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Synth modules

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Cat: 563566 Rel: 10 Mar 15
 
Dual complex morphable wavetable VCO eurorack synth module
Notes: Cylonix and Intellijel have collaborated to bring you a very sophisticated and deeply complex Wavetable VCO. At the core of this module is very powerful FPGA board that he has pushed to the absolute max of its capabilities and crammed full of features. We wanted to create a module that really worked well in the modular context so there are a lot of modulation and control possibilities.

CHORDS
Oscillator 1 can be operated in a CHORD mode, which runs 8 copies of the oscillator in parallel with adjustable detuning, leading to very fat, rich waveforms. The oscillators have extensive modulation capabilities including audio rate (98KHz) Frequency and Phase Modulation (FM and PM) via external sources. Nonlinear combination processes allow the outputs of the two oscillators to interact to generate complex timbres and sonic textures.
There are 64 user selectable chords.

WAVEFOLDER
The SHAPESHIFTER module also includes the analog wave folder circuitry from
module to add analog warmth and metallic rasps to the digital oscillator output.
External signals can also be patched in.

PRESETS
The module includes a sophisticated preset mode where panel settings can be stored. There are 12 user-programmable preset slots and another 52 volatile slots that can be used as a scratchpad. These scratchpad slots are initialized to interesting presets on module powerup. The capabilities of the preset mode is not limited to mere passive storage of settings, however. In this mode the user can also step through, or sequence, the settings, either in order or randomly in response to pulses input to the external sync input. This gives the user the ability to generate complex sequences of sounds. The preset mode also allows the user to morph between the current panel settings and a preset providing a very powerful real-time performance tool.

SYNC
8 Different sync modes: HARD, SOFT, REV, HOLD, BUMP, 2=1, 1=2, OFF
with the ability to internally sync to a sub oscillator

PULSE
User selectable modes for the PULSE output: OR, AND, XOR, GLCH, +OSC1, EOC, +OSC2, -OSC2

MOD A modes: (audio rate modulation)
COMBO IN, SHAPE IN, PHASEMOD, VOCODER

MOD B options (all with CV control)

-Combo modes for OSC1 and OSC2:
NORMAL, RING, MIN, PONG, INLV, AND, XOR, GLCH
-Waveform TILT
-Chord mode overdrive
-Delay depth and FB
-Percussive mode decay time
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 4 in stock $512.20
Cat: 563579 Rel: 10 Mar 15
 
Dual slider based ADSR envelope synth module, 14HP wide
Notes: The circuit is based in part on the Roland SH-101 / System100m design with several enhancements.
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 2 in stock $207.82
Cat: 563667 Rel: 10 Mar 15
 
6 channel CV/audio mixer with 3 bus outputs and full digital control of muting patterns, 18HP wide
Notes: - Skiff friendly
- 6 led linear sliders for input attenuation control (leds can be easily replaced with other colors, they just slide out).
- Jumpers to select pseudo log curve (instead of linear)
- All muting realised via vcas opening/closing
- 6 audio/cv inputs
- 6 mute/function inputs (depends on mode)
- 6 three way bus routing switches.
- 3 audio/cv bus outputs
- 2 linear master output level controls.
- 6 control buttons + status led
- Header to normal hexvca output to the 6 inputs (same as mutagen).
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MRP:$256.94
 5 in stock $256.09
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Cat: 563709 Rel: 10 Mar 15
 
Dual 3:1/6:1 unity gain mixer (for cv or audio) synth module, 2HP wide
Notes: Dual 3:1 audio and cv mixer (up to three buffered inputs with a single buffered output).

NOTE: Version 2 of the Unity Mixer has two sets of jumpers on the main pcb. These allow the top and bottom sum to be set to -6dB attenuation instead of unity gain. This creates more headroom when summing higher amplitude sources like raw VCO signals.
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 2 in stock $77.67
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Cat: 563713 Rel: 10 Mar 15
 
Voltage controlled amplifier Eurorack synth module with continuously adjustable curve response (from linear to exponential)
Notes: This is the version II of the original uVCA.

This module was adapted from a design by David G. Dixon
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 1 in stock $151.14
Cat: 590404 Rel: 10 Nov 15
 
Voltage controlled analog filter synth module - 8HP wide
Notes: The Z2040 is a great sounding analog filter that gives a lush creamy character to any sound passing through its core. When paired with a snappy envelope like the Z4000, the Z2040's rubberlike frequency sweeps produce thick basb lines and leads. When modulated in audio rate through its variety of synthesis inputs, the Z2040 gets pushed to the extreme, becoming a growling beast as the forces of the incoming waves and their harmonics all meet at the module's point of interaction. Bounded within the upper and lower limits of the Z2040's spectrum, sounds can be tamed into smooth overdrive and saturation. When set with it's Resonance feedback fully on, the Z2040 becomes a pure sine-core VC-Oscillator that is ideal for making snappy percussive elements or whistling sounds. We packed a lot in the Z2040 while maintaining a carefully designed interface for maximum sonic playability.

Under the hood: The heart of the Z2040 is a discrete design 4-Pole Low Pass filter with a similar core to that of the SSM2040 Filter chip used in the Prophet 5 Rev 2 synthesizer and its brother the SSM2044 used in the famous early EMU samplers and PPG synthesizers of the 80's, both considered by many as "the best sounding filter ever."

The Z2040's four modulation inputs are built to handle CV and audio signals, enabling deep modulation of the filter core and passing signals. A VC resonance input is provided to modulate and even clip the sine wave produced by the filter feedback loop. A Frequency Modulation input (FM) provides for dynamic filter sweeps and the unique VC-fM index provides modulation of the incoming FM signals. On top of that, the Z2040 provides an audio VCA that can be configured to act upon the input or output of the filter.
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 1 in stock $188.91
Cat: 590406 Rel: 10 Nov 15
 
Matric sequencer synth module - 28HP wide
Notes: The Z8000 Matrix Sequencer is a powerful modulation source in a compact package. The 16 knobs of the Z8000 are accessed by ten sequencers each with their own clock, direction and reset inputs. The ten sequencers are as follows:

- Four 4-step CV sequencers on the horizontal.
- Four 4-step CV sequencers on the vertical.
- One 16-step CV sequencer on the horizontal.
- One 16-step CV sequencer on the vertical.

With the Z8000, you can simultaneously modulate many parameters in your synthesizer polyrhythmically, with unprecedented motion. One knob affects all 10 CV outputs! Imagine modifying 10 parameters from one knob, and all clock inputs can be driven at audio rates.

Your synthesizer is modular, so your sequencer should be too. The Z8000's open design allows you to create a custom sequencing environment to fit your personal needs. Add clock dividers, clock sequencers, switches, trigger sequencers and logic gates to create a completely unique system.
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 1 in stock $344.26
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Cat: 590410 Rel: 09 Nov 15
 
Analog multi-channel mixing synth module for mixing audio, CV and gate signals - 10HP wide
Notes: MIXZ is a low-cost, analog multi-channel mixing module for mixing audio, CV and gate signals with excellent linear response and low noise. Balancing a clear visual layout and multiple mixer in a small footprint makes the MIXZ easy to use in a variety of configurations within the modular synth. Its high quality analog mixing circuitry makes for a great sounding mixer with plenty of headroom, providing a smooth organic merge of dynamics, and excellent separation of mixing sections and channels. MIXZ has three sections:

Mixer A - a low-noise, 4-channel mixer with independent gain control for each channel
Mixer B - a low-noise, 4-channel mixer with master gain control
Bus Mix - a multi-channel mixer that mixes signals from modules utilizing the Tiptop Bus Mix

Mixer A and B can be configured as either two independent 4-channel mixers or as a single 8-channel mixer. If the output of Mixer A is not in use, then Mixer A will be routed internally to Mixer B forming the 8-channel mixer.

Tiptop Bus Mix is a new method we have developed to mix audio signals through the Eurorack power bus board without patch cables, a little bit of magic, eh? Although this technique is not ideal for a low-noise mix, we found it to be useful for some applications including mixing our drum modules, which all have a Bus Mix enabled output. The result is that your drum modules are always available and mixed on the master out of the MIXZ with a flip of a switch. This will save you time and frees up cables for re-patching sounds again and again, while keeping the channels of MIXZ free to bring other signals into the mix.

Combining the Bus Mix with Mixer A and B, the MIXZ can sum dozens of channels in only 10 HP
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 1 in stock $94.45
Cat: 590414 Rel: 05 Apr 16
 
Sequencer synthesiser module with 8 channels and 512 steps - 36HP wide
Notes: The Circadian Rhythms is moving modular synthesizer technology another step forward by gluing all the pieces of a system together. Each module or voice can now be programmed to play straight from an intelligent, eight-channel, 512-step master trigger sequencer made for composers looking to make music on the modular. Building on the sequencing concept of step programing multi-channel patterns of musical phrases can be repeated, looped, chained, muted and manipulated on the fly in real-time, and most importantly, all of this is done through a simple, clearly labeled interface. Using an array of multicolor illuminated buttons and innovative grid views provides a highly functional live performance sequencer with a beautiful glowing appearance of the programmed music that will look amazing on stage for both performer and crowd. As a master controller, the heart of the modular synthesizer, Circadian Rhythms generates high precision clock and reset signals for all the other sequencers and devices in the system to align with and can also act as a high precision bridge for DAW synchronization.

Views - Unlike most hardware sequencers that have a single static display of a timeline, Circadian Rhythms offers four different horizontal views of the timeline and two unique vertical views that scale from macro to micro. Switch between viewing 64 steps at once or all 8 channels side by side instantly. Stretch gates over multiple patterns to drive envelopes or use Zoom view to move a single hit back a few milliseconds in time to get the right feel all from the same interface.

LED Grid Built for Quick Access - Built around 72 buttons set as a multi-color illuminated 8x9 array, Circadian Rhythms displays both note data and settings in a clear and precise manner. It takes only one click to switch to vertical view and the grid turns into a set of programming and realtime playing functions like Mutes, Loops, Swing, Fills, Copy and Pate, Grouping, Randomizing, Manual trigger entry drum machine style and many many more. Activate any of those functions with only a button press or two.

Clock - Inside the CR ticks an extremely precise clock with jitter and latency measured in mere microseconds for the ultimate feel of groove. The four modes of clock sync make interfacing with other modules, hardware or software simple. Whether driving a large Eurorack system or synced to a DAW, the groove always remains tight.

SyncBus Technology - The Tiptop Audio designed SyncBus enables the CR to connect to any number of other SyncBus devices with the highest possible level of synchronization. A SyncBus master directly injects its core clock and running status into every connected unit so they work seamlessly as one device. Hook up two CRs to make a 16 channel device or add a Trigger Riot (or three) to the mix for further experimentation. Plus, the connection is done behind the panel so no need to patch anything together.

Under The Hood - When state of the art chip technology, musically driven firmware, and professionally engineered hardware design all come together in one electronic device, the result is a music sequencer with unparalleled specifications. Starting with a powerful, precise sequencing engine that has superb feel for the groove, add internal functions that automatically balance performance and smooth user interface operation, and finish with outstanding low power consumption placing minimal stress on power supplies even at maximum output, Circadian Rhythms has a design focused on the requirements of the most dedicated musicians and composers. Long time pros will immediately feel a machine made for their needs, while the newcomers can instantly dive into next level programming and performance.
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 1 in stock $522.69
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Cat: 590416 Rel: 09 Nov 15
 
Analog bass drum snythesizer module - 4HP wide
Notes: Introducing the BD808, part of our new series of drum modules that brings analog percussion into the modular synth world, instantly turning your system into a self-contained music machine. Its small size, minimalist design, and modern production methods have allowed us to bring the world's most famous bass drum sound generator back at a very low cost. The real thing is here again.

The BD808 is the Roland TR-808's Bass Drum circuit adapted for use in Eurorack format and tuned to sound like a machine that comes fresh off the original 80's assembly line. The adaptation to modular format has allowed us to add some special features like independent Accent levels, a high-powered gain stage, dual-input pulse-shaper, and extended decay - all without compromising the signature sound of the TR-808.

A widely used technique with TR-808 machines is to run the drum sounds through outboard amplifiers to add gain and then pass the sound through just about anything to generate additional harmonics caused by clipping and distortion. In the BD808, we have already included this high-powered output gain stage capable of producing signals up to 20Vpp, extending from the original palette of sounds and allowing you to get an assorted array of harmonized bass drums ranging from sharp attacks to crushed tones using this simple yet effective technique! On the inputs, we have also designed a dual pulse-shaper circuit so you can trigger your BD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This saves you the need to shape the pulses sent to the module and ensuring the same stable sound at its peak power, regardless of differences in your pulse source.

All these little, but unique, features make integrating this legendary sound generator into your modular easy, unleashing the power of real analog drums and making those speaker cones shake.
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 2 in stock $106.53
Cat: 590417 Rel: 09 Nov 15
 
Snare drum module made from the TR808's circuit adapted for Eurorack use - 4HP wide
Notes: Introducing the SD808, part of our new series of drum modules that brings analog percussion to the modular synth world, instantly turning your system into a self-contained music machine.

The SD808 is the TR-808's analog snare drum circuit adapted for use in Eurorack modular synthesizer format and was designed to sound like a fresh-out-of-the-box, 1980s TR-808 snare. Adapting the circuit to the modular format has allowed us to add special features like independent accent levels, a high-powered gain stage, a dual-input pulse-shaper, and an adjustable noise source - all without compromising the signature sound of the TR-808 snare drum.

The SD808 sounds tight and extremely snappy because it's analog - the real thing, not samples. The sound is made with three analog sound generators mixed together: two oscillating sine waves and a noise source. The SD808's front panel controls have a lot of sweet spots with sounds that are not just limited to snare drum sounds; it can also create other electronic percussive elements.

The noise source generator in the original TR-808 machines were revised in later production batches, resulting in variations in sound across the production run. The SD808 uses this later, revised circuit to create a snare drum hit that is slightly darker, has more body, and is more realistic. Just like other drums in this series, the SD808 includes a high-powered output gain stage capable of producing signals up to 20Vpp, allowing you to get an array of harmonized snare drums sounds with even tighter attacks. On the inputs, we have designed a dual-input pulse-shaper circuit so you can trigger the SD808 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 1 in stock $113.36
Cat: 590419 Rel: 09 Nov 15
 
Hi-hat percussion synth module made from the legendary TR-808's closed & open hi-hat circuits - 8HP wide
Notes: Introducing the HATS808, part of Tiptop Audio's new series of drum modules that bring analog percussion into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS808 is the TR-808's real, analog closed and open hi-hat circuits adapted for use in Eurorack modular synthesizer format and tested to sound just like it did back in the 80's. Adapting to modular foramt has allowed Tiptop Audio to add some special features for each voice, like independent accent levels, a high-powered gain stage, and a dual-input pulse-shaper. Filter Q and VC-Q knobs were added to the main band-pass filter for additional tuning and to allow you to generate crushed tones and self-oscillation at the knob's max position - all without comprimising the signature sound of the TR-808 hi-hats.

The HATS808 sizzling sound is made using six analog square wave oscillators mixed and processed by band-pass filters. This multi-oscillator design is what give the 808 hi-hat sounds their unique metallic character and akes each HATS808 sound slightlty different from one-another. The original "choke" circuitry that makes it sound so dynamic and tight is fully implemented, just like the original, but can also be disabled if needed, by disconnecting the internal connection between the two hats.

Just like the other drums in this series, the HATS808 high-powered output gain stage allows you to further harmonize the sound using distortion and clipping. On each input, there is a dual pulse-shaper circuit so you can trigger your HATS808 with Trigger/Gate signals from step sequencers, clock dividers or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 2 in stock $156.39
Cat: 590433 Rel: 19 Jan 16
 
Percussion synthesiser module reverse-engineered from the original TR-909 circuit - 8HP wide
Notes: Reverse-engineered from the original machine, our BD909 is an identical recreation of the original all-analog drum circuit of the TR-909. We've added additional controls and synthesis features that turn this classic circuit into a chest-pounding analog bass drum laboratory - all tightly packed into an 8HP module. The BD909 sound differs from our BD808 in that the main sonic energy is centered in the mid to low frequency range (as opposed to the low frequency range of the BD808). This frequency range gives the needed headroom allowing your bass Lines to deeply fill up the low end while the kick drum rides on top - creating a clear and punchy mix.

The BD909 includes all the controls found in the original: Attack, Decay, Tune Decay, Accent and Level. We have gone beyond that and added controls that further increase the palette of sound this circuit is capable of. First off, we've added a tuning control knob for the oscillator and included its own CV input and attenuator that let you tune your 909 kick with your bass lines. Next, we added control knobs for the tuning attack and extending tuning decay - each one affects the other, allowing for very intuitive and interactive sound shaping - this feature opens up numerous "sweet spots", and provides the ability to center the energy peak at different parts of the sound. Finally, we offer additional punch and distortion by giving complete control over the internal waveshaper, which allows you to overload the waveform manually or with voltage control.

Beginning with the classic and pure sound of the 909 kick, these additional functions greatly expand the BD909's flexibility and let it create powerful analog bass drums that range from soft and smooth to punchy and aggressive - and everything in between.
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 2 in stock $158.48
Cat: 590434 Rel: 09 Nov 15
 
Percussion synthesiser module version of the original TR-909 clap sound - 4HP wide
Notes: The CP909 is the TR-909 clap sound analog generator in Eurorack format. This is yet another low-cost analog drum generator from a legendary drum machine in your modular synthesizer, expanding your Tiptop Audio modular drum machine even further.

The CP909 is an exact reproduction of the original analog circuit and, with the addition of just one extra knob, "trashing" the frequency of the internal noise generator, we have added greatly to the spectrum of sounds that can be generated - all that without compromising the signature sound of the TR-909 clap.

The CP909 clap effect is made by a special triple-saw envelope generator that controls the gain of a VCA. The sound source feeding into the VCA is made by a quasi-random logic based noise generator; some might call it "digital noise" though this term might be misleading in today's world of microcontrollers and sound samples. What really makes the noise generator is a ring of logic gates, so primitive, so BO's, and that's the sound of the 909 Clap!

The CP909 includes a high-powered output gain stage capable of producing hot signals. On the inputs, we have designed a pulse-shaper circuit so you can trigger the CP909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources. This eliminates the need to shape pulses sent to the module and ensures the same stable sound at peak power, regardless of your pulse source. Based on the architecture of the 909, the Accent input is versatile and able to take in both CV and Gate signals for continuously changing dynamics. All these unique features make integrating this legendary sound generator into your modular synth easy, unleashing the power of real analog drums.
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 1 in stock $119.12
Cat: 590435 Rel: 09 Nov 15
 
Percussion synth module with TR-909's original closed and open hi-hats circuits adapted for use in Eurorack modular synthesiser format - 8HP wide
Notes: Introducing the HATS909, part of our new series of drum modules that brings those classic percussion sounds into the modular synth world, instantly turning your system into a self-contained music machine.

The HATS909 is the TR-909's original Closed and Open Hi-Hats circuits adapted for use in Eurorack modular synthesizer format and was tested to sound like a machine coming fresh off the assembly line back in the 80's Improving on the original, we have added some great new features that expand the sound palette of hats that can be produced with this small, powerful module.

The original TR-909 circuit is made with a combination of low-fi 6-bit sound samples that pass through a series of analog elements to provide envelope and filtering to the source sound. The HATS909 module allows for manual and voltage control of the sample's tuning, which provides anything from crushed hats and short ticks to the original sound and anything in between. A modulation switch allows you to tap a voltage control to either the tune input or the internal VCA for modulation with external control signals or for adding AM or FM synthesis in the audio range from external oscillators, other drum sounds, or just about any sound source. HATS909 also offers a switch for a direct tap to the output of the original sample, bypassing all other internal analog processing, giving you the pure source sound for synthesis any way you want with your own modules.

Just like the other drums in this series, the HATS909 high-powered output gain stage allows you to further harmonize the sound through distortion and clipping. On each gate input, we have designed a dual pulse-shaper circuit so you can trigger your HATS909 with trigger/gate signals from step sequencers, clock dividers, or any other pulse/clock sources.
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 1 in stock $165.83
Tiptop Audio Happy Ending Kit (black) (modular synth starter kit)
Cat: 590437 Rel: 10 Nov 15
 
Modular starter kit containing rails, rack ears and power supply
Notes: The Happy Ending Kit is an easy way to get everything needed to start a Eurorack modular system.

The Happy Ending Kit includes:
1 x Z-Rails set plus screws to attach to Z-Ears
1 x uZeus 4HP PSU with 2 x flying bus boards
1 x UK 3-pin mains adapter
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 2 in stock $144.84
Cat: 747516 Rel: 18 Nov 19
 
Compact dual attenuator, inverter, attenuverter, multiplier, mixer & DC voltage source
Notes: Duatt is a dual-channel active/buffered attenuverter and summing mixer. Each channel has a knob, which can function as a unipolar attenuator or a bipolar attenuverter, depending on the setting of its corresponding two-position polarity switch. It's a versatile and super handy utility module that will find its way into almost any patch you make!

Each input is normalled to a built-in +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 V or -5 to +5 V depending on the position of the channel polarity switch.

Channel A's output is normalled into the output of channel B for mixing duties, and channel A has a 2x voltage multiplier switch, allowing you to double the voltage sent into Channel A.
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 7 in stock $66.12
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Cat: 747522 Rel: 15 Nov 19
 
Force sensing module with gate & CV output - 10HP
Notes: The FSR 1U is built around a custom fabricated FSR with an analog processing circuit. It allows you to generate a variable CV when you press on it (pressing harder generates a larger voltage) along with a corresponding gate signal.

Guaranteed to add some fun, dynamic control over almost any kind of patch!
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 5 in stock $70.32
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Cat: 747527 Rel: 18 Nov 19
 
Quad Function/Burst Generator/LFO with CV Matrix
Notes: Super-versatile quad envelope generator and LFO source from the Vancouver Eurorack brand. All CV controllable and with tons of shaping options.

Supplier's notes:
The Intellijel Quadrax consists of four independent, CV-controllable channels, each of which can be configured to perform any one of the following functions:

- An AD (Attack, Decay) envelope
- An AHR (Attack, Hold, Release) envelope
- A cycling envelope (resulting in a unipolar LFO)
- A pulse burst generator (Finite repeated functions that ascend or descend in amplitude)
- A morphing, bipolar beat syncable LFO

The envelopes all feature a continuously variable response curve, ranging from logarithmic through linear to exponential, and each stage can be as snappy as 0.3 ms to as lengthy as 20 seconds.

When set to Burst mode, the channel generates a rising or falling burst of pulses, with full control over the length of the pulse burst, the number and shape of the bursts within it, and whether the bursts increase or decrease in amplitude over the burst.

AD, AHR, Cycling and Burst modes all feature a user-selectable maximum output level of either 5V or 10V.

LFO mode offers control over the frequency and waveshape, while providing a unique morphing feature that creates numerous variations of the selected waveshape. LFOs can be either free-running or beat-synchronized using the channel's TRIG input.

Channels can be chained together to create complex multi-stage envelopes, with each channel triggered by the previous channel's trigger input, end-of-rise, or end-of-fall. This enables multiple function generators to fire simultaneously, or it enables the creation of complex multi-stage envelopes by allowing the linked function to fire either at the end of the previous function's rise time, or at the end of its fall time.

Four freely-assignable, step-attenuverted CV inputs are capable of modulating any or all of the various parameters across all four channels using the built-in CV matrix, and built-in attenuversion for each assignment.

Quadrax remembers its current state (Mode and CV assignments, channel links, etc) and retains that state even if power is removed, meaning Quadrax will always turn on in exactly the same state as you last left it.
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 7 in stock $340.07
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Cat: 747528 Rel: 18 Nov 19
 
Quadrax EOR/EOF expander featuring 8 additional gate/trigger outputs
Notes: The Qx expander adds an EOR (End Of Rise) and an EOF (End Of Fall) trigger/gate output to each of Quadrax's four channels, enabling Quadrax's envelopes, cycles, bursts and LFOs to trigger external modules.

Requires the Quadrax to function.
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 3 in stock $63.50
Cat: 725794 Rel: 15 Apr 19
 
10HP Eurorack CV modulator module
Notes: MISO is a multipurpose utility module, a laboratory for synthesizing control voltage signals and audio. MISO combines multiple CV tools into one module for making complex CV shapes at the output stage. The name comes from the four main functions available: Mix, Invert, Scale, and Offset.

MISO's 2 sections (1/2 IN and A/B IN) are identical. Each section has two inputs that can be used to Mix signals, Invert polarity/shape, Scale magnitude and Offset voltage. Each function can be used independently or simultaneously with the total shape summed to the mix output.

At the centre of the module is another processor, an accurate smooth linear voltage-controlled crossfader that mixes equally between the outputs of the top and the bottom MISO sections. Feed the MISOs with envelopes, LFOs, Sequences to create new shapes and then crossfade them manually or with CV using the centre section for even further complexity of shapes and animation of control signals. Crossfade between the waveforms of a VCO or audio samples with CV for more motion.

There are an endless number of ways to patch MISO with unexpected and inspiring results. MISO is the kind of module that gives modular synthesizers its incredible replay value, rewarding hours of creative explorations and its experimental and non-traditional mixing.

MISO offers a lot in a small comfortable module that matches Tiptop's system look with clean white faceplate styling. A red/yellow indicator light next to each section makes it easy to see signals and visualize polarity.
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 2 in stock $89.21
Cat: 602205 Rel: 04 Apr 16
 
Quad attenuator, attenuverter, mixer and DC voltage source - 28HP wide
Notes: The shorter and wider brother to the popular Triatt module!

The four handy knobs can act as active attenuators (unipolar) or attenuverters (bipolar) depending on the setting of the two-position switches above each one.

Each input is normalled to a precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 v or -5 to +5 v depending on the position of the mode switch.

- 2 modes for each channel
- 5v normalled to each input
- With external signals it acts as active/buffered attenuator/attenuverter/mixer
- Each output normalled to mix into the adjacent channel on the right making it possible to do sub mixes in groups of 2, 3 or all four channels.
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 1 in stock $74.52
Cat: 595807 Rel: 19 Jan 16
 
3U rack ears for use as either tabletop or rack mount frame
Notes: The Z-Ears Tabletop are standard 3U rack ears that can be used as either a tabletop frame or standard rack mount frame. These parts are made of anodized aluminium and are custom made to work with Eurorack mounting rails like Z-Rails.
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 1 in stock $24.14
Cat: 595820 Rel: 03 Aug 16
 
Links up to 3 Zeus Studio Bus boards with an external power supply - 4HP wide
Notes: Zeus Access provides a simple, fast, and cost-effective solution for linking up to three Zeus Studio Bus boards with an external Cincon-TTA brick-style power supply. It is a tethered 4HP space-saving front panel with a long lasting high power rating On/Off switch and power socket.

It comes fully assembled and wired with 16AWG wire and plated copper terminals leads that require no additional assembly or special tools for connecting to a Zeus Studio Bus board.
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 1 in stock $34.64
Cat: 595826 Rel: 19 Jan 16
 
4HP power supply module for Eurorack format systems
Notes: The microZEUS is a 4HP power supply module for Eurorack format synthesizers. It is the smallest and most powerful power supply available for its size.

uZEUS with flying bus boards: this version features two ribbon bus boards. All you have to do is plug in your modules and play.

The uZEUS mixes linear and switching power technology to produce 1000mA at +12V, 500mA at -12V, and 170mA at +5V and uses a standard +15VDC non-regulated wall adapter for power.
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 6 in stock $88.15
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Cat: 643381 Rel: 27 Mar 17
 
Lo-fi digital reverb effect unit
Notes: Digiverb is a lo-fi reverb effect unit that uses an Accutronic digital reverb "tank" module. The sound is somewhere between a virtual spring reverb and a dense multi tap delay but the effect is quite musical and interesting.

Use the Digiverb as a simple and fun way to add some extra dimensions to your patches!
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 3 in stock $77.67
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Cat: 643382 Rel: 27 Mar 17
 
Headphone & stereo output module
Notes: This is a simple 1U module designed to allow the monitoring of a system using headphones. However, if your cat isn't easily scared, the headphone jack doubles as a TRS stereo line level output. Simply connect the signal that you want to monitor to the 1/8? jacks, plug in your headphones, and adjust the volume as desired.
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 3 in stock $74.52
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Cat: 643384 Rel: 27 Mar 17
 
Voice allocator, note hocketing & analog shift register module - 6HP
Notes: The Shifty is essentially a combination of four sample and hold stages, a sequential gate and sequencer controller. This collection of functions allows for some specific and useful utility application.

One of the primary uses for Shifty is to take a monophonic sequence source and route each new note of the sequence to up to four different synthesizer voices in a specific pattern. In this way you can create pseudo polyphonic sequences since each voice can be triggered to play and sustain while the next voice int the sequence gets triggered. Another term for this is hocketing.

The other main application of the Shifty is to function as an Analog Shift Register. In this mode each new gate input received causes the current set of pitches to be shifted to new output locations as a new one is added and the oldest one is replaced. This can be an interesting way to create chords that are up to four stacked notes when used with a pitch sequence source that has a harmonious series of notes (e.g. a pentatonic scale works really well). Even just using two of the outputs will yield very interesting melodic interplay and is an excellent way to make a simple sequence much more complex and interesting.

In a more basic way the Shifty could be used as a simple Sample/Track and Hold module or as a sequential gate.
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 1 in stock $178.43
Cat: 643391 Rel: 29 May 18
 
Updated version of the Springray module with added parametric EQ
Notes: There are many excellent digital reverbs available these days but there is still nothing quite like the timeless and magical character of a true spring reverb.

For the Intellijel Springray II, each tank has a totally different set of characteristics, with many unexpected surprises when feeding it through a wide variety of sound sources. One of the most interesting results is how a slow attack saw waveform from a Dixie almost sounds like a realistic cello!

Version two of the Springray provides a number of changes and improvements to the original design. The shelving EQs have been replaced with a parametric EQ with frequency, Q, and gain controls. The CV inputs for feedback and mix balance have been replaced with inputs to control the filter frequency and gain. Lastly, the feedback and limiter circuits have been redesigned, and the drive quality has been improved.

PLEASE NOTE: Does not include Spring Reverb Tank.
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 5 in stock $228.81
Cat: 646204 Rel: 30 May 17
 
Wave multiplier & sub-octave generator - 12HP
Notes: The Fold Processor is a voltage controlled wave multiplier and sub-octave generator. The circuit is based on a classic diode design that adds odd harmonics by folding the incoming signal, followed by subdivided square waves.

The wave folder creates new waveforms from the standard sine, triangle, sawtooth and square waves, has a dedicated output jack and CV input with an attenuator making it very easy to create beautifully animated folding sounds. Adjustable voltage controlled Inject alters the bias point creating an even wider palette of sounds.

The subdivide generator squares the fold output generating 4 more sounds spaced one octave apart, each with its own gain knob and mixed to the Subdivide output jack. Mixing the four can create anything from discordant square wave swarms to sweet harmonic oscillator stacks, from a stable square version of the folded wave to freaky PLL like glitched slides.

Overall results can sound evil at times and sweet at others, a true multi-faced devil.
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 1 in stock $130.14
Cat: 641102 Rel: 27 Feb 17
 
24bit, 96k 4HP mono sample player
Notes: ONE brings organic sound and super low latency sample playback to the modular. It differs from other sample players in that it handles the digital audio bits as a continuously manipulated electrical flow, a feature inspired by our analog knowhow. This unique core makes ONE truly integral within the Tiptop percussive modular ecosystem thanks to a lightweight and responsive digital circuit with a very analog feel.

ONE brings a world of colours to the modular right out of the package. We have invited some of the best sound designers in the Industry to create professional sound libraries with content tailored to the unique sonic framework of the modular synthesizer and that fully takes advantage of ONE's unique qualities. To start with, ONE comes with a SD card loaded with a free set of 60 sounds designed by Glitchmachines. More cards are available to purchase separately each containing carefully selected material with up to 256 sound files. Using your own sample libraries or recordings is easy too, just copy 16 or 24bit mono WAV files onto the SD card, pop the card into ONE and go.

ONE offers several modes of operation, with the primary being the super low latency Trigger mode that retrieves audio data off the SD card adding no artificial processing such as click removal, crossfading, EQ or gain normalization. In this mode, it's a highly transparent player up to 24 bit 96kHz with no interpolation of the audio data: what you put in is what you get out. With a delay as low as 0.25ms from the moment the trigger hits, ONE offers harmonically dense, clear and detailed audio with a great rhythmic feel.

ONE handles external CV through a user selectable multifunction jack. Pitch is the main control with two modes available: Free pitch allows for fine tuning of the playback rate, great for adding subtle vibrato or wild tape speed effects; Quantized pitch maps CV to the standard 12 tone system over 3.5 octaves and is ideal for melodic content. CV can also be used to sequence through files off the SD card allowing far more varied sounds from a single source; almost like an entire percussion section behind the slim panel.

Although originally designed to play tightly with our analog drums and envelopes, ONE's rich sound quality encouraged us to make it work in a variety of other applications that are less demanding of sub millisecond timing response. The extra headroom at the core level allows features such as Gated playback, Looping, and Triggering with fades in and out to accommodate different types of sound sources from drum loops to polysynth chords to noise sources and other yet unimagined uses.

ONE offers another useful dimension since it can play CV signals too. Drop in a card with LFO signals, random CV, slopes and envelopes for a whole set of new control and modulation possibilities.

ONE is as simple to use as it is affordable and plays extremely well with its analog cousins - our vision for bringing samples into the modular world.
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 1 in stock $178.43
Cat: 602195 Rel: 10 Aug 16
 
Full featured VCO/LFO synth module - 8HP wide
Notes: Full-featured triangle core VCO/LFO

The Dixie II+ is a larger variant of the classic Dixie II. Using the same great triangle core oscillator, it adds a number of features to make it even more versatile with only a modest increase in size. The Dixie II+ makes a great primary oscillator for a modular system, or a great companion the Rubicon.
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 5 in stock $218.31
Cat: 602202 Rel: 04 Apr 16
 
Passive multiple synth module
Notes: Dual 1x5 Passive Multiple

Two rows of 1 x 5 Passive Multing
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 2 in stock $28.07
Cat: 620692 Rel: 10 Aug 16
 
Stereo rhythmic delay & stereo comb resonator synth module in Eurorack format - 36 HP wide
Notes: The Intellijel/Cylonix RAINMAKER eurorack-format module provides a high-quality (96KHz sampling rate with 32-bit internal processing) stereo rhythmic delay and stereo comb resonator effect.

The stereo rhythm delay has 16 taps, each with its own resonant 2nd-order filter and granular pitch shifter. The filters have independently adjustable resonance and cutoff frequency, and can be set to either lowpass, bandpass, highpass or bypass operation. The filters are also capable of self-oscillation, enabling modal synthesis techniques. The granular pitch shifters have a range of 15 semitones up or 16 semitones down. Each tap can repeat at a rate value set in tap#'s in order to create regenerating echo effects. The feedback signal has a lowpass/highpass tone control and its own pitch shifter. The tap delay times can range from 0.1 millisecond up to a maximum of 20 seconds. The overall delay times can be set with the rotary encoder, the tap tempo button, or synced to an external clock.

The stereo comb resonator section has 64 time-delayed taps which are summed together. This produces a deep comb filter or resonating effect. At large comb sizes (long time delays) a multiple echo effect is produced. The density of the resonator can be varied from 2 to 64 taps. The tap with the longest delay time is fed back to the input. High feedback levels, with short comb sizes, produce "Karplus-Strong" types of plucked string sounds. The relative timing of the 64 taps are set according to one of 16 different preset patterns, which provide different resonator timbres or echo rhythms. The comb size can be set either with the rotary encoder, an external clock or through a transposable 1v/oct input voltage.

The Rainmaker module has extensive voltage control capabilities. Direct voltage control is available for the delay feedback level and tone, the global pitch shift for all delay taps, the comb resonator size, and comb feedback level. There are two assignable modulation inputs, which can be assigned to different parameters in each preset. A trigger input with assignable functionality can trigger built-in types of noise bursts, freeze the delay buffer, reverse the delay, randomize parameters, mute taps, and much more.
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 3 in stock $617.16
Cat: 620699 Rel: 10 Aug 16
 
USB/DIN MIDI voice and clock interface synth module in Eurorack format - 6HP wide
Notes: The uMIDI provides all the essentials to control and sync your Eurorack modular from your computer, iPhone/iPad, or hardware MIDI device with a minimum of fuss. No menu diving or configuration scripts, just two buttons. The connectivity, feature set, and compact size make the uMIDI ideal for integrating your modular with the rest of your rig while not taking up too much space in your case.

The upper clock section features a dedicated 16th note clock output ideal for synchronizing a Eurorack sequencer like the Metropolis. A second clock output with selectable divisions can be used when difference sync events are needed. The run and reset outputs can be used to reset your Eurorack sequencers in tandem with any external sequencer or DAW.

The lower half of the uMIDI gives you everything you need to control a single voice synth via MIDI. Just connect either a USB or DIN MIDI cable to the module, LEARN a channel, and start playing.

Future firmware updates over USB are made easy with the Firmware Updater software.
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 3 in stock $228.81
Cat: 620700 Rel: 10 Aug 16
 
Versatile Multimode VCF + Phaser synth module in Eurorack format - 10HP wide
Notes: The Polaris is a 4-stage cascaded OTA filter designed by David Dixon. It builds on the lineage of the Dr. Octature and Atlantis filters, but with a totally revised core and resonance control. Along with dedicated LP, HP and BP outputs it features a configurable MULTI output capable of an unprecedented 27 different filter modes.

With drive turned down the Polaris is capable of buttery smooth filtering, and the cutoff control range has been fine-tuned for playability. With the drive dialled up and the new asymmetric multi distortion circuit engaged it creates a more aggressive sound. Not content to be just a filter, the Polaris's AP phaser mode combined with frequency modulation can be used to achieve a phaser effect.

With so much versatility in a modest size, the Polaris is an ideal filter for a starter system and an excellent addition to the tonal palette of a larger modular.
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 2 in stock $208.86
Intellijel 1U x 2HP Blank Panel (Eurorack blank panel)
Cat: 620719 Rel: 29 May 18
 
1U blank panel space made from brushed aluminium - 2HP wide
Notes: Blank panel for Intellijel 1U spaces. Made from high quality brushed aluminium that matches the 1U modules.

These can also be used for DIY purposes if you drill/mill them to fit your own custom circuits.

Comes with 2 screws.
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 4 in stock $5.52
Cat: 708032 Rel: 29 Oct 18
 
Seven channel mixer with classic analogue sound - 3HP
Notes: MIX7 is a seven channel analogue summing mixer module for Eurorack. It is designed for summing any of the different types of signals you'll find in a modular system: Audio, CV, Triggers, or Gate.

MIX7 gives ability to sweeten your mix with more headroom using the power of low noise analogue summing. A compact 3HP Eurorack utility module, MIX7 is an attractive mixing addition to any rig, especially with the ability to also combine rhythms, note patterns or CV automations from different control sources. The main output of one section can be connected to the input of another MIX7 to create larger mixing groups and complex signal routes inside your modular.

The MIX7 summing mixing circuit is built with low-noise operational amplifiers, giving it an excellent sound quality for mixing audio, the beautiful texture of classic analogue mixing with plenty of headroom to handle hot modular signals, and the versatility to sum non-audio signals in your system to open up new creative possibilities.

Each input is labelled with a number of dots, 1-7, yellow for input and green for output. The module matches Tiptop's system look with clean white faceplate styling.

At the back of the module is a user-configurable jumper allowing users to configure the MIX7 for either unity gain (OUT = IN) or give increased headroom (OUT = 0.4IN) for use with hot audio signals, which makes it a great pairing for Tiptop Audio percussive modules. A peak indicator light on the front panel warns the user of even the slightest audio clipping in the mix, helping to keep all the incoming sound sources at their full original quality.
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 1 in stock $94.45
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Cat: 673867 Rel: 12 Jan 18
 
Effects pedal interface - 16HP
Notes: The Pedal I/O 1U system enables the modular synthesist to interact with the impressive assortment of delays, choruses, flangers, phasers, fuzz boxes, tremolos, wah-wahs, amp simulators, compressors and pitch shifter pedals available to guitarists. Conversely, it also grants guitarists access to the myriad filters, ring mods, wavefolders and - most importantly - the near infinite CV modulation delights inherent in Eurorack.
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 5 in stock $101.81
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Cat: 673868 Rel: 12 Jan 18
 
Versatile audio mixer module - 6HP
Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.
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 More than 10 in stock $92.36
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Cat: 673902 Rel: 12 Jan 18
 
1/4" TS jack interface for the Pedal I/O 1U system - 8HP
Notes: The Pedal I/O JACKS 1U Module allows you to patch standard 1/4? TS cables to and from your guitar/instrument pedals.

This module only works when connected to a Pedal I/O 1U module via ribbon cable.
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 2 in stock $20.87
Cat: 683513 Rel: 09 Apr 18
 
Sample library for the Tiptop Audio One by Joseph Fraioli aka Datach'i
Notes: Tiptop Audio and award winning sound designer/electronic music artist Joseph Fraioli AKA Datach'i come together in the form of the new Datach'i One card. The card, to be used exclusively in the Tiptop ONE Sample Player, contains 187 unique sounds ranging from organic recorded elements and electronic percussion to dramatic gestures, ambiences and melodic sequences. Created with field recordings, the Eurorack modular synthesizer, Symbolic Sound Kyma system and boutique electro acoustic instruments, all sounds were recorded at 24 bit/96k quality for maximum resolution in pitch control while maintaining latencies of as low as 0.25 ms.
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 1 in stock $34.11
Cat: 658617 Rel: 13 Sep 17
 
Snare drum module in Eurorack format - 8HP
Notes: The SD909 adapts the iconic TR-909 snare drum and noise generator for use in the Eurorack modular synthesizer format. We painstakingly tested the module in our lab to sound like a fresh machine coming off of the assembly line back in the 80s. On top of the original circuit, we have added new features that expand the palette of what can be produced with this analog circuit.

The sound of the SD909 consists of two main sections: the binary noise generator and two modulated triangle oscillators. The oscillators provide the low end punch while the noise makes up the upper sonic spectrum, resulting in a combination that makes the 909 snare sound so rich. In the SD909 module the noise generator and oscillators are variable and voltage controlled, which pushes the circuit beyond its original boundaries offering new sounds as well as many variations of the original tone. The panel has markings to guide setting the knobs to reproduce the snare sound of the vintage machine.

Just like the other drums in this series, the SD909’s high-powered output gain stage allows further enhancement of the sound through distortion and clipping. We have designed a dual pulse-shaper circuit on each gate input so you can trigger your SD909 with Trigger/Gate signals from step sequencers, clock dividers, or any other pulse/clock sources. Also, the SD909 is equipped with access to the MIXZ MixBus matching the rest of the Tiptop line of percussive modules.
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 2 in stock $178.43
Cat: 658619 Rel: 13 Sep 17
 
SD card for the ONE modular synth module
Notes: DOTS features 256 short/dots one shot sounds created specifically for ONE to further extend ZV_K's live Tiptop drum setup. These sounds were selected for their percussive transient response but are also great as monophonic sound sources to use alongside analog synth when sequenced. DOTS are samples of the signature sounds of Buchla, Cwejman, Mutable Instruments, Jomox, Mungo, Industrial Music Electronics (aka The Harvestman), HexInverter, Make Noise, Monomachine, Vermona, Audio Damage. Bastl, Epoch, Mungo, Delptronics as well as some human voice artefacts and even a prepared piano. Each sound was carefully selected from hours of recordings, edited but not altered to retain the original sound's qualities and dynamics and was extensively tested using the module to make sure all the sounds sound good at any setting. DOTS are very easy to fit into a mix, run through effects and are very well suited to be used and abused by a modular system.
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 1 in stock $25.45
Cat: 643387 Rel: 21 Aug 17
 
Physical modelling percussion synthesiser module - 12HP
Notes: Killer physical modelling module collab from two of the biggest names in their respective fields of hardware and software. Generates a huge range of percussion instruments plus synths and bass tones.

Supplier's notes:
Plonk uses a technique known as physical modelling to synthesize, with great realism, the way in which sound is produced by acoustic instruments. The Plonk module is, itself, focused primarily on creating percussive sounds - both pitched and un-pitched; natural and unnatural; acoustic-sounding or totally electronic.

Plonk does this by breaking sound creation into two distinct elements - the exciter and the resonator. The exciter is a mathematical model of the device used to strike a particular surface. Plonk, because it's percussion oriented, has two types of exciters: one modelled on a mallet, and the other providing a noise source. The resonator is a virtualization of the object being struck, which vibrates, resonates and creates the body of a sound. Plonk offers several types of resonators: beam; marimba; drumhead; membrane; plate; and string.

Plonk provides numerous parameters that let you shape, mould and design both the exciter and the resonator, thus enabling you to synthesize the sound of striking or scraping almost any type of object - real or imagined. In this way, Plonk can accurately model the sounds of kicks, snares, toms, cymbals, claps, tablas, congas and all manner of traditional percussion instruments. It can also model pitched percussive instruments, like vibes, marimbas, and even bass or guitar-like tones. Of course, it additionally excels at modelling instruments that heretofore never existed.

Best of all, the sounds created by Plonk are not static - any sound you design can respond dynamically to velocity, as well as four different modulation inputs. This means the sound of Plonk can change completely from note-to-note (or strike-to-strike). Because of this, Plonk is actually a duophonic (2-voice) module, which lets the sound of one note decay naturally when a second note (possibly employing an entirely different set of modelling values) is struck. Thus, hitting a new note does not choke the sound of the previously struck note (unless you want it to, of course)!

Plonk stores up to 128 patches in its internal memory, and ships with many presets programmed by professional sound designers and composers. You may overwrite these patches if you wish, and banks of patches may be transferred via MIDI System Exclusive over Plonk's built-in mini-USB port to facilitate offline storage by programs or websites that support this capability.

Plonk was developed in cooperation with Montreal-based Applied Acoustics Systems - physical modelling pioneers, and the creators of Tassman, Lounge Lizard, String Studio, Ultra Analog, Chromaphone and numerous other plugins. It is with great pleasure that Intellijel brings the potential of this physical modelling technology to a hands-on, CV-laden device capable of the sort of dynamic control and sonic exploration that modular synthesists demand.
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 5 in stock $340.07
Cat: 696915 Rel: 27 Jul 18
 
8HP voltage-controlled ADSR envelope with CV processor - 'New Style'
Notes: The Z4000 NS is a snappy voltage-controlled analogue envelope generator with a built-in CV processor for scaling, inverting, and voltage-controlled deviating of the envelope shape. The Z4000 generates an envelope made of the four classic segments: Attack, Decay, Sustain and Release, in which each segment can be manually set using knobs or dynamically set under voltage control.

Control knobs for the Attack, Decay, and Release segments are scaled. The first 0-50% of the knobs rotation is dedicated to high resolution adjustment in the millisecond range.

The output levels are fully adjustable with signals that can reach up to 10V in either polarity and can be mirrored into the opposite polarity or clipped using the voltage-controlled deviater-scaler. A bi-colour LED indicates intermediate values in both polarities and their crossfade state.

The Attack slope switch allows selection of a logarithmic or exponential curve for the Attack segment. This subtle effect helps further the fine adjustment of the Attack segment slope. A Shoot button is provided to let you fire the envelope manually. The Z4000 also provides a retrigger input allowing you to create legato notes when using a classic keyboard interface.

Going down to nuts and bolts, the Z4000's smoothness and snappiness is made possible by a four-segment active-charge discrete circuit which is an extended version of circuits found in classic two-segment rise/fall transient generators.
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 2 in stock $152.19
Cat: 768939 Rel: 13 Mar 20
 
synth module
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 4 in stock $131.20
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Cat: 739049 Rel: 19 Jul 19
 
Headphone amp capable of driving high impedance headphones via a 1/4" stereo Neutrik jack
Notes: Outs enables your modular system to output both professional and prosumer compliant audio, and send it to external amplifiers, mixers, recording devices, or DAW interfaces. Using the L+R Level knob, it scales modular-level voltages down to the level required to drive external gear at either the +4dBu balanced professional line-level standard or the -10 dbV unbalanced standard.

Headphone monitoring is also provided via a low noise built-in headphone amp (with its own independent level control), capable of driving a wide range of impedances - from studio grade headphones to portable style earbuds.

To use Outs, simply connect the final output of your patch to the 1/8" inputs (where the built-in activity LEDs light up to indicate the presence and intensity of the input signal). The left input is normalled to the right, so you can create a stereo signal from a mono source. Or if you have an Intellijel Mixup, you can remove a jumper from its rear panel, and connect it to the Outs module using the 3-pin link cable included with the Mixup.
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 2 in stock $144.84
Cat: 739050 Rel: 19 Jul 19
 
Three-channel active/buffered attenuverter & summing mixer
Notes: Triplatt is a three-channel active/buffered attenuverter and summing mixer. Each channel has a knob, which can function as a unipolar attenuator or a bipolar attenuverter, depending on the setting of its corresponding two-position polarity switch.

Each input is normalled to a built-in precision +5V DC voltage source. With nothing plugged into the jacks, each knob controls a voltage range of 0 to +5 V or -5 to +5 V depending on the position of the channel polarity switch. Outputs A and B are also capable of a range of 0-10 / -10 to +10 when using the special function switches.

Each output is normalled to mix into the output of the channel below, making it possible to do sub mixes in groups of two or three.

In addition, each channel has a "special function" switch to alter its input voltage in a specific way. Channel A has a 2x voltage multiplier switch, allowing you to double the voltage sent into Channel A. Channel B has a +5V switch, allowing you to add 5V to whatever voltage is sent into Channel B. Channel C has a mute switch, allowing you to completely turn off the signal being sent into Channel C.
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 4 in stock $108.10
Cat: 739060 Rel: 29 Jul 19
 
Dedicated jack expansion module for use with the Stereo Out 1U module
Notes: 1/4" TRS jack panel in 1U for the Stereo Line Out 1U module.

If you don't own an Intellijel case with built-in compatible 1/4" jacks, then you need to purchase a Stereo Out Jacks 1U module, which connects via ribbon cable to the Stereo Line Out 1U module to provide 1/4" TRS output jacks for interfacing with other studio or stage gear.
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 1 in stock $21.51
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