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Synthesisers

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Radikal Technologies Delta CEP A Desktop Semi-Modular Paraphonic Synthesiser
Cat: 796115 Rel: 16 Nov 20
 
Synthesiser
Notes: Semi-modular digital synthesis from a brand with a long history. Full Eurorack-compatible desktop module, including an eight-voice swarm oscillator, multi-mode filter and lots more.

Supplier's Notes:
A semimodular synthesizer consists of 9 essential synthesis modules whose combination provides a very powerful and straight forward starting point into the world of Eurorack synthesizers. Let's see, which modules are included in Radikal's latest brainchild: The system includes one swarm oscillator, a mixing stage with a noise source, a very powerful filtering section around the analog multimode filter plus stereo digital emulations of 12dB multimode and 24 dB ladder filters and one VCA. One LFO and one snappy envelope generator for modulation purposes plus the secret weapon of all Radikal Technologies digital modules, the SNAPSHOT INTERPOLATOR are adding extra excitement to your sonic adventures. The icing on the cake of the sound engine is a digital FX section with incredible modulated stereo delay effects including tape delay, phasing, chorus, flanging etc.!

In a modular synth system, the different sound generating and altering sections are not connected. The user has to establish all the connections that are necessary to generate sound effects and tones with patch cables. In a semimodular synth the most essential connections are hardwired. This means you can play the DELTA CEP A right out of the box. Of course you can go a step further and add your own module patching.

The DELTA CEP A has a MIDI interface, which is essential when you want to use the paraphonic mode of the Synth. The paraphonic mode let's you play chords and turns the DELTA into the perfect pad and ensemble section. The MIDI Interface has additional outputs for external modules and a special digital bus allows for controlling the SWARM OSCILLATOR RT-311 direct with notes and chords to layer additional voices in monophonic and chords mode using an external MIDI keyboard.

The SNAPSHOT INTERPOLATOR is a very unique feature in the synthesizer world. First you have the ability to store snapshots of your sound creations into the internal memory. Then you can play these snapshots sequentially for very cool sonic sequences. But that is not all. You can even create smooth transitions from one snapshot to the other for stunning sound morphing effects. Independent from the Interpolator, the snapshot memories can also be used as preset memories and are filled with sounds from our sound designers.

23 knobs, 14 buttons, 28 RGB LEDs, 14 outputs and 17 inputs - the DELTA CEP A has a great synthesis potential that can even grow by adding additional modules. The connectivity provides the freedom to use it as part of your existing Eurorack system or as an independent solo synthesizer with our special DELTA CEP A desktop case.
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MRP:$1,432.84 SAVE 20%
 2 in stock $1,139.71
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Black Corporation Deckard's Dream Mk2 Eight Voice Polyphonic Analogue Desktop Synthesiser
Notes: Deckard's Dream MkII is an eight-voice polyphonic analog synthesizer in desktop format. It is inspired by a certain cinematic sound from the late 1970s and early 1980s.

The synth features a fully analog signal path with two independent layers per voice. Discrete waveshapers help to reproduce the oddities of the original waveforms, especially the sawtooth glitch, which is a big part of the CS-80 sound. An autotune function assures that all 16 VCOs are tracking perfectly. It even offers detune and microtuning settings for a more vintage feel. With the addition of MIDI implementation, 256 presets (which can be managed on the integrated OLED display) and an upcoming software editor provided by Spektro Audio, this vintage inspired poly synth is at home in any modern studio.

For each layer, the synth offers a VCO with square, saw and sine waveforms, discrete 12 dB HP and LP filters with separate resonance controls, an ADSR for the filter with adjustable initial and attack levels, and an ADSR dedicated to the VCA. The synth also provides velocity and aftertouch controls for filter brilliance and volume levels.

Furthermore, polyphonic aftertouch gives Deckard's Dream expression that has only been possible on a very small number of synthesizers. MPE technology (using controllers by ROLI, LinnStrument, Haken) takes this even further with the addition of polyphonic pitch bend.
The Deckard's Dream MkII delivers everything the previous version did, in a new thin and light tabletop format with woodsides or rack-ears (both included). It also brings additional controls over Sustain modes and timing.

The synth is build in Japan, Tokyo, using only high quality electronic components.
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MRP:$6,051.99 SAVE 17%
coming soon $5,043.32
Benidub DS71 Dub Siren Analogue Synthesiser (requires a 12VDC 1A power supply)
Cat: 791746 Rel: 12 Oct 20
 
Dub siren analogue synthesiser
Notes: Somewhere between an analogue drum synth and a dub siren, the DS71 is a uniquely creative little box. Properly versatile, experimental stuff.

Supplier's Notes:
The DS71 is a synthesizer designed to easily create many different dub siren tones at your fingertips. It combines analog synth voicing circuitry with a powerful digital LFO that allows for quick access to different sounds at the press of a button. Inspired by the classic analog drum-synth modules and re-interpreted as dub siren.

Audio output: impedance balanced 1/4" TRS Jack

Trigger input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm x 5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.
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MRP:$405.77
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FORTHCOMING
Rebel Technology Wizard Ultra-Portable Synthesiser & Effects Unit
Cat: 800030 Rel: 28 Feb 21
 
Synthesiser & effects unit
Notes: The Wizard is an ultra-portable synthesizer and effects unit. It is capable of running all the OWL Patches available in Rebel Technology's library, and you can write your own patches for it. Supported languages include Cycling'74 Max Gen, Pure data, FAUST and C++.

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MRP:$268.74 SAVE 24%
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FORTHCOMING
Rebel Technology Magus Desktop Synthesiser
Cat: 800035 Rel: 28 Feb 21
 
Desktop synthesiser
Notes: Magus is Rebel Technology's new flagship synthesizer, and subject of a recent successful KickStarter campaign. After getting fully funded in only 5 days, the fundraiser went on to reach more than 260% of its target!

If you didn't get to back the KickStarter, now is your chance to order your very own Magus, in Desktop or Eurorack format.
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MRP:$558.77 SAVE 17%
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FORTHCOMING
Rebel Technology Alchemist Programmable Synthesiser & Effects Unit
Cat: 800033 Rel: 28 Feb 21
 
Synthesiser & effects unit
Notes: The Alchemist is a powerful, programmable effects unit and synthesizer that fits in the palm of your hand. It is capable of running all the OWL Patches available in Rebel Technology's library, and you can write your own patches for it. Supported languages include Cycling'74 Max Gen, Pure data, FAUST and C++.
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MRP:$198.23 SAVE 17%
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Sound Machines BI1 Brainterface (Desktop)
Sound Machines BI1 Brainterface (Desktop) (brainwave to synthesiser interface module)
Cat: 777372 Rel: 07 Aug 20
 
Brainwave to synthesiser interface module
Notes: Soundmachines BI1brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 doesn't require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, the toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.
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MRP:$597.35 SAVE 17%
 2 in stock $495.56
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Analogue Solutions Impulse Command Synthesiser & Sequencer (B-STOCK)
Cat: 791471 Rel: 08 Apr 19
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


True stereo analogue synth/sonic realiser. Perfect for melodic and percussion loops. Very easy (and fun!) to create modular style analogue loops. It's a complete sound track all by itself!

It's wrong to call it a synthesiser (in fact a new word needs to be invented) because then you get preconceived ideas about what it does. It's a whole lot more than a synth. It's also part drum synth, part pattern generator, part modular loop producer.

All its unique features plus the 2 independent LPFs give this machine the ability produce stereo loops that sound like multiple synths playing at once.

Impulse Command is a compact true analogue synth in a neat, smart, package. When we say 'real analogue' we mean that the entire audio path (aside from the post effects of course!) and all modulation are entirely analogue, using circuits based on awesome sounding vintage 1970s designs. Their circuits are not locked down by CPUs. Controls are not quantised and read by CPUs. With the exception of the essential digital elements (that is MIDI conversion, sequencer control and digital delay/reverb), Impulse Command really is analogue and the sound benefit is immediately apparent!

The synth has been designed by Tom Carpenter, a musician and a big fan of electronic music. He knows how to program a synth and what should be expected. So, the modulation choices and range of sounds they produced have all been carefully thought out and quickly give you those sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.
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 1 in stock $1,036.85
Analogue Solutions Fusebox 3 VCO True Analogue Mono Synthesiser
Cat: 674106 Rel: 05 Jan 18
 
Analog synth module with 3 VCO's, each featuring sawtooth & square wave
Notes: Fusebox is a 3 VCO true analogue monosynth with the legendary Analogue Solutions vintage synth sound.

Designed by Tom Carpenter - a user and collector of vintage sounds, and a musician with a passion for electronic music.

All the voice and modulations are 100% analogue. Fusebox features an advance choice of modulation and melodic possibilities right out of the box before even plugging in MIDI.

Fusebox features no presets - each sound is unique and created by the user!

There is no quantisation, stepping, or locking in by CPU.

Fusebox is designed, engineered and built in England by Analogue Solutions who have over 24 years in the synthesiser industry.
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 1 in stock $1,467.87
Analogue Solutions Impulse Command Synthesiser & Sequencer
Cat: 727740 Rel: 08 Apr 19
 
Compact true analogue synth - great for melodic & percussive sounds
Notes: True stereo analogue synth/sonic realiser. Perfect for melodic and percussion loops. Very easy (and fun!) to create modular style analogue loops. It's a complete sound track all by itself!

It's wrong to call it a synthesiser (in fact a new word needs to be invented) because then you get preconceived ideas about what it does. It's a whole lot more than a synth. It's also part drum synth, part pattern generator, part modular loop producer.

All its unique features plus the 2 independent LPFs give this machine the ability produce stereo loops that sound like multiple synths playing at once.

Impulse Command is a compact true analogue synth in a neat, smart, package. When we say 'real analogue' we mean that the entire audio path (aside from the post effects of course!) and all modulation are entirely analogue, using circuits based on awesome sounding vintage 1970s designs. Their circuits are not locked down by CPUs. Controls are not quantised and read by CPUs. With the exception of the essential digital elements (that is MIDI conversion, sequencer control and digital delay/reverb), Impulse Command really is analogue and the sound benefit is immediately apparent!

The synth has been designed by Tom Carpenter, a musician and a big fan of electronic music. He knows how to program a synth and what should be expected. So, the modulation choices and range of sounds they produced have all been carefully thought out and quickly give you those sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.
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 2 in stock $1,096.48
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ASM Hydrasynth 8 Voice Wavetable Keyboard Synthesiser with Polytouch 49 Note Polyphonic Aftertouch Keybed
Notes: One of the most exciting new synths of 2020. Extremely high-quality wavetable synth engine with great expressive features like a CS80-style ribbon controller and polyphonic aftertouch. Powerful.

Supplier notes:
The HYDRASYNTH keyboard is both a sound designers dream synth as well as a performing musicians ideal. The sound engine is designed for maximum flexibility. At the same time, we designed the user interface in a way to allow you to edit the patch quickly with a minimal amount of paging and many workflow shortcuts.

Utilizing an advanced wavetable synthesis engine, 3 Oscillators, dual Wave Mutators and 2 filters that can be configured in series or parallel, the tone generating capabilities are unmatched.

As for the performance capabilities, The HYDRASYNTH keyboard has our proprietary Polytouch keybed that offers polyphonic aftertouch over each note, giving you the type of expressive control found only in certain vintage synths.

Add to this a 4 octave ribbon controller and ergonomically designed pitch and mod wheels and you have expression and control that is not equaled in any other hardware synthesizer on the market.

The new ASM Polytouchr keybed allows not only the standard velocity and aftertouch found on other keybeds but it also supports fully polyphonic aftertouch.

In recent years companies have been trying to find ways to give the keyboard musician more ways to better express themselves. The problem is that their solution is almost never a keyboard, so you have to learn a new technique to play them.

The Polytouch keybed features a high quality, standard sized keys, so you can start playing it instantly.

The tone generation capability is the heart of any synthesizer.

The 3 oscillators allow you to choose from a selection of 219 single cycle waveforms.

Wavemorphing is a feature usually found on synths with preset wave tables. Creating user wavetables is arduous or downright impossible. Unlike most wavetable synths, the oscillators 1 & 2 have our WAVELIST mode.

This mode allows you to pick and choose 8 waves, from the bank of 219, arrange them in the order you want, and then morph from one to another.

Oscillators 1 & 2 are routed into our MUTATORS. The Mutators allow you to modulate, bend and sculpt the sound in new (and old) ways.

Each MUTANT allows you to choose from the following processes:

FM-Linear - for making classic FM sounds. Choose multiple FM sources, including external inputs.

Wavestack- creates 5 copies of the incoming sound and allows you to set a detune amount.

Hard Sync - This gives you those classic hard sync sounds. Try hard syncing a morphing wavetable for some fun.

Pulse Width - This will pulse width modulate ANY input sound.

PW - Squeeze - This is a different form of pulse width mod that creates a smoother sound.

PW-ASM - this mode divides the incoming wave into 8 slices and allows you to set how much pulse width mod will happen in each section.

Harmonic Sweep - this will sweep the harmonics of the incoming sound.

The Mutant's can also generate its own waveforms in both FM and Sync modes so that you do not have use another oscillator....Of course the routing is flexible so you can choose the other oscillators as mod sources if you like.

The 3 Oscillators are fed into a mixer along with the Noise generator and Ring Modulator.

The Mixer allows you to mix levels as well as pan the input source.

There is a balance control that allows you to choose how much signal of each source is routed to filters 1 and 2.

The filters can be set to be parallel or series for ultimate flexibility.

If oscillators and tone generators are the heart of a synthesizer, the filters are the soul.

The Hydrasynth has two filters that can be configured in series or parallel.

The first filter has 11 different filter models, giving you multiple options for tailoring your sound.

The second filter is a 12db per octave has a continuous sweep from Low pass to bandpass to high pass, similar to the way the classic SEM filter worked.

5 DAHDSR Envelopes.

An advanced sound engine needs plenty of modulation sources. Our 6 stage envelopes feature Delay, Attack, Hold, Decay, Sustain and Release stages.

The time settings for the stage can be set in seconds or in time divisions, giving you envelopes that play in
sync to your song.

You can also loop the envelopes to create LFO's whose shape can be voltage controlled in the modulation matrix.

The modulation capabilities on the Hydrasynth are endless.

With 32 user definable modulation routings, you will have plenty of ways to use the 29 modulation sources and 155 modulation destinations.

Almost everything in the synth engine can be a modulation destination including the effects and arpeggiator.

The Modulation matrix points themselves can also become modulation destinations.
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MRP:$1,728.19 SAVE 23%
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Haynes Electro Synth Kit (requires some basic soldering)
Cat: 685895 Rel: 16 Apr 18
 
DIY vintage synthesiser kit
Notes: If you like your Leagues Human and your Mondays Blue, then this is the kit for you! Be transported back to the 80's by constructing your own working electronic synthesizer. Includes all components and full instructions in the form of a mini Haynes Manual. The perfect gift for aspiring makers and lovers of all things retro!

Requires 3 x AA 1.5V batteries (not included)

Some basic soldering required.

This is not a toy. Not suitable for children under 14 years.

What's included:

- Pre-assembled circuit board
- Potentiometer/switch
- 4 x micro push-buttons
- Blue and green LED
- Loudspeaker
- Battery box
- Metre of wire
- Nuts & screws for assembly
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 2 in stock $30.49
ACL System 2 Desktop Modular Synthesiser
ACL System 2 Desktop Modular Synthesiser (desktop modular synthesiser)
Cat: 765867 Rel: 17 Jul 20
 
Desktop modular synthesiser
Notes: Beautiful complete modular system from Berlin-based Audiophile Circuits League. Based around two contrasting VCOs and a ladder filter, but with massive depth beyond the basics.

Supplier notes:
With System II Audiophile Circuits League presents a powerful modular Synthesizer with two full-featured Oscillators and an extremely musical Lowpass filter. Based on the Multifunction Discrete VCO and the Variable Sync VCO, System II serves with an unbelievably vast sound spectrum, from thick basses to aggressive Leads. The new VC Dual Amp provides a crystal clear sound, which can be perfectly integrated in the studio thanks to the high quality Audio Interface.

System II is a beautiful compact system, suitable for all situations.

System 2 is a modular instrument built entirely from ACL components. The search for a microcomputer in this system would be in vain because all modules are analog and for the most part discrete.

The whole thing comes in a metal case with oak side panels. A KAZU power supply is also included. - However, not as a module, but discreetly installed inside. This leaves four partial units for personal additions. The KAZU power supply is characterized by minimal interference and voltage peaks. The same applies to the built-in EVE 1 bus board. The result: extremely clear high-end sound.

Included modules:
Multifunction Discrete VCO
2 x Oktave
Variable Sync VCO
Discrete Core Ladder VCF
Gate Mix
2 x Multi II
Envelope X3
2 x QLFO
2 x VC Dual Amp
Audio Interface
EVZ1-Gehause 6U 84TE (incl. Kazu PSU, EVE1 Busboard, AC Adapter 15V - 3.34 A)
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 1 in stock $3,768.36
Access Virus TI2 Polar Keyboard Synthesizer
Cat: 527752 Rel: 21 Jul 14
 
Award winning hardware synthesiser with up to 90 voices (dependent on patch)
Notes: There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.

The Virus TI line of synthesizers includes 4 different variations: two keyboard models and two desktop versions. The great news is that all of these instruments produce the same award-winning sound. In this way, Access offer you a choice of formats without compromising the most important aspect of any instrument: how well it performs musically.

Designed as the ideal companion to any DJ or project studio, this 37-key model is not only compact but also stunningly beautiful. The side panels are a mix of wood and pure aluminium, while the white LEDs add class and style. The sound engine is exactly that used in the powerful and versatile TI Desktop and Keyboard models.

Even though the Virus is truly multi-talented instrument with great range, you still instantly know it when you hear a it in a production. That's because Access really "get" synthesizer basics: outstanding oscillators, amazing filters and breathtaking effects.

Every part, even in multi-mode, comes with its own chain of independent effects (including reverb and delay). The massive voice count makes it possible to stack even complex sounds for the first time without breaking a sweat.
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 2 in stock $2,137.51
Access Virus TI2 Darkstar Keyboard Synthesizer
Cat: 527756 Rel: 21 Jul 14
 
Special black/gun metal edition edition of the Virus TI Polar
Notes: There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.

The Virus TI line of synthesizers includes 4 different variations: two keyboard models and two desktop versions. The great news is that all of these instruments produce the same award-winning sound. In this way, Access offer you a choice of formats without compromising the most important aspect of any instrument: how well it performs musically.

Designed as the ideal companion to any DJ or project studio, this 37-key model is not only compact but also stunningly beautiful. The side panels are a mix of wood and pure aluminium, while the white LEDs add class and style. The sound engine is exactly that used in the powerful and versatile TI Desktop and Keyboard models.

Even though the Virus is truly multi-talented instrument with great range, you still instantly know it when you hear a it in a production. That's because Access really "get" synthesizer basics: outstanding oscillators, amazing filters and breathtaking effects.

Every part, even in multi-mode, comes with its own chain of independent effects (including reverb and delay). The massive voice count makes it possible to stack even complex sounds for the first time without breaking a sweat.
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 1 in stock $2,316.00
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Modor NF-1m Minimodor Desktop Synthesizer
Cat: 648919 Rel: 31 May 17
 
Polyphonic digital desktop synthesiser - smaller version of the original Modor NF1
Notes: The original Modor NF-1 has one main disadvantage: it's quite big and heavy. Not your favourite piece of hand luggage to carry around. So, here is the smaller, portable version. And of course, a smaller device means a smaller price...!

This comes of course with a smaller number of front panel controls... The Modor NF-1m has 7 context dependant controls grouped in 15 edit pages with a set of 6 pushbuttons to access these pages quickly. Every parameter is just a button press away!

Not unimportant, the NF-1m has new rotary controls with a more stable feeling than the controls on the original NF-1.

Next to that, there are 2 large 'definable controls', DEF1 and DEF2. These controls can be assigned to any sound parameter so that you can 'preselect' two parameters in every patch to have a permanent dedicated control on the front panel. This makes it easy to access your favourite parameters, no matter in which edit page you are...
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MRP:$810.21 SAVE 32%
 2 in stock $552.12
Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (black)
Cat: 781124 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$639.92 SAVE 16%
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Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (white)
Cat: 781126 Rel: 08 Jul 20
 
Effects processor/synthesiser
Notes: Proper wacky stuff from Soma Laboratory. Voice-controlled effects and synthesis in a unique format, designed to process everything from vocals to synths and beats.

Supplier notes:
THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesiser.

It turns your voice into a powerful FX / beat / lead / soundscape synthesiser and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
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MRP:$639.92 SAVE 15%
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Soma Laboratory Lyra-8 Organismic Analogue Synthesiser (white)
Cat: 781122 Rel: 08 Jul 20
 
Analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$767.64 SAVE 14%
 7 in stock $662.98
Soma Laboratory Lyra-8 Organismic Analogue Synthesiser (black)
Cat: 781120 Rel: 08 Jul 20
 
Analogue synthesiser
Notes: Brilliantly unusual synth based on eight analogue tone generators, functioning more like an electric organ or FM synth than a conventional subtractive architecture. Unique sound.

Supplier notes:
Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
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MRP:$767.64 SAVE 14%
 4 in stock $662.98
Soma Laboratory Ether V2 Anti Radio
Soma Laboratory Ether V2 Anti Radio (field recording tool)
Cat: 781128 Rel: 08 Jul 20
 
Radio receiver
Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.
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MRP:$171.62 SAVE 20%
 8 in stock $137.47
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Elettrorama/MFOS Soundlab Minisynth Plus Synthesiser
Cat: 700960 Rel: 29 Jun 20
 
MIDI interface
Notes: Latest version of the mini synth that began life as a DIY kit. Simple analogue architecture which offers a good introduction to subtractive synthesis and sound design.

Supplier notes:
This project is a reprise of the Sound Lab Mini-Synth with the addition of a Sample and Hold and several circuit and component value changes to improve performance. Even if you already have a Sound Lab, this is thoroughly recommended as a completely new project.New design and a new MIDI INTERFACE onboard.

You can play your SLMS+ with a midi keyboard or midi controller.

Type: Analog Synthesis: Subtractive

Oscillators: 2 Waveforms: Pulse, Pulse Variable, Saw Down, Square Osc Modulation: Envelope, Input, Knob, LFO, Sync Hard

Envelope: 1 Evelope

Paramerters: Attack, Decay, Looping

Filters: 1 Types: 12dB Slope (2-pole), Low Pass, Resonance Filter Modulation: Envelope, Knob, LFO, S&H

Lfo: 1 LFO Parameters: Saw Up, Saw Down, Square, Triangle

Sample & Hold Addon: variable sample rate - output voltage glide - switch to select source to be modulate

Midi cannel: 1 (not exchangeable) Midi port: MIDI IN, MIDI THRU Control change: pitch bend, modulation , portamento (CC 5) 1V/Oct: 5 octaves

IMPORTANT: POWER ON SOUNDLAB WHEN YOUR MIDI SEQUENCER IS IN STOP MODE! MICROCONTROLLER CAN GENERATE MIDI SIGNAL ERROR IF YOUR SEQUENCER IS IN PLAY MODE.

Polyphony: 1 Timbrality

1 Tuning: Standard Modes: Mono

Desktop Controls: Knobs, Switches, Buttons Display Type: LED Dimension: 27 x 16 x 7 (cm) Material: Plexiglass Front panel: Aluminum (1mm thick)

Connections: Audio Output Connections: 1/4" Phone Jack, Mono Out

Power: 9V power supply 300 mA (euro) Audio Output Count: 1 Control voltage: 2 - 1V/Oct (1/4" Phone Jack/3,5 mini jack) Gate in: 1 (1/4" Phone Jack/3,5 mini jack) IMPORTANT NOTE: TO USE GATE/MIDI
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MRP:$319.30 SAVE 31%
 5 in stock $220.62
FORTHCOMING
Meng Qi Wingie Mini Synthesiser
Cat: 799800 Rel: 28 Feb 21
 
Handheld resonator mini synthesiser
Notes: The Meng Qi Wingie is a handheld resonator which can be used standalone or with Wing Pinger.

Wingie is powered by a USB Type-C port. It can be easily powered by a power bank to play anywhere. A built in USB-Serial chip makes it easy to upload new firmwares.

With stereo on-board microphones and dual headphone-ready outputs, it is be ideal for handheld sound exploring and songwriting.
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MRP:$143.68 SAVE 17%
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FORTHCOMING
Meng Qi Wing Pinger Banana Version Analogue Synthesiser
Cat: 799797 Rel: 28 Feb 21
 
4-pole resonate low pass filter analogue synth module
Notes: The Wing Pinger is an analog musical instrument, centered around a pair of 4-pole resonate low pass filters.

Wing Pinger exploits the idea of filter pinging (the operation of using narrow pulses as filter input). With Q near self-oscillation it makes naturally decaying tones of various lengths, assembling sounds from percussions to plucking. A special Q compensation is implemented, to balance pinging behaviors at different pitches.

Essential controls unveil the complex synthesizer patch hidden within, respond musically to your playing. Control layout is in symmetric, follows natural hand position with comfortable spacing. All control components are of light action and silky smooth. As the signals from filters generate pulses and modulations, the Q controls become playful and interactive.

With multiple feedback and cross modulation paths, Wing Pinger operates according to the principles of chaos theory. All parameters except volume are interactive, future outputs are related to the current state as well as parameter settings.

Be chaotic at will, you don't miss the expressions from melodies. Wing Pinger is capable of generating pentatonic patterns from its carefully weighted STEP modulation. With practice, you can play noise or melody at will.

Process stereo or dual mono signals through the filters, add spice to the tone, generate movements with special Wing Pinger modulations.

Wing Pinger talks to modular synthesizers via Banana jacks. Use TRIGGER outputs to sync external synthesizers to filter pings. STEP outputs are weighted mixes from shift registers.
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MRP:$1,718.88 SAVE 17%
coming soon $1,432.39
Flame Maander Analogue Filter Bank, Synthesiser & Live Sequencer Desktop Module
Cat: 725951 Rel: 26 Jun 19
 
analogue live sequencer
Notes: Create live sequences with in-depth modulation. The Flame Maander Synthesizer & Sequencer is a four voice synthesizer featuring an onboard sequencer and analog filter bank.

The Flame Maander is a highly versatile desktop synth featuring wavetable sound synthesis including 4OX wavetables and individual filter/amp envelopes. This allows you to get in-depth with your sound design. Create real-time patterns and sequences on the fly using the live sequencer and take your performances to the next level.

The Maander Synthesizer also features USB/MIDI connectivity so you can use it in music production in your favourite DAW. You can even morph between filter types for unique sonic results.
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 1 in stock $1,006.67
Cyclone Analogic Bass Bot TT303 Monophonic Analogue Synthesizer & Sequencer
Cat: 636543 Rel: 10 Jan 17
 
Intelligent analogue monophonic synthesiser featuring 21st century transistor technology
Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter
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 2 in stock $348.11
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Cyclone Analogic Bass Bot TT303 Monophonic Analogue Synthesizer & Sequencer (B-STOCK)
Cat: 763120 Rel: 10 Jan 17
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

*Supplied with Euro two pin to UK three pin adapter*
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 1 in stock $328.34
Cyclone Analogic Bass Bot TT303 Monophonic Analogue Synthesizer & Sequencer (limited edition space black version)
Cat: 761225 Rel: 13 Jan 20
 
monophonic analogue synthesizer & sequencer
Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.
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 1 in stock $324.84
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Modal Electronics SKULPT Virtual Analogue Polyphonic Synthesiser (B-STOCK)
Cat: 802634 Rel: 15 Oct 19
 
B-STOCK: Slight surface marks
Notes: ***B-STOCK: Slight surface marks ***


Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
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 1 in stock $200.41
FORTHCOMING
Modal Electronics COBALT8M 8-Voice Desktop Extended Virtual-Analogue Synthesiser Module
Cat: 798108 Rel: 31 Jan 21
 
Extended virtual-analogue synthesiser
Notes: Building on the tradition of warm and punchy analogue-style synth sounds, conceived by legendary synthesisers from the past, COBALT8M unlocks the full creative potential of analogue waveforms. This powerful, inspiring instrument reinvents the aesthetics of analogue sounds and invites musicians, producers and sound designers to explore a new era of virtual-analogue synthesiser textures, far beyond the limits of its analogue forefathers.

On top of the innovative oscillator engine of COBALT8M, Morph Electronics added a new morphable 4-Pole Ladder Filter. Combined with Modal's unparalleled modulation options, an inspiring real-time / step sequencer, the energising arpeggiator, MPE, studio-quality effects and MODALapp integration, COBALT8M is the perfect synth for everyone who wants a versatile electronic music instrument to play vintage synth sounds and is eager to enter new sound dimensions.

Eight true polyphonic voices, housed in a sleek desktop and rack-mountable enclosure, tempt players to lay out wide string or rich synth pad chords, while a monophonic bass or lead patch, played with 64 oscillators can shake the walls of every stadium. And with the avant-garde sound forming features, every synth enthusiast can refine his performance with sounds that no other synthesiser is able to generate.

Polyphony: True 8 voice polyphonic

Oscillators: 64 high-resolution virtual-analog oscillators, up to 8 per voice
Two independent and self-contained oscillator groups with sine, pulse, triangle, sawtooth waveforms, 34 different algorithms including: complex analogue synthesis techniques, built-in crossmodulation (SYNC, RM, and many more), PWM, smooth morphing between VA waves, bit crushing, filtered noise.
Extended Oscillator Drift

Filter: Four-Pole Morphable Ladder Filter with Resonance and four switchable configurations
Resonance and Balanced Filter Modes

Modulation:
Three dedicated envelope generators for AMP, MOD and FILTER that can be accessed independently or all three simultaneously including negative (reverse) versions for MOD and FILTER ENVs
Three audio-rate LFO's with tempo sync (two poly, one global) with seven different shapes
Eight assignable modulation slots and four additional fixed modulation routings for common assignments with 12 modulation sources and 55 modulation destinations

Sequencer and Arpeggiator: Realtime sequencer with 512 notes with polyphonic mode and four recordable/editable parameter animations (Delay FX, LFO's, sequencer and arpeggiator can be either clocked internally or externally)
Built-In sophisticated programmable arpeggiator of 32 steps with rest capability with up to 2048 steps before repeating

FX: Three incredibly powerful independent and user-configurable stereo FX engines for Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay and Reverb that can be arranged in any order

User Memory:
Patches: 500, all fully editable and ships with 300 factory programs
Sequencer: 100 sequences that can be linked to any patch for quickly loading arrangements
FX: 100 presets
Eight Quick Recall slots accessible from the panel for quickly loading your favourite patches

Controls and Performance:
13 switched encoders, 13 encoders, and 9 buttons
Four-axis joystick that can be assigned to a huge range of modulation destinations and virtually 'locked' when desired
Multiple keyboard modes (Mono, Poly, Unison 2, Unison 4, Unison 8, Stack 2 and Stack 4)
Glide/Portamento with both legato and staccato modes

Enclosure and Display:
Desktop-style steel and aluminium enclosure
Mounting brackets for 19" racks included
1.54-inch large OLED display for instant visual feedback at all times of playing/editing

Inputs and Outputs
2 x unbalanced 6.3 mm (1/4") TS outputs (L/R)
Stereo 6.3 mm (1/4") stereo headphone output
Stereo 3.5 mm (1/8") input with ability to route incoming audio through the FX
6.3 mm (1/4") sustain pedal jack
6.3 mm (1/4") expression pedal jack
3.5 mm (1/8") Analogue clock sync in and out (configured to the KORG / Teenage Engineering specification)
MIDI DIN in and out
Class-compliant MIDI over USB connection to host computer or tablet

Power: DC-9.0V - 1.5A centre-positive

Editor Software: Free MODALapp software editor for macOS, Windows, iOS and Android
MODALplugin to access COBALT8M within your Digital Audio Workstation (DAW), with VST3 and AU versions available

General:
Dimensions (L x W x H): 47 x 42 x 27cm (18.5 x 16.5 x 10.6 inches)
Weight: 2.1 kg (4.63 lbs)
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MRP:$665.20 SAVE 17%
coming soon $554.32
FORTHCOMING
Modal Electronics COBALT8X 8-Voice 61-Key Extended Virtual-Analogue Synthesiser
Cat: 798118 Rel: 31 Jan 21
 
Extended virtual analogue synthesiser
Notes: Building on the tradition of warm and punchy analogue-style synth sounds, conceived by legendary synthesisers from the past, COBALT8X unlocks the full creative potential of analogue waveforms. This powerful, inspiring instrument reinvents the aesthetics of analogue sounds and invites musicians, producers and sound designers to explore a new era of virtual-analogue synthesiser textures, far beyond the limits of its analogue forefathers.

On top of the innovative oscillator engine of COBALT8X, Modal added a new morphable 4-Pole Ladder Filter. Combined with Modal's unparalleled modulation options, an inspiring real-time / step sequencer, the energising arpeggiator, the Premium FATAR 61-note keyboard, MPE, studio-quality effects and MODALapp integration, COBALT8X is the perfect synth for everyone who wants a versatile electronic music instrument to play vintage synth sounds and is eager to enter new sound dimensions.

Eight true polyphonic voices tempt players to lay out wide string or rich synth pad chords, while a monophonic bass or lead patch, played with 64 oscillators can shake the walls of every stadium. And with the avant-garde sound forming features, every synth enthusiast can refine his performance with sounds that no other synthesiser is able to generate.

Polyphony: True 8 voice polyphonic

Oscillators: 64 high-resolution virtual-analogue oscillators, up to 8 per voice
Two independent and self-contained oscillator groups with sine, pulse, triangle, sawtooth waveforms, 34 different algorithms including: complex analogue synthesis techniques, built-in crossmodulation (SYNC, RM, and many more), PWM, smooth morphing between VA waves, bit crushing, filtered noise.
Extended Oscillator Drift

Filter:
Four-Pole Morphable Ladder Filter with Resonance and four switchable configurations
Resonance and Balanced Filter Modes

Modulation
Three dedicated envelope generators for AMP, MOD and FILTER that can be accessed independently or all three simultaneously including negative (reverse) versions for MOD and FILTER ENVs
Three audio-rate LFO's with tempo sync (two poly, one global) with seven different shapes
Eight assignable modulation slots and four additional fixed modulation routings for common assignments with 12 modulation sources and 55 modulation destinations

Sequencer and Arpeggiator: Realtime sequencer with 512 notes with polyphonic mode and four recordable/editable parameter animations (Delay FX, LFO's, sequencer and arpeggiator can be either clocked internally or externally)
Built-In sophisticated programmable arpeggiator of 32 steps with rest capability with up to 2048 steps before repeating

FX: Three incredibly powerful independent and user-configurable stereo FX engines for Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay and Reverb that can be arranged in any order

User Memory
Patches: 500, all fully editable and ships with 300 factory programs
Sequencer: 100 sequences that can be linked to any patch for quickly loading arrangements
FX: 100 presets
Eight Quick Recall slots accessible from the panel for quickly loading your favourite patches

Controls and Performance:
Premium FATAR TP/9S 61-note Keyboard with velocity and channel aftertouch
29 endless encoders, 24 buttons
Four-axis joystick that can be assigned to a huge range of modulation destinations and virtually 'locked' when desired
Multiple keyboard modes (Mono, Poly, Unison 2, Unison 4, Unison 8, Stack 2 and Stack 4)
Glide/Portamento with both legato and staccato modes

Enclosure and Display:
Road-ready steel and aluminium enclosure
1.54-inch large OLED display for instant visual feedback at all times of playing/editing

Inputs and Outputs:
2 x unbalanced 6.3 mm (1/4") TS outputs (L/R)
Stereo 6.3 mm (1/4") stereo headphone output
Stereo 3.5 mm (1/8") input with ability to route incoming audio through the FX
6.3 mm (1/4") sustain pedal jack
6.3 mm (1/4") expression pedal jack
3.5 mm (1/8") Analogue clock sync in and out (configured to the KORG / Teenage Engineering specification)
MIDI DIN in and out
Class-compliant MIDI over USB connection to host computer or tablet

Power
Power: DC-9.0V - 1.5A centre-positive

Editor Software:
Free MODALapp software editor for macOS, Windows, iOS and Android
MODALplugin to access COBALT8X within your Digital Audio Workstation (DAW), with VST3 and AU versions available

General:
Dimensions (L x W x H): 95 x 31 x 38 cm (37.4 x 12.2 x 15 inches)
Weight: 9 kg (19.64 lbs)
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MRP:$864.76 SAVE 17%
coming soon $720.62
FORTHCOMING
Modal Electronics COBALT8 8-Voice 37-Key Extended Virtual-Analogue Synthesiser
Cat: 798100 Rel: 31 Jan 21
 
8-voice 37-key virtual-analogue synthesiser
Notes: Building on the tradition of warm and punchy analogue-style synth sounds, conceived by legendary synthesisers from the past, COBALT8 unlocks the full creative potential of analogue waveforms. This powerful, inspiring instrument reinvents the aesthetics of analogue sounds and invites musicians, producers and sound designers to explore a new era of virtual-analogue synthesiser textures, far beyond the limits of its analogue forefathers.

On top of the innovative oscillator engine of COBALT8, we added a new morphable 4-Pole Ladder Filter. Combined with Modal's unparalleled modulation options, an inspiring real-time / step sequencer, the energising arpeggiator, the Premium FATAR 37-note keyboard, MPE, studio-quality effects and MODALapp integration, COBALT8 is the perfect synth for everyone who wants a versatile electronic music instrument to play vintage synth sounds and is eager to enter new sound dimensions.

Eight true polyphonic voices tempt players to lay out wide string or rich synth pad chords, while a monophonic bass or lead patch, played with 64 oscillators can shake the walls of every stadium. And with the avant-garde sound forming features, every synth enthusiast can refine his performance with sounds that no other synthesiser is able to generate.

Two independent oscillator groups with up to 4 oscillators each generate not only powerful virtual-analogue goodness, but like no other synthesiser before, 34 unique complex algorithms like Sync, Ring Modulation, Waveform Morphing, and many more are available to increase the creative options for new-generation synth sounds. Each Algorithm has a simple-to-use pair of controls selected to suit the particular algorithm or character, providing musicians the power of traditionally complex oscillator modulations or processes spontaneously.

COBALT8's newly designed, self-oscillating 4-Pole Morphable Ladder Filter with Resonance injects more warmth and bite. Switch between the four different filter modes, get creative with the Notch filter and form unusual synth textures with the Phasor. Two different characteristics allow to instil a more subtle behaviour or process the sound with sheer raw power.

Three flexible audio-rate (2 x polyphonic) LFOs can be routed to a massive amount of destinations using the modulation matrix and sync to internal or external tempo. Three dedicated envelopes for the filter, amp and modulation allow excessive control over dynamics and expression. Switchable envelope types provide greater options to tailor the envelopes for specific sound purposes. COBALT8s sophisticated 12-slot modulation matrix supports easy assignments of complex modulation routes to keep the sound evolving. Four common modulation routings are pre-set here to free up space for more exciting ideas.

The integrated 512-note Realtime / Step Sequencer with four powerful Animation Lanes invites to compose massive and complex melodic patterns. The polyphonic 64-note step sequencer mode enables easy step input for note and animation values. Multiple sequencer trigger modes coupled with the powerful onboard arpeggiator (programmable up to 32 steps) and performance features such as Chord Hold, Inversions, Transpose, Sustain Latch.

Professional keyboard players will love COBALT8's rugged steel and aluminium chassis and the premium FATAR 37-note full-size key bed. The keys support channel aftertouch and deliver smooth action to express powerful playing performances. For direct access of the parameters, COBALT8 features 29 endless knobs, 24 buttons and an X/Y joystick for pitch or modulation, and MPE support offers new ways of creative expression for sophisticated performers.

Reshape your sounds completely with the onboard stereo effects engine. COBALT8 comes with a 3-slot FX engine with in-depth FX programming. To polish the sound, a total of 11 FX algorithms add character and depth, including Chorus, Phaser, Flanger (Pos), Flanger (Neg), Tremolo, LoFi, Rotary, Stereo Delay, Ping-Pong Delay, X-Over Delay and Reverb.

Set to be played in any synth environment, COBALT8 comes with all physical connections required. Control the synth using USB, monitor with headphones or using the dedicated line outputs, sync with external gear using the full-size MIDI in and out or the 3.5 mm Sync in or outputs and take control of your sound using the built-in Sustain and Expression inputs. By poly-chaining any two COBALT8 devices, the amount of voices is easily doubled to 16 voices and 128 oscillators.

There is plenty of room to store patch, effects and sequence creations. Out of the box, 300 of the total 500 patches are filled with factory patch banks, carefully programmed by some of the most accomplished sound designers of the world. One hundred customised effects configurations and sequences can be stored as well to be applied to any sound while performing.
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MRP:$771.63 SAVE 17%
coming soon $643.02
Modal Electronics ARGON8X 8 Voice 61 Key Polyphonic Wavetable Keyboard Synthesiser
Cat: 763203 Rel: 08 Oct 20
 
wavetable keyboard synthesier
Notes: 61-key version of one of our favourite recent synth releases. Superbly lush, detailed sound from the wavetable synth engine, paired here with a big, expressive keybed. Also available in 37-key or keyless module format.

Supplier's Notes:
The Argon8X features an identical sound engine and feature set, but rather than a 37-note keybed, you get 61 keys for an even more immersive playing experience. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$863.43 SAVE 30%
 2 in stock $608.66
Modal Electronics CRAFTsynth 2.0 Monophonic Virtual Analogue Wavetable Synthesiser
Cat: 749863 Rel: 15 Oct 19
 
Portable monophonic synthesiser
Notes: Slick update of Modal's budget synth. Nicely thought out wavetable synthesis approach is much more powerful than you might expect. Really nice alternative to Korg Volcas at a similar price.

Supplier notes:
Powerful synthesis in the palm of your hand. The Modal Electronics Craft Synth is a very small, yet incredibly capably synthesiser. It features a monophonic synthesis engine that will allow you to create or craft any sound you can imagine. The eight oscillators offer a very wide scope for sound design. If you have a sound in your head that you want to make a reality then the Craft Synth delivers. Featuring everything you would expect from a top end synthesiser in today's high end market, the Craft Synth shrinks it all down into a portable synthesiser that is perfect for creating music in the studio or for performing live. Effects, filters, tuning, envelopes - Craft Synth has it all!
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! low stock $130.82
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Modal Electronics SKULPT Virtual Analogue Polyphonic Synthesiser
Cat: 749862 Rel: 15 Oct 19
 
Four-part polyphonic desktop synthesiser with virtual analogue synthesis
Notes: Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
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 8 in stock $202.45
Modal Electronics ARGON8M 8 Voice Polyphonic Wavetable Desktop Synthesiser Module
Cat: 763205 Rel: 11 May 20
 
desktop synthesiser module
Notes: Desktop module version of one of our favourite new synths of 2020. Beautifully rich wavetable synth engine that somehow sounds good whatever you do with it.

Supplier's notes:
The Argon8M features an identical sound engine and feature set, but rather than a 37-note keybed, it has brackets for mounting to a 19" 3U rack, as well as end-cheeks for simple desktop use. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
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MRP:$663.87 SAVE 33%
 4 in stock $442.36
Pittsburgh Modular Lifeforms SV-1B Blackbox Desktop Analogue Modular Synthesiser
Cat: 782214 Rel: 29 Jun 20
 
Desktop analogue modular snythesiser
Notes: Updated all-in-one desktop semi-modular system from the ever-reliable Pittsburgh Modular. Big, warm East Coast synth sound meets compact, Eurorack-compatible format. Very nice.

Supplier notes:
The Pittsburgh Modular Lifeforms SV-1b Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary Pittsburgh Filter are paired with a perfectly curated set of synthesis tools. The Lifeforms SV-1b Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

SV-1b Module Specifications:

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Enclosure Power and Specs:
Black powder coat steel construction.

Dimensions: 9 3/4" x 5 1/4" x 2 1/2"

Weight: 3.5 lbs

Power: 1.5A +15v DC power adapter

Included:
Patch Cables: 6 Nazca Audio Brand patch cables.
1/8" stereo jack to midi connector cable.
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MRP:$859.44 SAVE 17%
 3 in stock $716.19
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Pittsburgh Modular Lifeforms SV-1B Blackbox Desktop Analogue Modular Synthesiser (B-STOCK)
Cat: 803472 Rel: 29 Jun 20
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Updated all-in-one desktop semi-modular system from the ever-reliable Pittsburgh Modular. Big, warm East Coast synth sound meets compact, Eurorack-compatible format. Very nice.

Supplier notes:
The Pittsburgh Modular Lifeforms SV-1b Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary Pittsburgh Filter are paired with a perfectly curated set of synthesis tools. The Lifeforms SV-1b Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

SV-1b Module Specifications:

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Enclosure Power and Specs:
Black powder coat steel construction.

Dimensions: 9 3/4" x 5 1/4" x 2 1/2"

Weight: 3.5 lbs

Power: 1.5A +15v DC power adapter

Included:
Patch Cables: 6 Nazca Audio Brand patch cables.
1/8" stereo jack to midi connector cable.
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 1 in stock $647.23
MFB Dominion Club Synthesizer
MFB
Cat: 648352 Rel: 30 Aug 17
 
Module version of the Dominion 1 analog synth with dual VCO's & morphing waveforms
Notes: Dominion Club is a monophonic synthesizer with an analog sound engine and a supplemental digital oscillator. The oscillators' and LFOs' waveforms can be seamlessly blended. In addition, Dominion Club offers 99 memory locations, a step-sequencer, an arpeggiator as well as comprehensive MIDI control.

Small instrument with huge sound:

The Dominion Club is a more compact version of the keyboard synthesizer Dominion 1. It features two VCOs plus sub oscillators, a digital sound source and a noise generator. Additionally, there are Xor and sync stages. The synthesis section is followed by a -24 dB multimode filter with self-oscillation. The modulation department is composed of two ADSR envelopes and two LFOs with one-shot and reset options. Furthermore, the Dominion Club comes equipped with an Arpeggiator and a sequencer. The latter offers two modes of operation plus motion recording. Oscillators, LFOs and filter possess morphing capabilities.

In use, the Dominion Club shines with powerful, rough sound. Thanks to its flexible synthesis system, the instrument is extremely versatile.

In short: A top class compact synth.

PLEASE NOTE: Supplied with Euro 2-pin mains plug - may require 3-pin converter.
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 1 in stock $491.14
MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer
MFB
Cat: 755493 Rel: 09 Apr 20
 
analogue polyphonic desktop synthesiser & sequencer
Notes: The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
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Polyend Medusa Black Limited Edition Hybrid Synthesiser (B-STOCK)
Cat: 803321 Rel: 21 May 20
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Limited edition version of the excellent Medusa, combining the best of Polyend's digital sequencer knowledge with a Dreadbox hybrid synth engine.

Supplier's notes:
The whole is greater than the sum of its parts.
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality. The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

64 fully responsive and customizable, three-dimension expressive pads with assignable musical scales and different layouts.
The Grid is storing 128 presets of voices, chords memory, sequences and more than one hundred modulators per step.
Choose any modulation parameter per preset for X, Y and Z pressure axis.
Three sequencing modes: step, live and incremental.
Unique musical controller, sequencer and powerful modulation source fixed in one powerful Grid.
Sequence notes, modulation parameter locks or even entire synth voice presets per step.
Separate voice, notes sequence and modulation randomizer onboard.
All the necessary Grid information is given on a crispy OLED display.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.
Seems like a simple addition, but this fusion brings something that has never been available before.

You like it digital
or prefer analog?
Medusa has it all.
medusa
Three synchronizable analog oscillators with the choice of four classic wave types for each of them.
One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP).
Frequency modulation separately for analog oscillators and filter.
Analog noise generator with colour shaping.
Three digital wavetable oscillators with a choice of 64 morphable wavetables.
Three different play modes: monophonic, semi polyphonic x3, semi polyphonic x6.
Audio input lets you use the power of Medusa sound engine with external audio sources.
Second OLED screen to display all necessary synthesis data.
Independence. Times ten.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control.
Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign.
Mixer for all seven paths of independent analog, digital and noise voices.
Separate volume control for headphones and master audio outputs.
Implemented MIDI protocol with bi-directional USB and DIN input, output and through. MPE compatible controller.
Sustain notes using the Drone mode. Transpose the running sequences.

The build.
All that analog and digital functionality merged in a one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.

Once you start, you can't stop.
It's all about innovation, revealing new quality and ideas in music. Medusa Hybrid Synthesizer materialized from the genuine passion and a firm relationship between Dreadbox and Polyend synthesized in the proper way. At first, there was a desire to add a simple sequencer and preset functionality to the famous Dreadbox analog synthesizer. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time. Careful, Medusa might be dangerously absorbing and can drag you in for a long time.

Medusa Black Limited Edition
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams an unusual approach to integrating analogue and digital domains into a new quality.

Colourful knobs included in every purchase.
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 1 in stock $633.10
Waldorf Blofeld Desktop Synthesizer (white)
Cat: 370595 Rel: 20 Oct 09
 
Synthesiser comes with a FREE copy of The Waldorf Edition software, includes D Pole Filter Module, PPG Wave 2.V & Attack
Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.
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MRP:$465.64 SAVE 15%
 2 in stock $394.72
Waldorf Blofeld Keyboard Synthesizer (black)
Cat: 467328 Rel: 05 Sep 12
 
49-note keyboard synthesiser
Notes: Introducing the new Waldorf Blofeld keyboard synthesizer.

The little villain grows up. Not only on the outside did he gain weight, also his inner qualities have seen a remarkable step-up: besides the virtual-analog synth and the classic wavetables it now sports a whopping 60 megabytes of sample memory.

Just imagine adding a vocal-like noise spectrum to a typical Wavetable pad, spice-up a virtual-analog solo sound with a strong attack sample or just process any other sample with the countless oscillator and filter modulations.

Play your sound creations on the high-quality keyboard with velocity and aftertouch. Pitchbend and modulation wheel are at your disposal and, as a matter of course, you can connect a sustain pedal.

All this is packaged in a sleek metal enclosure with a big graphic display, endless stainless steel rotaries and an internal power supply.

And although it comes for an unbeatable price tag, Waldorf add something very special.

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 1 in stock $629.72
Waldorf Blofeld Desktop Synthesizer (Shadow edition, black)
Cat: 467331 Rel: 05 Sep 12
 
Synthesiser + Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack
Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
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 1 in stock $394.72
Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer
Cat: 648201 Rel: 24 Sep 18
 
Hybrid polyphonic synthesiser with a range of modulation capabilities and effects
Notes: Waldorf is proud to announce a new chapter in their tradition of designing high-end ground breaking synthesizers. Starting with Waldorf's famous wavetable technology developed decades ago, it was always a challenge to give our instruments a powerful flexible beating heart. Our digital oscillators coupled to the enormous power and efficient simplicity of our analog filters started the digital revolution back in the 80's.

Quantum combines the raw power of a classic digital & analog hybrid synthesizer, with futuristic sounds that are only possible with today's software synthesizers.

Its 3 Oscillators offer four synthesis algorithms each:

- Waldorf-style Wavetables with the latest additions from Nave, including speech synthesis and wavetable generation from audio
- Classic Synthesizer Waveforms with multiple waves for an ultra fat sounds right out of the oscillators
- Granular Sampler with multi sampling plus traditional sampling mode
- Resonator for virtual sound sculpting
- Quantum Display

The flexibility emanating from Quantum's powerful oscillators and their interaction with one another is simply breath-taking. Never before has it ever been possible to create such a wide sonic bandwidth with one synthesizer. Stretching from classic analog, with precise sample playback, through to harsh or animated digital sounds, escalating all the way up to sound and sequence clusters, that can only be achieved with a modular synthesizer system.

Quantum's beautiful ergonomic and intuitive user panel supports an artist's workflow with a previously unknown elegance. The carefully crafted array of aluminium knobs and encoders surround an ultra hi-resolution multi touch display. Waldorf engineers spent many long hours perfecting the interaction between the display and the physical control elements. The stunning display is a highly flexible extension of the tactile experience, and is light-years ahead of any synthesizer currently on the market today.

To help understand functional correlations between one knob and another, each control knob is individually illuminated by a multi colour LED. This makes it instantly obvious when viewing complex settings and modulation settings, where related parameters can be adjusted quickly and efficiently. With the help once again of the gorgeous central display, precise settings can be handled with ease, much the same as the experience when using your cutting edge computer tablet.

When the Waldorf engineers decided to develop Quantum, little did they realise it would take several years of painstaking work. There were areas of Quantum that our years of experience with sound generation were bought to the fore. But Quantum is so powerful it took our team into uncharted territory, involving both sound and the way it was felt the musician would interact with it.

Quantum was designed and developed by our dedicated team in Germany. All essential components have been designed, manufactured and assembled here in Germany. This has allowed us to manufacture Quantum with an unparalleled build quality. We would also like to take this opportunity to thank a world class array of sound designers that have contributed to a multi-facetted factory sound set.
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 1 in stock $3,520.01
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Waldorf Pulse 2 Analog Synthesizer
Waldorf Pulse 2 Analog Synthesizer (monophonic synthesizer)
Cat: 446342 Rel: 25 Sep 13
 
Analog monophonic synthesiser with large LCD display and stainless steel knobs
Notes: Pulse 2 Analog Synthesizer is proof positive that good things can come to those that wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic musicdominating sounds have been severely sought after by those in the know. Which was exactly what drove us into development overdrive to produce an all-new Pulse fit for the 21st Century.

As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time - three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords - a fantastic feature found on our recently-released Rocket Synthesizer.

Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix - logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.

Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output - not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI 'note' information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that's not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!

Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels - high and low only - capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) - all of which, of course, contribute to kickstarting those still soughtafter sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than
enough to keep the most diehard synthesist smiling! What's more, all are backwards-compatible with the original Pulseseries, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump).
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 1 in stock $407.98
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Vermona PerFourMer MkII Quad Analog Synthesizer
Cat: 439566 Rel: 22 Mar 12
 
4-voice analogue synthesiser
Notes: The new PerFourMer is a real analog synthesizer, through its simple control surface and very flexible sound production it is able to offer a near inexhaustible variety of bass, lead, pad and effect sounds. Additionally, with its total of 6 filter inputs, the PerFourMer is also perfectly suited as a complex filter-bank. Even though the PerFourMer is not considered a modular system, it can still be described as a modular or at the very least a semi-modular. The basic concept is reminiscent of classics such as the Oberheim 4 Voice or the Korg Monopoly.

The PerFourMer is a 4 voice synthesizer, consisting of completely independent synthesizers, which can be adjusted and played independently from each other. These 4 synthesizer channels can be linked with each other and be played in 3 different operating modes.

Next to the already mentioned filter inputs, each channel has a single output, which can also be used as an insert for external effect devices, and make it possible to easily integrate the PerFourMer with already established equipment. It is also possible to transmit the unedited VCO signal. Additionally the opportunities of the PerFourMer can be expanded through internal patching between the channels, for example; you can route a VCO through multiple filters and VCAs, or use 2 channels to create 1 voice with 2 ADSR envelopes (1 for VCA and 1 for VCF). Use the PerFourMer as a filter-bank and the slope envelope can be doubled by interconnecting the filter in series. The PerFourMer is controlled via MIDI.

www.youtube.com/watch?v=UWFsfUa9pUk
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 2 in stock $1,328.18
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Vermona Mono Lancet '15 Monophonic Analog Desktop Synthesizer
Cat: 605114 Rel: 14 Apr 16
 
classic monophonic synthesiser for lead- bass and effect-sounds - expandable with modular dock
Notes: Mono Lancet '15 might be small-sized device, despite it is a bona fide analogue synthesizer.

Two oscillators and a noise generator are the foundation for its sound. Together with the musical lowpass filter and VCA it's capable of producing warm and precious sounds full of character.

Beside its audio qualities Mono Lancet '15 has a dead simple and intuitive user interface. Each parameter has its own control. We are absolutely convinced that you will quickly learn how to realize your sounds with Mono Lancet '15 without thinking about what you do.

Expandable with Modular Dock:
Mono Lancet '15's functionality can even be enhanced using the optional Modular Dock eurorack module. It offers various in- and out-connections to the individual sections of the synthesizer. With just a few additional modules you can multiply the strong sound base of Mono Lancet '15.

Mono Lancet '15 is manufactured in our Elektroakustischen Manufaktur in historical Vogtland. For us it is not only a piece of high-quality analogue technology but rather a musical instrument, handmade with love and passion.

Ships with UK 3-pin power supply.

For audio demos, please visit - http://www.vermona.com/en/products/synthesizer/product/mono-lancet-15/
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MRP:$570.74 SAVE 23%
 1 in stock $439.03
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Waldorf STVC String Synthesizer & Vocoder
Cat: 675800 Rel: 16 Jan 20
 
Desktop synthesiser featuring a 49-note keyboard & vocoding features
Notes: Gorgeous retro-inspired synth. Heavily based on 70s string synthesisers and vocoders, updated in a modern format. Proper lush vibes.

Supplier's notes:
The string section starts with an oscillator bank using octave dividers, followed by a complex mixer, an equalizer and the ensemble effect, just like string machines from the 70's. A single registration knob sweeps through mixer and EQ settings for Violin, Viola, Cello, Brass, Organ, Choir and more for creating rich and creamy sonic textures.

The Solo section is a 16-voice synthesizer that complements the string sounds. A single Tone knob sweeps through many useful settings. Solo is the sidekick to the strings, but it is powerful enough to be the lead character every now and then.

The Vocoder replaces the equalizer in the string section with the filter bank that models the vocal tract from the speech input. This can produce quite intelligible speech or singing using the fully polyphonic oscillator bank. Formants can be modified, which can result in a perceived change of gender. Adjustable jitter of the string oscillators renders the voice hoarse, creaky or a complete whisper. Solo can pass through the Vocoder or play in parallel.

The Freeze button lets you freeze a short speech fragment, which is then repeated by the Vocoder whenever a key is pressed. Change of playback speed, like faster, backwards or a complete stop are possible and fun, as well as formant change.

A novel Tweak function allows for modification or modulation of details, like e.g. the solo cut-off frequency or the Chorus LFO rate. It is similar to a modulation matrix, but it also allows to alter implicit settings with a fixed value or an offset.

Three Effects operate simultaneously - Animate is in fact a modulation of the string or vocoder registration, while a Phaser is a must for any decent string machine. A high-quality Reverb with adjustable size can be mixed to the output.

STVC comes with a high-quality gooseneck microphone that plugs right into the front panel where it belongs.
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MRP:$996.47 SAVE 30%
 1 in stock $693.19
Waldorf Quantum 8 Voice Hybrid Polyphonic Synthesizer (B-STOCK)
Cat: 792509 Rel: 24 Sep 18
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Waldorf is proud to announce a new chapter in their tradition of designing high-end ground breaking synthesizers. Starting with Waldorf's famous wavetable technology developed decades ago, it was always a challenge to give our instruments a powerful flexible beating heart. Our digital oscillators coupled to the enormous power and efficient simplicity of our analog filters started the digital revolution back in the 80's.

Quantum combines the raw power of a classic digital & analog hybrid synthesizer, with futuristic sounds that are only possible with today's software synthesizers.

Its 3 Oscillators offer four synthesis algorithms each:

- Waldorf-style Wavetables with the latest additions from Nave, including speech synthesis and wavetable generation from audio
- Classic Synthesizer Waveforms with multiple waves for an ultra fat sounds right out of the oscillators
- Granular Sampler with multi sampling plus traditional sampling mode
- Resonator for virtual sound sculpting
- Quantum Display

The flexibility emanating from Quantum's powerful oscillators and their interaction with one another is simply breath-taking. Never before has it ever been possible to create such a wide sonic bandwidth with one synthesizer. Stretching from classic analog, with precise sample playback, through to harsh or animated digital sounds, escalating all the way up to sound and sequence clusters, that can only be achieved with a modular synthesizer system.

Quantum's beautiful ergonomic and intuitive user panel supports an artist's workflow with a previously unknown elegance. The carefully crafted array of aluminium knobs and encoders surround an ultra hi-resolution multi touch display. Waldorf engineers spent many long hours perfecting the interaction between the display and the physical control elements. The stunning display is a highly flexible extension of the tactile experience, and is light-years ahead of any synthesizer currently on the market today.

To help understand functional correlations between one knob and another, each control knob is individually illuminated by a multi colour LED. This makes it instantly obvious when viewing complex settings and modulation settings, where related parameters can be adjusted quickly and efficiently. With the help once again of the gorgeous central display, precise settings can be handled with ease, much the same as the experience when using your cutting edge computer tablet.

When the Waldorf engineers decided to develop Quantum, little did they realise it would take several years of painstaking work. There were areas of Quantum that our years of experience with sound generation were bought to the fore. But Quantum is so powerful it took our team into uncharted territory, involving both sound and the way it was felt the musician would interact with it.

Quantum was designed and developed by our dedicated team in Germany. All essential components have been designed, manufactured and assembled here in Germany. This has allowed us to manufacture Quantum with an unparalleled build quality. We would also like to take this opportunity to thank a world class array of sound designers that have contributed to a multi-facetted factory sound set.
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 1 in stock $3,343.73
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