2 in stock $165.49
4ms Row Power 35 Power Solution For Eurorack Systems (white)
Cat: 739048 Rel: 29 Jul 19
 
Eurorack power supply module - 4HP
Notes: Row Power is a clean, regulated, and protected power solution for eurorack systems. Row Power 35 provides 35W of power, suited for any typical eurorack row (84HP to 168HP):

+12V @ 1.4A
-12V @ 1.25A
+5V @ 1.0A

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying-bus cables or the Bus Stick.

Daisy-chain multiple Row Powers to use a single power brick for multiple rows (typically 3-5 rows per power brick). Each row will be independently regulated and protected for ultra-low cross-talk between rows. Rows can also be hot-swapped (plugged/unplugged without powering the whole system down).
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MRP:$174.92 SAVE 14%
 3 in stock $151.25
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4ms Row Power 45 Power Solution module For Eurorack Systems (black)
Cat: 785962 Rel: 27 Oct 20
 
Power solution module
Notes: Row Power is a clean, regulated, and protected power solution for Eurorack systems. Row Power 45 provides enough power for two to three typical Eurorack rows (typically up to about 312HP):
+12V @ 2.0A maximum, 1.5A recommended
-12V @ 1.4A maximum, 1.2A recommended
+5V @ 1.5A maximum, 1.2A recommended

Simply plug a universal power supply (laptop style) into either of the barrel plugs on the 4HP panel. Connect your modules via flying bus cables or the Bus Stick. For custom power systems, the Row Power 45 has a set of easily soldered holes for using large gauge wire or MTA156 connectors to connect to distribution bus boards.

Multiple Row Power modules can be powered from a single power brick by daisy-chaining with an inexpensive barrel cable. The Row Power 45 can also be daisy-chained to 4ms Company's Pod enclosures. Each power supply is independently regulated and protected for ultra-low cross-talk between rows/pods.

The Row Power 45 is compatible with the 4ms Row Power Shield. This device (sold separately) attaches to the back of the Row Power 45 and monitors the amount of current being drawn, as well as the voltages of the power rails. The information is sent over Bluetooth to be displayed on a phone or tablet.

Electrical and Mechanical Specifications

Module Size:
4 HP Eurorack format module

Power Output:
Maximum average load under normal conditions: +12V @ 2.0A, -12V @ 1.4A, +5V @ 1.5A
Maximum average load under any condition: +12V @ 1.5A, -12V @ 1.2A, +5V @ 1.2A
Powered by laptop-style DC power supply: 2.1mm barrel, positive center, 15V-20V.

Included with the Row Power 45:
16-to-16 pin power cable
2 M3 Knurlie screws
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MRP:$199.91 SAVE 17%
coming soon $166.58
4ms Shifting Inverting Signal Mingler Module
Cat: 589485 Rel: 09 Dec 15
 
4-channel voltage manipulator synthesiser module - 12HP wide
Notes: The SISM is a 4-channel voltage manipulator that can scale, invert, attenuate, shift (dc offset), mix, split, and slice your CV and audio signals.

A plethora of red and blue LEDs (14) show exactly what each channel and output jack is doing: red = negative voltage, blue = positive.

Each channel is independent and has an input jack, output jack, a knob for attenuating/inverting (Scale), and a knob for applying positive or negative DC offset (Shift).

Four jacks on the bottom combine the four channels in different ways. Mix is a straight mix of all four shifted inputs, Switched Mix is a mix of all channels that have nothing plugged into the OUT jack, Positive Slice is the sum of all output voltages greater than zero volts, and Negative Slice is the sum of all negative voltages.

By Shifting some channels positive and some negative, the + Slice and - Slice jacks can be used as sub-mix outputs. Also, by running a slow triangle wave into one channel, the remaining channels can be made to "dirty pan" between the Slice jacks: the signals are half-wave rectified as they span between both outputs.

Channels 1+2 and 3+4 are normalized together on the input jacks, which is handy for splitting a signal into two or more altered forms. Jumpers on the back allow you to disable this normalization.

Each channel also has a jumper to make the Scale knob unipolar (no inverting, attenuate only). This is useful for mixing audio instead of CV. A breakout header allows for padding of the signal (useful for fine-tuning a precise voltage such as 1V/oct).

Input and Output headers for connecting to QCD, QPLFO, VCA Matrix, or other manufacturer's modules such as Toppobrillo Mixiplexer or Circuit Abbey Intermix.
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MRP:$210.43 SAVE 28%
 2 in stock $151.23
Abstract Data ADE33 Event Boss Pattern & Rhythm Generator Module
Cat: 601494 Rel: 28 Mar 18
 
Sophisticated rhythm creation & manipulation module - 14HP
Notes: Pattern and rhythm creation and manipulation module for creating musically useful rhythms and patterns from a variety of inputs - it's a module that will jam along with you.

36 algorithms in 6 sets covering Variables, Multiples, Probability, Logic, Phase and Gates with configurable CV control over all parameters.

Takes regular clocks and generates rhythmic patterns, takes rhythmic patterns and generates new patterns, takes irregular and random patterns and generates new, irregular and probability-based patterns.

The patterns can be rhythmic, continually evolving or entirely random and can be controlled and manipulated via multiple CV options.

Can also be used as a utility module to perform Clock Division/Multiplication, Phase-Shifting and Logic-related tasks.
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$217.01 SAVE 10%
 4 in stock $195.31
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Abstract Data ADE50 Triple VCA Module
Cat: 601496 Rel: 31 Oct 17
 
3 linear VCA's based on a discrete OTA core
Notes: The ADE-50 provides 3 all-analogue voltage controlled amplifiers based on a modern operational transconductance amplifier design.

The VCA's are designed to provide a good balance between the performance and specification of modern 'on-chip' VCA's and the character and musicality of classic analogue designs.

The OTA core of each VCA is fully discrete - it is built from only resistors, capacitors and transistors - however, the CV conditioning, audio input and output stages are built using high-quality op-amps giving the best balance between musicality, character and performance.

The ADE-50 provides a good signal-to-noise ratio, linearity, attenuation, an output level at unity gain at 5V CV input, minimal CV 'bleed' and minimal output offset/bias.
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 3 in stock $160.02
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ADDAC System ADDAC104 VC T-Networks Module (black faceplate)
Notes: Following the ADDAC103 T-Networks, this new module is also inspired by Twin T-Networks circuits used in many lengendary drum machines. A simple 4 voice module with frequency controls for each of the voices. This new module also features CV inputs with attenuverters for each voice Frequency. Due to the specificities of the circuit, and to keep the module at a low price, these inputs are not callibrated to 1v/octave.

At each voice input there's a gate to trigger converter so any input source is possible.
Audio inputs can also be used as an input, in this case and due to the nature of the gate to trigger converter, each voice can be used as very destructive filters.

The top 2 channels feature a higher frequency range, the bottom 2 channels feature a lower frequency range.
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MRP:$181.50
coming soon $174.25
FORTHCOMING
ADDAC System ADDAC106 T-Noiseworks Module (black faceplate)
Notes: This is the last module in Addac System's T-Networks series, a straight forward 4 voice module with frequency and decay controls for each of the voices. As the name already unveils , a noise source has been added, and 2 different circuits have been created, that explore the timbre of a t-network when used to filter noise.

There are 2 different circuits in this module, voices 1 to 3 have a pre-vca t-network filter while in voice 4 the t-networks filter applied post-vca.

At each voice input there's a switch which sets which type of input to use, this signal will be used to control an internal VCA hence why the type of setting defined here is important:
1. Trigger - Any incoming CV will be converted into a 1ms trigger as soon as it crosses it's fixed threshold.
2. Mute - This disconnects then incoming signal effectivelly muting the voice.

3. Envelopes - This can be used with CV sources as well as Gate sources and simply follows the input signal.

This incoming signal will then be processed by a slew circuit which adds a decay factor allowing the user to set the "Tail" of each voice.

Trigger mode is mostly dedicated for percussive sounds while the Envelope mode is open to any external enve- lope control and able to control noise swooshes, swirls, crackles and pops simply out of t-networks filtered noise.

Audio inputs are also welcomed to be used as a Trigger/Envelope input.

Diferences between voices:
The first 3 voices also feature a Timbre selector switch: Hat/Snare
In Snare mode all frequencies coming from the t-networks filter pass thru to the output .
In Hat mode it adds a High Pass circuit which removes the mid/bottom frequencies (characteristic of the snare strike) creating a higher spectrum output which is closer to a Hat timbre.
All of these 3 voices are also differently tuned from each other to offer more timbrical options.

Voice 4 is closer to a typical t-networks circuit but this time peculiar one where the noise is gated by the vca and then sent through the t-networks filter.

Hat and Snare are terms used very looselly here, they are timbrical references and do not in any shape or form try to effectivelly replicate the complex timbres of a real world Hat or Snare.
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MRP:$181.50
coming soon $174.25
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ADDAC System ADDAC203 CV Mapping Module (red faceplate)
Cat: 776164
 
CV mapping module
Notes: With the ADDAC203 CV mapping you'll be able to tame that voltage range and put it where it belongs. The attenuation knob compresses your voltage range and then you can also offset it.

Two channels for your mapping needs.

Mechanical:
. Format: Eurorack
. Width: 4 HP
. Depth: 3 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: 50mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$203.86
coming soon $196.18
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ADDAC System ADDAC204 VC CV Mapping Module (red faceplate)
Cat: 776178
 
CV mapping module
Notes: With the VC mapping module you'll be able to scale your voltage and also control its offset via CV.

This module provides two outputs for normal and inverted output voltages. A third output morphs between the normal and inverted outputs.

Mechanical:
. Format: Eurorack
. Width: 6 HP
. Depth: 2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 10v

Electrical:
. Compatible with +-12v and +-15v power supplies?
. Max current: 40mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$203.86
coming soon $196.18
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ADDAC System ADDAC212 EG Map Pack Module (red faceplate)
Cat: 776195
 
VC attentuator/offset module
Notes: A 4 Channel VC Attenuator and Offset.

The ADDAC212 is a 4-channel VC attenuator and off-setter. It lets you deal with up to four parallel inputs as a single pack, modulating their amplitude and offset (± 10V) with the same control knobs, both with cv inputs and dedicated attenuators.

Features 4 parallel VCAs with the same amplitude and offset control knobs and cv inputs with dedicated attenuators.

Idealized to be the perfect companion for Envelope Generators, you can send 4 EGs through it and control the overall amplitude and offset of all 4 envelopes at once. This allows more control over the Envelopes when patching typical synth voices.
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MRP:$203.86
coming soon $196.18
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ADDAC System ADDAC214 VC Rotator Module (red faceplate)
Cat: 776199
 
VC rotator module
Notes: This is the VC Rotator, a stepped routing module for any type of signal (audio, cv, gate, trigger...)

Similar to a VC switcher but in this case there's the same number of inputs than outputs so, instead of 4 to 1 or 1 to 4, this module is always 4 to 4 but it can be patched for 2 to 2 and 3 to 3 step actions.

All four inputs get routed to the four outputs depending on the CV and Clock controls and are divided into 4 routing steps:
1. routes all inputs to the same number output: 1:1, 2:2, 3:3, 4:4
2. routes all inputs to an offset of 1: 2:1, 3:2, 4:3, 1:4
3. routes all inputs to an offset of 2: 3:1, 4:2, 1:3, 2:4
4. routes all inputs to an offset of 3: 4:1, 1:2, 2:3, 3:4

Direction determines if the clock input goes forward or backwards.
Going forward it can be set to 2-3 or 4 steps using the Rotate knob offset, going backwards always sync to 4 steps even if offseted by the Rotate knob.
For 2 & 3 step action input 1 is normalled to input 3 and input 2 is normalled to input 4.

Reset resets the internal clock to the first step.

Pendulum, external sequencing or any complex CV actions can be achieved using the CV input and dedicated attenuverter.

4 leds monitor which input is routed to output 1.
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MRP:$181.50
coming soon $174.25
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ADDAC System ADDAC303 Muscle Sensing module (red faceplate)
Cat: 776297
 
muscle sensing module
Notes: This module introduces a totally new interaction principle for the Eurorack format, using electrodes to sense body muscles tension.

You can stick them to your arm and clench your fist, to your leg and tap your tempo, to your band bass player or drummer.

Module ships with electrodes.

Pads are reusable and replaceable.

Specs:
. Width: 4 HP
. Depth: 4 cm
. Max current: 60mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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MRP:$203.86
coming soon $197.27
FORTHCOMING
ADDAC System ADDAC307 Heart Sensing Module (black faceplate)
Cat: 776307
 
heart sensing module
Notes: Another addition to the ADDAC300's Expressive Controls Series.

Preceded by the release of the ADDAC303 Muscle Sensing module, this is the second module made to take advantage of the physical body as a control source.

This module originated from a simple idea: using one's heart beat as a control source.

Using a clip-on sensor, that can be attached to a finger or an ear lobe, the user's heart rate will be aquired by sensing the blood flow passing under the sensor. This pulse will generate a trigger and an AD envelope.

Clip-on sensor will be provided with the module.

Tech Specs:
4HP
3.5cm deep
60mA +12V
10mA -12V
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MRP:$181.50
coming soon $175.36
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ADDAC System ADDAC604 Dual Filter Module (black faceplate)
Cat: 776353
 
dual filter module
Notes: While developing the ADDAC105 4 Voice Cluster module, a new multimode filter to place after the summing mix stage- and the results were so postitive that it was released as a dedicated filter.

To make it more interesting, the circuitry was duplicated, to be able to use it in a stereo signal path.

To make it more versatile, a switch was added to set the working mode from Stereo to Dual Mono where both filters can be used independently.

In Stereo Mode the Left Cutoff is used to control the Right Cutoff.
In this case the Right Cutoff Knob and CV Input are simply bypassed and will have no impact on the Right Channel operation.
This allows immediate sync of both filter frequencies when the Stereo position is engaged.
Optionally there's a jumper in it's back that, when placed, connects the Right Controls back to the Right CV control allowing the possibility to control the offset of the Right Channel Cutoff.

Resonance is independent on both Modes and still has to be set manually to match both channels.

Both the Audio and CV inputs are normalled from the Left into the Right channels.
As standard plugging any input to the Right channels removes this connection.

Tech Specs:
6HP
4 cm deep
70mA +12V
70mA -12V
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MRP:$203.86
coming soon $197.27
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ADDAC System ADDAC701.REV2 VCO Module (black faceplate)
Notes: This is our new VCO, we discontinued our ADDAC701 VCO a few years back and since we've been wanting to release a more stable version with better pitch tracking increasing pitch reliability further minimizing the detuning issues of analog VCO's.

For this new revision we chose to use the modern version of the CEM3340 ic from CoolAudio and add the triagle to sine circuitry of our previous VCO. This new version is extremelly stable over 7 octaves.

We also added a new Mix section which allows mixing of all waveforms controlled by 3 knobs SIN/TRI, MIX and SAW/RECT.

Tech Specs:
8HP
3.5 cm deep
60mA +12V
60mA -12V
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MRP:$181.50
coming soon $175.36
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ADDAC System ADDAC703 Discrete Mixer Module (black faceplate)
Notes: Here's the second module of ADDAC System's 700's Heritage Series.

Inspired by Moog CP3 mixer, this is a totally discrete analog mixer and it's not, by any means, your standard breakfast mixer, although it can behave like one.

This is a wolf in sheep's clothing. Despite its harmless looks there's a dark snarly soul behind that panel that wants to take your sounds into a realm of gritty gnarly growls.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 3 cm

Electrical:
. Max current: 60mA.
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
.black screws
.black fibre washers
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MRP:$203.86
coming soon $197.27
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ADDAC System ADDAC805 VC Xfade/Panner Module (red faceplate)
Cat: 776662
 
crossfader & panner module
Notes: This is ADDAC System's new crossfader / panner. It can be used to crossfade between 2 signals or pan a signal from left to right.

Mechanical:
. Format: Eurorack
. Width: 4 HP
. Depth: 4.5 cm

Electrical:
. Max current: 60mA.
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector.

Included:
.black screws
.black fibre washers
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MRP:$181.50
coming soon $175.36
FORTHCOMING
ADDAC System ADDAC805.VS2 VC Signal Router Module (black faceplate)
Notes: Inspired by our ADDAC701 VCO waveform mixing section, our new VC Signal Router also updates our legacy X-Fade/Panner to a stereo configuration that also allows 4 quadrant mixing.

Featuring two dedicated X-faders and a stereo VCA that can also be used as a third X-Fader. All controls have their own CV inputs and dedicated Attenuverters for precision control.

4 quadrant mixing is achieved by using the stereo Master as a X-fader between left and right channels, this way you can plug 4 audio sources and sweep/crossfade between each and any of them using the 3 x-faders. Plug any 4 sources (4 waveforms of a VCO, 4 LFOs, 4 envelopes...) and sweep through morph through or have them all mixed together.

For other configuration types Left and Right X-fader channels can be routed through the Master stereo VCA or sent directly to the outputs. A stereo Direct input can also be routed through the Master VCA or sent straight to the outputs.

The Mono Sum output always mix Left and Right outputs together allowing the possibility to use the module as a peculiar 6 channel mono mixer.

It can be used for both Audio or CV Signals.

Tech Specs:
8HP
4.5 cm deep
40mA +12V
40mA -12V
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MRP:$181.50
coming soon $175.36
AION Modular 991 Filter & Attenuator Module
Cat: 780121 Rel: 07 Jul 20
 
Filter & attentuator module
Notes: The 991 contains 2 passive filters, one 6dB High Pass Filter and one 6dB Low Pass Fillter switchable in 6 positions. On the lower part of the module one finds an Attenuator. No power is required.

Specifications:
Depth: 30 mm
Doepfer compatible
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MRP:$199.91 SAVE 19%
 1 in stock $161.10
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AJH Synth Mini Mod Discrete Cascaded VCA Module (black)
Cat: 625062 Rel: 22 Sep 16
 
Mini Mod Discrete Cascaded VCA Module
MRP:$203.86 SAVE 18%
 3 in stock $167.69
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AJH Synth Mini Mod Dual Contour Generators Module (black)
Cat: 625067 Rel: 22 Sep 16
 
Eurorack format dual envelope generator based on the original RA Moog design
Notes: Two independent Contour Envelope Generators in a single 12hp wide Eurorack module. These are very accurate replicas of the Model D contour generators, with identical circuitry and component values running on the correct +9.3V and -10v supply voltages of the original; so they exactly replicate the original envelope response along with all of it eccentricities. Extra features include manual trigger buttons and envelope status LED's.

The contour generators played a larger part in the sound of the Model D than many people realise. There are two factors that make them unique, firstly the exponential slope when is used in conjunction with the (near) linear slope of the original VCA which is responsible for the famous Model D "punch". Secondly, the re-trigger behaviour is quite unique, multiple retriggering increases the output level so that either the volume increases incrementally, or the filter opens incrementally with each extra key press.

AJH Synth have added independent Decay switches for each individual Contour Generator rather than the shared switch on the original synthesiser, these switches change the Contour response from AD (switch up) to ADSD mode (switch down).
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MRP:$276.19 SAVE 29%
 1 in stock $195.08
AJH Synth Mini Mod Glide + Noise MK2 Module (black)
Cat: 708115 Rel: 22 Jan 19
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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MRP:$217.01 SAVE 18%
 1 in stock $177.55
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AJH Synth Mini Mod Glide + Noise MK2 Module (silver)
Cat: 708117 Rel: 22 Jan 19
 
MiniMod Glide + Noise, combining two Minimoog circuits in one module - 6HP
Notes: The original MiniMod Glide +Noise module was based exactly on the original Minimoog Model D circuitry, which was designed to be used with the built in Model D keyboard, and because of its vintage design its range was severely limited to 5 or 6 octaves, and it also responded to positive voltages only. Another limitation was that it would not return fully to zero when selecting long glide times, which restricted the range even more.

So we made the decision to re-design the MiniMod Glide + Noise using modern precision parts, and we have come up with an all new circuit which has exactly the same function, but with a hugely extended range. It has the same Glide slope characteristic (a slightly curved Linear Glide) as the Model D on which the MiniMod is based, however in response to many requests from customers we have adjusted the glide up and down speeds so that they are now very similar , which is much more useful in real world applications that the earlier MK1 version which (like the Model D) would glide up considerably faster than it would glide down.

The new Mk2 MiniMod Glide Noise module now has an impressive 14 octave range, and can respond to negative voltages down to -5V. This is a very useful feature, as our MiniMod VCO's will respond to negative control voltages and produce correspondingly low frequencies; so it is now possible to glide down quickly or slowly to crazy sub bass levels! The hold feature has been improved too, it covers the full audio range as well as DC control voltages, and works as a track and hold module with Eurorack signal levels.

A further enhancement is that the Mk2 module can now (using selectable jumpers) transmit or receive pitch CV to the Eurorack power bus; for example, the Glide CV Output can now be directed to the Bus in order to send CV's to (for example) three VCO's via the bus without the need for a passive multi and four patch cords!

The Noise section of the module is unchanged, except that we have slightly boosted the level of the Red Noise output to bring it more in line with Eurorack control voltage levels.

Lastly, it is much shallower - Mk1 Glide Noise had a depth of 54mm, and it was the only MiniMod module that was too deep to fit a skiff style case - and this prevented a full MiniMod system being installed into a shallow Eurorack case. The new MK2 version is only 28mm deep, so this allows both it and a full MiniMod system to be mounted into shallow skiff style Eurorack cases.

Dimensions: 6HP wide, 26mm Deep
Current draw: 36mA Positive, 38mA Negative
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ALM Tangle Quartet Quad Linear VCA & Mixer Module
Cat: 584259 Rel: 15 Apr 16
 
High quality quad linear voltage controlled amplifier (VCA) synthesiser module - 8HP wide
Notes: 'Tangle Quartet' is a high quality quad linear voltage controlled amplifier (VCA) providing individual level control of 4 signal inputs with both individual outputs and a combined 'mix' output (for non patched outputs) . Control signal inputs and associated attenuation controls allow for voltage control of signal levels. Control inputs are normalised to 5v thus providing manual mix control in the absence of control signals.

Technical Specifications:

Supply: +/-12V (Reverse voltage protection)
Current Draw: ~80ma
Size: 8 HP
Depth: 32mm (including power header)
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FORTHCOMING
Analogue Systems RS-100N Lowpass Module
Cat: 777029
 
low pass filter module
Notes: This low pass filter is a very good -24dB/octave Moog filter, based on the classic Moog cascade with selected, low-noise transistors. Being the successor of the RS-100, the new "S" version features several improvements regarding stability, tracking, distortion behavoiur and also the frequency range.

Two signal inputs, resonance, manually and voltage controlled cutoff frequency. Frequency range 10Hz to 35kHz with CVs applied. The transistors used in the filter cascade are low-noise and have been selected and matched in pairs to improve the frequency response over the whole frequency range. A better stability guarantees, after a one minute heating time, that the filter can be used as a clean and well tracking sine wave oscillator.
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FORTHCOMING
Analogue Systems RS-180N VCA Module
Cat: 777037
 
VCA module
Notes: VCA-Module with exponential and linear control inputs. This way it can be controlled by any CVs and it is suitable to control audio signals as well as CVs.

With the "initial level" control you can open the VCA manually what is handy if the modulation signal is bipolar: e.g. when doing a tremolo with a sine wave LFO. Tow CV inputs with attenuators are available: The linear one is better when you want to control CV signals or if the modulation signal is a slow LFO. The exponential input is better for punchy, fast modulation, e.g. by an envelope and is also better suited when you want to control audio signals. Two signal inputs make a mixer module pre-VCA obsolete.
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FORTHCOMING
Analogue Systems RS-60N Envelope Module
Cat: 777035
 
envelope module
Notes: Flexible ADSR envelope with voltage control of decay and release times. Interesting hold and repeat functions turn the envelope into a LFO with gating functions. Classic ADSR type envelope generator. Decay and release times can be voltage controlled via a common input for positive CVs between 0 and 10V. Time ranges of the segments: Attack: 0,5mS to 10S; Decay: 2,5mS to 20S; Release: 2,5mS to 20S.

Two switches affect the behaviour of the RS-60 in different ways:

- STD/STD: Normal ADSR mode. A gate triggers and holds the envelope up to the release phase.

- HOLD/STD: hold will hold the envelope at sustain level. Signals in the gate input have no effect. A signal at the Trig/Retrig-In restarts the AD phase and keeps the envelope at sustain level until the next trigger.

- ONESHOT/STD: Press the swithc into oneshot position and you´ll fire the envelope once. trigger signals at the Trig-Retrig-In will restart th envelope only when oneshot switch is pressed.

- HOLD / GATED REPEAT and HOLD / AUTO REPEAT have the same effect. Attack and decay phases will be repeated and the module acts as a LFO. Rate is dependent on the A/D times and range from 0.003Hz to 300Hz. A gate at the Trig-Retrig-In holds the signal at 10V, without gate the LFO continues cycling.

- STD / GATED REPEAT: The envelope will onbly be looped when a gate signal is present at the Gate-Trig-in

- STD / AUTO REPEAT: A gate at the Trig-Retrig-In holds the signal at 10V, without gate the LFO continues cycling.

- ONE SHOT / GATED REPEAT and ONE SHOT / AUTO REPEAT have the same effect. The oneshot switch generates a gate and fires the envelope. A gate at the Gate-Trig-in will hold the envelope at 10V, without gate the envelope will be looped. The envelope signal is present at two outputs A and B and it´s level can be controlled and inverted with a potentiometer.
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Befaco Burst Pingable Trigger Burst Generator Module (assembled)
Cat: 689667 Rel: 14 Jun 18
 
Probabilistic & pingable burst generator - 8HP
Notes: Burst is a Pingable Trigger Burst generator with distribution, probability and time division control. It will create multiplications of your triggers, leading to doubles, triplets, quintuplets and true polyrhythms for your modular system.

The module allows you to add voltage controlled redrums and dynamic ratcheting effects for your patches. In addition, Burst works like a regular clock source and trigger for other modules via its Tempo and End of Cycle outputs.
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Befaco Joystick Controller Module (assembled)
Cat: 668629 Rel: 09 Nov 17
 
2 axis CV generator/attenuverting joystick
Notes: The Joystick is a compact two axis attenuverting (attenuator-inverter) joystick controller.

The Joystick features a robust arcade style joystick for manually generating either CV with Range and Offset control or attenuating two input signals. It also includes two push buttons to manually generate gates.

- Current needs: +12V: 25mA, -12V: 10mA
- Width: 12 HP
- Depth: 35 mm (inc. power connector)
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Befaco VC ADSR Module (assembled)
Cat: 668622 Rel: 09 Nov 17
 
Compact, well-equipped envelope module - 8HP
Notes: The VC ADSR is our take on the classic ADSR: now smaller, more powerful and user friendly.

The circuit is based in a dual transistor "Current Mirror" (a voltage controlled integrator) and switching logic

This compact unit features voltage control for each stage with manual faders to improve usability, feel and aesthetics.

A unique feature of the VC ADSR is the gate outputs for each stage of the envelope offering an extra level of control over your patch!

Envelope generation can be triggered and controlled with the use of the panel mounted push button or with the trigger/gate input.

Control of the response curve between each stage of the envelope (from linear to logarithmic/exponential) is provided by a potentiometer.

Phase Time Limits:

- Attack: Min 3.0ms (down to 200uS with negative CV) // Max 10s
- Decay: Min 2.8ms (down to 400uS with negative CV) // Max 10s
- Release: Min 2.8ms (with Sustain at maximum) // Max 10s
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BLM Arcade Kick Module
BLM Arcade Kick Module (synth module)
Cat: 774017 Rel: 13 May 20
 
kick module
Notes: This product is used to produce drum and percussion sounds. You can make 909 type of kick drums- the toggle switch on the left chooses between long and short vca decay. The toggle switch on the left chooses long and short pitch envelope decay. Smack knob control lefts you mix in a noise 'paper' sound for the drum.

You can mix in two trigger sources to create complex percussion patterns. The internal circuit is using logic 'OR' triggering.

This product was refined for optimum sound and response from the controls. Part values were changed from the original 909 design.

-There is onboard distortion to get techno type of kick drums.

-This internal oscillator is triangular core, with internal reset.

-The internal trigger conditioner can take audio rate frequencies.

-There is a manual push button.

Width: 10hp

Current: +30mA,-24mA
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BLM Dwarf Star Stereo Delay Mk2 Module (B-STOCK)
Cat: 783152 Rel: 13 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Excellent stereo/dual mono delay module. CV inputs allow you to control the delay times independently, allowing for some creative modulation effects.

Supplier notes:
This module has two echo delay effect circuits based on the Dwarf Star Semi Modular system. With this module you can add cool delay fx to synth level signals. Each of the parameters has CV control with their own attenuators. There are three parameters per channel. The two echo fx circuits are mirrored on the front panel: Channel A and Channel B.

The fx processing was fine tuned for clean fx processing. You can however patch a cv input into the 'REPEAT' parameter, have the RCV attenuator fully clockwise, and force it to feedback into loud trash. There is no switch jack on the input jacks. However, all the CV jacks have switch jack internal connections. This allows you to modulated both channels using only the the Channel A side. For true independent patching on each separate channel simple patch something into the corresponding Channel B jack.

The Kill toggle switches kill the dry signal input going into the pt2399 fx chip. It will however allow echo trails to keep going until they die out. So this is not just a mute switch to abruptly cut the echo trails in halfm which is potentaially better for live manipulation and recording.

The module also features onboard head phone monitoring. You can also use a JBL portable speaker or any other charger type portable speaker to hear your modular using a 3.5mm stereo cable. There is also a new spread parameter and fx bypass push button for live use.

width: 18hp
current: 10mA, -6mA
depth: 1.5 inches
FX Chip: PT2399.
Signal Levels for In/Outs: modular synth levels -5/+5.
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BLM Dwarf Star Stereo Delay Mk2 Module (B-STOCK)
Cat: 783142 Rel: 13 May 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Excellent stereo/dual mono delay module. CV inputs allow you to control the delay times independently, allowing for some creative modulation effects.

Supplier notes:
This module has two echo delay effect circuits based on the Dwarf Star Semi Modular system. With this module you can add cool delay fx to synth level signals. Each of the parameters has CV control with their own attenuators. There are three parameters per channel. The two echo fx circuits are mirrored on the front panel: Channel A and Channel B.

The fx processing was fine tuned for clean fx processing. You can however patch a cv input into the 'REPEAT' parameter, have the RCV attenuator fully clockwise, and force it to feedback into loud trash. There is no switch jack on the input jacks. However, all the CV jacks have switch jack internal connections. This allows you to modulated both channels using only the the Channel A side. For true independent patching on each separate channel simple patch something into the corresponding Channel B jack.

The Kill toggle switches kill the dry signal input going into the pt2399 fx chip. It will however allow echo trails to keep going until they die out. So this is not just a mute switch to abruptly cut the echo trails in halfm which is potentaially better for live manipulation and recording.

The module also features onboard head phone monitoring. You can also use a JBL portable speaker or any other charger type portable speaker to hear your modular using a 3.5mm stereo cable. There is also a new spread parameter and fx bypass push button for live use.

width: 18hp
current: 10mA, -6mA
depth: 1.5 inches
FX Chip: PT2399.
Signal Levels for In/Outs: modular synth levels -5/+5.
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BLM FM Joystick Pro V3 Module
Cat: 775744 Rel: 13 May 20
 
joystick module
Notes: This is a nice small joystick to add some control to your modular. The joystick is acting as an attenue-inverter. At center position is zero. Swinging the joystick side to side gives + or -. There are two attenue-inverters, one for each axis. When nothing is patched into the 'input' jack, the joystick is using an internal reference voltage (7v). You can use that to control a fitler module for example.When you patch a vco or lfo into the input jack you can add some fm to another external vco and have control over the FM with the Joystick.The joystick also has a push button. The gate out jack allow you to trigger your other modules that don't have manual trigger control.
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Blue Lantern Modules Dwarf Star Stereo Delay Mk2 Module
Cat: 774012 Rel: 13 May 20
 
stereo delay module
Notes: Excellent stereo/dual mono delay module. CV inputs allow you to control the delay times independently, allowing for some creative modulation effects.

Supplier notes:
This module has two echo delay effect circuits based on the Dwarf Star Semi Modular system. With this module you can add cool delay fx to synth level signals. Each of the parameters has CV control with their own attenuators. There are three parameters per channel. The two echo fx circuits are mirrored on the front panel: Channel A and Channel B.

The fx processing was fine tuned for clean fx processing. You can however patch a cv input into the 'REPEAT' parameter, have the RCV attenuator fully clockwise, and force it to feedback into loud trash. There is no switch jack on the input jacks. However, all the CV jacks have switch jack internal connections. This allows you to modulated both channels using only the the Channel A side. For true independent patching on each separate channel simple patch something into the corresponding Channel B jack.

The Kill toggle switches kill the dry signal input going into the pt2399 fx chip. It will however allow echo trails to keep going until they die out. So this is not just a mute switch to abruptly cut the echo trails in halfm which is potentaially better for live manipulation and recording.

The module also features onboard head phone monitoring. You can also use a JBL portable speaker or any other charger type portable speaker to hear your modular using a 3.5mm stereo cable. There is also a new spread parameter and fx bypass push button for live use.

width: 18hp
current: 10mA, -6mA
depth: 1.5 inches
FX Chip: PT2399.
Signal Levels for In/Outs: modular synth levels -5/+5.
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Doepfer A-105-4 Quad SSM VCF Module
Cat: 676691 Rel: 21 Sep 18
 
Polyphonic filter with four identical 24dB Lowpass filters 8HP
Notes: A-105-4 is our first polyphonic filter and contains four
identical 24dB Lowpass filters (SSM2044 type). It has
available common manual controls and CV inputs with
attenuators for these parameters:

Frequency (F)

Frequency Modulation Intensity (FM)

Resonance (Q)

Audio Input Level (L)
Each filter has available a separate FM input as well as an Audio Input and Output. The FM input is typically connected to the output of the associated envelope generator (e.g. A-141-4).
The envelope amount for all four filters is controlled by the FM knob and the CVFM input by means of four built-in VCAs, which are controlled by the FM control and CVFM input. This allows also voltage control of the envelope amounts.

In addition common frequency modulation for all filters is possible (e.g. by an LFO). For this the CVF input with attenuator can be used. The range of the audio input level control (L) allows also clipping/distortion with typical A-100 audio levels
(e.g. from A-111-4) at the filter inputs. Even this parameter is voltage controllable as well as the resonance (Q).
Application: polyphonic patches (four VCFs with same parameters).
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Doepfer A-108 6/12/24/48dB Low Pass Filter Module
Cat: 692510 Rel: 19 Jun 18
 
Classic Moog voltage-controlled lowpass filter - 12HP
Notes: Module A-108 is a completely new voltage-controlled low pass filter based on the well-known transistor ladder (Moog ladder). The module has internally an 8-stage low pass filter with different slopes available: 6, 12, 18, 24, 30, 36, 42 and 48 dB per octave. In addition, it features a band pass output (i.e. band pass with transistor ladder). In the factory, the 4 low pass outputs of the A-108 are internally connected to the filter stages 6, 12, 24 and 48dB.

Resonance (Emphasis or Q) can be adjusted manually right up to self-oscillation, in which case the filter will behave like a sine wave oscillator. The A-108 features an external feedback input that enables the insertion of additional modules into the feedback path (e.g. VCA for voltage-controlled resonance or phaser/frequency shifter for phase/frequency shifting effects). The socket is normalized and internally connected to the 48dB low pass output if no cable is inserted into the feedback socket.

The frequency can be adjusted manually, or by voltage control. Three CV inputs (CV1, CV2, CV3) are available. CV2 and CV3 are equipped with attenuators.

The filter audio input is very sensitive so that distortion - if desired - is possible even with normal A-100 levels (e.g. VCO output). Self-oscillation will break off at high distortion levels as the internal feedback signal is drown out by the distorted audio signal. This feature may intentionally be used to create new sounds.

In combination with the Voltage Controlled Mixer A-135 and the Morphing Controller A-144 a filter with voltage-controlled slope can be realized (i.e. controlling the slope from 6dB to 48dB via CV).
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Doepfer A-110-1v Standard VCO Module (vintage edition)
Cat: 692511 Rel: 19 Jun 18
 
Standard VCO providing two CV inputs for pitch, an octave switch, four waveforms with separate outputs, pulse width modulation & hard sync - 10HP
Notes: Module A-110-1 is a voltage-controlled oscillator. This VCO's frequency range is about eight octaves (ca. 15Hz ... 8kHz). It can produce four waveforms simultaneously: rectangle, sawtooth, triangle, and sine wave (triangle and sine shapes are not perfect, see remark below). The output levels are typically 8Vpp for saw and rectangle, and 10Vpp for triangle and sine. The frequency or pitch of the VCO is determined by the position of the octave (Range) switch and tuning (Tune) knob, and by the voltage present at the CV inputs. Frequency modulation (FM) of the VCO is therefore a possibility. Footage (the octave of the fundamental) is set by the Range control in five steps, and Fine tuning controlled by the Tune knob by about +/-1 one semitone (can be modified for a wider range).

You can control the pulse width of the square wave either by hand, or by voltage control - Pulse Width Modulation or PWM.

For more detailed information please look at the user's manual A110_man.pdf. In addition, the A-110 service manual is available as an example for the A-100 service manual that is available at extra charges. This document describes also how to modify the sensitivity of the tune control, how to re-adjust the 1V/octave scale and the frequency offset (i.e. the absolute pitch). Such modifications should be carried out by experienced users only!

The core of the A-110-1 is a sawtooth oscillator (in contrast to the A-111-1, which is based on a triangle oscillator). The other waveforms are derived from the sawtooth by internal waveform converters. As the sawtooth reset (i.e. the back-to-zero slope) is not infinite fast but takes a little bit of time the derived waveforms triangle and sine are not perfect! At the top of the waveform they have a small glitch or notch that is caused by the sawtooth reset and cannot be eliminated by the waveform converters. The sine is derived from the triangle by a simple diode-based converter and the sine shape is not perfect (only a rounded triangle).

If a perfect triangle is required, the A-111-1 is recommended. For a perfect sine wave the quadrature LFO/VCO A-143-9 is recommended.
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Doepfer A-111-3 Micro Precision VCO & VCLFO Module
Cat: 671591 Rel: 29 Nov 17
 
Analog VCO/LFO module with wide frequency range - 4HP
Notes: The Micro Precision VCO is a space-saving and utterly precise analog VCO/LFO with a extremely wide frequency range, immaculate tracking over at least ten octaves and nearly perfect waveforms.

Basically, it's the same circuitry like the High-End VCO A-111-2 but with reduced functions and controls. It is suitable as a modulator for exact linear FM and much more.

The A-111-3 has two elements for setting the frequency: A switch selecting between LFO and VCO mode as well as a tune control with a jumper-selectable range:

- Jumper position 1: 16Hz to 20 kHz
- Jumper position 2: 16Hz to 70Hz
- Without jumper: 16Hz to 22Hz

The XM potentiometer can be used as a fine tune control as long as nothing is patched to the XM socket.

The oscillator has a frequency range of at least fifteen osctaves (0.0001 - 40 Hz in LFO mode; 0.5 Hz to 20 kHz in VCO mode) and offers perfect 1 V per octave tracking over ten octaves minimum, typically in the range of 20 Hz to 20 kHz. Frequencies below 25 Hz are visualized with a two-colour LED.

The 1V per octave input is accompanied by two FM inputs, one for linear and one for exponential frequency modulation. A jumper determines whether the module obtains pitch CV via the internal bus.

The VCO has a triangle core from which sawtooth, pulse and triangle are derived. The wave forms are almost perfect and sans glitches.

The pulse width can be set with a control from 0 to 100% and of course it can be modulated.

There is one input for oscillator synchronisation and its type, either hard or soft sync, is jumper-selected. Both types differ in sound with the hard sync being more aggressive and richer in harmonics.
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Doepfer A-111-6 Miniature Synthesiser Voice Module
Cat: 731937 Rel: 15 Nov 19
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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Doepfer A-111-6v Miniature Synthesiser Voice Module (vintage edition)
Cat: 749811 Rel: 15 Nov 19
 
Complete miniature monophonic synthesiser module - 10HP
Notes: VCO:

- Tune: manual tune control (with an internal jumper the range can be set to ~ +/-1 half an octave or ~ +/-2.5 octaves)
- Oct: range switch -1 / 0 / +1 octave
- Mod: modulation depth (attenuator wired to the Mod. socket)
- Dest: switch that is used to address the modulation to frequency modulation (position FM) or pulsewidth modulation (positon PM), in centre positon no modulation
- PW: manual pulsewidth control for rectangle waveform, PW can be also modulated by the Mod. input as mentioned above
- Wave: waveform switch (sawtooth / off / triangle), the sum of the waveform chosen by this switch and the rectangle is fed into the VCF (to turn the rectangle off the PW control has to be set fully CCW or fully CW)
- 1V/Oct. (socket): external CV input for VCO frequency (1V/octave)
- Access to internal bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)
- Triangle core VCO, frequency range about 32Hz ... 8kHz

Balance unit:

- The balance unit is made of two VCAs which are controlled by the sum of manual Balance control and the balance CV input in the opposite direction.
- The audio input of VCA1 is hard-wired to the VCO output, audio input 2 is connected to the socket Ext.In.
- The output of the balance unit is used as audio input for the VCF
- Bal.: manual balance control, fully CCW the internal VCO is used, fully CW the external signal (Ext.In) is used, at centre position both signals have about the same level
- CV Bal.: CV input for balance (range about 0...+5V)
- Ext. In: external audio input for VCA2, about 5 Vpp level required for similar loudness as the internal VCO
- This socket is normalled to the internal VCO suboctave f/2 signal (rectangle with half the frequency), if no external signal is applied the suboctave signal is used as the second signal for the balance unit

VCF:

- 24 dB low pass
- Frq: manual frequency control
- FM1: frequency modulation depth (attenuator wired to the VCF FM1 socket, the socket is normalled to the internal Envelope signal and then FM1 controls the modulation depth of the internal envelope applied to the filter)
- FM2 (socket) : second CV input for VCF without attenuator (about 1V/octave), can be used e.g. for VCF tracking by connecting the same CV which is used also for the VCO frequency
- Res: manual resonance control (up to self oscillation)
- If the VCO is turned off (waveform switch = centre position, pulsewidth control = fully CCW or CW) and the VCF resonance is set to maximum the module can be used as a sine oscillator, the tracking at socket VCF FM2 is about 1V/octave (not as precise as the VCO but much better than most other filters)
- ~ 11 octaves frequency range (~ 10 Hz ... 20kHz)

VCA:

- Gain: manual amplitude control (initial gain), can be used to open the VCA without envelope signal
- VCA (switch): used to switch between gate and envelope as control signal for the VCA, in centre position the VCA is not controlled by envelope or gate
- Note: when gate is used the VCA is controlled directly by the gate signal (i.e. hard on/off), this may lead to clicking noise under certain conditions (especially with low VCO/VCF frequencies)
- Special control scale: exponential scale in the range from about -20dB to -80/90dB, linear scale from about -20dB to 0dB
- Remark: this special control scale results in a loudness behaviour that is a bit different from pure linear or exponential VCAs
- Out: audio output of the module (= VCA output)

Envelope:

- Gate (socket): Gate input (min. +5V), can be normalled to the bus gate signal by means of a jumper
- Att: manual control for Attack
- D/R: manual control for Decay/Release
- Env. (switch): used to switch between A/D, ADSR and A/R mode of the envelope generator, in centre position (ADSR) the sustain level is fixed to about 50%
- Envelope (socket): envelope output (about +10V)
- CVT (socket): CV input for time control, by means of two internal jumpers one can select which time parameters are controlled by the CVT input (e.g. A only or D/R only or A/D/R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question)
- Envelope LED display
- Attack time range: ~ 1ms ... 5 sec (can be extended by using the CVT input)
- Decay/Release time range: ~ 1ms ... 15 sec (can be extended by using the CVT input)
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quote 749811
Doepfer A-127 Triple Voltage Controlled Resonance Filter Module
Cat: 707079 Rel: 23 Oct 18
 
Triple resonance filter unit - 28HP
Notes: Module A-127 is a triple resonance filter unit. It contains three separate voltage-controlled band pass filters. Each filter has its own LFO (triangle waveform) with LED display and adjustable frequency and amplitude. Instead of the internal LFO an external control voltage may be used to control the filter frequency. In this case the external voltage is fed into the external CV jack (with integrated switch to turn off the LFO signal) and the amplitude control of the LFO affects the level of the external CV signal. Each filter is equipped with the following controls: LFO frequency, LFO/external CV amplitude, filter frequency, filter resonance and filter amplitude. In addition to the mix output for all three filters each filter has a separate audio output. The original audio signal can be added to the triple filter mix signal with a separate control. All 3 filters share a common audio input with attenuator. The filter audio inputs are very sensitive so that distortion may intentionally be used to create new sounds - if desired.

The frequency control range of the bandpass filters is about 40Hz...6kHz, the frequency range of the LFO's is about 0.02Hz...20Hz (= 1 min ... 1/20 sec per cycle).

Each of the three filters can used also as a 12dB low pass (with resonance control) instead of band pass. For this a jumper has to be changed on the filter board in question. In this case the module can be called no longer "resonance filter" but "triple low pass filter". It is also possible to modify only one or two of the filters to low pass.
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 1 in stock $173.16
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quote 707079
Doepfer A-132-8 Octal Poly VCA Module
Cat: 676692 Rel: 18 Jul 18
 
Octal VCA module containing four VCA pairs - 8HP
Notes: A-132-8 is an octal VCA and primarily planned for polyphonic applications. The module contains four VCA pairs. Each pair includes two daisy-chained VCAs. One VCA has a linear control scale, for the second VCA linear or exponential control scale can be chosen by means of jumpers. We decided to provide two VCAs for each voice because usually one VCA is required for loudness envelope and a second one for velocity (or other functions like individual voltage-controlled loudness of each voice, amplitude modulation and so on).

These controls and in/outputs are available:

- Default Gain 1 (GL)
- Default Gain 2 (GX)
- CV Input VCA 1
- CV Input VCA 2
- Audio Input
- Audio Output

In addition, an Audio Sum Output is also available.

The module features two Default Gain controls (GL, GX), that enable the opening of the first VCAs (L) and/or second VCAs (X). For this the controls GL and GX generate two internal control voltages 0...+10V which are connected to the switching contacts of the sockets 1L...4L (control GL) and 1X...4X (control GX). As long as no patch cable is inserted into the socket in question the internal default control voltage (GL or GX) is used to control the corresponding VCA. This is necessary when the VCA in question is not in use (i.e. no external CV available). Otherwise the VCA would close and there would be no output signal even if the other VCA in the chain is open. The controls GL and GX are also useful for testing polyphonic patches (e.g. for tuning the VCOs).

In the factory the CV inputs are adjusted for a CV range 0...+10V - matching to the polyphonic ADSR module A-141-4. But the sensitivity of each CV input can be adjusted by means of a trimming potentiometer to adapt the CVs even to other control voltage ranges.
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quote 676692
Doepfer A-141-4 Quad Poly VCADSR Module
Cat: 676693 Rel: 18 Jul 18
 
Quad voltage controlled envelope generator - 8HP
Notes: A-141-4 is a quad voltage controlled Envelope generator and is primarily planned for polyphonic applications. The module contains four ADSR type voltage controlled envelope generators with common manual controls and CV inputs with polarizers for the all parameters Attack (A), Decay (D), Sustain (S) and Release (R). Each of the four envelope generators has available a gate input, a control LED and an envelope output.

The module has these controls and in/outputs are available:

- Attack (manual control)
- Decay (manual control)
- Sustain (manual control)
- Release (manual control)
- CVA control (polarizer for Attack CV input)
- CVD control (polarizer for Decay CV input)
- CVS control (polarizer for Sustain CV input)
- CVR control (polarizer for Release CV input)
- CVA socket (Attack CV input)
- CVD socket (Decay CV input)
- CVS socket (Sustain CV input)
- CVR socket (Release CV input)
- Gate inputs 1 - 4
- Envelope outputs 1 - 4
- LED displays 1- 4 (envelope display)

The output voltage range for each envelope is 0 - 10V.
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 2 in stock $152.34
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quote 676693
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