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ACL System 2 Desktop Modular Synthesiser
ACL System 2 Desktop Modular Synthesiser (desktop modular synthesiser)
Cat: 765867 Rel: 17 Jul 20
 
Desktop modular synthesiser
Notes: Beautiful complete modular system from Berlin-based Audiophile Circuits League. Based around two contrasting VCOs and a ladder filter, but with massive depth beyond the basics.

Supplier notes:
With System II Audiophile Circuits League presents a powerful modular Synthesizer with two full-featured Oscillators and an extremely musical Lowpass filter. Based on the Multifunction Discrete VCO and the Variable Sync VCO, System II serves with an unbelievably vast sound spectrum, from thick basses to aggressive Leads. The new VC Dual Amp provides a crystal clear sound, which can be perfectly integrated in the studio thanks to the high quality Audio Interface.

System II is a beautiful compact system, suitable for all situations.

System 2 is a modular instrument built entirely from ACL components. The search for a microcomputer in this system would be in vain because all modules are analog and for the most part discrete.

The whole thing comes in a metal case with oak side panels. A KAZU power supply is also included. - However, not as a module, but discreetly installed inside. This leaves four partial units for personal additions. The KAZU power supply is characterized by minimal interference and voltage peaks. The same applies to the built-in EVE 1 bus board. The result: extremely clear high-end sound.

Included modules:
Multifunction Discrete VCO
2 x Oktave
Variable Sync VCO
Discrete Core Ladder VCF
Gate Mix
2 x Multi II
Envelope X3
2 x QLFO
2 x VC Dual Amp
Audio Interface
EVZ1-Gehause 6U 84TE (incl. Kazu PSU, EVE1 Busboard, AC Adapter 15V - 3.34 A)
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 1 in stock $3,768.36
ALM System Coupe Modular Synthesis System
Cat: 773940 Rel: 01 May 20
 
modular synthesiser
Notes: Brilliant new complete system based around ALM classics like Pamela's New Workout, Squid Salmple and Quaid Megaslope. Brilliantly creative setup. Full review coming soon.

Supplier's notes:
The system coupe is a modern modular groove box combing both digital and analog technologies. It features various sound sources, innovative pattern creation and sequencing, modulation, sampling, processing and integration with external equipment.

Use the Coupe as a creative tool to sketch new original musical ideas and phrases, an enjoyable persuit to take on travels, a flexible instrument for live sets or imaginative first, or ongoing steps into modern modular synthesis. The System Coupe works great on its own or in partnership with your existing set up.

The Coupe consists of a powered case populated with a curated set of ALM modules - some new, some staples, some proven classics - all very functional and fun. All the modules are special editions, with grey panels, white screens, magenta and blue knobs and a custom powered compact aluminium 84hp case.

At the core of the system is the Squid Salmple, a powerful sampler capable of the recording and playback of up to 8 channels of both audio and CV. It can be used simply as a percussive voice but is extremely flexible as a sampler. Take advantage of its flexibitliy to create polyphonic voices, a super controlled delay or even a CV sequencer.

The Squid Salmple comes with an extensive royalty free sound library of over 700 carefully curated samples created specifically for the module.

The system's VCO is the small but mighty MCO, a morphing wavetable oscillator with 3 simultaneous outputs. It features a normal wave output, octave down sub oscillator output and a special pulse width modultion wavetable output. There are 4 PWM types which can be applied to all 10 wave shapes.

The four transparent & clean summed VCAs of the Tangle Quartet allow you to mix, shape and route audio from these sources. The MCF multi mode filter allows for further sculpting with 3 simultaneous outputs under full voltage control.

The Coupe features 3 new modules available for the first time as part of the system; the Milton, the MCF, and a basic mult, all designed primarily with the Coupe in mind.

The Milton is a utility module that provides amplication for external line level sources, a 1 in 3 out buffered mult, an attenuator and 4 input fixed gain mixer. It was designed specifically for the Coupe system - providing some very useful functionality on a small space.

The MCF is a classic analog multimode filter with resonance featuring hi, band and low pass outputs wth voltage control of both frequency and resonance. It can be used as a sine wave oscillator at higher resonance settings with v/oct tracking over pitch.

The basic mult allows signals to be duplicated to multiple destinations.

The classic Pamelas NEW Workout & Quaid Megaslope provide numerous sequencing and endless modulation oppertunities.

Pam is a staple in the Eurorack world. Use for synced triggers, gates, envelopes and quantised CV sequences all rythimcally synced to a core BPM. Patterns can be based on euclidean rules, then looped on beats for a repeating structure or not, if preferred.

The Megaslope can be used as an advanced multi stage envelope, an LFO and step sequencer with programmable slides. The sequencer is limited to 5 stages but when combined with Pam's flexible CV and gate outputs it is capable of great variation. Unlike many sequencers, the level of each step and slide times may be voltage controlled.

The mmMidi and expander provide the means for more convenetial Midi sequencing and can fully drive the system with multiple CV, gate and trigger outputs.

The adventurous types may even want to sample CV patterns into the Squid Salmple for playback and saving to the USB memory.

Included modules:

ALM023 / mmMidi & mmT expander
ALM017 / Pamela's NEW Workout
ALM020 / QUAID MEGASLOPE
ALM027 / MULT NEW!
ALM022 / SQUID SALMPLE
ALM024 / Milton NEW!
ALM021 / MCO
ALM025 / MCF NEW!
ALM009 / Tangle Quartet
ALM019 / HPO
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MRP:$2,526.43 SAVE 17%
 1 in stock $2,104.25
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quote 773940
Arturia MicroFreak Vocoder Limited Edition
Arturia MicroFreak Vocoder Limited Edition (synthesiser sequencer vocoder)
Cat: 789247 Rel: 13 Nov 20
 
Vocoder
Notes: With a firmware update to the excellent MicroFreak unlocking hidden vocoder features, this limited-edition version teams a striking new look with a bundled microphone.

Supplier's Notes:
The uniquely unpredictable MicroFreak but not as you know it. 14 digital oscillator modes, velvety analog filters and heaps of modulation/randomization controls, supercharged with wild vocoding abilities.

Arturia have created an entirely new 16-band mode to transform your voice in the Freakiest way possible. The vocoder engine features 3 waveforms - sawtooth, pulse width and noise - while the Timbre and Shape knobs adjust the response of the 16 frequency bands.

MicroFreak Vocoder Edition goes beyond robot vocals. 16 new presets give you instant access to android translations, crystalline harmonies and vibrant formant sequences galore. Connect an ex-ternal sound source like a drum machine or synth via the headphone socket for glitchy sound pro-cessing. Step up to the mic A simple, removable mic attachment that lets you sprinkle your voice into the mix. A gooseneck design means quick position adjustment, with easy connection straight into the headphone socket alongside your cans. The utility menu lets you set your preferred mic gain and noise gate settings. A new dress code First impressions make a difference. MicroFreak has always been out to make a statement, and the Vocoder Edition is no exception. The control panel has been given a makeover. The center strip boasts a bold new Swan graphic, while a sleek white finish makes this limited edition Freak stand out from the crowd - as if it didn't already. The Freak within Behind the revamped appearance and microphone attachment is the same lovable maniac that set the synth world spinning. Sparkling digital and wavetable oscillators collide with warm analog filters. A unique poly-after-touch PCB keyboard combines with a distinctly freaky arpeggiator & sequencer. Bathe your mix in sonic hysterics with the erratic mod matrix or the unique Spice & Dice randomizers.

Box contents:
MicroFreak Vocoder unit
Electret mic with gooseneck and headphone adapter
Power supply

Size & weight
Instrument size : 12.2 x 9.2 x 2.2 inches (311 x 233 x 55mm)
Instrument weight : 2.3 lbs. (1.02 Kg)

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MRP:$397.79 SAVE 28%
 More than 10 in stock $285.72
ASM Hydrasynth 8 Voice Wavetable Keyboard Synthesiser with Polytouch 49 Note Polyphonic Aftertouch Keybed
Notes: One of the most exciting new synths of 2020. Extremely high-quality wavetable synth engine with great expressive features like a CS80-style ribbon controller and polyphonic aftertouch. Powerful.

Supplier notes:
The HYDRASYNTH keyboard is both a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The HYDRASYNTH keyboard has our proprietary Polytouch keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.

Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market.

The new ASM Polytouchr keybed allows not only the standard velocity and aftertouch found on other keybeds but it also supports fully polyphonic aftertouch.

In recent years companies have been trying to find ways to give the keyboard musician more ways to better express themselves. The problem is that their solution is almost never a keyboard, so you have to learn a new technique to play them.

The Polytouch keybed features a high quality, standard sized keys, so you can start playing it instantly.

The tone generation capability is the heart of any synthesizer.

The 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.

Wavemorphing is a feature usually found on synths with preset wave tables. Creating user wavetables is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have our WAVELIST mode.

This mode allows you to pick and choose 8 waves, from the bank of 219, arrange them in the order you want, and then morph from one to another.

Oscillators 1 & 2 are routed into our MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each MUTANT allows you to choose from the following processes:

FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.

Wavestack- creates 5 copies of the incoming sound and allows you to set a detune amount.

Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.

Pulse Width - This will pulse width modulate ANY input sound.

PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.

PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.

Harmonic Sweep - this will sweep the harmonics of the incoming sound.

The Mutant's can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator....Of course the routing is flexible so you can choose the other oscillators as mod sources if you like.

The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.

The Mixer allows you to mix levels as well as pan the input source.

There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2.

The filters can be set to be parallel or series for ultimate flexibility.

If oscillators and tone generators are the heart of a synthesizer, the filters are the soul.

The Hydrasynth has two filters that can be configured in series or parallel.

The first filter has 11 different filter models, giving you multiple options for tailoring your sound.

The second filter is a 12db per octave has a continuous sweep from Low pass to bandpass to high pass, similar to the way the classic SEM filter worked.

5 DAHDSR Envelopes.

An advanced sound engine needs plenty of modulation sources. Our 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages.

The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in
sync to your song.

You can also loop the envelopes to create LFO's whose shape can be voltage controlled in the modulation matrix.

The modulation capabilities on the Hydrasynth are endless.

With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.

Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator.

The Modulation matrix points themselves can also become modulation destinations.
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MRP:$1,728.19 SAVE 23%
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Behringer Crave Desktop Semi Modular Analogue Synthesiser & Sequencer
Cat: 719385 Rel: 18 Jun 20
 
modular analogue sythnesiser & sequencer
Notes: Whole lot of synth power for not a lot of money. Oscillator based on the legendary Prophet 5, fat Moog-style filter, built-in sequencer and arpeggiator. Great way to get started with modular synthesis.

Supplier's Notes:
Analog Semi-Modular Synthesizer with 3340 VCO, Classic Ladder Filter, 32-Step Sequencer and 16-Voice Poly Chain

Analog synthesizer with legendary Prophet 5* VCO design allows for insanely fat music creation

Pure analog signal path based on authentic VCO, VCF and VCA designs

Super-rich oscillator with pulse and sawtooth wave outputs for ultimate sounds

Classic Moog* 24 dB ladder filter with resonance for legendary sound performance

Switchable low/high pass filter mode for enhanced sound creation

Modern and easy-to-use 32-step sequencer with 64 onboard storage slots

Advanced Arpeggiator with wide patterns for great sound effects

Dedicated and fully analog triangle/square wave LFO

16-voice Poly Chain allows combining multiple synthesizers for up to 16 voice polyphony

Semi-modular design with default routings requires no patching for immediate performance

18 x 14 I/O matrix for incredibly vast and flexible patching options

Noise generator dramatically expands waveform generation

47 controls give you direct and real-time access to all important parameters

External audio input for processing external sound sources

Comprehensive MIDI implementation with MIDI channel and Voice Priority selection

3-Year Warranty Program*

Designed and engineered in the UK
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 More than 10 in stock $147.45
Behringer MS-1 101 BU Analog Synthesizer (blue)
Cat: 688722 Rel: 19 Jun 20
 
analog synthesiser
Notes: Blue version of Behringer's tribute to the legendary Roland SH-101. Classic Roland-inspired 80s analogue sound with a gorgeously squelchy resonant filter and powerful oscillator with beefy sub.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

MS-1-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

The very heart of MS-1-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

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 9 in stock $270.51
Behringer MS-1 101 BU Analog Synthesizer (blue) (B-STOCK)
Cat: 800652 Rel: 19 Jun 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


Blue version of Behringer's tribute to the legendary Roland SH-101. Classic Roland-inspired 80s analogue sound with a gorgeously squelchy resonant filter and powerful oscillator with beefy sub.

Supplier notes:
An ultra-affordable homage to that iconic synthesizer with all the features of the original and then some, such as a 32-step sequencer, arpeggiator and live performance kit, the MS-1-BU lets you conjure up virtually any sound with incredible finesse and ease. With its 32 semi-weighted full-size keys, pure analog signal path, authentic 3340 VCO with 4 simultaneously-mixable waveforms, plus extremely flexible VCF and VCA filters, the MS-1-BU is sure to become your favorite keyboard. Owning the MS-1-BU is like having your own personal time machine, enabling you to embrace the past - or make your imprint on the future!

Great care has been taken in engineering the MS-1-BU, including the true to the original analog circuitry, legendary VCO, VCF and VCA designs, all of which combine to make it easy to recreate the classic sound performance. This highly-focused attention to detail is what gives the MS-1-BU its ultra-flexible sound shaping capability, which covers everything from super-fat bass and lead tones to stunning effects - and all the way out to the otherworldly sounds of your imagination.

The inspired synthesizer tracks laid down in the 1980s and '90s are etched in the annals of progressive rock, wave, EDM and synth-pop music forever, making them truly classic in every sense of the word. The MS-1-BU lets you recreate all of that magic - or design incredibly fat and original sounds that will make you a legend in your own right!

MS-1-BU's authentic 3340 Voltage Controlled Oscillator (VCO) provides an incredible range of 4 simultaneously-mixable waveforms for sculpting the perfect sound. Options include: saw, triangle, square/pwm and octave-divided square sub-oscillator. Additionally, the VCO can be adjusted across a wide, 4-octave range (16', 8', 4', and 2'). This amazing flexibility gives you the tools needed to be your creative best.

The very heart of MS-1-BU's sound is its highly-flexible Voltage Control Filter (VCF), which includes faders for: cutoff Frequency (10 Hz to 20 kHz); Resonance (0 to self-oscillation); Envelope and Modulation depth, and Keyboard follow (0 to 100%) to dial in the perfect sound. MS-1-BU's VCF can be modulated via the ADSR, keyboard tracking and Bender controller. The Frequency Modulation (FM) Amount knob sets the depth, while the FM Source selector lets you further modify the signal by choosing from: pulse; sawtooth; sub oscillator 1 octave down; 2 octaves down; narrow 2 octaves down, and Noise.

MS-1-BU's sequencer allows you to program up to 32 steps of notes and rests and save them as a pattern. You can record, save and recall up to 64 patterns, all of which can be stored in the 8 banks, each holding up to 8 patterns. Your sequences can be played either in Keyboard mode, where you create and store the pattern, or Step mode, which allows you to interact while composing a pattern. The onboard Arpeggiator features 8 patterns (you can use just by playing a chord, which the arpeggiator then sequences through your selected pattern. Both the sequencer and arpeggiator in the MS-1-BU are fun, mesmerizing and totally addictive.

When you're ready to strut your stuff and get a little centerstage time, the MS-1-BU has that covered too! Just attach the included guitar strap and handgrip (with pitch bend wheel and a pitch modulation trigger), and take your performance to the next level.

In addition to the great sound-sculpting features already mentioned, the MS-1-BU has still more to offer. The noise generator can also be used as modulation source to create distortion-like effects, which will send your solo soaring into the stratosphere. Glide (portamento) lets you sweep seamlessly over time from one note to the next, creating smooth-as-silk transitions that few other instruments can emulate. MS-1-BU's Bender is also assignable to the VCO, VCF and pitch mod wheel on attachable handgrip. You can even modulate the pulse wave via the LFO, envelope or manually - for sounds ranging from mild to wild!

For those who want the numbers, MS-1-BU has 57 knobs, faders and switches, all laid out in a highly-intuitive format that puts the joy back into your music creation. Input and output connections include: MIDI I/O and Thru over USB/MIDI DIN; Velocity Out; CV; Gate; External Clock In; VCF CV In; Hold; External Audio; Phones; and main Output.

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 1 in stock $283.23
Behringer Wasp Deluxe Desktop Synthesiser
Cat: 688730 Rel: 19 Oct 20
Notes: Based on a quirky British cult favourite from the late 70s, this is well worth a closer look as an alternative to the more common Moog- and Roland-inspired synths. Monophonic weirdo goodness.

Supplier's Notes:
Legendary Hybrid Synthesizer with Dual OSCs, Multi-Mode VCF, 16-Voice Poly Chain and Eurorack Format
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 More than 10 in stock $246.12
Benidub DS71 Dub Siren Analogue Synthesiser (requires a 12VDC 1A power supply)
Cat: 791746 Rel: 12 Oct 20
 
Dub siren analogue synthesiser
Notes: Somewhere between an analogue drum synth and a dub siren, the DS71 is a uniquely creative little box. Properly versatile, experimental stuff.

Supplier's Notes:
The DS71 is a synthesizer designed to easily create many different dub siren tones at your fingertips. It combines analog synth voicing circuitry with a powerful digital LFO that allows for quick access to different sounds at the press of a button. Inspired by the classic analog drum-synth modules and re-interpreted as dub siren.

Audio output: impedance balanced 1/4" TRS Jack

Trigger input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.
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MRP:$405.77
! low stock $374.73
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quote 791746
Cyclone Analogic Bass Bot TT303 Monophonic Analogue Synthesizer & Sequencer (limited edition space black version)
Cat: 761225 Rel: 13 Jan 20
 
monophonic analogue synthesizer & sequencer
Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.
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 1 in stock $324.84
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Electrosmith Daisy Field Programable Monosynth, Drum Machine & MIDI Sequencer
Cat: 786205 Rel: 11 Sep 20
 
Monosynth/drum machine/MIDI sequencer
Notes: Desktop module incarnation of Electrosmith's customisable DSP platform, designed with plenty of audio, MIDI and CV connectivity to allow you to create your own synths, drum machines and sequencers.

Supplier's Notes:
Create a mono-synth, drum machine, or MIDI sequencer with the Field! It works as a great development tool, or handy small-form synth to take with you on the go. Comes with Daisy installed and 9V power adapter.
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MRP:$545.46 SAVE 25%
 4 in stock $409.10
Elettrorama/MFOS Soundlab Minisynth Plus Synthesiser
Cat: 700960 Rel: 29 Jun 20
 
MIDI interface
Notes: Latest version of the mini synth that began life as a DIY kit. Simple analogue architecture which offers a good introduction to subtractive synthesis and sound design.

Supplier notes:
This project is a reprise of the Sound Lab Mini-Synth with the addition of a Sample and Hold and several circuit and component value changes to improve performance. Even if you already have a Sound Lab, this is thoroughly recommended as a completely new project.New design and a new MIDI INTERFACE onboard.

You can play your SLMS+ with a midi keyboard or midi controller.

Type: Analog Synthesis: Subtractive

Oscillators: 2 Waveforms: Pulse, Pulse Variable, Saw Down, Square Osc Modulation: Envelope, Input, Knob, LFO, Sync Hard

Envelope: 1 Evelope

Paramerters: Attack, Decay, Looping

Filters: 1 Types: 12dB Slope (2-pole), Low Pass, Resonance Filter Modulation: Envelope, Knob, LFO, S&H

Lfo: 1 LFO Parameters: Saw Up, Saw Down, Square, Triangle

Sample & Hold Addon: variable sample rate - output voltage glide - switch to select source to be modulate

Midi cannel: 1 (not exchangeable) Midi port: MIDI IN, MIDI THRU Control change: pitch bend, modulation , portamento (CC 5) 1V/Oct: 5 octaves

IMPORTANT: POWER ON SOUNDLAB WHEN YOUR MIDI SEQUENCER IS IN STOP MODE! MICROCONTROLLER CAN GENERATE MIDI SIGNAL ERROR IF YOUR SEQUENCER IS IN PLAY MODE.

Polyphony: 1 Timbrality

1 Tuning: Standard Modes: Mono

Desktop Controls: Knobs, Switches, Buttons Display Type: LED Dimension: 27 x 16 x 7 (cm) Material: Plexiglass Front panel: Aluminum (1mm thick)

Connections: Audio Output Connections: 1/4" Phone Jack, Mono Out

Power: 9V power supply 300 mA (euro) Audio Output Count: 1 Control voltage: 2 - 1V/Oct (1/4" Phone Jack/3,5 mini jack) Gate in: 1 (1/4" Phone Jack/3,5 mini jack) IMPORTANT NOTE: TO USE GATE/MIDI
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MRP:$319.30 SAVE 31%
 5 in stock $220.62
Erica Synths Bassline DB01 Desktop Synthesiser & Sequencer
Cat: 753844 Rel: 17 Apr 20
 
desktop synthesiser & sequencer
Notes: No prizes for guessing that the legendary TB-303 might have been a reference point here but Erica's take on the bassline synth is definitely not just another clone. Huge synth sound and a powerful built-in sequencer.

Supplier notes:
From basslines and rave sounds to massive drones and drums - the Erica Synths Bassline DB-01 synthesizer lets you explore new territories of sound and performance techniques and go from a melody to noise and back in no time. The DB-01 packs analogue Erica Synths signature sound engine with an advanced sequencer on top of it.

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 3 in stock $483.37
Erica Synths Fusion System II Synthesiser (UK plug)
Cat: 780750 Rel: 30 Sep 20
 
Fusion synthesiser
Notes: Erica's brilliant valve-based Fusion modules bundled together into a complete system. Unique sound and features. Includes skiff case, patch cables and everything you need to get started.

Supplier's Notes:
Vacuum tube based eurorack modular synthesizer for sounds of unprecedented pressure.

Erica Synths is one of the few manufacturers that use vacuum tubes in eurorack modules, and those, who are familiar with tube-based modules, know that tubes can push the sound to extremes or turn it deep, saturated and complete.

Erica Synths have come up with three new Fusion series modules - Fusion VCF3, Fusion Modulator (already available) and Fusion VCA/Waveshaper/Ringmodulator - to create the Erica Synths Fusion System II - a modular synthesiser for sounds of unprecedented pressure, unconventional modulations and creativity-inspiring patching. A 104HP system has 63 patchpoints for extensive experiments in sound design, all analogue signal and CV path; it's a system for those, who take sound design seriously.

Fusion System II includes:

Two Fusion VCO2s - fully analogue sound source with three simultaneously available waveforms, transistor-based suboscillator and detune function - two BBD delay lines that make frequency shifter that is mixed back to the principal oscillator in order to emulate two detuned VCOs. Tube crunch - distinct tube overdrive - is added on the top of the mix.

Fusion VCF3 - resonant 24dB/oct lowpass filter of unique design that combines vacuum tubes and vactrols, providing distinct, soft filtering. For more versatility a CV recorder, that records motion of the potentiometer, is incorporated in the module, so you can design advanced modulation patterns.

Fusion Modulator - complex, all analogue CV source that consists of several blocks - two EMS Synthi functionality inspired looping envelope generators with simultaneous unipolar (0V-10V) and bipolar (-5V-+5V), VCA, Noise generator and Sample&Hold.

Fusion VCA/Waveshaper/Ringmodulator - a modulation source based on two miniature pentodes that operates as VCA, waveshaper and ringmodulator. With two CVs applied simultaneously to different stages of the VCA, audio rate modulations, using ringmodulator as a waveshaper it becomes surprisingly versatile sound shaping module.

Fusion Delay/Flanger/Vintage Ensemble - a distinct multifunctional analogue effects module that combines BBD chip based effects with an adjustable tube overdrive in the delay output and a feedback path for extra thickness of the sound.

104HP One Row Skiff case (with or without a lid)

20 patch cables
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Erica Synths Pico System II Desktop Modular Synthesiser
Cat: 778768 Rel: 30 Sep 20
 
modular synthesiser
Notes: The world's smallest modular synth. Serious options in a compact setup via a carefully chosen selection of Erica's tiny Pico modules: sequencing, synths, drums, effects and more.

Supplier's Notes:
Erica Synths Pico System II is the world's smallest modular synthesizer.

In its functionality this system is as good as the Pico System I, however, as there have been several additions to the Pico Series, for example, the significant Pico Voice, we decided to upgrade the Pico System to make it even more multifarious. There are two new modules in the system: the Pico Voice - a sound source, which gives quite a big timbral diversity, and the Pico Modulator, which replaces the Pico EG and the Pico VCA. That gives us a 3HP free space which we have filled with one more Pico A MIX for more handy control of the sound sources in live performances. Pico System II comes with external PSU, Pico Drum Programmer, wrench key and 20 patch cables.

Pico modules included in the system are:

SEQ - powerful 16 step sequencer with 16 pattern memory

VCO - 32 custom waves in 2 banks, great 1V/oct tracking and LFO mode

VOICE - sound source with 8 sound generation algorithms

VCF1 - Polivoks-inspired LP/BP VCF, ideal for acid-like basslines

TRIGG - 4 trigger pattern generator that also serves as a master clock for the system. Web-based pattern designer app allows user to upload own patterns

2xDRUMS - 64 sample player with 3 adjustable parameters and CV control over them. Web-based app and Pico Programmer (included) allows the user to upload their own sound samples

MULTI - buffered audio/CV/clock signal splitter

RND - sine/pulse LFO and random events (random trigger, S&H and noise) generator

MOD - lin/log ASR envelope generator and linear VCA

2xA MIX - 3 input audio mixer

DSP - stereo effects processor with 8 great sounding custom effects

OUTPUT - stereo output module with headphone amplifier


Technical specifications:
Dimensions (WxDxH): 240mmx140mmx80mm
Power supply: universal 110-240VAC - 12VDC adapter
Power consumption 500mA
Mass : 1,35 kg excluding PSU,
1,85 kg with PSU and patch cables
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MRP:$1,596.48 SAVE 17%
 1 in stock $1,329.30
Erica Synths Syntrx Analogue Synthesiser (UK plug)
Cat: 750753 Rel: 16 Oct 20
 
Analogue synthesiser
Notes: Inspired by the legendary EMS Synthi AKS, this is easily one of Erica's most impressive releases to date. Proper experimental analogue brilliance developed in conjunction with Riga Technical University.

Supplier's Notes:
Since its beginnings Erica Synths has promoted experimental electronic music and has developed instruments that enable musicians to explore it.

When it comes to standalone instruments, one of the most encouraging instruments in experimental music was Synthi AKS, so Erica Synths have teamed up with engineers from Riga Technical University to develop a synthesizer with a user interface inspired by Synthi AKS.

SYNTRX [sintrex] is developed from scratch all analogue synthesizer (no part of schematics is cloned from Synthi AKS) with digitally controlled patch matrix. Unlike most of patch matrixes around, that mechanically connect signals, our 16x16 matrix utilizes 32 (!!!) 16 channel analogue switch ICs AS16M1 (made in Latvia, Alfa RPAR) and is a mixer/buffered multiple with 3 level attenuation (gain 1, 0,6 and 0,3) in connection points. It has 256 patch memory, automatic patch switching in performance mode or via MIDI messages.

SYNTRX has 3 highly accurate VCOs that track great over 8 octaves, noise generator with "colour" filter, resonant VCF, ring modulator, spring reverb, looping envelope generator, joystick controller, input amplifier with adjustable gain for microphone to line level signals, 3 VCAs, output signal filter, analogue CV/audio signal level indicator and built in speakers. Extra features, not found on Synthi AKS, are Sample & Hold circuit with individual clock, octave switch for VCO1, synchronization of VCO2, AD mode on the envelope generator, as well as MIDI that accepts CV, Gate, Modulation wheel messages and program change messages for the matrix control. The SYNTRX comes in aluminium enclosure with ash tree side panels.

SYNTRX will inspire users to explore the space and travel to previously undiscovered audible realms.
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Korg Nu:Tekt NTS1 Programmable Digital DIY Synthesiser Kit (no soldering required)
Cat: 746618 Rel: 02 Mar 20
 
digital DIY synthesiser kit
Notes: Korg is always building new ways to experience hands-on, fun music-making. Now, you can too.

The Nu:Tekt NTS-1 digital KIT is a unique, flexible, and easy DIY synthesizer that you can easily assemble yourself, without any soldering (tool included!).

The first of its kind from KORG's DIY-focused Nu:Tekt brand, NTS-1 packs a powerful synth and multi-effects engine into a compact form factor that you can carry and connect anywhere. Its DIY nature means it's also very customizable. Explore the possibilities!

Included items: USB cable, owner's manual, screwdriver
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Korg Wavestate Wave Sequencing Digital Synthesiser
Cat: 761104 Rel: 16 Apr 20
 
digital synthesiser
Notes: Loosely inspired by the brand's classic Wavestation synth, the Wavestate updates the sound with a new approach to Wave Sequencing. Classy sound, powerful modulation and good hands-on performance options.

Supplier's notes:

KORG's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS and KRONOS keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, KORG is proud to announce the next step in digital synthesis: the wavestate. Featuring the radically re-imagined Wave Sequencing 2.0, the wavestate delivers astonishing, ever-changing sounds with extensive hands-on control.

Far from a nostalgic reissue, the wavestate is designed from the ground up for a new generation of musicians, producers, and composers, taking cues from sources as diverse as modular synths, groove boxes, and algorithmic composition. The compact form-factor, with 37 full-size keys, transports easily and fits neatly into any stage, studio, or desktop setup.

With the Wavestation, each step of a Wave Sequence had a duration, a sample, and a pitch. This created ear-catching patterns-but the patterns repeated the same way, over and over. What if they could evolve in organic, unexpected ways, instead of just repeating?

Wave Sequencing 2.0 splits apart the timing, the sequence of samples, and the melody, so that each can be manipulated independently. Also added are new characteristics including shapes, gate times, and step sequencer values. Each of these is a "Lane," and each Lane can have a different number of steps and its own start, end, and loop points.

Every time the sequence moves forward, the individual Lanes are combined to create the output. For instance, a sample may be matched with a different duration, pitch, shape, gate length, and step sequence value every time that it plays. You can modulate each Lane's start, end, and loop points separately for every note, using velocity, LFOs, envelopes, Mod Knobs, or other controllers. Each note in a chord can be playing something different!

Lanes can also randomize the step order every time they play, with realtime control over the range of included steps. Finally, individual steps can be randomly skipped, with a modulatable probability from 0 to 100%. The result is organic, ever-changing sounds that respond to your control. The four onboard arpeggiators can interact with Wave Sequences for even more possibilities.

With all of that synthesis power, you might think the wavestate would play only one sound at a time. Not a chance. For even more rich and complex results, layer up to four Programs together in a Performance-each with their own effects and arpeggiator. The Vector Envelope and Joystick mix the individual voices of the four Layers, and can also modulate any other parameters.

Bursting with knobs and controllers, the wavestate invites you to explore. All of the basics-filter, envelopes, LFOs, effects-are at your fingertips with dedicated front-panel controls. Eight programmable Mod Knobs are customized to bring out the most in every sound, often taking them in entirely new directions. Use the knobs in realtime performance, and also save the results as new sounds. Add in the Pitch Bend and Modulation Wheels and the unique Vector Joystick, and you'll always have multiple dimensions of realtime expression.

Want to dig deeper? Almost all front-panel knobs, and most on-screen parameters, can be modulated. You can even modulate settings for individual Wave Sequence Steps! Mod Processors let you transform modulation signals using quantization, smoothing, curvature, and more.

Looking for even more inspiration? A dedicated front-panel button, marked by a "dice" icon, generates new sounds via intelligent randomization. Randomize the entire sound or just a part of it, such as the filter, the Sample Lane, or the effects. Use the results directly, or as a jumping-off point for your own creations.

The wavestate's superb effects deliver production-ready sounds. Each Layer has three dedicated effects; additionally, the Performance has a master reverb and parametric EQ. Along with standards such as compressors, EQs, choruses, flangers, phasers, and stereo delays, you'll find distinctive processors such as the Wave Shaper, Talking Modulator, Reverse Delay, Multiband Mod Delay, and Overb (from the OASYS), plus modeled effects including VOX guitar amps, VOX wah, multi-head tape echo, and a collection of classic guitar pedals.

Set Lists offer effortless organization of your wavestate Performances, and deliver instant access at the gig or in rehearsal. Smooth Sound Transitions allow previously-played voices and effects to continue to ring out naturally, even once a new sound has been selected.
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 8 in stock $593.25
Make Noise 0-CTRL Sequencer (B-STOCK)
Cat: 793286 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: Brilliantly innovative sequencer from the renowned synth brand. Huge creative potential in the studio and live settings. Ideal for use with analogue synths and Eurorack.

Supplier notes:
The Make Noise 0-CTRL is a patchable, clockable controller and step sequencer for voltage controlled synthesizer systems. Designed to be patch pals with the 0-Coast, it is a tabletop device whose inputs and outputs follow Eurorack standards, making it also a great partner for a modular system or another patchable tabletop synth.

Power Requirement: +15VDC on 2.1mm Tip Positive Connector
Includes Power Adapter, Patch Cables
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 1 in stock $375.84
MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer
MFB
Cat: 755493 Rel: 09 Apr 20
 
analogue polyphonic desktop synthesiser & sequencer
Notes: The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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Modal Electronics ARGON8M 8 Voice Polyphonic Wavetable Desktop Synthesiser Module
Cat: 763205 Rel: 11 May 20
 
desktop synthesiser module
Notes: Desktop module version of one of our favourite new synths of 2020. Beautifully rich wavetable synth engine that somehow sounds good whatever you do with it.

Supplier's notes:
The Argon8M features an identical sound engine and feature set, but rather than a 37-note keybed, it has brackets for mounting to a 19" 3U rack, as well as end-cheeks for simple desktop use. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$663.87 SAVE 33%
 4 in stock $442.36
Modal Electronics ARGON8X 8 Voice 61 Key Polyphonic Wavetable Keyboard Synthesiser
Cat: 763203 Rel: 08 Oct 20
 
wavetable keyboard synthesier
Notes: 61-key version of one of our favourite recent synth releases. Superbly lush, detailed sound from the wavetable synth engine, paired here with a big, expressive keybed. Also available in 37-key or keyless module format.

Supplier's Notes:
The Argon8X features an identical sound engine and feature set, but rather than a 37-note keybed, you get 61 keys for an even more immersive playing experience. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$863.43 SAVE 30%
 2 in stock $608.66
Moog Werkstatt-01 Analogue Synthesiser Kit & CV Expander
Cat: 797050 Rel: 16 Nov 20
 
Analogue synthesiser kit & CV expander
Notes: Back in production following its first limited-edition run in 2014, the Werkstatt is Moog's experimental analogue synth, with a semi-modular design and tons of modding potential.

Supplier's Notes:
Moog's popular and accessible Werkstatt-01 Analog Synth Kit and CV Expander return for a limited time, inviting all to get hands on with the legendary Moog sound.

Werkstatt-01 is a patchable and compact analog synthesizer - a must have for any "synth curious" musician who wants to learn first hand what synthesis is all about by building their very own analog synthesizer. This easy to assemble kit requires no prior electronics experience and is a perfect afternoon project. The straightforward simplicity of Werkstatt-01's design makes it an ideal starting point to discover a vast new world of analog sound design and the (included) 1/8" CV Expander makes it ideal for everyone wanting to add the iconic Moog sound to their music.

Enhance your sound with the unique sonic presence of an analog synthesizer and discover new musical perspectives along the way.

Werkstatt-01's 100% analog circuits deliver the classic soul and futuristic sound Moog synthesizers are known for. Featuring an full-range analog oscillator with selectable waveforms to power your sound and the legendary Moog Ladder Filter for precision harmonic sculpting, this instrument covers a vast expanse of sonic territory. Adding movement and modulation is as simple as engaging Werkstatt-01's Analog LFO circuit to impart your sound with the motion of gently breathing waves -or crank up the LFO speed and summon cosmic laser beams. A 2-stage Analog Envelope Generator with Sustain gives you the control to shape your dynamics, dialing in everything from lush electronic string swells to punchy basslines and organic percussion hits - and everything in between!

WHAT'S IN THE BOX

. Werkstatt-01 Analog Synthesizer Kit
. Patch Cables
o 1/8" Patch Cables, 5 qty
o Patch Wires, 5 qty
. CV Expander
. Power Supply
. Quickstart Guide
. CV Expander Instructions
. Instrument Catalog
. Registration Card
Expand Your Mind
The included CV Expander takes your synthesizer experience to the next level where new connections can be made and new sounds are unlocked. Patching inputs and outputs together from the 12 jacks of the ?" patch bay will reconfigure Werkstatt-01's circuits to create new signal paths and empower new sonic explorations. As your synthesizer journey evolves, use the included CV Expander to connect your Werkstatt-01 as an enhancement to other Moog Semi-Modular Synthesizers or Eurorack systems.
Available now, but not forever
The Werkstatt-01 Analog Synthesizer Kit is shipping from the Moog Factory for a limited time and is available worldwide while supplies last.

SPECIFICATIONS
. Type: Analog Synth Kit (Unassembled)
. Analog/Digital: Analog
. Number of Keys: 13
. Type of Keys: Push button
. Polyphony: Monophonic
. Oscillator: Analog VCO switchable Saw / Pulse
. LFO: Analog LFO switchable Triangle / Square
. Filter: Moog -24dB analog Ladder Filter
. Envelope Generator: Analog ADSR
. VCA type: Analog
. Audio Inputs: 1 x 1/4" (audio in)
. Audio Outputs: 1 x 1/4" (audio out)
. Other I/O: 12x ?" Patch Points
. Expansion: Semi Modular, Eurorack Connectivity
. Power Supply: 12V DC Power Supply included
. Dimensions: L: 9.375" W: 5.50" H:1.25
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Pittsburgh Modular Lifeforms SV-1B Blackbox Desktop Analogue Modular Synthesiser
Cat: 782214 Rel: 29 Jun 20
 
Desktop analogue modular snythesiser
Notes: Updated all-in-one desktop semi-modular system from the ever-reliable Pittsburgh Modular. Big, warm East Coast synth sound meets compact, Eurorack-compatible format. Very nice.

Supplier notes:
The Pittsburgh Modular Lifeforms SV-1b Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary Pittsburgh Filter are paired with a perfectly curated set of synthesis tools. The Lifeforms SV-1b Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

SV-1b Module Specifications:

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Enclosure Power and Specs:
Black powder coat steel construction.

Dimensions: 9 3/4" x 5 1/4" x 2 1/2"

Weight: 3.5 lbs

Power: 1.5A +15v DC power adapter

Included:
Patch Cables: 6 Nazca Audio Brand patch cables.
1/8" stereo jack to midi connector cable.
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Pittsburgh Modular Lifeforms SV-1B Blackbox Desktop Analogue Modular Synthesiser (B-STOCK)
Cat: 803472 Rel: 29 Jun 20
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Updated all-in-one desktop semi-modular system from the ever-reliable Pittsburgh Modular. Big, warm East Coast synth sound meets compact, Eurorack-compatible format. Very nice.

Supplier notes:
The Pittsburgh Modular Lifeforms SV-1b Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary Pittsburgh Filter are paired with a perfectly curated set of synthesis tools. The Lifeforms SV-1b Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

SV-1b Module Specifications:

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Enclosure Power and Specs:
Black powder coat steel construction.

Dimensions: 9 3/4" x 5 1/4" x 2 1/2"

Weight: 3.5 lbs

Power: 1.5A +15v DC power adapter

Included:
Patch Cables: 6 Nazca Audio Brand patch cables.
1/8" stereo jack to midi connector cable.
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 1 in stock $647.23
Polyend Medusa Black Limited Edition Hybrid Synthesiser (B-STOCK)
Cat: 803321 Rel: 21 May 20
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Limited edition version of the excellent Medusa, combining the best of Polyend's digital sequencer knowledge with a Dreadbox hybrid synth engine.

Supplier's notes:
The whole is greater than the sum of its parts.
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality. The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

64 fully responsive and customizable, three-dimension expressive pads with assignable musical scales and different layouts.
The Grid is storing 128 presets of voices, chords memory, sequences and more than one hundred modulators per step.
Choose any modulation parameter per preset for X, Y and Z pressure axis.
Three sequencing modes: step, live and incremental.
Unique musical controller, sequencer and powerful modulation source fixed in one powerful Grid.
Sequence notes, modulation parameter locks or even entire synth voice presets per step.
Separate voice, notes sequence and modulation randomizer onboard.
All the necessary Grid information is given on a crispy OLED display.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.
Seems like a simple addition, but this fusion brings something that has never been available before.

You like it digital
or prefer analog?
Medusa has it all.
medusa
Three synchronizable analog oscillators with the choice of four classic wave types for each of them.
One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP).
Frequency modulation separately for analog oscillators and filter.
Analog noise generator with colour shaping.
Three digital wavetable oscillators with a choice of 64 morphable wavetables.
Three different play modes: monophonic, semi polyphonic x3, semi polyphonic x6.
Audio input lets you use the power of Medusa sound engine with external audio sources.
Second OLED screen to display all necessary synthesis data.
Independence. Times ten.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control.
Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign.
Mixer for all seven paths of independent analog, digital and noise voices.
Separate volume control for headphones and master audio outputs.
Implemented MIDI protocol with bi-directional USB and DIN input, output and through. MPE compatible controller.
Sustain notes using the Drone mode. Transpose the running sequences.

The build.
All that analog and digital functionality merged in a one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.

Once you start, you can't stop.
It's all about innovation, revealing new quality and ideas in music. Medusa Hybrid Synthesizer materialized from the genuine passion and a firm relationship between Dreadbox and Polyend synthesized in the proper way. At first, there was a desire to add a simple sequencer and preset functionality to the famous Dreadbox analog synthesizer. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time. Careful, Medusa might be dangerously absorbing and can drag you in for a long time.

Medusa Black Limited Edition
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams an unusual approach to integrating analogue and digital domains into a new quality.

Colourful knobs included in every purchase.
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 1 in stock $633.10
Radikal Technologies Delta CEP A Desktop Semi-Modular Paraphonic Synthesiser
Cat: 796115 Rel: 16 Nov 20
 
Synthesiser
Notes: Semi-modular digital synthesis from a brand with a long history. Full Eurorack-compatible desktop module, including an eight-voice swarm oscillator, multi-mode filter and lots more.

Supplier's Notes:
A semimodular synthesizer consists of 9 essential synthesis modules whose combination provides a very powerful and straight forward starting point into the world of Eurorack synthesizers. Let's see, which modules are included in Radikal's latest brainchild: The system includes one swarm oscillator, a mixing stage with a noise source, a very powerful filtering section around the analog multimode filter plus stereo digital emulations of 12dB multimode and 24 dB ladder filters and one VCA. One LFO and one snappy envelope generator for modulation purposes plus the secret weapon of all Radikal Technologies digital modules, the SNAPSHOT INTERPOLATOR are adding extra excitement to your sonic adventures. The icing on the cake of the sound engine is a digital FX section with incredible modulated stereo delay effects including tape delay, phasing, chorus, flanging etc.!

In a modular synth system, the different sound generating and altering sections are not connected. The user has to establish all the connections that are necessary to generate sound effects and tones with patch cables. In a semimodular synth the most essential connections are hardwired. This means you can play the DELTA CEP A right out of the box. Of course you can go a step further and add your own module patching.

The DELTA CEP A has a MIDI interface, which is essential when you want to use the paraphonic mode of the Synth. The paraphonic mode let's you play chords and turns the DELTA into the perfect pad and ensemble section. The MIDI Interface has additional outputs for external modules and a special digital bus allows for controlling the SWARM OSCILLATOR RT-311 direct with notes and chords to layer additional voices in monophonic and chords mode using an external MIDI keyboard.

The SNAPSHOT INTERPOLATOR is a very unique feature in the synthesizer world. First you have the ability to store snapshots of your sound creations into the internal memory. Then you can play these snapshots sequentially for very cool sonic sequences. But that is not all. You can even create smooth transitions from one snapshot to the other for stunning sound morphing effects. Independent from the Interpolator, the snapshot memories can also be used as preset memories and are filled with sounds from our sound designers.

23 knobs, 14 buttons, 28 RGB LEDs, 14 outputs and 17 inputs - the DELTA CEP A has a great synthesis potential that can even grow by adding additional modules. The connectivity provides the freedom to use it as part of your existing Eurorack system or as an independent solo synthesizer with our special DELTA CEP A desktop case.
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MRP:$1,432.84 SAVE 20%
 2 in stock $1,139.71
Soma Laboratory Ether V2 Anti Radio
Soma Laboratory Ether V2 Anti Radio (field recording tool)
Cat: 781128 Rel: 08 Jul 20
 
Radio receiver
Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.
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MRP:$171.62 SAVE 20%
 8 in stock $137.47
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quote 781128
Soma Laboratory Lyra-8 Organismic Analogue Synthesiser (black)
Cat: 781120 Rel: 08 Jul 20
 
Analogue synthesiser
Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$767.64 SAVE 14%
 4 in stock $662.98
Soma Laboratory Lyra-8 Organismic Analogue Synthesiser (white)
Cat: 781122 Rel: 08 Jul 20
 
Analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$767.64 SAVE 14%
 7 in stock $662.98
Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (black)
Cat: 781124 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$639.92 SAVE 16%
 1 in stock $539.92
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quote 781124
Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (white)
Cat: 781126 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: Proper wacky stuff from Soma Laboratory. Voice-controlled effects and synthesis in a unique format, designed to process everything from vocals to synths and beats.

Supplier notes:
THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesiser and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$639.92 SAVE 15%
 1 in stock $541.03
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quote 781126
Sound Machines BI1 Brainterface (Desktop)
Sound Machines BI1 Brainterface (Desktop) (brainwave to synthesiser interface module)
Cat: 777372 Rel: 07 Aug 20
 
Brainwave to synthesiser interface module
Notes: Soundmachines BI1brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 doesn't require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, the toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.
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MRP:$597.35 SAVE 17%
 2 in stock $495.56
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quote 777372
Teenage Engineering Oplab Module MIDI CV PO Sync Hardware Expansion For OP-Z
Cat: 784907 Rel: 21 Jul 20
 
Oplab module
Notes: The new oplab module is the magic link between OP-Z and the rest of the world. Imagine having the power and flexibility of the OP-Z sequencer available to any other music equipment. Once the oplab module is mounted in the back of your OP-Z, you can use it to connect to any equipment using standard CV and gate, such as any modular system. It features three cv outs and one gate out, all programmable and playable from OP-Z. Have your wall of modules sequenced from the palm of your hands.

Use the PO sync out to unleash the power of your regular Pocket Operators and have them play in sync with the rest of your setup.

Even connect standard MIDI devices, using MIDI over 3.5 mm jack or the included MIDI over din adapter cable. oplab features both MIDI in and out ports as well as trig in and out for other synthesizers and sequencers.

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MRP:$184.93 SAVE 26%
! low stock $136.13
Teenage Engineering POM-170 Home-Build Analogue Monophonic Synthesiser With Built-in Programmable Sequencer
Cat: 777383 Rel: 22 Jun 20
 
analogue monophonic synthesiser
Notes: The mid-sized option in Teenage Engineering's innovative POM range, the 170 is designed as an introduction to modular synthesis. A simple DIY build in IKEA-style flat-pack format.

Supplier notes:
POM-170 is a home-build analogue monophonic synthesizer with built-in programmable sequencer. A complete kit with powder coated chassis, keyboard, oscillator, filter, envelope, LFO, VCA, speakerbox, power distro, powerpack, a screwdriver, 8 patch cables, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

SPECIFICATIONS
1 x POM-170 Chassis
7 x Modules - M-1, M-4, M-5, M-6, M-10, M-11, M-16
1 x Battery Pack
1 x Distro
23 x Trim Knob
9 x Value Knob
8 x Audio Cable
6 x Rubber Foot
6 x Chassis Screw
1 x Screwdriver
1 x User's Manual

PSU improved to be more stable and offer longer battery life
Oscillators retrimmed to improve audio range
Speaker volume knob adjusted for intuitive control
Labelling for the output jacks on the keyboard changed to "CV 1, 2, 3" the 3 "program gate" jacks changed to "Gate 1, 2, 3" and the 3 "keyboard" jacks changed to "Keyboard CV"
Increased size of screw holes on powder coated aluminIum chassis for easy building
Standoffs come pre-threaded for quicker assembly

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-16
keyboard
keyboard+sequencer
Keyboard with individual tuneable keys and a programmable step sequencer.
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MRP:$530.83 SAVE 27%
 3 in stock $386.55
Teenage Engineering POM-170 Home-Build Analogue Monophonic Synthesiser With Built-in Programmable Sequencer (B-STOCK)
Cat: 793289 Rel: 01 Jan 90
 
***B-STOCK: Box opened, product unused***
Notes: The mid-sized option in Teenage Engineering's innovative POM range, the 170 is designed as an introduction to modular synthesis. A simple DIY build in IKEA-style flat-pack format.

Supplier notes:
POM-170 is a home-build analogue monophonic synthesizer with built-in programmable sequencer. A complete kit with powder coated chassis, keyboard, oscillator, filter, envelope, LFO, VCA, speakerbox, power distro, powerpack, a screwdriver, 8 patch cables, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

SPECIFICATIONS
1 x POM-170 Chassis
7 x Modules - M-1, M-4, M-5, M-6, M-10, M-11, M-16
1 x Battery Pack
1 x Distro
23 x Trim Knob
9 x Value Knob
8 x Audio Cable
6 x Rubber Foot
6 x Chassis Screw
1 x Screwdriver
1 x User's Manual

PSU improved to be more stable and offer longer battery life
Oscillators retrimmed to improve audio range
Speaker volume knob adjusted for intuitive control
Labelling for the output jacks on the keyboard changed to "CV 1, 2, 3" the 3 "program gate" jacks changed to "Gate 1, 2, 3" and the 3 "keyboard" jacks changed to "Keyboard CV"
Increased size of screw holes on powder coated aluminIum chassis for easy building
Standoffs come pre-threaded for quicker assembly

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-16
keyboard
keyboard+sequencer
Keyboard with individual tuneable keys and a programmable step sequencer.
Read more
 1 in stock $342.58
Teenage Engineering POM-170 Home-Build Analogue Monophonic Synthesiser With Built-in Programmable Sequencer (B-STOCK)
Cat: 800238 Rel: 22 Jun 20
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The mid-sized option in Teenage Engineering's innovative POM range, the 170 is designed as an introduction to modular synthesis. A simple DIY build in IKEA-style flat-pack format.

Supplier notes:
POM-170 is a home-build analogue monophonic synthesizer with built-in programmable sequencer. A complete kit with powder coated chassis, keyboard, oscillator, filter, envelope, LFO, VCA, speakerbox, power distro, powerpack, a screwdriver, 8 patch cables, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

SPECIFICATIONS
1 x POM-170 Chassis
7 x Modules - M-1, M-4, M-5, M-6, M-10, M-11, M-16
1 x Battery Pack
1 x Distro
23 x Trim Knob
9 x Value Knob
8 x Audio Cable
6 x Rubber Foot
6 x Chassis Screw
1 x Screwdriver
1 x User's Manual

PSU improved to be more stable and offer longer battery life
Oscillators retrimmed to improve audio range
Speaker volume knob adjusted for intuitive control
Labelling for the output jacks on the keyboard changed to "CV 1, 2, 3" the 3 "program gate" jacks changed to "Gate 1, 2, 3" and the 3 "keyboard" jacks changed to "Keyboard CV"
Increased size of screw holes on powder coated aluminIum chassis for easy building
Standoffs come pre-threaded for quicker assembly

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-16
keyboard
keyboard+sequencer
Keyboard with individual tuneable keys and a programmable step sequencer.
Read more
 1 in stock $377.41
Teenage Engineering POM-400 Home-Build Analogue Synthesiser With 1-16 Step Sequencer
Cat: 777388 Rel: 22 Jun 20
 
home-build analogue synthesiser
Notes: Top-of-the-range model in Teenage Engineering's kit-build modular synth range. Three oscillators, all the basic synth modules you'd expect, plus built-in sequencer and speaker.

Supplier notes:
POM-400 is a home-build analogue synthesizer with 3 oscillators, noise, random generator, 2 envelopes, 2 VCA's, LFO, filter, mixer, speakerbox, power pack and a 1-16 step sequencer. A Complete kit with powder-coated chassis, 16 modules, 15 patch cables, screwdriver, and an illustrated build guide.

Each kit comes with all of the parts needed to build the project. Included in these flat packed synthesizers are everything from a powder coated aluminium chassis to an illustrated build guide with instructions and bend angles. When bending is complete, move on to mount the modules, snap the wire connectors and finalise your build with knobs and rubber feet. Remember, think twice and double-check the angles before bending.

Note: There is no power supply included. If you want to run the units on wall power you need an adapter with the following specifications (sold separately):
AC/DC adapter
12V, min 1A (12 watt)
Polarity: center negative
Plug: 4.75/1.7mm

Warning: Make sure to remove the batteries from the battery holder before connecting the DC-plug to the external AC/DC adapter.

Use separate battery charger to charge re-chargeable batteries.

SPECIFICATIONS
1 x POM-400 chassis
14 x Modules - M-1, M-2, M-3, M-4, 2x M-5, 2x M-6, M-7, M-8, M-9, M-10, M-11, M-12
1 x Battery Pack
1 x Distro
37 x Trim Knob
13 x Value Knob
15 x Audio Cable
14 x Chassis Screw
4 x Rubber Foot
1 x Screwdriver
1 x User's Manual

Added PO-Sync output, which allows for easy patching out and into the PO series. Use this jack to sync modular tempo with any pocket operator.
Speaker volume knob adjusted for intuitive control
Level on sequencer clock out adjusted to 5v from 10v
Output amplitude on white noise adjusted so now it can trigger envelopes
PSU has been improved, it is now more stable and offers a longer battery life
Oscillators have been retrimmed, giving an improved audio range to play with
Increased size of screw holes on powder coated aluminium chassis for easy building

MEET THE MODULES
M-1
square
square oscillator
Rich in odd harmonics, the square wave oscillator is great for hollow basses and screaming leads. The pulse width modulation (pwm) input makes it possible to generate
a faux two oscillator detune sound.

M-2
saw
sawtooth oscillator
Containing both the odd and even harmonics, the sawtooth is great for string types of sound. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-3
sine
sine oscillator
With no overtones the pure sine wave is a jack of all trades. From pure bass to dub sirens, it's the army knife of a modular system. The linear frequency modulation input (fm) easily brings you into the sci-fi domain.

M-4
filter
low pass filter
Shape your sound with the 24db/oct low pass filter. Get lost in space while tweaking the resonance and frequency pots.

M-5
env
envelope
A classic. Attack, decay, sustain and release. Give your sonic creation the contour it deserves. Triggered by any signal that crosses the two volt threshold.

M-6
vca
voltage control amplifier
Automate your volume! Feed it control voltage and your signal will adapt accordingly. Best friends with the envelope for classic configurations, and your oscillator in wired configurations

M-7
mixer
3-channel mixer
A necessity in all modular systems. Three inputs, one output, with volume control over both the individual inputs as well as the master output.

M-8
noise
2 x noise
The white noise contains noise equal over the whole spectrum. The saw output is a perfect companion for the sample and hold.

M-9
rand
Randomise your music with the sample and hold. Any input is sampled and then presented at the outputs. Rate can be controlled both externally and internally, but always needs an external signal to sample. Experiment with both receptive and random sources as the sample input.

M-10
lfo
low frequency oscillator
Generating both square as well as triangle waves, the low frequency oscillator is the perfect tool to spice up your patches. Great in everything from automated filter sweeps to syncing the clocks.

M-11
speaker
amplifier+speaker bellow
Cables goes in, sounds come out. Show off your amazing patch to the rest of the world. Let them hear it.
Warning: never connect headphones directly to the outputs! You can damage your ears and your headphones.

M-12
sequencer
16-step sequencer
Sixteen steps of control. Override the internal clock with the clock input. Send clock out or PO Sync out. Make it go backwards with the arrow input. Jump to the first step, the second, fourth or eight step with the reset and binary.
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MRP:$663.87 SAVE 24%
 2 in stock $505.54
UDO Audio Super 6 12 Voice Polyphonic Binaural Analogue Hybrid Synthesiser (black)
Cat: 730238 Rel: 24 Jul 20
 
Analogue hybrid synthesiser
Notes: The Super 6 is a 12-voice polyphonic, binaural analogue-hybrid synthesiser. A harmonious marriage of state of the art FPGA digital hardware oscillators and voltage controlled analogue technology. It is flexible, immediate, powerful and refined with a gorgeous analogue tone. Rich and evolving textures are easily teased from the unique super-wavetable core and can be shaped and manipulated with the binaural analogue signal path and flexible modulation. Robust, compact and inviting to pick up and play with smooth, solid and responsive controls throughout, it cries out to be played.
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MRP:$3,053.27 SAVE 20%
 1 in stock $2,431.31
Waldorf Kyra VA Virtual Analogue Desktop Synthesiser
Cat: 692803 Rel: 02 Dec 19
 
128-voice polyphonic synthesiser module
Notes: Amazing flagship synth from the legendary Waldorf. Seriously powerful multitimbral virtual analogue monster. The designers reckon it's one of the most powerful synths ever built. We're not going to argue.

Supplier's notes:
Kyra is a powerful, hardware virtual analogue synthesizer capable of creating a wide range of contemporary sounds for live and studio musicians.

From first glance it is patently obvious that Kyra is a beautifully-designed desktop VA Synthesizer - as the wording elegantly emblazoned on its eye-catching front fascia subtly states. As a truly multitimbral instrument it features eight independent 'parts' with up to 32 notes per PART, each effectively being a complete synthesizer with sound sources (OSC GROUP 1, OSC GROUP 2, SUB 1, and SUB 2); FILTERS; modulators (EGs, LFOs, and MOD MATRIX); multi-effects unit (EFFECTS); and a USB 2.0 connection - can exchange MIDI (Musical Instrument Digital Interface) information, as well as send the audio from each stereo PART to a computer as eight stereo 24-bit streams at 96kHz (with 48kHz downsample mode available) and one stereo audio return from the computer supporting a single 24-bit stereo audio stream from the host DAW (Digital Audio Workstation). With that being said, the only other resource they share are the four balanced, stereo output pairs - OUT A (Right and Left), OUT B (Right and Left), OUT C (Right and Left), and OUT B (Right and Left) - using 32-bit DAC (Digital-to-Analogue Conversion) running at 96kHz sampling rate connected to four internal stereo busses and that powerful pool of 128 hardware voices.

Patches:
Better still, each PART hosts a Patch from the pool available to the system. Speaking of which, Kyra has a generous Patch storage capacity of 26 banks - A through to Z, each containing 128 patches. That's a total of 3,328! The first seven banks are 'user' patches stored in RAM (Random Access Memory), meaning users can change them quickly and individually using the Store sequence. The remaining 19 banks are ROM (Read-Only Memory) patches that users can recall and use just like RAM patches but cannot be replaced using the Store sequence. It is, however, perfectly possible to freely copy whole banks between RAM and ROM, so all are user- programmable. And any Patch can be recalled via MIDI program changes and Bank select commands.

Oscillators:
As a sensational synthesizer with a spectacular specification, Kyra has two primary virtual alias-free oscillator groups (OSC GROUP 1 and OSC GROUP 2) per voice, each with Saw (sawtooth); Wave (waveform) - with no fewer than 4,096 18-bit linear PCM (Pulse Code Modulation) 32x oversampled waveforms covering a huge range of synthetic and emulated sound sources with two wave sources per voice; Pulse; and noise simultaneously available. Also OSC GROUP 1 and OSC GROUP 2 each has an independent detune-able oscillator - SUB 1 and SUB 2 - with four selectable shapes and two selectable (Octave) pitches. Real Hard Sync, ring modulation, and FM (Frequency Modulation) are available between those oscillator groups.

Filter:
Successfully synthesizing sound is inextricably linked with flexible filtering. Fortunately for discerning users, Kyra's FILTERS front panel perfectly positions powerful control, creatively implementing accurate emulations of classic analogue ladder filters with 2-pole (12dB/octave) low pass (12dB LP), band pass (12dB BP), and high pass (12dB HP), plus 4-pole (24dB/octave) low pass (24dB LP), band pass (24dB BP), and high pass (24dB HP) configurations. Creatively, 128 filters are configurable for single or dual parallel (Dual Filter) true stereo operation.

Envelope and LFOs:
Onwards and upwards, three fast-response ADSR (Attack, Decay, Sustain, Release) envelope generators with EG Slope setting are also at hand. Helpfully, one is assigned to the VCA (Voltage Controlled Amplifier), another to the filter, while the third can be freely assigned. All are available in the MOD MATRIX (modulation matrix), itself being a six-channel affair with up to three destinations per channel giving a maximum of 18 routings. It is also worth noting that the three LFOs (Low Frequency Oscillators) - with 128 waveforms, monophonic, polyphonic, random, anti-phase, and quadrature stereo phase settings - are also available in the MOD MATRIX and additionally as a MIDI clock sync source.

Arpeggiator:
Creativity continues courtesy of an arpeggiator (ARP) on each PART with 128 preset patterns; Up, Down, Random, and Chords modes; and an ability to synchronise to MIDI clock. Arpeggiators are aimed at live performance, primarily, but can clearly complement composition. Kyra's ARP is an integral part of a Patch, so settings are always stored.
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MRP:$2,121.99 SAVE 17%
 1 in stock $1,767.21
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Waldorf STVC String Synthesizer & Vocoder
Cat: 675800 Rel: 16 Jan 20
 
Desktop synthesiser featuring a 49-note keyboard & vocoding features
Notes: Gorgeous retro-inspired synth. Heavily based on 70s string synthesisers and vocoders, updated in a modern format. Proper lush vibes.

Supplier's notes:
The string section starts with an oscillator bank using octave dividers, followed by a complex mixer, an equalizer and the ensemble effect, just like string machines from the 70's. A single registration knob sweeps through mixer and EQ settings for Violin, Viola, Cello, Brass, Organ, Choir and more for creating rich and creamy sonic textures.

The Solo section is a 16-voice synthesizer that complements the string sounds. A single Tone knob sweeps through many useful settings. Solo is the sidekick to the strings, but it is powerful enough to be the lead character every now and then.

The Vocoder replaces the equalizer in the string section with the filter bank that models the vocal tract from the speech input. This can produce quite intelligible speech or singing using the fully polyphonic oscillator bank. Formants can be modified, which can result in a perceived change of gender. Adjustable jitter of the string oscillators renders the voice hoarse, creaky or a complete whisper. Solo can pass through the Vocoder or play in parallel.

The Freeze button lets you freeze a short speech fragment, which is then repeated by the Vocoder whenever a key is pressed. Change of playback speed, like faster, backwards or a complete stop are possible and fun, as well as formant change.

A novel Tweak function allows for modification or modulation of details, like e.g. the solo cut-off frequency or the Chorus LFO rate. It is similar to a modulation matrix, but it also allows to alter implicit settings with a fixed value or an offset.

Three Effects operate simultaneously - Animate is in fact a modulation of the string or vocoder registration, while a Phaser is a must for any decent string machine. A high-quality Reverb with adjustable size can be mixed to the output.

STVC comes with a high-quality gooseneck microphone that plugs right into the front panel where it belongs.
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MRP:$996.47 SAVE 30%
 1 in stock $693.19
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