安全购物

Studio equipment

Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.

Visit Juno Studio

安全购物

DJ equipment

Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.Visit Juno DJ

Synthesisers

首页  Equipment  

Synthesisers

Options
Items 1 to 50 of 114 on page 1 of 3
1  2  3  »
Subscribe to our weekly Studio Equipment emails
FORTHCOMING
Division 6 Business Card Synthesizer (fully assembled)
Cat: 777973 Rel: 06 Jul 20
 
business card synthesiser
Notes: The Business Card Synthesizer is a tiny synth that can be connected to a Business Card Sequencer, other synth gear, or played by itself.

Headphones can be connected directly to the output of the synth, and there are plenty of knobs to play with, so you can easily make noises anywhere. Great for learning about synthesizers!

S&H Button: Enables Sample & Hold, which disables the external CV IN jack and uses LFO1 and LFO2 to determine oscillator pitch. LFO1 sets the sample rate (SHAPE is ignored for this), and LFO2 is the wave that gets sampled.

GATE Button: Manually turns on the gate so sound comes out of the synth. This control is momentary, but you can latch it on by tapping the S&H button while holding the GATE button down.

COARSE TUNE: Adjusts the pitch of the oscillator up or down in large increments

FINE TUNE: Adjusts the pitch of the oscillator up or down in fine increments

SHAPE: Changes the shape of the wave produced by the main oscillator (VCO). Turning this control fully CW gives you a triangle wave. Start turning it CCW takes you through sawtooth/ramp, then at about the 12:00 position you get a square wave. Continue turning it CCW and you get several higher duty cycle square waves
.
GLIDE: Adjusts the rate at which the pitch of the VCO takes to go between pitches (whether changed by the COARSE TUNE knob or CV IN). Fully CCW causes the pitch to react almost instantly, while fully CW makes it take its sweet time.

LFO 1 / LFO 2 SHAPE: Changes the shape of the waves produced by the low-frequency oscillators (LFOs). The shapes are similar to those of the VCO, except that the LFOs have sawtooth/ramp waves that go both up and down (since you can actually hear the difference at LFO rates).

LFO 1 / LFO 2 RATE: Controls how fast the LFOs go.

LFO -> VCO: Routes the two LFOs to control the pitch of the main oscillator. The 12:00 position is basically "off", and the LFOs have no effect on pitch. Start turning the control CCW and LFO1 starts changing the pitch of the VCO. Maximum effect is at about 10:00. Continuing to turn the control starts to bring in LFO2 as well. All the way CCW gives you full effect from both LFO1 and LFO2.

Turning the control CW from 12:00 does essentially the same thing, but brings in LFO2 first, then LFO1.

This might seem like kind of a weird control, but it gives you quite a bit of routing flexibility with one knob. You can have no pitch modulation, LFO1, LFO2, LFO1 with a little LFO2, or LFO2 with a little LFO1.

LFO -> VCA: Routes the two LFOs to control the amplitude of the oscillator. (See LFO -> VCO control description above for more information about how the control works.)

ATTACK: Controls how fast the audio amplitude fades in when the gate is triggered. CCW is fast and CW is slow.

DECAY: Controls how fast the audio amplitude fades out when the gate is released. CCW is fast and CW is slow.

VOLUME: Controls the overall volume of the signal coming from AUDIO OUT.

FILTER: Changes the cutoff frequency of an analog low-pass filter. Turn the knob fully CW and all frequencies (that you can hear) are let through. Start turning it CCW and the high frequencies start getting cut off, until the sound becomes muddy / muffled. Use in conjunction with the SHAPE control to get the tonal quality you are looking for.

Connections:
CV IN: Accepts a 1 volt/octave control voltage to control the pitch of the oscillator. It responds from about 0-5V, but voltages outside of this range won't cause damage. The CV input is quantized, so only valid (western scale) notes are played. This input is ignored when Sample & Hold is enabled.
GATE IN: A voltage greater than about 2.5V will turn on the gate and allow audio to come out the output of the synth.
AUDIO OUT: Connect to an amplifier or another synth. The jack has both the tip and ring connected, so you can even use stereo headphones and hear sound from both ears.
Power: Connect 7.5-15VDC to this 3.5mm TS jack to power the synthesizer. The tip is positive (don't worry, there's a protection diode in case you get it reversed). You can get power from a 9V battery, AC adapter, or you may even be able to find an output on your modular synthesizer that can provide enough current.

Specifications:
Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)
Read more
MRP:$103.62 SAVE 19%
coming soon $84.25
FORTHCOMING
Soma Laboratory Lyra-8 Organismic Analogue Synthessier (black)
Cat: 781120 Rel: 18 Sep 20
 
analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of VCOs. Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Read more
MRP:$720.33 SAVE 14%
coming soon $621.07
FORTHCOMING
EMW 200 Desktop Synthesiser
Cat: 775814
 
desktop synthesiser
Notes: The EML-200 recreation is an old idea that has been in the works for 12 years, and several approaches and circuits have been tested during this time. The first attempt was to create a similar synth that resembles the 200 but with several different modules and circuits.

In 2011, with the growth of the EMW initiative and a few years without focusing on the project, it was embraced again, but now with no more surprises.

The raw and powerful vibration that represents the heart and the root of the analog sound, particualrly from the EML-200 and EML-300, was a key inspiration when creating the EMW-200 and EMW-300.
Read more
MRP:$2,237.13 SAVE 19%
coming soon $1,819.54
FORTHCOMING
EMW 300 Desktop Synthesiser
Cat: 775817
 
desktop synthesiser
Notes: The EML-300 was released as a controller or an expansion for the EML-200. It carries an aditional oscillator and have very interesting features that vastly expands the sound creation and controlling of the model 200. Although the original EML-300 has not been designed as a stand-alone instrument, it can do a pretty good job in several situations..
The good news is that our EMW-300 received an extra strenght that allows it to be a more atractive machine in many cases, thats because we implemented an automatic trigger to the Voltage Generator that turns this module on a 16-steps analog sequencer.
Read more
MRP:$1,134.80 SAVE 19%
coming soon $924.85
FORTHCOMING
EMW WCS-1 Wave Composition Analog Synthesizer
Cat: 775808
 
analog synthesiser
Notes: The WCS-1 is a MIDI synthesizer module that utilizes a digital oscillator followed by all discrete analog circuits in order to produce unusual and 'fat' sounds.The exclusive wave addition resource together witha dual input.

A powerful VCF and a lightning fast VCA makes for powerful sound generation capabilities- an ideal instrument for electronic music perfection.

To make use of the WCS-1, you need a MIDI controller keyboard or anthing else with a MIDI OUT port e.g. MIDI pad controllers, bass pedals, or a computer with a MIDI connection.

The WCS-1 has a 1/4" (P-10) mono jack on the back panel in order to be connected to a sound mixer, computer audio interface, or directly to an amplifier.
Read more
MRP:$353.30 SAVE 20%
coming soon $281.93
FORTHCOMING
SynthRotek MST SYSTEM 84 Modular System
SynthRotek MST SYSTEM 84 Modular System (modular synthesiser system)
Cat: 778518 Rel: 06 Jul 20
 
analog modular synthesiser
Notes: Housed in Synthrotek's 84HP Skiff Boat, the MST SYSTEM 84 is a very powerful analog monophonic FULLY modular synthesizer. Includes a power brick.

Powered by Synthrotek's Case Power Red, the MST SYSTEM 84 has the following amperage specs: +12V @ 2A, -12V @ 500mA, +5V @ 1.5A

Modules:
MST MIDI to CV Converter
MST '07 Buffered Multiple
MST VC LFO
MST Noise Sample and Hold / Track and Hold
MST VCO (x 2)
MST 4-Channel Audio/CV Mixer
MST Low Pass Filter
MST Dual Envelope
MST Dual VCA
DLY Module
MST Stereo Output Mixer
Read more
MRP:$2,366.97
coming soon $2,222.69
FORTHCOMING
SynthRotek MST Mono Voice System
SynthRotek MST Mono Voice System (modular synthesiser system)
Cat: 778509 Rel: 06 Jul 20
 
analog modular synthesiser
Notes: Housed in Synthrotek's Power Lunch, the MST Mono Voice System is a powerful analog monophonic FULLY modular synthesizer.

Includes a power brick.

The MST Mono Voice is powered by Synthrotek's Case Power Mini Yellow, which has the following amperage specs: +12v @1A; -12v @ 0.5A; +5v @ 1.5A

Modules:
MST MIDI to CV Converter
MST VC LFO
MST VCO
MST Dual Envelope
MST Low Pass Filter
MST Dual VCA
1U UniBuffer
1U Stereo Output Mixer
Read more
MRP:$1,498.08
coming soon $1,406.77
FORTHCOMING
SynthRotek MST SYSTEM 104 Modular System
SynthRotek MST SYSTEM 104 Modular System (modular synthesiser system)
Cat: 778516 Rel: 06 Jul 20
 
amalog modular synthesiser
Notes: Housed in Synthrotek's 104HP Skiff Boat, the MST SYSTEM 104 is a very powerful analog polyphonic FULLY modular synthesizer.

Powered by Synthrotek's Case Power Red, the MST SYSTEM 104 has the following power specs: +12V @ 2A, -12V @ 500mA, +5V @ 1.5A

Modules:
MST Expressor
MST MIDI to CV Converter
MST MIDI to CV Expander
MST Ribbon Controller
MST '07 Buffered Multiple
MST VC LFO
MST Noise Sample and Hold / Track and Hold
MST VCO (x 3)
MST 4-Channel Audio/CV Mixer
MST Dual Envelope
MST Low Pass Filter
MST Dual VCA
VERB
MST Stereo Output Mixer
Read more
MRP:$2,756.47
coming soon $2,588.45
FORTHCOMING
SynthRotek Analog Drum Synth System
SynthRotek Analog Drum Synth System (modular synthesiser system)
Cat: 778469 Rel: 06 Jul 20
 
analog drum snyth system
Notes: The Analog Drum Synth System is perfect for making the beats. The DS-M can replicate virtually any drum sound; with four, you can mimic a small drum kit, make acid beats, trance, all with the a warm analog sound. Add some crunch with the DIRT Filter and some delay with the DLY Module and ECHO, and you have yourself a perfect drum machine.

Housed in the Power Lunch. Includes a power brick.

The Analog Drum Synth is powered by Synthrotek's Case Power Mini Yellow, which has the following amperage specs: +12v @1A; -12v @ 0.5A; +5v @ 1.5A

Some great ways to use the Analog Drum System:
Plug drum pads or an electronic drum kit into the DS-M trigger inputs, it makes a live electronic set more physically dynamic.
Use a sequencer like the Arturia Beat Step Pro to trigger each DS-M. This is perfect for a solo act that needs synth drums, just set up a configuration and switch to a different instrument.

Modules:
DS-M (x 4)
DIRT Filter
DLY Module
ECHO
1U UniBuffer
1U Stereo Output Mixer
Read more
MRP:$1,408.20
coming soon $1,322.36
FORTHCOMING
SynthRotek Beat Crusher System
SynthRotek Beat Crusher System (modular synthesiser system)
Cat: 778499 Rel: 06 Jul 20
 
series module
Notes: PatchBox is a series of small Eurorack modular systems that are designed to accompany other standalone or computer-based audio hardware. These small curated systems are a perfect way to get started in modular without having to invest in more than you currently need. PatchBox systems are housed in Synthrotek's own Bus Cheeks and are powered via our USB power supply. PatchBox systems can be powered via a portable battery, computer USB jack or USB wall dongle.

PatchBox 20 - Beat Crusher

The Beat Crusher system was designed to augment rhythm making devises such as drum machines, Pocket Operators, Volcas and DAWs. The DLY and Roboto are at the heart of the sound expansion and destruction. The OBEY module can 'beat detect' and send an envelope and gate (or clock) to the RND module which in turn can send well timed voltages to the DLY and Roboto. The clocks and random voltage and then be patched back into the drum machines clock input, resulting in unique and abstract beat production.

Modules:
OBEY - Envelope Follower
Roboto
Passive Mult
RND - Random
DLY - Delay
Housed in a Bus Cheeks with a USB Power. Includes USB to USB mini cable.
Read more
MRP:$659.16 SAVE 21%
coming soon $520.16
FORTHCOMING
SynthRotek Bi-Translator System
SynthRotek Bi-Translator System (modular synthesiser system)
Cat: 778501 Rel: 06 Jul 20
 
series module
Notes: The Synthrotek Bi-Translator is a new mini 44HP synthesizer system available as a completely built and calibrated system or as a do-it-yourself-kit. This versatile a system lets your translate your artistic voice bi-coastally and really anywhere in between.

The Translator’s powerful multi-waveform sound generation starts with the two fully analog VCO modules. Paired with the two channels of the Low Pass Gate Module, the VCOs can operate as two independent voices or can be used together for deep complex modulation.

ADSR envelope generation is produced by the aptly named ADSR module which is a powerful-for-its-size 4HP module that produces the heartbeat functions and LFOs.
The RND module is compact power station of variable random voltages, setting time signatures and esoteric timing anomalies.

The Sequence 8 is provides simple to complex sequencing when combined with the RND and other control voltage producing variables.
The Bi-Translator System 44 takes on the best features of West Coast synthesis with its insistence on organic percussion. This takes shape in the advent of the precisely crafted Synthrotek Dual Low Pass Gate Module, the LPG. Ear and hand selected vactrols provide organic earth-toned sonic variations from paleo hand drums to skin stringed instruments and beyond to cathedral bells.

Expansive and unique signal processing is provided by the DLY delay module. The DLY, like its predecessor the ECHO, takes full potential of its digital and analog topography by pushing the edges of what delay can do. The DLY performs 50s-era slap back, traditional repeats and even caustic post-industrial clock degeneration.

The 1U Stereo Output Mixer allows for internal signal mixing but also doubles as a performance mixer that allows you to incorporate other electronic music gear into your set.

Modules:
ADSR
DLY: Delay Module
LPG: Low Pass Gate
RND: Random Module
Sequenece 8
VCO (x 2)
1U UniBuffer
1U Stereo Output Mixer
Read more
MRP:$1,378.23
coming soon $1,294.22
FORTHCOMING
SynthRotek Duo Mini System
SynthRotek Duo Mini System (modular synthesiser system)
Cat: 778505 Rel: 06 Jul 20
 
series module
Notes: PatchBox is a series of small Eurorack modular systems that are designed to accompany other standalone or computer-based audio hardware. These small curated systems are a perfect way to get started in modular without having to invest in more than you currently need. PatchBox systems are housed in Synthrotek's own Bus Cheeks and are powered via a USB power supply. PatchBox systems can be powered via a portable battery, computer USB jack or USB wall dongle.

The Duo Mini is the perfect way to add two fully analog synth voices to your DAW. The Sound Study Midi to CV converter can send 2 independent gates and CVs via your DAW.Connect the SS Midi to CV directly into your computer's USB jack and away you go. You do not even need an interface! The Duo Mini includes two ADSR envelope generators, two analog VCOs, and our dual Low Pass Gate module.

Modules:
2 x VCO - Voltage Controlled Oscillator
2 x ADSR - Envelope
LPG - Dual Low Pass Gate
Sound Study MIDI 2 CV
Housed in a Bus Cheeks with a USB Power. Includes USB to USB mini cable.
Read more
MRP:$837.68 SAVE 20%
coming soon $673.09
FORTHCOMING
SynthRotek Nano West System
SynthRotek Nano West System (modular synthesiser system)
Cat: 778520 Rel: 06 Jul 20
 
modular synthesiser
Notes: PatchBox is a series of small Eurorack modular systems that are designed to accompany other standalone or computer-based audio hardware. These small curated systems are a perfect way to get started in modular without having to invest in more than you currently need. PatchBox systems are housed in Synthrotek's own Bus Cheeks and are powered via our USB power supply. PatchBox systems can be powered via a portable battery, computer USB jack or USB wall dongle.

The Nano West system is a fantastic west coast style sidecar to your Mother 32, keyboard based synth, DAW or other workstation. If you want to add the beauty of a true analog modular with the rhythmic possibilities of our Dual Low Pass Gate, then look no further. The Nano West's ADSR envelope can produce large self cycling swells or icy pinging beats and bongos. As a full mono voice, you can also control this with the Arturia KeyStep, etc. Add another voice to your Mother 32!

Modules:
VCO - Voltage Controlled Oscillator
LPG - Dual Low Pass Gate
ADSR - Envelope
RND - Random
DLY - Delay
Housed in a Bus Cheeks with a USB Power. Includes USB to USB mini cable.
Read more
MRP:$749.04 SAVE 20%
coming soon $602.34
FORTHCOMING
SynthRotek West Coast Noise System
SynthRotek West Coast Noise System (modular synthesiser system)
Cat: 778522 Rel: 06 Jul 20
 
noise module
Notes: Clear a room faster than ever with the West Coast Noise System. The amount of insanity you can create from so few modules is incredible. It's analog drums, 8bit crunch and noise married to a sequencer. Be sonically devastating or intriguingly melodic.

The West Coast Noise System is powered by Synthrotek's Case Power Mini Yellow, which has the following amperage specs: +12v @1A; -12v @ 0.5A; +5v @ 1.5A

Modules:

Sequence 8
MST Noise Sample and Hold / Track and Hold
Atari Punk Console
DS-M
DIRT Filter
DLY Module
1U UniBuffer
1U Stereo Output Mixer
Read more
MRP:$1,048.66 SAVE 21%
coming soon $832.26
FORTHCOMING
Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (black)
Cat: 781124 Rel: 18 Sep 20
 
effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesizer.

It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
Read more
MRP:$600.48 SAVE 16%
coming soon $503.52
FORTHCOMING
Soma Laboratory Ether V2 Anti Radio
Soma Laboratory Ether V2 Anti Radio (field recording tool)
Cat: 781128 Rel: 18 Sep 20
 
radio receiver
Notes: ETHER is a wide-band receiver that makes it possible to perceive the electromagnetic landscape around you.

ETHER is a kind of anti-radio. Instead of being tuned to a specific radio station, it receives all the interference and radiation that a traditional radio tries to eliminate in order to create a clean signal. It captures the radio waves as is from hertz to gigahertz because it doesn't contain the tuned input circuit that filters out all frequencies except the narrow band of a specific station. This allows ETHER to perceive the invisible electromagnetic landscape that humans created unintentionally, making possible live electromagnetic field listening and recording.

The design was inspired by the design for the very first radios (early 1900s) that had no tuning wheel. At this time there weren't many radio stations, and all of them used Morse code. It was possible to distinguish each transmitter by ear, as each one had its own specific timbre or voice.

ETHER is pocket-sized (103x58x17mm) and light-weight (73g with batteries). It consumes very little power and runs on two AAA batteries. How long it can run on two batteries is unclear,- but the battery life is more than 300 hours if you using alkaline or lithium batteries.

ETHER was intended to be a unique accessory for the conscious modern human. Special designed enclosures made in Europe were used, as well as high-quality PCB and furniture providing long life and high reliability. So with ETHER, you get both a unique sound experience and a cool-looking high-quality gizmo.

ETHER has both magnetic and electric components for sensing radiation. For the magnetic component, it has a built-in magnetic antenna, like the ones used in old long-wave radios. The antenna has maximum sensitivity on ETHER's axis. By changing the orientation, angle and position of ETHER, you will change the sound. For the electric component, it has antennas printed on the PCB and the special input pins placed on the anterior surface.

ETHER V2 has two external antenna pins. You can touch any conductive material or surface (including your body) with the pins and use objects or yourself as a big external antenna! Two pins are connected to different points of the circuit and interact differently with electromagnetic waves. Switching from one to another or using them both, you can change the sound. Far away from a city, we recommend trying to use a piece of wire 1-4 meters long connected to one of the pins for getting some interesting sound.

ETHER V2 has two wheels for sound control and the power switch. The upper wheel adjusts the amount of high-frequency amplification and regeneration. The lower wheel is the volume. By adjusting high-frequency gain you can focus ETHER on different dynamical levels of surround interferences getting the richest and interesting sound.

ETHER is not just an inductive sniffer like some projects you can easily find online. A simple low-frequency inductive sniffer will be silent in most places that are full of sounds in the video. Such devices need to be placed close to an emitting source and will not work on a street. All they contain is a coil and a low-frequency amplifier. In comparison, ETHER has a regenerative circuit and a demodulator, making it an actual radio wave receiver, not just an amplifier of low-frequency magnetic fields. However, ETHER can perceive the low-frequency magnetic fields as well. But, honestly, if your goal is to scan objects in close proximity (0-20 centimeters), a simple inductive sniffer will work cleaner and more focused due to its narrow band and lower sensitivity. ETHER was designed to be a part of your walks in the city and may even pick up sounds in a forest or at the seashore. Also, ETHER can perceive the electric component of the radiation as well, capturing radiation that is far above the audio range and is much more sensitive. Therefore, it has a significantly different design, functions and implementation than a simple inductive sniffer even if in some cases their functions can overlap.

ETHER is very sensitive to any kind of digital circuitry that's in close proximity, hence the lack of an SD-card recorder or something like that inside. You also have to make sure to keep other electronic devices that you carry (phone, laptop, recorder) at least 30cm/1ft away to avoid interference, but ETHER definitely works well when you walk around with a smartphone and laptop.
Read more
MRP:$161.04 SAVE 21%
coming soon $127.95
FORTHCOMING
Soma Laboratory The Pipe Voice Controlled Dynamic FX Processor & Synthesiser (white)
Cat: 781126 Rel: 18 Sep 20
 
effects processor/synthesiser
Notes: THE PIPE is a voice / breath / mouth-controlled dynamic FX processor and synthesizer.

It turns your voice into a powerful FX / beat / lead / soundscape synthesizer and it offers unprecedented levels of vocal processing, truly expanding the traditional boundaries of singing. Conventional singing with lyrics is also possible, and you can use the FX to add live modulations to your vocal performance.

Also, you can use the PIPE as a powerful FX processor for an external signal as a synth, drum machine etc.

THE PIPE has 12 different algorithms: ORPHEUS, FILTERRA, SYNTH, REVERB, MADELAY, PULSE, BASSDRUM (three versions), OCTAVA, GENERATOR, HARCHO!

The PIPE consists of the handheld part and a small break-out box with L R output jacks (1/4-inch) and DC IN for power. The handheld part and break-out box are connected by a single cable that contains both output channels and DC power.

The handheld part consists of the contact vocal mic (connected by a standard 1/4-inch jack), electronic components and the controls. You can easily attach a cable extension to the mic which opens up many more options. Attach it to a stand, or put it inside of or on the surface of acoustic instruments such as drums, guitars, trumpets etc. Also, you can use the mic in jack as external in and use the PIPE to process any signals you want.
Read more
MRP:$600.48 SAVE 16%
coming soon $503.52
FORTHCOMING
Soma Laboratory Lyra-8 Organismic Analogue Synthesiser (white)
Cat: 781122 Rel: 18 Sep 20
 
analogue synthesiser
Notes: Welcome to the world of sound of LYRA-8, the unique organismic analogue synthesizer designed by Vlad Kreimer. "Organismic" means that LYRA uses some principles that lie in the base of living organisms. The way how LYRA's modules interacting between each other and the behaviour of the instrument resembles a live conversation.

LYRA-8 is based on eight generators, which will be referred to as voices. Their design is not like a traditional subtractive synthesis VCO. Instead of having a linear or logarithmic dependency on control voltage, they resemble the tone generators in old electric organs. Hence the use of the term "voices" instead of "VCOs". Lyra uses non-linearity a lot, and the voices are constructed in such a way that allows for non-linearity to express itself.

The voices are divided into four pairs (12, 34, 56, 78). All the pairs are divided in two groups, with two pairs in each (1234, 5678), creating tree-like structure.

The voices can function either in an electric organ mode or in an FM synthesis mode with each of the voices and its envelope acting as a separate FM operator. The voice's impact on FM synthesis will decrease along with the decay of its envelope.

LYRA-8 also has the next blocks:

The HYPER LFO is a complex low-frequency generator, whose waveform is synthesized from two simple LFOs by summation or multiplication of their frequencies. It also has a sync mode. The LFO can modulate the selected pairs of voices and the MOD DELAY.

The MOD DELAY consists of two lines of delay with cross-feedback and a special architecture that enables resonance between the two lines. Each line's delay time can be individually modulated from various sources, including external ones. The delay has a unique possibility of self-modulation where the output signal modulates the delay sample rate, creating cool effects.

The DISTORTION is last in the chain, after the delay. It enables the delay to also influence the distortion.

For all its experimental character, LYRA is a professional instrument. Its output dynamics and frequency response are balanced and ready for a live performance or studio recording without any additional processing.
Read more
MRP:$720.33 SAVE 14%
coming soon $621.07
FORTHCOMING
Division 6 Business Card Sequencer V2
Cat: 777968 Rel: 06 Jul 20
 
business card sequencer
Notes: The Division 6 packs a lot of sequencer into a tiny package! This 16-step circuit can work as a sequencer or as a handheld keyboard.

Specifications:
Power In: 7-15VDC, tip positive through a 3.5mm jack. Find a voltage source on your synth to power it if you can! A 9V battery or AC adapter will work too.

Power supply: 7-15VDC (reverse-polarity protected!)
Power connection: 3.5mm phone jack, center-positive
Current draw: 15ma
Dimensions: 3.5" x 2" (the same as a business card!)
Read more
MRP:$103.62 SAVE 19%
coming soon $84.25
FORTHCOMING
Sound Machines BI1 Brainterface (Desktop)
Sound Machines BI1 Brainterface (Desktop) (brainwave to synthesiser interface module)
Cat: 777372 Rel: 31 Jul 20
 
brainwave to synthesiser interface module
Notes: Soundmachines BI1brainterface is an exploration and performance tool for musician, producers, actors, body performers and coreographers who wants to connect their mental and emotional sphere directly with the performance.

The BI1 doesn't require the use of a computer, and brings immediacy and easy of operation in this upcoming technology.

By stressing the capabilities of the Neurosky MindWave Mobile headset, the BI1brainterface is developed to connect your mental status to your gear, in the most easy and open way possible.

Whenever you have an analog modular synthesizer or a MIDI sound generator, you can influence on sounds, sequences, timbres and drive the performance with an added controller, the most sophisticated: you.

Attention and Meditation are the most 'robust' and repeatable variables that you can count on. But also the EEG power spectrum bands (Alpha, Beta, Gamma, Delta and Theta) are available to control other eight sound/light/video characteristics. As a bonus, the toolbox has a variable threshold to generate a 'trigger' based on your facial muscular activities (i.e. blinking or grin).

In the studio or in a live environment, weared by a dancer or an actor on stage, or just use it to relax yourself and raise your self-consciousness about focus, relax and meditation.

Bio feedback is another field of operation for the BI1brainterface, reaching applications such as the several described above and more.
Read more
MRP:$560.53 SAVE 19%
coming soon $456.70
Cat: 767536 Rel: 28 May 20
 
analogue synthesiser
Notes: Long-awaited analogue monster from Japan's Black Corporation, inspired by the rare RSF Polykobol II keyboard. Raw synth power with eight-voice analogue-based architecture. Stunning.

Supplier notes:
The unique architecture of KIJIMI features smoothly variable waveforms on each fully analog oscillator, a rich SSI2144 lowpass filter, and a wealth of deeply programmable modulators, making it one of the most powerful polyphonic analog synthesizers ever made.

KIJIMI features eight voices, each with two oscillators + one suboscillator, a lowpass filter, VCA, 6 envelopes, and 16 LFOs. A deeply programmable modulation matrix along with velocity and polyphonic aftertouch route these modulators into a variety of destinations to create anything from subtle movements in bass lines to complex, organically evolving soundscapes. Polyphonic aftertouch introduces another level of touch- controlled modulation independent to each voice, making KIJIMI a truly powerful performance tool.

Variable wave shaping of its analog oscillators is a feature unique to KIJIMI's synthesizer design. Rather than selecting a single waveform KIJIMI offers a range of waveforms from Triangle through Saw to Pulse waves, passing smoothly through every shape in between. Using modulation sources to control the oscillator waveform brings a new dimension to the sound sculpting process. Each oscillator can be modulated independently, detuned in semitone intervals and synced to each other, VCO2 can even be used to FM VCO and filter, bringing rich harmonic content to the initial tone.

KIJIMI's SSI2144-based lowpass filter is an updated version of a legendary design found in some of the most powerful analog synthesizers throughout history. Apart from being a gorgeous, rich lowpass filter for typical duties, a powerful feature found in the KIJIMI is the ability to FM the filter via VCO2, resulting in sounds ranging from atonal clangorous FX to aggressive vocal-sounding formants. The filter cutoff and resonance can be independently modulated, providing a filter section, which is far more complex than most analogue polyphonic synthesizers.

KIJIMI's two envelopes are set up in typical ADSR mode by default, but a CYCLE button can be switched on to enter a cycling trapezoidal mode reminiscent of the function generator found in the EMS Synthi. In this mode, the 4 parameters are instead used to control Rise, Time On, Fall, and Time Off, resulting in a uniquely controllable cyclic function. Each envelope also features 3 switchable speed modes ranging from fast, medium, or slow.

By default, KIJIMI features two powerful LFOs - Each with many selectable waveforms, rate, and a dedicated A/D envelope for modulating its rate on each new trigger. This means that each LFO can have its speed modulated on each new note independently of any other modulators across the synthesizer.

The modulation matrix in KIJIMI is what makes this instrument truly special: 8 destinations for each LFO, and 4 destinations for ADSR2, each with its own button to switch between Unipolar (+/-) or Bipolar modulation. Furthermore, the new firmware introduces the ability to assign different LFO settings (rate, waveform, EG and depth) to EACH individual destination. Below the Modulation Matrix are the performance modulators: Velocity and MPE- based polyphonic aftertouch which can be routed to 6 simultaneous destinations, each with its own bipolar level setting. With the ability to control filter, VCA, pitchbend, sub oscillator level, and 2 LFOs each modulating up to 8 destinations independently on each voice through your aftertouch performance, the expressive possibilities are truly limitless.

KIJIMI features full MIDI control and 10 preset banks with 128 slots including a Factory Bank and 9 user banks for storing and recalling settings.
Read more
 1 in stock $3,796.17
FORTHCOMING
Black Corporation Deckard's Dream Mk2 Desktop Synthesiser
Cat: 767533 Rel: 31 Aug 20
 
desktop synthesier
Notes: DECKARD'S DREAM, or DDRM, features eight voices, each with two identical layered parts consisting of a 100% analog voltage controlled oscillator made with discrete waveshapers, analog lowpass and highpass filter (each with their own cutoff and resonance settings,) noise generator, unique multisegment filter envelope, and VCA + ADSR envelope. Each layer also features its own independent programming section for MPE-based velocity and polyphonic aftertouch control of its filter cutoff and amplifier settings.

DDRM's perfomance section features global pitch control with coarse & fine-tuning sliders, layer 2 detune slider, independent keyboard range control for each layer, mix balancing between layer 1 and layer 2, global filter cutoff and resonance offsets, and a global LFO to control both layers' filter/pitch/amplifiers simultaneously.

DDRM was created with full expressive performance control in mind, and boasts programming sections for global MPE-based control over LFO parameters + pitchbend, as well as global key tracking control over the filter and amplifier settings of both layers. Finally, there is a global portamento/glissando slider affecting both layers simultaneously. The level of expressive control these parameters give over a performance is something found in very few synthesizers, and the result are stunning!

DDRM features full MIDI control and the ability to store 128 presets per bank across 3 banks, integrating this classic synth concept seamlessly into the future of your modern studio needs.

DECKARD'S DREAM MK2 delivers everything the previous versions of DDRM in a new thin and light tabletop format with woodsides or rack-ears (both included). It also brings additional controls over Sustain modes and timing.
Read more
MRP:$4,617.83 SAVE 17%
coming soon $3,848.19
Cat: 765885 Rel: 27 Feb 20
 
polyphonic analogue synthesiers
Notes: Wow! Stunning analogue polysynth inspired by the classic early 80s Elka Synthex, renowned for amazing strings and pads. Painstakingly developed by the company behind the Deckard's Dream. Beautiful.

Supplier's notes:
Xerxes is an eight-voice polyphonic analog Synthesizer that features two discrete logic DCO's per voice. Each DCO section offers four waveforms (triangle, saw, square, pulse), octave switch, transpose, oscillator PWM, PAM, ring mod, pulse width, and a volume knob. It offers an analog multimode filter (HP/BP/LP) as well as two LFO's and 2 ADSR envelopes. Furthermore there is an analog BBD stereo chorus.

The synth is heavily inspired by the well-known Elka Synthex Synthesizer from the past but it is not a replica. It's a completely new development that has many modern and clever new features. The interface was not taken from the vintage Synthex but is also heavily inspired without cloning it.
Read more
 1 in stock $3,790.98
Click for better price!
or call +44 20 7424 1960
quote 765885
Cat: 738765 Rel: 09 Jul 19
 
Compact, portable algorithmic digital synthesiser
Notes: Diverse sound engines include the FM SYNTH, the 8BIT WAVE MEMORY SYNTH that allows editing and morphing, the DNA Explorer that can be used to examine and alter waveforms from captured audio, the SAND FLUTE noise engine, and the SiGRINDER granular synthesizer.

From the day you put your hands on the ELZ_1, you will become a sound adventurer.

Start a journey in search of exciting sounds that are unique to this world.

Step sequencer:

A step sequencer with up to 64 steps and 6-voices has been added in Version 2.

- Length of 1 to 64 steps
- Real-time and step recording
- Notes between steps can be tied
- Up to 128 patterns can be created
- Build sequences in real time during live performances using the five real-time recording modes (add/overwrite tied notes, add/overwrite one-step notes, erase notes)
- Metronome
- Import/export sequence data

Sync with external clock signals (Compatible with volca series and Pocket Operator series):

By connecting a device that outputs a clock pulse of less than 5V*, which includes KORG volcas and Teenage Engineering Pocket Operators, to the ELZ_1 AUX IN jack, their step sequencers and arpeggiators can be synchronized.

Other features:

- With a Pocket Operator, both the clock signal and mono audio signal can be input by connecting with a stereo mini pin cable
- Using the SYNC THRU function, the clock signal can be output from the headphone jack, allowing multiple devices that support synchronization to be chained

Synthesizer enhancements:

Parameters that support modulation have been added to SONICWARE's unique DNA EXPLORER, SiGRINDER and SAND FLUTE synth engines. All the parameters of these synth engines can be modulated with an LFO or envelope.

- Real-time modulation of the EXPLORE parameter in DNA EXPLORER and the DIG parameter in SiGRINDER makes the sounds of these synth engines even more dynamic and further enhances their organic characteristics.
- By adding a GLIDE parameter to the MONO and LEGATO modes of the SAND FLUTE noise engine, the noise sound of different pitches can be tied together smoothly, increasing the expressiveness of this synth.
Read more
 3 in stock $452.55
Click for better price!
or call +44 20 7424 1960
quote 738765
Cat: 765948 Rel: 09 Jul 19
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Diverse sound engines include the FM SYNTH, the 8BIT WAVE MEMORY SYNTH that allows editing and morphing, the DNA Explorer that can be used to examine and alter waveforms from captured audio, the SAND FLUTE noise engine, and the SiGRINDER granular synthesizer.

From the day you put your hands on the ELZ_1, you will become a sound adventurer.

Start a journey in search of exciting sounds that are unique to this world.

Step sequencer:

A step sequencer with up to 64 steps and 6-voices has been added in Version 2.

- Length of 1 to 64 steps
- Real-time and step recording
- Notes between steps can be tied
- Up to 128 patterns can be created
- Build sequences in real time during live performances using the five real-time recording modes (add/overwrite tied notes, add/overwrite one-step notes, erase notes)
- Metronome
- Import/export sequence data

Sync with external clock signals (Compatible with volca series and Pocket Operator series):

By connecting a device that outputs a clock pulse of less than 5V*, which includes KORG volcas and Teenage Engineering Pocket Operators, to the ELZ_1 AUX IN jack, their step sequencers and arpeggiators can be synchronized.

Other features:

- With a Pocket Operator, both the clock signal and mono audio signal can be input by connecting with a stereo mini pin cable
- Using the SYNC THRU function, the clock signal can be output from the headphone jack, allowing multiple devices that support synchronization to be chained

Synthesizer enhancements:

Parameters that support modulation have been added to SONICWARE's unique DNA EXPLORER, SiGRINDER and SAND FLUTE synth engines. All the parameters of these synth engines can be modulated with an LFO or envelope.

- Real-time modulation of the EXPLORE parameter in DNA EXPLORER and the DIG parameter in SiGRINDER makes the sounds of these synth engines even more dynamic and further enhances their organic characteristics.
- By adding a GLIDE parameter to the MONO and LEGATO modes of the SAND FLUTE noise engine, the noise sound of different pitches can be tied together smoothly, increasing the expressiveness of this synth.
Read more
 1 in stock $416.13
FORTHCOMING
Sonicware Liven 8bit Warps Synthesiser & Sequencer
Cat: 762318
 
waveform memory synthesiser & sequencer
Notes: The LIVEN 8bit warps combines an 8-bit waveform memory synthesizer with a step sequencer.

Carefully selected preset waveforms and editable user waveforms along with high-quality filters and effects can be used freely to create a wide spectrum of sounds. The LIVEN 8bit warps can generate classic retro game sounds of course, but its unique 8-bit sound can also be used in a range of music genres, including EDM, hip-hop, techno and rock.

Powerful functions for live electronic music performance include 16 physical control knobs, parameter locking for each sequencer step, a looper, and SYNC IN/OUT and MIDI IN/OUT connectors to make synchronized performance with other equipment easy.

All these powerful functions are in a device that weighs only 790 g. Play it anywhere at any time.
Read more
coming soon TBA
Cat: 727740 Rel: 08 Apr 19
 
Compact true analogue synth - great for melodic & percussive sounds
Notes: True stereo analogue synth/sonic realiser. Perfect for melodic and percussion loops. Very easy (and fun!) to create modular style analogue loops. It's a complete sound track all by itself!

It's wrong to call it a synthesiser (in fact a new word needs to be invented) because then you get preconceived ideas about what it does. It's a whole lot more than a synth. It's also part drum synth, part pattern generator, part modular loop producer.

All its unique features plus the 2 independent LPFs give this machine the ability produce stereo loops that sound like multiple synths playing at once.

Impulse Command is a compact true analogue synth in a neat, smart, package. When we say 'real analogue' we mean that the entire audio path (aside from the post effects of course!) and all modulation are entirely analogue, using circuits based on awesome sounding vintage 1970s designs. Their circuits are not locked down by CPUs. Controls are not quantised and read by CPUs. With the exception of the essential digital elements (that is MIDI conversion, sequencer control and digital delay/reverb), Impulse Command really is analogue and the sound benefit is immediately apparent!

The synth has been designed by Tom Carpenter, a musician and a big fan of electronic music. He knows how to program a synth and what should be expected. So, the modulation choices and range of sounds they produced have all been carefully thought out and quickly give you those sounds you want: huge bass, synth leads, percussion, effects, modular style sounds.
Read more
 2 in stock $1,039.29
Click for better price!
or call +44 20 7424 1960
quote 727740
Cat: 634210 Rel: 11 Dec 17
 
8-bit chip-style synthesiser module with 64 preset memory banks
Notes: The Twisted Electrons AY3 MKII 8-Bit Synthesizer is a compact, synthesizer module featuring dual 8912 chips that deliver 6 voice polyphony. The AY3 MKII 8-Bit Synthesizer brings back the nostalgia of 8-bit sounds, allowing you to create everything from arpeggiated sounds to sequences and more. The 3-voice programmable sound generator includes 5 pots and 1 endless encoder with a push button for optimal control, allowing you to sculpt and mould the sound to your desire. The sounds the AY3 MKII produces are borrowed and influenced from classic arcade games and video game consoles such as the Amstrad CPC, Sinclair Spectrum and more. The built-in step sequencer and 4 arpeggiator modes allow you to create sequences and rhythms on the fly, with full stereo sound for optimal audio quality.

New look, new feel:
- Ay3 has been upgraded featuring a slick rugged brushed aluminium case and the highest quality bolted potentiometers and metal knobs.
- The instrument is more compact now measuring only 14 cm x 10 cm x 4.5 cm
- The functionality and layout are the same and the firmware is cross compatible between MKI and MKII.

Connectivity:
- MIDI in (3.5mm midi cable supplied)
- 2x Audio Out
- DC In (power supply suited for your region supplied)
Read more
 3 in stock $252.80
Click for better price!
or call +44 20 7424 1960
quote 634210
Cat: 730432 Rel: 11 Jun 19
 
Bass line generator with a rhythmic chord section
Notes: The Arpopone from LepLoop is a little synth-voice for generating a melody or bass line and a chord section at the same time. It is based on analog ramp dividers of which each one generates a voltage ramp starting from a master clock that can be internal or external.

Trig1 and Trig2 potentiometers set the number of clock pulses.

With the Trig Mix switch it is possible to select between a single trigger (1 or 2) or both (1+2) to advance the scales.

The Scale Step potentiometer sets the number of steps for the two scale generators.
In the mixer section, the two scales are summed together to obtain a more complex pattern. The amount of each scale can be set by two controls and can be positive (ascending scale) or negative (descending scale).

With the VCO Pitch knob, the melody can be transposed while maintaining the same interval between notes.

The note generated by the VCO is fed to a chain of dividers to obtain four sub harmonics of the original note. One of these is the bass section with its own filter and envelope, the other three form the chord section with their envelope.

The two envelope sections are identical, both have a selector for different trigger sources:

Trig1 & Trig2: the envelope starts at the flash of the green LED (bass) or yellow LED (chord)
SB1 & SB2: the envelope starts at the first step of Scale1 (bass) or Scale2 (chord)
White & Blue: the envelope follows the intensity of the white LED (bass) or the blue LED (chord). Except for this setting the envelope length is set by the two controls Bass ENV and Chord ENV. Additionally, an EXT CV input allows to provide an external envelope.
The bass channel is passed through a resonant low-pass filter with Cutoff and Resonance control.

Finally the Bass and Chord channels are mixed together. The output level is set by the Bass LEV and Chord LEV controls.
Read more
 2 in stock $299.60
Click for better price!
or call +44 20 7424 1960
quote 730432
FORTHCOMING
LEP Leploop Sequencer & Drum Machine Analogue Synthesiser
LEP Leploop Sequencer & Drum Machine Analogue Synthesiser (sequencer & drum machine synthesiser)
Cat: 770286
 
analogue synthesiser
Notes: Laboratorio Elettronico Popolare (L. E. P. ) is proud to present to you a one-of-a kind analog synthesizer, sequencer and drum-machine: LEPLOOP.

Small in nature but aggressive in sound, the user will be able to create a variety of analog timbres and beats.

LEPLOOP was designed to be a minimalist electronic music live-performance groove-box, which can be used to create a variety of electronic musical styles.

The LEPLOOP can be synched via MIDI to another LEPLOOP for tempo-synched operation or to another MIDI device or sequencer to receive sequence stop & start instructions.

1 oscillator (VCO1) triangular/square wave
1 oscillator (VCO2) sawtooth wave with ring modulator and FM modulation
White noise generator
24 dB/OCT Low pass filter
Kick drum with distorsion and trigger mixer
2 VCA's
2 AR Envelope generators
1 LFO
16 Capacitors analo sequencer PWM programmable
4 Track digital rhythm sequencer 64 step each track
4 Channel audio mixer
Midi input(clock and notes)
5 CV out: S\H, SEQ, LFO, ENV1, ENV2
3 gate out: S\H, SEQ, CASSA
3 CV in: VCO1, VCO2, VCF cutoff
1 audio in (VCF)
4 audio out: MIXER, CASSA, VCO2, VCO mix
1 clock output: clock 24, MIDI start/stop
EEPROM memory 16 banks 10 pattern each
Read more
coming soon TBA
Cat: 527748 Rel: 14 Apr 14
 
Desktop synthesiser module with all-metal enclosure with wooden front strip
Notes: This synthesizer will make any desktop proud! The TI Desktop features an all-metal enclosure with a wooden strip on the front. Loads of knobs and buttons give direct access to the most important sound shaping parameters.

This range of instant access hands-on control will delight those who don't like menu diving. Like all other Virus TI synthesizers, a stereo analogue input offers the power to process external signals through the Virus' sound engine.

An optional 19" rack mounting kit is available for purchase.

There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.
Read more
 2 in stock $1,541.77
Cat: 527752 Rel: 21 Jul 14
 
Award winning hardware synthesiser with up to 90 voices (dependent on patch)
Notes: There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.

The Virus TI line of synthesizers includes 4 different variations: two keyboard models and two desktop versions. The great news is that all of these instruments produce the same award-winning sound. In this way, Access offer you a choice of formats without compromising the most important aspect of any instrument: how well it performs musically.

Designed as the ideal companion to any DJ or project studio, this 37-key model is not only compact but also stunningly beautiful. The side panels are a mix of wood and pure aluminium, while the white LEDs add class and style. The sound engine is exactly that used in the powerful and versatile TI Desktop and Keyboard models.

Even though the Virus is truly multi-talented instrument with great range, you still instantly know it when you hear a it in a production. That's because Access really "get" synthesizer basics: outstanding oscillators, amazing filters and breathtaking effects.

Every part, even in multi-mode, comes with its own chain of independent effects (including reverb and delay). The massive voice count makes it possible to stack even complex sounds for the first time without breaking a sweat.
Read more
 1 in stock $2,005.77
Cat: 527756 Rel: 21 Jul 14
 
Special black/gun metal edition edition of the Virus TI Polar
Notes: There are not many modern synthesizers which can claim to have shaped the sound of music -- from electronica to soundtrack -- as much as the Virus line of synthesizers has. The Virus is known as much for its flexibility and powerful sound as for Total Integration, our award winning way to interconnect a hardware synthesizer with your DAW.

The first Virus was released in 1997 and each new iteration has added more features more powerful hardware, and greater musical potential. That evolution explains why the Virus TI series is so sought after and why it receives such praise from owners, press, and fans all over the world.

Artists including Depeche Mode, Madonna, Linkin Park and The Prodigy tour with a Virus-based setup. Producers such as Sasha, Pete Tong, Roger Sanchez and Dr. Dre consider the Virus a core part of their studios. Composers such as Hans Zimmer, James Newton Howard, John Powell and Mark Isham are enthusiastic Virus users, utilising its signature sound for their Hollywood blockbuster soundtracks.

The Virus TI line of synthesizers includes 4 different variations: two keyboard models and two desktop versions. The great news is that all of these instruments produce the same award-winning sound. In this way, Access offer you a choice of formats without compromising the most important aspect of any instrument: how well it performs musically.

Designed as the ideal companion to any DJ or project studio, this 37-key model is not only compact but also stunningly beautiful. The side panels are a mix of wood and pure aluminium, while the white LEDs add class and style. The sound engine is exactly that used in the powerful and versatile TI Desktop and Keyboard models.

Even though the Virus is truly multi-talented instrument with great range, you still instantly know it when you hear a it in a production. That's because Access really "get" synthesizer basics: outstanding oscillators, amazing filters and breathtaking effects.

Every part, even in multi-mode, comes with its own chain of independent effects (including reverb and delay). The massive voice count makes it possible to stack even complex sounds for the first time without breaking a sweat.
Read more
 1 in stock $2,224.24
Click for better price!
or call +44 20 7424 1960
quote 527756
Cat: 700962 Rel: 21 Oct 19
 
Portable synth/effect processor
Notes: Quirky little synth and effects box with some interesting features. Simple square wave oscillator, LFO and filter design with lo-fi digital delay. Wacky stuff but lots of fun.

Supplier notes:
MFOS Echo Rockit is a small, portable synth/effect processor. The Echo Rockit makes unusual sounds and will give you hours of creative sound making fun. You'll make sounds you'd swear would require a modular, and all in the palm of your hand.

About the Anti-Feature "Significant noise at echo times > 340ms". The PT2399 is designed to produce echoes in the range of 40mS to 340mS. In addition to those delay times, the Echo Rockit allows you to explore lower clock rates that result in longer echo times. However, the longer the delay you select, the more noise will be contributed by the PT2399's single bit A to D conversion mechanism.

Specifications:

Type: Analogue
Synthesis: Oscillator(s)

Oscillators: 1
Waveforms: Square
Osc Modulation: LFO

Filters: 1
Types: 12dB Slope (2-pole), Low Pass, Resonance
Filter Modulation: LFO, Oscillator

LFO: 1
LFO parameters: Triangle, Square

Polyphony: 1
Timbrality: 1
Tuning: Atonal
Modes: Mono

Effects: Delay & Echo

Case: Desktop
Controls: Knobs, Switches. 3,5 mono jack input
Dimension: 20 x 15 x 6,5 (cm)
Material: Plexiglass
Front panel: Aluminium (1mm thick)

Audio Output Connections: 1/4" Phone Jack, Mono Out, 3,5 Phono jack, Mono Out
Audio Output Count: 2
Audio Input Connections: 1/4" Phone Jack, Mono Out, 3,5 Phono jack, Mono Out
Audio input Count: 2
Control voltage: 1 NOT BE 1V/Oct
Power: 9V power supply 300 mA/1mA max (euro)
Read more
$196.62 SAVE 10%
 6 in stock $176.96
Cat: 700960 Rel: 29 Jun 20
 
MIDI interface
Notes: Latest version of the mini synth that began life as a DIY kit. Simple analogue architecture which offers a good introduction to subtractive synthesis and sound design.

Supplier notes:
This project is a reprise of the Sound Lab Mini-Synth with the addition of a Sample and Hold and several circuit and component value changes to improve performance. Even if you already have a Sound Lab, this is thoroughly recommended as a completely new project.New design and a new MIDI INTERFACE onboard.

You can play your SLMS+ with a midi keyboard or midi controller.

Type: Analog Synthesis: Subtractive

Oscillators: 2 Waveforms: Pulse, Pulse Variable, Saw Down, Square Osc Modulation: Envelope, Input, Knob, LFO, Sync Hard

Envelope: 1 Evelope

Paramerters: Attack, Decay, Looping

Filters: 1 Types: 12dB Slope (2-pole), Low Pass, Resonance Filter Modulation: Envelope, Knob, LFO, S&H

Lfo: 1 LFO Parameters: Saw Up, Saw Down, Square, Triangle

Sample & Hold Addon: variable sample rate - output voltage glide - switch to select source to be modulate

Midi cannel: 1 (not exchangeable) Midi port: MIDI IN, MIDI THRU Control change: pitch bend, modulation , portamento (CC 5) 1V/Oct: 5 octaves

IMPORTANT: POWER ON SOUNDLAB WHEN YOUR MIDI SEQUENCER IS IN STOP MODE! MICROCONTROLLER CAN GENERATE MIDI SIGNAL ERROR IF YOUR SEQUENCER IS IN PLAY MODE.

Polyphony: 1 Timbrality

1 Tuning: Standard Modes: Mono

Desktop Controls: Knobs, Switches, Buttons Display Type: LED Dimension: 27 x 16 x 7 (cm) Material: Plexiglass Front panel: Aluminum (1mm thick)

Connections: Audio Output Connections: 1/4" Phone Jack, Mono Out

Power: 9V power supply 300 mA (euro) Audio Output Count: 1 Control voltage: 2 - 1V/Oct (1/4" Phone Jack/3,5 mini jack) Gate in: 1 (1/4" Phone Jack/3,5 mini jack) IMPORTANT NOTE: TO USE GATE/MIDI
Read more
MRP:$299.62
 4 in stock $276.72
Click for better price!
or call +44 20 7424 1960
quote 700960
Cat: 648919 Rel: 31 May 17
 
Polyphonic digital desktop synthesiser - smaller version of the original Modor NF1
Notes: The original Modor NF-1 has one main disadvantage: it's quite big and heavy. Not your favourite piece of hand luggage to carry around. So, here is the smaller, portable version. And of course, a smaller device means a smaller price...!

This comes of course with a smaller number of front panel controls... The Modor NF-1m has 7 context dependant controls grouped in 15 edit pages with a set of 6 pushbuttons to access these pages quickly. Every parameter is just a button press away!

Not unimportant, the NF-1m has new rotary controls with a more stable feeling than the controls on the original NF-1.

Next to that, there are 2 large 'definable controls', DEF1 and DEF2. These controls can be assigned to any sound parameter so that you can 'preselect' two parameters in every patch to have a permanent dedicated control on the front panel. This makes it easy to access your favourite parameters, no matter in which edit page you are...
Read more
 3 in stock $520.16
Cat: 624263 Rel: 30 Nov 16
 
Tabletop analog synth module based on Korg's revived Arp Odyssey synthesiser - black
Notes: Legendary sound that connects the past with the present - reborn again as an analog synthesizer module.

Since its appearance in 1972, the ARP Odyssey has been loved by countless musicians as a classic analog synthesizer. Forty years later, in 2015, with the advisory assistance of David Friend, co-founder of the ARP Instruments company, KORG resurrected the ARP ODYSSEY with a complete reproduction of the ARP Odyssey's original circuitry. The ARP sound, which continues to be envied as an iconic analog synthesizer, was once again back in the hands of today's musicians. Now, KORG has further broadened the reach of the ARP ODYSSEY in today's world by releasing a new model.

The ARP ODYSSEY Module is a keyboard-less ARP ODYSSEY with the very same analog synthesis circuitry that completely reproduces the original. To fit perfectly in today's DAW-centric music production environments, we provide it in a more compact module form. The line-up includes two models, the white Rev1 and the black and orange Rev3, reproducing traditional styling in a cutting-edge tabletop body. The real ARP sound that transcends history is once again available to the world.

An ARP ODYSSEY module that emanates synthesis power from your tabletop:

The ARP ODYSSEY Module is a tabletop analog synth module based on KORG's revived ARP ODYSSEY. In its compact, keyboard-less body, it contains the exact same circuitry as the original, making it even easier for you to obtain that rich analog sound that only a genuine ARP ODYSSEY can produce.

By adding the ARP ODYSSEY Module to their setup, DAW users can enhance their production environment with powerful analog sound that cannot be obtained from any plugin. You can also perform in conjunction with a sequencer such as the KORG SQ-1. If you're a player with a keyboard that you prefer, you can connect the ARP ODYSSEY Module via MIDI to your favourite keyboard and play it to your heart's content. In addition, the ARP ODYSSEY Module newly supports MIDI pitch bend.

Lineup includes the historical Rev1 and Rev3 designs:

The ARP ODYSSEY Module lineup includes the best-known Rev3 design with its characteristic black panel and orange silk-screening, as well as the white-panelled Rev1 design that marks this instrument's historic beginning. The unique shape of the slider grips, their smooth operating feel, and the layout of the switches all perfectly reproduce the layout of the original despite the compact module design.

The body, on the other hand, has been redesigned for its new life in module form, featuring a sturdy steel chassis befitting the weighty sounds produced by this instrument throughout its forty-year history.
Read more
 1 in stock $498.37
Click for better price!
or call +44 20 7424 1960
quote 624263
Cat: 624262 Rel: 24 Jan 17
 
Tabletop analog synth module based on Korg's revived Arp Odyssey synthesiser - white
Notes: Legendary sound that connects the past with the present - reborn again as an analog synthesizer module.

Since its appearance in 1972, the ARP Odyssey has been loved by countless musicians as a classic analog synthesizer. Forty years later, in 2015, with the advisory assistance of David Friend, co-founder of the ARP Instruments company, KORG resurrected the ARP ODYSSEY with a complete reproduction of the ARP Odyssey's original circuitry. The ARP sound, which continues to be envied as an iconic analog synthesizer, was once again back in the hands of today's musicians. Now, KORG has further broadened the reach of the ARP ODYSSEY in today's world by releasing a new model.

The ARP ODYSSEY Module is a keyboard-less ARP ODYSSEY with the very same analog synthesis circuitry that completely reproduces the original. To fit perfectly in today's DAW-centric music production environments, we provide it in a more compact module form. The line-up includes two models, the white Rev1 and the black and orange Rev3, reproducing traditional styling in a cutting-edge tabletop body. The real ARP sound that transcends history is once again available to the world.

An ARP ODYSSEY module that emanates synthesis power from your tabletop:

The ARP ODYSSEY Module is a tabletop analog synth module based on KORG's revived ARP ODYSSEY. In its compact, keyboard-less body, it contains the exact same circuitry as the original, making it even easier for you to obtain that rich analog sound that only a genuine ARP ODYSSEY can produce.

By adding the ARP ODYSSEY Module to their setup, DAW users can enhance their production environment with powerful analog sound that cannot be obtained from any plugin. You can also perform in conjunction with a sequencer such as the KORG SQ-1. If you're a player with a keyboard that you prefer, you can connect the ARP ODYSSEY Module via MIDI to your favourite keyboard and play it to your heart's content. In addition, the ARP ODYSSEY Module newly supports MIDI pitch bend.

Lineup includes the historical Rev1 and Rev3 designs:

The ARP ODYSSEY Module lineup includes the best-known Rev3 design with its characteristic black panel and orange silk-screening, as well as the white-panelled Rev1 design that marks this instrument's historic beginning. The unique shape of the slider grips, their smooth operating feel, and the layout of the switches all perfectly reproduce the layout of the original despite the compact module design.

The body, on the other hand, has been redesigned for its new life in module form, featuring a sturdy steel chassis befitting the weighty sounds produced by this instrument throughout its forty-year history.
Read more
 3 in stock $514.97
Click for better price!
or call +44 20 7424 1960
quote 624262
Cat: 725951 Rel: 26 Jun 19
 
analogue live sequencer
Notes: Create live sequences with in-depth modulation. The Flame Maander Synthesizer & Sequencer is a four voice synthesizer featuring an onboard sequencer and analog filter bank.

The Flame Maander is a highly versatile desktop synth featuring wavetable sound synthesis including 4OX wavetables and individual filter/amp envelopes. This allows you to get in-depth with your sound design. Create real-time patterns and sequences on the fly using the live sequencer and take your performances to the next level.

The Maander Synthesizer also features USB/MIDI connectivity so you can use it in music production in your favourite DAW. You can even morph between filter types for unique sonic results.
Read more
 1 in stock $922.77
FORTHCOMING
Pittsburgh Modular Lifeforms SV-1B Eurorack Analog Synthesiser Module
Cat: 782211 Rel: 25 Sep 20
 
Eurorack analog synthesiser module
Notes: The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The SV-1b is not a semi-modular synthesizer with limited signal path options. Each module within the SV-1b can be used independently to the rest of the system. The SV-1b is pre-patched (normaled) internally so patch cables are not necessary to get started. But as soon as you begin patching, you will appreciate the unrestricted creativity of the 53 patch points and 21 knobs. By breaking each module of the SV-1b out with patch cables, a tremendous amount of flexibility and control emerges to patch up any sound your imagination can dream up.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

Smooth and thick, the sound of the revered Pittsburgh Modular Filter is unmistakable. Stunning harmonic character with voltage control over the entire frequency range. A provided attenuverter lets you dial in exactly how much CV to feed the frequency input, even inverting the input for dramatic changes in modulation. Separate highpass, lowpass, and bandpass outputs are provided as breakout options, each with their own powerful sonic timbres. Turn up the resonance for an added growl, giving your tones an aggressive edge that no softsynth can match.

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Read more
MRP:$711.59 SAVE 17%
coming soon $592.98
Cat: 782214 Rel: 29 Jun 20
 
Desktop analogue modular snythesiser
Notes: Updated all-in-one desktop semi-modular system from the ever-reliable Pittsburgh Modular. Big, warm East Coast synth sound meets compact, Eurorack-compatible format. Very nice.

Supplier notes:
The Pittsburgh Modular Lifeforms SV-1b Blackbox is a complete, standalone desktop format modular synthesizer. A full compliment of analog tools for sonic experimentation stuffed into a portable, powered steel enclosure. Two patchable oscillators and our legendary Pittsburgh Filter are paired with a perfectly curated set of synthesis tools. The Lifeforms SV-1b Blackbox provides absolutely everything you need to create gigantic and iconic synth sounds, in the studio or on the go.

The original Lifeforms SV-1 eurorack format synthesizer module is legendary for its deep, analog sounds capable of pumping out everything from roaring bass and cutting leads to absolute chaos. The SV-1b shares this same bold, powerful core while fine tuning the details. We have made a countless number of small tweaks and adjustments to the original SV-1 synthesis engine to improve the stability and functionality of the SV-1b. The sound is what matters, and this is still the East Coast analog monster to beat.

From the custom designed oscillator core to the iconic sound of the Pittsburgh Filter, the SV-1b showcases the true power of analog synthesis. The oscillator core used in the SV-1b was developed by Michael Johnsen and Richard Nicol to pair the visceral size and depth of vintage oscillators with the tracking and stability needed by modern instruments. The result is a palate of waveforms tuned to perfection with proprietary analog designs and countless listening tests. The Pittsburgh Filter is the heart of the SV-1b. The first collaboration between Michael and Richard, it defines the sound of Pittsburgh. Buttery smooth, the filter adds a depth and weight to waveforms so it never sounds dull. Michael's liquid resonance circuit allows the Pittsburgh Filter to overdrive smoothly and never lose the bottom end regardless of how high you turn up the resonance. Everywhere is a sweet spot.

The MIDI to CV converter enables you to connect all your MIDI-compatible gear and convert it to control voltage right inside the SV-1b. Volt per octave, gate, CC, and velocity outputs allow you to connect to your MIDI keyboard or DAW while a digital LFO with sine, triangle, square, and quantized random voltage waveforms provides clock sync'd modulation options. A clock input allows you to override the internal or MIDI clock and sync to external CV and gate clock signals. The built-in arpeggiator unlocks another level of playability and the capacity to create complex and fresh musical patterns out of just a few notes.

The custom core, dual analog oscillators provide the sonic framework for massive synth sounds and a deep exploration of east coast synthesis. Sine, triangle, saw, and square waves are at your control, all available to modulate via FM and hard sync. Oscillator One also contains our unique blade wave. The shifting saw-like shape of the blade wave can be controlled using the width CV input, creating a sweeping or chorusing effect. Oscillator Two is normaled to the FM of Oscillator One, providing jaw-dropping analog FM bass, deep percussive hits, searing leads, and thick, warm analog pads which all come to life from these two Pittsburgh designed, organic sounding oscillators. Both analog oscillators dip well below audio rate, allowing them to function as voltage controllable LFOs.

A utility LFO with triangle and square wave outputs is ideal for VCA or Filter frequency sweeps. Or, turn it up and release the dynamic FM capabilities of either oscillator. A Tools section provides access to two sub-octave oscillators, derived from Oscillator One's core frequency. Analog noise and sample & hold finish out the Tools section.

This versatile four channel mixer comes pre-wired for fast access to Oscillator One's sine, saw, pulse and sub. However, you are just a patch cable away from instantly making your own unique blend of waveforms from the SV-1b. The mixer can also be split into two independent two channel mixers for maximum patching flexibility.

SV-1b Module Specifications:

Panel size: 48hp
Depth: 35mm
Power Usage: +12v 230mA, -12v 200mA. Does not require +5v. Includes reversed power polarity protection.
Enclosure Power and Specs:
Black powder coat steel construction.

Dimensions: 9 3/4" x 5 1/4" x 2 1/2"

Weight: 3.5 lbs

Power: 1.5A +15v DC power adapter

Included:
Patch Cables: 6 Nazca Audio Brand patch cables.
1/8" stereo jack to midi connector cable.
Read more
MRP:$831.43 SAVE 17%
! low stock $692.85
Click for better price!
or call +44 20 7424 1960
quote 782214
Cat: 749862 Rel: 15 Oct 19
 
Four-part polyphonic desktop synthesiser with virtual analogue synthesis
Notes: Tiny but powerful module from British synth brand known for big-budget analogue keyboards. Virtual analogue this time, with built-in sequencer and arpeggiator. Big sound in a small box.

Supplier notes:
Sculpt and shape your sound with total control. The Modal Electronics SKULPT Synthesiser is a compact analogue synth providing a hands-on approach to sound design.

The Modal Electronics SKULPT features 32 oscillators in total, with 8 oscillators per voice with two selectable morphable waveforms. The intuitive design features a 16-key touch MIDI keyboard that allows you to create and audition sounds on the fly.

It also features a built-in sequencer and arpeggiator and an 8-slot modulation matrix with 37 destinations in total. Create everything from classic bassline sounds to cutting-edge pads and leads. Capture your inspiration when it strikes with the SKULPT synthesiser.
Read more
 7 in stock $234.08
Click for better price!
or call +44 20 7424 1960
quote 749862
Cat: 757240 Rel: 05 Feb 20
 
polyphonic wavetable synthesiser
Notes: Stunning wavetable business from rising British synth brand Modal. Eight-voice synth engine with incredible sound. Great value. Check out our full review.

Supplier's notes:
Based around its revolutionary new wavetable synthesiser engine, Argon8 derives much of its heritage and DNA from the highly acclaimed Modal 002.

Bringing eight voices of true polyphony in a professional quality package with features previously never seen at this price point.

Modal Argon8 provides a Class Compliant USB MIDI connection, enabling Argon8 to play in an integrated setup, and the free software editor ModalApp is available on MacOSX, Windows, iOS and Android tablets and phones as well as a VST3 and AU plugin for DAW applications.

Oscillators
120 carefully crafted wavetables split into 24 banks of 5 morphable waveform sets, covering virtual analogue classics through to cutting edge EDM and many from the original Modal 002 as well as a whole range of mathematically generated tables. Additional PWM bank and 3 noise/modulation banks accessible on Oscillator 2

28 static wavetable processors including de-rez, wave folders, wave shapers, phase shapers and rectify that can be applied to the 120 wavetables to give a mind boggling array of permutations and new waveshapes

32 high resolution wavetable oscillators, 4 per voice, with 8 types of oscillator modifier including: Phase Mod (FM), Ring Mod, Amp Mod, Hard Sync and Windowed Sync

Keyboard
FATAR TP9/S Full size 37 key keybed with both velocity and aftertouch

1.54 inch large OLED display - that provides instant visual feedback to the user at all times of playing/editing

Multiple keyboard modes, Mono, Poly, Unison 2, unison 4, unison 8, Stack 2 and Stack 4

Inbuilt sophisticated programmable arpeggiator of 32 steps with rest capability with up to 2048 steps before repeating

Glide/Portamento with both legato and staccato modes

Filter
Two pole morphing resonant filter with multiple filter types

Filter can be morphed from low pass, through band pass, to high pass

Modulation
Hugely powerful "Mod Matrix" with eight assignable slots with four additional fixed routes, 11 mod sources and 52 destinations

A 4-axis joystick that can be assigned to a huge range of modulation destinations and virtually 'locked' when desired

Three dedicated envelope generators for AMP, MOD and FILTER that can be accessed independently or all three simultaneously including negative (reverse) versions

Two Audio rate LFO's with tempo sync (one poly, one global). Polyphonic LFO can sync to frequency divisions

FX
Waveshaping distortion

Three incredibly powerful independent and user configurable stereo FX engines that can create sophisticated Delays, lush Reverbs, Flanging, Phasing, and Rich Choruses

Sequencer
Real time sequencer with 512 notes with input quantise and four recordable / editable parameter animations

Delay FX, LFO's, sequencer and arpeggiator can be either clocked internally or externally

Storage
500 patch memories, all fully editable and ships with 300 factory programs and 200 user patch spaces. Patch upload and download through the free MODALapp

100 sequencer presets and 100 FX presets

Connectivity
Analogue clock sync in and out (configured to the KORG / Teenage Engineering specification)

MIDI DIN in and out

Full size quarter inch jacks for stereo audio outs, headphones and external control such as sustain and expression

3.5 mm stereo input with ability to route incoming audio through the FX

Class compliant MIDI provided over USB connection to host computer or tablet

Optional software editor available for macOS, Windows, iOS, Android with VST3 and AU compatibility - MODALapp can be run within your Digital Audio Workstation (DAW)

Power: DC-9.0V-1.5A

Physical
Road ready Steel and Aluminium chassis
Read more
MRP:$722.82 SAVE 26%
 4 in stock $535.78
FORTHCOMING
Modal Electronics ARGON8X 8 Voice 61 Key Polyphonic Wavetable Keyboard Synthesiser
Cat: 763203
 
wavetable keyboard synthesier
Notes: The Argon8X features an identical sound engine and feature set, but rather than a 37-note keybed, you get 61 keys for an even more immersive playing experience. Mind-bending functionality and near-infinite tonal possibilities meets an attractive price tag; Modal have once again raised the bar in the desktop synth category.
Read more
MRP:$810.21 SAVE 17%
coming soon $675.17
Cat: 636543 Rel: 10 Jan 17
 
Intelligent analogue monophonic synthesiser featuring 21st century transistor technology
Notes: Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

Supplied with Euro two pin to UK three pin adapter
Read more
 5 in stock $326.67
Click for better price!
or call +44 20 7424 1960
quote 636543
Cat: 763120 Rel: 10 Jan 17
 
B-STOCK: Item refurbished, repaired and in perfect working order.
Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Bass Bot is an intelligent sequencer featuring 21st century transistor technology. An analogue, monophonic synthesizer with classic step entry programming by the user or Bot computer-generated patterns. Seven unique preset personality programs, capable to generate up to 224 read only computer generated presets by the Bass Bot. An additional 224 Write Editable Patterns can compose up to 7 songs of up to 127 bars. All information is saved to on-board flash (permanent) memory and transferable directly to other Bass Bots via 8 DIN cable, (unit cloning) or to PC/MAC (backup) computers for storage with a downloadable transfer application available.

*Supplied with Euro two pin to UK three pin adapter*
Read more
 1 in stock $308.11
Cat: 761225 Rel: 13 Jan 20
 
monophonic analogue synthesizer & sequencer
Notes: Special edition of one of our favourite 303 clones. Fully analogue tribute to the Roland original with incredible sound. Authentic acid at a very nice price.

Supplier's notes:
A full analog synth clone of the famous TB303, coming with a lot of new features and improvements, from the sound point of view as well as the ergonomics of the machine and the sequencer.

A new design, new pots very smooth, new features for Live jam, 2 new sequencer modes for even more creativity, added CV / Gate (and even more) outputs to play your favorite synths !

The design of the analogue circuit (composed of 1 VCO) and the audio engine has been improved compared to the previous version, giving it a warm and groovy sound thanks to the addition of the Shuffle (not present on the original) .

The very intuitive sequencer takes on the original spirit while bringing new and unique features such as Mute and Hammer, which gives it a great flexibility for live jam and more sound variations, as well as 2 new sequencer modes to create New patterns.
Read more
 4 in stock $304.82
Click for better price!
or call +44 20 7424 1960
quote 761225
FORTHCOMING
MFB Synth Pro Eight Part Analogue Polyphonic Desktop Synthesiser & Sequencer (B-STOCK)
MFB
Cat: 782688
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The SYNTH PRO is the advanced, polyphonic version of the SYNTH II. All oscillators are discretely structured. So here are for the sound base so no highly integrated chips are used, but proven components that even in Synthesizer 40 years ago produced a great analog sound. If required, the VCOs can be switched over to the particularly stable DCO mode, for example if unfavorable environmental conditions have to be overcome. The provided waveforms can be superimposed and additionally modulated by different sources. VCO2 and VCO3 can be synchronized to the first oscillator. For this purpose, VCO1 and VCO2 can be frequency-modulated with VCO3. In the SYNTH PRO, two filters are used per voice, which can be connected in series or in parallel. The low-pass filter works as a cascade filter with a slope of 24 dB / oct. and uses the popular SSI 2144. Multifilter and VCAs are based on OTA's. Both filters and the VCA's can be modulated by different sources. The LFOs and envelopes are calculated per voice by fast processor. There is also a dedicated chip for the effects section. This can produce not only reverb and echo but also chorus and flanging effects. The built-in sequencer works polyphonically and is available in addition to a monophonic arpeggiator.
Read more
coming soon $942.85
MFB
Cat: 648352 Rel: 30 Aug 17
 
Module version of the Dominion 1 analog synth with dual VCO's & morphing waveforms
Notes: Dominion Club is a monophonic synthesizer with an analog sound engine and a supplemental digital oscillator. The oscillators' and LFOs' waveforms can be seamlessly blended. In addition, Dominion Club offers 99 memory locations, a step-sequencer, an arpeggiator as well as comprehensive MIDI control.

Small instrument with huge sound:

The Dominion Club is a more compact version of the keyboard synthesizer Dominion 1. It features two VCOs plus sub oscillators, a digital sound source and a noise generator. Additionally, there are Xor and sync stages. The synthesis section is followed by a -24 dB multimode filter with self-oscillation. The modulation department is composed of two ADSR envelopes and two LFOs with one-shot and reset options. Furthermore, the Dominion Club comes equipped with an Arpeggiator and a sequencer. The latter offers two modes of operation plus motion recording. Oscillators, LFOs and filter possess morphing capabilities.

In use, the Dominion Club shines with powerful, rough sound. Thanks to its flexible synthesis system, the instrument is extremely versatile.

In short: A top class compact synth.

PLEASE NOTE: Supplied with Euro 2-pin mains plug - may require 3-pin converter.
Read more
 1 in stock $459.82
Cat: 763237 Rel: 21 May 20
 
hybrid synthesiser
Notes: Limited edition version of the excellent Medusa, combining the best of Polyend's digital sequencer knowledge with a Dreadbox hybrid synth engine.

Supplier's notes:
The whole is greater than the sum of its parts.
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams unusual approach to integrating analog and digital domains into a totally new quality. The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds. Seems like a simple addition, but this fusion brings something that has never been available before.

64 fully responsive and customizable, three-dimension expressive pads with assignable musical scales and different layouts.
The Grid is storing 128 presets of voices, chords memory, sequences and more than one hundred modulators per step.
Choose any modulation parameter per preset for X, Y and Z pressure axis.
Three sequencing modes: step, live and incremental.
Unique musical controller, sequencer and powerful modulation source fixed in one powerful Grid.
Sequence notes, modulation parameter locks or even entire synth voice presets per step.
Separate voice, notes sequence and modulation randomizer onboard.
All the necessary Grid information is given on a crispy OLED display.

The innovative way of connecting a classic synthesis character with the digital versatility and unique musical controller brings out the best of these two worlds.
Seems like a simple addition, but this fusion brings something that has never been available before.

You like it digital
or prefer analog?
Medusa has it all.
medusa
Three synchronizable analog oscillators with the choice of four classic wave types for each of them.
One 24dB classic Dreadbox analog filter with three different types (2pole LP, 4pole LP, HP).
Frequency modulation separately for analog oscillators and filter.
Analog noise generator with colour shaping.
Three digital wavetable oscillators with a choice of 64 morphable wavetables.
Three different play modes: monophonic, semi polyphonic x3, semi polyphonic x6.
Audio input lets you use the power of Medusa sound engine with external audio sources.
Second OLED screen to display all necessary synthesis data.
Independence. Times ten.
Five independent and adjustable low-frequency oscillators with an extensive pool of parameters to control.
Five independent, adjustable and loopable DADSR envelopes with a wide list of parameters to assign.
Mixer for all seven paths of independent analog, digital and noise voices.
Separate volume control for headphones and master audio outputs.
Implemented MIDI protocol with bi-directional USB and DIN input, output and through. MPE compatible controller.
Sustain notes using the Drone mode. Transpose the running sequences.

The build.
All that analog and digital functionality merged in a one clearly marked layout sealed in a sturdy tabletop aluminium chassis. Handily placed aluminium covered knobs, informative LED buttons for the comfort of use. The Grid pads made of specially designed silicone, so their immaculately matched density and firmness are providing an instant and precise response.

Once you start, you can't stop.
It's all about innovation, revealing new quality and ideas in music. Medusa Hybrid Synthesizer materialized from the genuine passion and a firm relationship between Dreadbox and Polyend synthesized in the proper way. At first, there was a desire to add a simple sequencer and preset functionality to the famous Dreadbox analog synthesizer. But as the more you have, the more you want, this liaison grew up to something utterly unique and totally different than initially planned. We literally had to limit ourselves from tucking more and more new ideas for Medusa functionality, just like you're going to have to withhold yourself from tweaking it all the time. Careful, Medusa might be dangerously absorbing and can drag you in for a long time.

Medusa Black Limited Edition
The Medusa Hybrid Synthesizer is a fruit of a collaboration between Dreadbox and Polyend companies. It has emerged from both teams an unusual approach to integrating analogue and digital domains into a new quality.

Colourful knobs included in every purchase.
Read more
MRP:$747.79 SAVE 15%
 More than 10 in stock $634.60
Click for better price!
or call +44 20 7424 1960
quote 763237
Items 1 to 50 of 114 on page 1 of 3
1  2  3  »

Filter

Synthesisers
商品
Release Date
Close